Theory and Criticism Commons^™

Psychotic Diagnosis And Artist Pathology: Schizophrenic Art’S Influence On The Identification Of The Disorder, Danielle Watson

Honors Projects

The use of artwork created by schizophrenic individuals is unique in its contextual elements, including bizarre imagery, strong border lines, and desexualized features. The uniqueness of schizophrenic art lends itself to the possibility of being identified as such, therefore, opening the possibility for it to be used as a diagnostic tool in the clinical setting. Presently, schizophrenic art is used in art therapy, but is not widely employed in diagnostic practices. The current study aimed to test the possible identification of schizophrenic art in contrast to normal art and no art. Three questionnaires were created and randomly distributed to participants. …

Mona Hatoum And The Biographical Influence On Cross-Cultural Exchange, Nicole Shelton

Journal of Undergraduate Research at Minnesota State University, Mankato

Artist Mona Hatoum, a Palestinian born in Beirut and educated in London, has experienced the boundaries and displacement of exile. These have become influential in her work and are implied within some of her statements. Compared are the external experiences of a double-exile directly to her subjectivity, culminating in a discussion of works of art such as Light Sentence (Fig. 3) and Homebound (Fig. 7), and highlighting the issue of cross-cultural exchange. This artist is one of many exhibiting cultural exchange within art as a manifestation of hybridization of different cultures, even if the artist does not acknowledge this multiplicity. …

To Each His Own Reality: How The Analysis Of Artistic Exchanges In Cold War Europe Challenges Categories, Mathilde Arnoux

Artl@s Bulletin

How to reconstruct artistic relationships among four European countries, situated on both sides of the Iron Curtain, during the period that commenced post-Stalin and lasted until the fall of the Berlin Wall? This is one of the questions that faces the research program To Each His Own Reality: The notion of the real in the art of France, West Germany, East Germany and Poland between 1960 and 1989, which was initiated in January 2011. The paper discusses syntheses of the questions that the research team is facing, descriptions of its methodology, an analysis of preliminary results and what they allow …

Dreamcatcher From Mao's Last Revolution: My Venture Into Creative Social Documentary Video, Christopher Shea Howard

Student Publications

Dreamcatcher From Mao’s Last Revolution is a filmmaking venture into creative social documentary production undertaken by this filmmaker as his own experimental departure from narrative feature film production and the fiction genre. This thesis report not only describes aspects of this film production that are specific to the methodology of documentary film production, but also describes the film’s cinematic expression of memory and the filmmaker’s telling of the story. Some cinematic and conceptual aspects of the story are related to the film’s influences, specifically to those theoretical concepts and techniques employed by documentary filmmaker, Werner Herzog.

The documentary story is …

Art And Hyperreality, Alfredo Martin-Perez

Open Access Theses & Dissertations

My Thesis pertains to philosophy of art. Its main purpose is a reconsideration of the notion of art as a response to claims stating the end of art, as in the case of the writings on hyperreality, stating that the transformation of reality, has resulted in a world that is permeated with a virtual reality that replaces traditional schemas for ways of living in the world, that valued the originality of art.

In the setting up of the subject, I will briefly mention descriptions of both reality and hyperreality, and the developments in art throughout the modern, and post modern …

Many Worlds Converge Here: Vision And Identity In American Indian Photography, Alicia L. Harris

School of Art, Art History, and Design: Theses and Student Creative Work

Photographs of Native Americans taken by Frank A. Rinehart at the Trans-Mississippi and International Exposition in 1898 were then and continue to be part of the construction of indigenous identities, both by Anglo-Americans and Natives. This thesis analyzes the ramifications of Rinehart’s portraits and those of his peers as well as Native American artists in the 20^th and 21^st centuries who have sought to re-appropriate these images to make them empowering icons of individual or tribal identity rather than erasure of culture.

This thesis comprises two sections. In the first section, the analysis is focused on the historical …

Digital Curation And Information Management: Technological Changes In Art History, Joy K. Hyatt

Explorations – The Journal of Undergraduate Research, Scholarship and Creativity at Wright State

Archival and curatorial practices including information management within the fields of art and art history are changing. As a contribution to these vital fields of study, this project addresses their practical application in this digital age. My ten-week research project, Digital Curation and Information Management: Technological Changes in Art History explored this concept. Taking place at Wright State University (WSU), this included a practical application of my art history and motion picture coursework. This included investigating the many phases of digital image curation (the act of curating) through information analysis and management. The assimilation of online and written literature, program …

Why Not Kinkade? An Evaluation Of The Conditions Effecting An Artists Exclusion From Academic Criticism., Kelly Drum Moran

Electronic Theses and Dissertations

Though prevalent in non-academic debate, the subject of Thomas Kinkade and his artwork is discernibly absent from the realm of academic discourse. This paper is an investigation into that condition and the circumstances for its perpetuation. Central to the issue is Kinkade's art theory and practice, which establishes his coexistence in both the art and business domains, creating inherent contradictions. Further explication is revealed through an evaluation of the contemporary criticism of four posthumously canonized artists: William Blake, Phillip Otto Runge, Vincent van Gogh, and Henri Rousseau. Consistencies among them correlate to the treatment of Thomas Kinkade, suggesting a common …

