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Articles 121 - 150 of 309
Full-Text Articles in Theory and Criticism
Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material, Robert M. Craig
Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material, Robert M. Craig
Art Inquiries
No abstract provided.
Art Inquiries, Xviii:2-3, Full Issue
Iconoclasm And The Museum, Catherine Chastain-Elliott
Iconoclasm And The Museum, Catherine Chastain-Elliott
Art Inquiries
Book review of Iconoclasm and the Museum, by Stacy Boldrick.
Dyani White Hawk: Speaking To Relatives, Sara Stepp
Dyani White Hawk: Speaking To Relatives, Sara Stepp
Art Inquiries
No abstract provided.
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño
Art Inquiries
No abstract provided.
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams
Art Inquiries
No abstract provided.
An Interview With Tony M. Bingham, Mysoon Rizk
Julie Mehretu, Jessica Stephenson
Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart
Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart
Art Inquiries
Book review of Consuming Stories: Kara Walker and the Imagining of American Race, by Rebecca Peabody.
Commonwealth, Clare Van Loenen
Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea
Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea
Art Inquiries
Book review of Photographic Returns: Racial Justice and the Time of Photography, by Shawn Michelle Smith.
Gut Feeling, Shelby Fleming
Gut Feeling, Shelby Fleming
Graduate Theses and Dissertations
Through curated space and abstracted sculptures that reference the viewer’s body, Gut Feeling, acknowledges the viewer’s experience as the focal point of the exhibition. I designed the whole gallery as an art object using both positive and negative space. The sculptures act as one unified system that guides the viewer through the exhibition in a counterclockwise rotation inward. The viewer follows the forms as they puncture through the walls of the gallery, while considering their own body’s relationship to the forms being seen. The viewer directly engages with the scale of the forms, sculptural placement, and sensory experience; these elements …
The Complexities Of Intimacy, Brie Henderson
The Complexities Of Intimacy, Brie Henderson
Graduate School of Art Theses
Through my research I have discovered there are many complexities that exist within the topic of intimacy. Of these complexities, I chose to explore the topics attachment and codependency in my final series. Attachment and codependency are deeply rooted in psychology, poetry, and many artist’s practices. The relationship between poetry and my work has become deeply intertwined. I combine poetry with my work as a way to document my feelings and to inspire the titles for my paintings. Through a series of intimate watercolor paintings, I reference bodies, intimate interactions and the ambiguity within the two. This ambiguity asks viewers …
An Exploration Of Provenance And Ownership History And The Critique Of Curatorial Practice., Sacra J. Fallen
An Exploration Of Provenance And Ownership History And The Critique Of Curatorial Practice., Sacra J. Fallen
Electronic Theses and Dissertations
In the art world, the artwork is under evaluation to determine its worth from its historic value to its monetary value. One of the primary strategies used to evaluate the artwork is the work's provenance which can be broken down into the work's collector history and the authenticity of its authorship. The first question to be addressed is: does knowing an artwork's collector history and provenance add to its historic value? The second question to be addressed is: does knowing an artwork's collector history and provenance add to its monetary value? These questions will be supported by two case studies …
Criticism Through Interpretation: Jules Olitski, Brooke E. Benham
Criticism Through Interpretation: Jules Olitski, Brooke E. Benham
Undergraduate Research Symposium
Modernist art critics tend to focus solely on formal elements. Clement Greenberg’s descriptive approach on the medium and Jerry Saltz’s off-the-cuff judgements fail to utilize the relevant insight that can be collected through cognizant interpretation. Susan Sontag attempts to justify the medium-specific approach by arguing that the merit of a work of art is independent of any interpretation. However, an interpretation based on historical and cultural connections can produce valuable insights about the form itself. A research-based analysis of Kristina Type 3 (1976) by the late-modernist painter Jules Olitski will show that criticism can serve viewers best through knowledgeable interpretation. …
Kim Gordon: The Bonfire, Annie Dell’Aria
Original Bauhaus: The Centenary Exhibition, Morgan Ridler
Original Bauhaus: The Centenary Exhibition, Morgan Ridler
Art Inquiries
No abstract provided.
Martian Mother, Elizabeth Mcgrady
Martian Mother, Elizabeth Mcgrady
Theses and Dissertations
This paper examines the relationship between humans and land, through the lens of the scientific and religious, bridging the physical realm with the spiritual. It acts as accompanying material to the project titled Martian Mother, supplementary information to the visual work, and an extension of the proposal, the center of the work. The proposal exists to send myself, or a like-minded individual, to Mars with artificial insemination equipment to give birth to the first Martian, becoming the first Martian Mother. This work is rooted firmly in speculative fiction, creating a nonlinear future framework for a new society and space exploration.
S. R. Koehler And The Etching Revival In The United States: Toward An “American” Tradition Of Printmaking, Katie Larson
S. R. Koehler And The Etching Revival In The United States: Toward An “American” Tradition Of Printmaking, Katie Larson
Art Inquiries
No abstract provided.
Age Old Cities: A Virtual Journey From Palmyra To Mosul, Hyunjin Cho
Age Old Cities: A Virtual Journey From Palmyra To Mosul, Hyunjin Cho
Art Inquiries
No abstract provided.
The Drop Sinister: Harry Wilson Watrous’ Visualization Of The One-Drop Rule, Mey-Yen Moriuchi
The Drop Sinister: Harry Wilson Watrous’ Visualization Of The One-Drop Rule, Mey-Yen Moriuchi
Art Inquiries
No abstract provided.
Art Inquiries, Xviii:1, Full Issue
Bertoldo Di Giovanni: The Renaissance Of Sculpture In Medici Florence, Roberto G. Peredo
Bertoldo Di Giovanni: The Renaissance Of Sculpture In Medici Florence, Roberto G. Peredo
Art Inquiries
No abstract provided.
Alphonse Mucha: Art Nouveau / Nouvelle Femme, Matthew Finn
Alphonse Mucha: Art Nouveau / Nouvelle Femme, Matthew Finn
Art Inquiries
No abstract provided.
Against Our Will: Sexual Trauma In American Art Since 1970, Andrew D. Hottle
Against Our Will: Sexual Trauma In American Art Since 1970, Andrew D. Hottle
Art Inquiries
Book review of Against Our Will: Sexual Trauma in American Art Since 1970, by Vivien Green Fryd.
When William T. Wiley And Bruce Nauman Wrote To H.C. Westermann, David Mccarthy
When William T. Wiley And Bruce Nauman Wrote To H.C. Westermann, David Mccarthy
Art Inquiries
No abstract provided.
An Interview With Adrian Rhodes, Kerr Houston
Pissed On Or Pissed Off: Andy Warhol’S Oxidized Portrait Of Jean-Michel Basquiat, Anthony J. Morris
Pissed On Or Pissed Off: Andy Warhol’S Oxidized Portrait Of Jean-Michel Basquiat, Anthony J. Morris
Art Inquiries
No abstract provided.