Theory and Criticism Commons^™

Windows On The World: The Aesthetics Of Difference In Neoliberal New York, Nicholas Gamso

Dissertations, Theses, and Capstone Projects

This dissertation seeks to refine critical methods for interpreting global cities and their cultures, charting an aesthetic history of neoliberal New York — from the 1929 regional plan to the present. Surveying a range of literature, art criticism, and planning discourse, I argue that the global has served as the dominant motif of spatial production and political power during this watershed era. I trace this argument through analyses of midcentury planning’s global spatial imaginings, gentrification and imperial metaphor, transnational encounter in World literature, and the city’s contemporary waste and recourse imaginaries. While I follow the Marxist account of the New …

The Photographic Universe: Vilém Flusser’S Theories Of Photography, Media, And Digital Culture, Martha Schwendener

Dissertations, Theses, and Capstone Projects

Despite accelerated changes in the way we create, view, and experience photographs, critics and scholars in North America continue to read and assign an accepted canon of photography theory, often predicated on old concepts and technologies. This dissertation seeks to remedy that situation. It focuses on the work of Czech-Brazilian philosopher Vilém Flusser (1920-1991), author of such books as Towards a Philosophy of Photography (1983), Into the Universe of Technical Images (1985), and Does Writing Have a Future? (1987), which develop a theory of technical images that reaches beyond photography to include film, television, video, computer, and satellite images. Rather …

Export / Import: The Promotion Of Contemporary Italian Art In The United States, 1935–1969, Raffaele Bedarida

Dissertations, Theses, and Capstone Projects

Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. I do not concentrate on the Italian art scene per se, or on the American reception of Italian shows. Through a transnational perspective, instead, I examine the role of art exhibitions, publications, and critical discourse aimed at American audiences. Inaugurated by the Fascist regime as a form of political propaganda, this form of cultural outreach to the United States continued after WWII as Italian museums, dealers, and critics aimed to vaunt the …

Shadows And Light. Ernie Gehr Exhibitions At The Museum Of Modern Art, Sean M. Fuller

Dissertations, Theses, and Capstone Projects

This thesis examines exhibitions and media installations of Ernie Gehr’s work at The Museum of Modern Art (MoMA), beginning with the pivotal 1970 show Information, which presented four films by Gehr. Wait (1968), Transparency (1969), Reverberation (1969), and History (1970) were screened alongside work by other avant-garde filmmakers and video artists in a circular viewing booth in the gallery space, in a show featuring works now considered masterpieces of conceptual art. It also considers the two site-specific video works, MoMA on Wheels (2002) and Navigation (2002), which Gehr created for the lobby space at MoMA QNS, …

Transparent Interiors: Detective And Mystery Fiction In The Age Of Photography, Melissa D. Dunn

Dissertations, Theses, and Capstone Projects

This dissertation is a meditation on the mutable boundaries that define interior life in the age of photography. I probe these boundaries through selected readings in two literary genres that share conceptual links with photography—detective fiction and mystery fiction. Photography plays an important role in a radical reconsideration of the boundaries between public and private, engaging two dominant and often conflicting cultural values that shape American life at the turn of the twentieth century—the mandate to define and protect privacy and the simultaneous call for greater transparency in public and personal life. Photography, through its perceived transgressions against private life, …

Modernism Contested: Gego's Grids And The Aesthetics Of Temporality, Victoria L. Fedrigotti

Theses and Dissertations

This thesis traces Gego’s contestation of art historical modernism through examining her relationship to the modernist grid and to her modernist genealogy of Constructivism, Geometric Abstraction, and Kineticism. These two nonlinear developments subvert the teleological conception of progress presumed by Greenbergian modernism, and bring forth Gego’s own aesthetic conception of temporality.

Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse

Theses and Dissertations

"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.

Recovering The Beauty Of Medusa, Alexander M. Schlutz

Publications and Research

This essay presents a close analysis of P.B. Shelley’s fragmentary ekphrastic poem “On the Medusa of Leonardo da Vinci in the Florentine Gallery.” It places Shelley’s text in its aesthetic, mythological and historico-political contexts to demonstrate how Shelley aims to undo the ideological and representational structures of power that inform human language, art, and history, and which turn Medusa into the monstrous Other as which she appears. In Shelley’s text by contrast, Medusa becomes a figure for a revelatory beauty that cannot become visible in the distorting parameters of a discourse of power that informs our very perception of what …

On The Origin And Future Of Poetry: Notes Towards An Investigation, Carlos Aguasaco

Publications and Research

An exploration on the historical and material conditions that allowed the emergence of metaphors and poetry alongside language. This article analyzes the historical relation between poetry and technology across history. It discusses the so-called ontological crisis of poetry and opens the conversation on its future.