Memory In Paintings Of Quattrocentro Renaissance Florence: Religious Paintings And Secular Portraits, Ashley Matcheck

Psi Sigma Siren

Collective memory studies as a field has always been the interdisciplinary study of how and why memories have been created. The difference between collective or cultural memory studies and that of a strictly historical study is often discussed and debated as people question whether memory or history is more valuable regarding past events. Jan Assmann explains that “in the context of cultural memory, the distinction between myth and history vanishes. Not the past as such, as it is investigated and reconstructed by archaeologists and historians, counts for the cultural memory, but only the past as it is remembered.” Assmann has …

Odd Man Out: Two Self-Portraits Of Henri De Toulouse-Lautrec, Ava Pandiani

Art & Art History Student Scholarship

No abstract provided.

Henri Mattise's "The Red Studio": Art As Real/The World As Illusion, Alyssa Johnson

Art & Art History Student Scholarship

No abstract provided.

The Cypress Trees In "The Starry Night": A Symbolic Self-Portrait Of Vincent Van Gogh, Jessica Caldarone

Art & Art History Student Scholarship

No abstract provided.

“Where Do We Come From? What Are We? Where Are We Going?”: Freud And The Unconscious Of Paul Gauguin, Lauren Cavalli

Art & Art History Student Scholarship

No abstract provided.

With Lovers As Her Muse: How Men Influenced The Designs Of Coco Chanel, Sara Spirito

Art & Art History Student Scholarship

No abstract provided.

Paradigmatic Portraits From Weimar Germany: Martha Dix, Sylvia Von Harden, And Anita Berber According To Otto Dix, Althea Ruoppo

Art & Art History Student Scholarship

No abstract provided.

Bilingual Visual Culture In New York : Socially-Engaged Latina Artists And The Discourse Of Hybridity, Solmerina Aponte

Legacy Theses & Dissertations (2009 - 2024)

The purpose of this dissertation is to analyze the aesthetic visual discourse of hybridity manifested in the works of contemporary socially-engaged Latina artists of the New York diaspora. For Latin America and the Caribbean, regions where sociopolitical history has generally exhibited a tumultuous trajectory, the arts have provided a formidable venue for addressing the social concerns engendered by this turbulent history and for studying the creative ways in which artists interpret them. The symbiotic bond created between art and politics would become a cultural force and tradition in the history of struggle that characterizes the countries that are part of …

Representaciones De Figuras Feministas En La Muestra Despierta!, Kathryn Lane

Pitzer Senior Theses

Elizabeth Waltenburg es una artista contemporánea argentina. En su muestra, despierta!, las obras en óleo sobre tela representan a mujeres, niños y animales en fondos extraños y deprimidos. Ella utilize simbolismo de animales y figuras femeninas para discutir el feminismo actual. Ella trabaja en un tiempo complicado por el feminismo, el postfeminismo, la critica de ambos, y un sistema de comunicación global. Su trabajo marca una tendencia hecho por la confusión de todos estos movimientos. Esta tesis discute su trabajo en el contexto de la historia de representaciones de mujeres, de niños y de animales para llegar a una mejor …

Antagonism And Relational Aesthetics, Claire Bishop

Publications and Research

A critique of relational aesthetics, as theorized by Nicolas Bourriaud, and exemplified in the work of Rirkrit Tiravanija and Liam Gillick. Using Laclau and Mouffe's theory of democracy as antagonism, the paper proposes instead a 'relational antagonism' found in certain projects by Santiago Sierra and Thomas Hirschhorn.

Redefining The Art Experience : From Static To Temporal Art Forms, Justine Mcknight

Theses: Doctorates and Masters

This research examines an approach to art making and viewing that questions the acceptance of the autonomous object in favour of a transient experience. It focuses specifically on work and writing from the 1960s by the American artist Robert Morris that attempted to alter the then predominant Formalist understanding of the art object as autonomous and self-referential. This investigation follows the formal and conceptual development of Morris' work (and that of associated artists Richard Serra and Rafael Ferrer) with particular focus on the shift from static objects to time-based and transient an-forms including film/video and installation. I address the influence …

Multi-Directional Ideas In The Duality Of A Living Work, Orlando Jimenez

All Master's Theses

This paper presents a series of ideas underlying the philosophy behind the creation of the author's works. The paper deals with the creator-viewer relationship, and the distinction that is commonly accepted as existing between the perception of the two, ascribing more value on the perception of one over that of the other. The conclusions were reached after acute observation of occurrences of everyday as a source of esthetic experience and after lengthy discussions with people involved in the creative process.

Bruegel: His Influences And Consequences, Regina Cheng Jafree

All Master's Theses

Pieter Bruegel the elder, whose work is as modern today as centuries ago, and whose reputation as a major genius in the realm of visual, spiritual and sociological reality is lately emerging in a fashion which seems to do greater justice at a scale eminently deserved. I feel that in times to come, men like Bruegel and Caravaggio will possibly emerge as the most significant philosophers of visual arts. The fact that Bruegel is now being increasingly appreciated on a wider scale testifies to his greatness as a prophet and as a man who looked into the future, deeply and …