Latin American History Commons^™

Exhibit Curriculum For El Músico Y El Pintor/The Musician And The Painter: Lesson Overview, Sarah Aponte, Dania Diaz

Open Educational Resources

The exhibit El Músico y el Pintor/ The Musician and the Painter: An Exhibit Documenting the Lifetime, Work, and Artistic Trajectory of Two Early Twentieth Century Dominican Artists in New York consists of documents, photographs, musical scores, and paintings from the Dominican Archives collections that highlight the careers of musician Rafael Petitón Guzmán (1894-1983) and painter Tito Enrique Cánepa (1916-2014). Both were enormously influential in their chosen professions, contributing to the development of new hybrid artistic forms that combine traditional and modern elements and incorporate styles from different cultures. Cánepa used his art to express political themes, chiefly his opposition …

La Voz Winter 2018, El Instituto

La Voz

In this issue:

• Hurricane María
• Metanoia events
• Speakers: Sir Hilary Beckles; Ailyn Morera
• Mead Lecture
• PRCAP: Puerto Rico Citizenship Archives Project
• Tinker Field Research
• Spotlight: Joseline Tlacomulco
• Poetry: Nicole Delgado

La Pena Negra: Mexican Women, Gender, And Labor During The Bracero Program, 1942-1964, Mayra Lizette Avila

Open Access Theses & Dissertations

Most research on México and the Bracero Program has centered on the experiences of men. The scholarship details their decision to leave México, their experiences crossing the border and working in the fields, and their return migration home. "La Pena Negra: Woman, Gender, and Labor, During the Bracero Program, 1942-1964" adds to Bracero scholarship by looking at how the Mexican consulate dealt with Bracero treatment and death. However, the program did not only impact male laborers, but their spouses and family who they left behind in México. Women and families' survival depended on the female ability to adapt and negotiate …

"Seu Tesouro São Penas De Pássaro": Arte Plumária Tupinambá E A Imagem Da América, Amy Buono

Art Faculty Articles and Research

"Os povos tupinambá do Brasil dos séculos XVI e XVII foram a primeira grande cultura de arte plumária das Américas encontrada pelos europeus. Os tupi eram uma sociedade agrícola seminômade, que habitava as florestas ao longo de quatro mil quilômetros da costa brasileira3. Como a cultura tupi foi majoritariamente efêmera, centrada em tradições cerimoniais que envolviam dança, som, movimento e adornos, eles permanecem uma das grandes sociedades do Novo Mundo menos conhecidas. A maior parte dos traços da cultura material tupi se perdeu, com exceção de algumas cerâmicas, armas e, mais importante, muitas peças deslumbrantes de arte plumária."

Evangelizing Neoliberalism Through Megachurches In Latin America And The United States, William O. Collazo

Dissertations and Theses

The most prominent and influential feature of worldwide Evangelicalism, is the megachurch. In Latin America megachurches have proliferated and grown in political influence when they first came into contact with neoliberalism during Pinochet's dictatorship in Chile. As Latin America's poor first migrated out of rural areas into Latin American cities, then north, to the United States, they have brought with them their religion. Increasingly, this religion is Protestant, evangelical, and for many, it is Pentecostalism. Misunderstood by the early literature on Pentecostalism, is the strain of neoliberalism that has become infused in the religion's most powerful institution - the megachurch. …

Guitar Arrangements Of Selected Danzas Of Juan F. Acosta, With New Considerations Of His Music And Musical Life, Hermelindo Ruiz Mestre

Theses and Dissertations--Music

Juan Francisco Acosta (1890-1968) was a prolific composer, band conductor, and educator from Puerto Rico who created 1,256 original compositions. Even though his activities and influence were integral to the musical life of Puerto Rico in the twentieth century, many details of his life and works remain unknown.

This project centers on Acosta’s contribution to the Puerto Rican tradition of the danza—a dance-based genre originating in the nineteenth century—through the study and arrangement of five of Acosta's danzas. Although Acosta composed most danzas for piano, he adapted them for performances by the municipal bands that he led …

Evangelical Dictatorship Driving The Guatemalan Civil War: Reconsidering Ríos Montt, The “Savior Of La Nueva Guatemala”, Miho Egoshi

Dissertations and Theses

The devastating earthquake that hit Guatemala in 1976 was used as a pretext for American born Protestant evangelicalism—mainly Pentecostalism—to gain entry in the Guatemalan society. A major consequence of the earthquake relief efforts by American evangelicals, is that their meddling also intensified the Mayan genocide during the Guatemalan Civil War (1960-96). This thesis explores the complicit relationship of religion and politics in the Guatemalan Civil War, focusing on the evangelical dictator Efraín Ríos Montt’s regime (1982-83). Firstly, it examines how Christian evangelicalism played a pivotal role for conservative Republican candidate Ronald Reagan and, later through his administration, for Ríos Montt’s …

Representations Of García Lorca In American Poetry: Articulating And Floating Metaphor Of The Historical Connections Between Spain And The United States, Carlos Aguasaco

Publications and Research

No abstract provided.