Modern Art and Architecture Commons^™

The Great Divide: The Relationship Between Perceived Immorality And The Work Of Artists, Caelyn R. Anderson

Psychology | Senior Theses

The psychological response one has when viewing art depends heavily on contextual understanding. More specifically, when a viewer learns negative biographical information about perceived immorality of an artist, it can negatively affect their relationship with that artist's work (Kaube et al., 2023). The sample was made up of 134 participants randomly assigned to one of two groups exposed to either positive or negative information about the artist Paul Gauguin. After viewing information, participants were shown three different paintings, before being asked to respond to an intentionality scale, and two art reception scales. An independent samples t-test showed that there is …

Tainted Love: Examining Romantic Obsession And Relational Tragedy In Modern Art, Caelyn R. Anderson

Visual Studies | Senior Theses

Many viewers are drawn to the period of modern art, as so many unique artistic movements arose under its umbrella. From Cubism to Expressionism, the freedom with which artists experimented with personal styles during this time period resulted in the creation of many remarkable works. This artistic freedom often extended into the social lives of artists, as many of them adopted unconventional bohemian lifestyles. The four couples discussed in this essay: Unica Zürn and Hans Bellmer, Francis Bacon and George Dyer, Oskar Kokoschka and Alma Mahler, and Jeanne Hubertene and Amedeo Modigliani, all had relationships that were fraught and strange, …

The Impact Of Francisco Franco’S Dictatorship On The Art Market For Spanish Artists: How Did Francisco Franco’S Dictatorship And State Policy Shape The Domestic And Foreign Art Market For Spanish Artists?, Georges Ruiz-Picasso

MA in Art Business Dissertations

This dissertation aims to look at the impact of Francisco Franco’s dictatorship (1939-1975) on the art market for Spanish artists. By segmenting the research in two parts, one on the internal market and the other on the external market, the dissertation wants to determine how and the extent to which Francisco Franco’s dictatorship and state policies shape the domestic and foreign art market for Spanish artists? The study argues that, within the domestic market, the gradual political shift of the regime has permitted a slow progress towards internationalization. Whilst the domestic market experienced a limited productivity, some international Spanish artists …

Gendered Value: The Economics Of The Modernist Nude: Comparative Study Of Market Asymmetries Between Amedeo Modigliani, Suzanne Valadon, And Paula Modersohn-Becker, Ines Natuzzi

MA in Art Business Dissertations

This dissertation investigates the complex dimensions of gendered valuation through a comparative study of Amedeo Modigliani, Suzanne Valadon, and Paula Modersohn-Becker. Leading figures in the modernist reimagining of the nude in the early twentieth century, with shared ties to the Parisian milieu, their markets have since followed markedly different trajectories. Combining market and historiographical analysis with feminist theory, this study considers the structural, ideological, and discursive mechanisms that underpin these asymmetries and continue to inform the artists’ reception and valuation today.

By interrogating the gender ideologies, institutional barriers, and critical discourses behind these market asymmetries, this study argues that the …

How Have Emil Nolde’S Political Biographies Impacted His Market, From ‘Weimar Degenerate’ And ‘Dissident’, To ‘Complicit Antisemite’?, Samuel Goodwin-Hudson

MA in Art Business Dissertations

Emil Nolde is regarded as one of the most accomplished and innovative modernists. Celebrated for his varied iconographies expressed with thick, erratic brushstrokes, displaying highly saturated, non-naturalistic tonal contrasts, and pronounced, distorted forms. He often draws comparisons to Paul Gauguin and Vincent van Gogh. He died a national hero in Northern Germany, 1956, at 88 years of age. His oeuvre has inspired numerous artists, such as Georg Baselitz, Daniel Richter and Anselm Kiefer. Accordingly, his art has been exalted by institutions and converted by learned collectors, subsequently demanding huge sums.

The exhibition 'Emil Nolde. A German Legend. The Artist during …

The Symbolic Language Of Militarized Orthodoxy In Patriarchal Sermons, Architecture, And Pseudo-Historical Memory, Oleksandr Lukyanenko

Occasional Papers on Religion in Eastern Europe

The article is devoted to a comprehensive cultural and religious analysis of the processes of militarization of religious worldview in modern Russia using the example of public speeches of Patriarch Kirill of Moscow, as well as the symbolic space of the Main Temple of the Armed Forces of the Russian Federation. Particular attention is paid to the study of the mechanisms of sacralization of war through the integration of historical memory, Orthodox rhetoric and the state ideology of the “Russian world”. The study analyzes the peculiarities of the interpretation of World War II as the sacred foundation of modern Russian …

Faik Tagirov And Tatar Constructivism: The Making Of A New Tatar Book, Miriam Akhmetshin

Scripps Senior Theses

Working in the style of constructivism, Faik Tagirov primarily designed book covers for Tatar agitational literature in the 1920s. Studying at VKhUTEMAS and working for numerous publishing houses, Tagirov participated in several domestic and international exhibitions with well-known artists like Aleksandr Rodchenko and El Lissitzky. Tagirov utilized photomontage, geometricism, and unique typographical designs to create potent materials for a Tatar population. Current scholarship fails to adequately acknowledge the diverse influences impacting the work of non-Russian artists such as Tagirov. Using visual and iconographic analysis, I argue for an approach that recognizes Tagirov's work as syncretic in nature, utilizing both indigenous …

Still Life As A Photographer: Visual And Mnemonic References To Photography In Yasuo Kuniyoshi’S 1944 Broken Objects And Room 110, Tara A. Attanasio

Scripps Senior Theses

This thesis examines Yasuo Kuniyoshi (1889-1953) and his still life paintings titled Broken Objects and Room 110 as modes of implicit portraiture, self-declaration, and self-reclamation. Following the attack on Pearl Harbor on December 7th, 1941, government authorities deemed Kuniyoshi an “enemy alien” and confiscated his photographic equipment. Painted two years following his camera’s confiscation, Broken Objects and Room 110 contain references that recall Kuniyoshi’s prewar photographic practice and visualize his response to the loss of his camera. I foreground my analysis with Kuniyoshi’s Self-Portrait as a Photographer from 1924 and his photography from the 1930s to detail his metacritical relationship …

Photographic Perceptions: Reconstructing The Life And Career Of Dody Weston Thompson, Virginia Carroll

Scripps Senior Theses

This thesis reconstructs the life and career of photographer Dody Weston Thompson (1923-2012), presenting a narrative that has been absent from photographic history. Dody trained beneath significant figures like Edward Weston and Josef Albers, exhibited among some of the most canonical figures in photographic history, and served as a founding member of Aperture magazine—one of the foremost photographic journals to this day. Despite this, there has been no academic scholarship on Dody’s life or career, leaving her largely absent from the art-historical record.

Through the analysis of The Dody Weston Papers at the Ella Strong Denison Library and photographs held …