If You See Something, Say Something: A Look At Experimental Writing On Art, Charlotte Lucy Latham

Dissertations, Theses, and Capstone Projects

Signs all over New York City state, "If you see something, say something," but museum studies repeatedly find viewers do not attend to pictures, just as eye witness testimony is invariably skewed. Ways of seeing have been limited to known ways of discussing. Alternative approaches offer new insights. The first section, "Experiments in Art Writing," examines two texts: T.J. Clark's The Sight of Death, a journal of his daily visits looking at two Poussin paintings, for which he maintains the ambiguity of exploration and argues to keep visual images from their dissolution into political symbols; and, Charles Simic's Dime Store …

Utopias Misplaced: The Cost Of Outsourcing Dystopian Poetics To North Korea, Seo-Young J. Chu

Publications and Research

This is a slightly revised version of the text of a talk that I (Seo-Young Chu) gave as part of the Fall 2014 Franke Lectures in the Humanities at Yale University. I'm sharing the text here to make the lecture more accessible. Topics include: North Korea/the DPRK, the "uncanny body politic," the uncanny valley, "dystopian poetics," what it means to outsource dystopian poetics, the intersection of aesthetics and politics. Authors/artists mentioned include: Thomas Hobbes, Mary Shelley, David Mitchell, Marjane Satrapi, Song Byeok, Sun Mu, Masahiro Mori, Andy Warhol. The talk also discusses the James Bond film Die Another Day.

Reading With The Grain: On Vin Nardizzi’S Wooden Os: Shakespeare’S Theatres And England’S Trees, Steven Swarbrick

Publications and Research

No abstract provided.

Delegated Performance: Outsourcing Authenticity, Claire Bishop

Publications and Research

An essay is presented on delegated performance in which nonprofessionals are hired to perform at a particular time on behalf of the artist on his or her instructions. The author stated that this social turn started since 1990s in contemporary art against the tradition of 1960s and 1970s where artists like Chris Burden, Vito Acconci and Gina Pane performed themselves. The author referred to the trend of live installation started in Europe in 1990s in which guards for exhibition were hired. The Italian artist Maurizio Cattelan assembled a soccer club of foreigners to play local matches in 1991.

1968/1989: Political Upheaval And Artistic Change, Claire Bishop, Marta Dziewanska

Publications and Research

Anthology of texts proceeding from the conference "1968/1989: Political Upheaval and Artistic Change" held at the Museum of Modern Art, Warsaw, in 2008.

Testimonial, Henry Abelove

Center for LGBTQ Studies (CLAGS)

Douglas Crimp was born in 1944 in Coeur d'Alene, Idaho, where his brother and sister still live. As a boy, Douglas imagined that he might become an architect, and he went to Tulane University specifically to study architecture. But soon after beginning his university life, he shifted his concentration to Art History. One Tulane Teacher of Art History in particular enthralled him. This was Bernard Lehman, an eloquent, learned, and effervescent lecturer, and a campy gay man, whom Douglas credits as a primary influence.

James Abbott Mcneill Whistler: Photographs Of His Paintings And The Art Of Photography, Hiroko Suda

Dissertations and Theses

James Abbott McNeill Whistler (1834-1903) is an important figure in the development of art photography. His lyrical and atmospheric images were not only admired by modernist painters, but also influenced many photographers who aspired to be artists. His treatment of the subject matter, careful selection of paper, and arduous printing process gave profound inspiration to many of the early twentieth century photographers.

Nonetheless, Whistler's own attitude towards the medium of photography was quite elusive. He never took the camera seriously as a tool of his artistic expression and photography was never included in his oeuvre. The artist never explained his …

Participation, Claire Bishop

Publications and Research

An anthology of key writings on the topic of participation in art, from the 1950s to the 2000s.

Antagonism And Relational Aesthetics, Claire Bishop

Publications and Research

A critique of relational aesthetics, as theorized by Nicolas Bourriaud, and exemplified in the work of Rirkrit Tiravanija and Liam Gillick. Using Laclau and Mouffe's theory of democracy as antagonism, the paper proposes instead a 'relational antagonism' found in certain projects by Santiago Sierra and Thomas Hirschhorn.