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Articles 31 - 45 of 45
Full-Text Articles in Modern Art and Architecture
Program Booklet: 28th Annual James Porter Colloquium, Department Of Art
Program Booklet: 28th Annual James Porter Colloquium, Department Of Art
28th Annual James Porter Colloquium
No abstract provided.
Visual Communication & Typography: Study In The History Of Hebrew Letterforms And The Work Of Israeli Designer, Yaakov Stark, Shayna Tova Blum
Visual Communication & Typography: Study In The History Of Hebrew Letterforms And The Work Of Israeli Designer, Yaakov Stark, Shayna Tova Blum
Faculty and Staff Publications
The article reviews the history of letterforms and typographic design by discussing inventions in scripts, tools, and technology which impact the evolution of visual language and writing systems. Principles and elements of typography are analyzed using the Hebrew alphabet as an example in letterform design by exploring the work of Israeli designer, Yaakov Stark, who as an Israeli immigrant from Eastern Europe projects centered on Hebrew typography and the hybridization of Ashkenazi and Mizrahi scripts. Through an archive of work produced while a student at the Bezalel Academy of Art, Jerusalem in 1906, Stark has influenced generations of Israeli designers, …
Left And Right: Politics And Images Of Motherhood In Weimar Germany, Michelle L. Vangen
Left And Right: Politics And Images Of Motherhood In Weimar Germany, Michelle L. Vangen
Dissertations, Theses, and Capstone Projects
Art historians and cultural critics have long debated the aesthetic and political implications of the stylistic shift in Germany from pre-war experimentations with abstraction and expressive distortion to more clear-cut figuration in their paintings during the years following World War I. They have questioned whether this shift represents a regressive return to tradition or a new artistic direction and if it should be associated with a reactionary or progressive political stance. This dissertation broadens our understanding of German interwar realism, commonly referred to as Neue Sachlichkeit, by examining representations of mothers, a popular theme in the realist painting of …
Open Works: Between The Programmed And The Free, Art In Italy 1962 To 1972, Lindsay A. Caplan
Open Works: Between The Programmed And The Free, Art In Italy 1962 To 1972, Lindsay A. Caplan
Dissertations, Theses, and Capstone Projects
This dissertation historicizes and theorizes a group of Italian artists who were among the first to use computers and cybernetics to make artworks, developing the genre of Arte Programmata, or Programmed Art. It argues that the artists of Arte Programmata (Bruno Munari, Enzo Mari, and collectives Gruppo T and Gruppo N) turned to the generative, interactive, and probabilistic aspects of early computers not simply as new media for making art but as platforms for radically altering what it means to be a participant in an increasingly mediated and networked world. This is apparent in how each of their works deploys …
Ludic Conceptualism: Art And Play In The Netherlands, 1959 To 1975, Janna Therese Schoenberger
Ludic Conceptualism: Art And Play In The Netherlands, 1959 To 1975, Janna Therese Schoenberger
Dissertations, Theses, and Capstone Projects
This dissertation, the first extended study on art in the Netherlands in the 1960s and ‘70s, investigates the phenomenon of ludic art, taking its lead from Johan Huizinga’s definition of ‘ludic’ in his seminal Homo Ludens (1938). According to Huizinga, the ludic is characterized by masquerade, freedom, and purposelessness, to which I add my own theoretical contribution—absurdity. I argue that the key instantiation of Huizinga’s ideas is found in the utopian project New Babylon (1959–74) by Constant Nieuwenhuys. In the 1960s, ludic art was deployed as a strategy of social critique that attacked from an oblique angle, sometimes effectively, but …
I Like America: Painting In The Expanded Field, Isaac Aden
I Like America: Painting In The Expanded Field, Isaac Aden
Theses and Dissertations
Using Structuralist theory, Krauss created a Klein group diagram. the diagram included site sculpture, construction, marked sites, and axiomatic structures.Could the same strategy be applied to painting? As I attempted to engage painting from a critical perspective, I formed of a body of work entitled Painting in the Expanded Field.
Presenting The Extremely Difficult Past: Günther Domenig’S Documentation Center Of The National Socialist Party Rally Grounds, Nuremberg, Germany, Rumiko Handa
Architecture Program: Faculty Scholarly and Creative Activity
Buildings have a way of bringing the past into the present. This is important because experiences of the past often constitute impactful moments in everyday lives and allow a contemplation of existential meaning. It is an aspect often neglected by architectural professionals and critics because it lies outside the Vitruvian triad of aesthetic, functional, and structural virtues. It goes without saying that a building’s presentation of the past is ontological. In other words, individual perceptions of a building are subjective, and the building’s objective traits or histories do not guarantee that it will turn into a place of memory for …
The Stained Glass Windows Of The Dewey Graduate Library, Kristen Thornton-De Stafeno
The Stained Glass Windows Of The Dewey Graduate Library, Kristen Thornton-De Stafeno
Dewey Graduate Library History
The history and description of the ten 20th century stained glass windows given to the Dewey Graduate Library of the University at Albany by the senior classes of the State Normal College and the New York state college of Teachers.
Ultimate Witnesses - The Visual Culture Of Death, Burial And Mourning In Famine Ireland, Extract, Niamh Ann Kelly
Ultimate Witnesses - The Visual Culture Of Death, Burial And Mourning In Famine Ireland, Extract, Niamh Ann Kelly
Books/Book Chapters
No abstract provided.
The "Postmodern Geographies" Of Frank Gehry's Los Angeles, Katherine Shearer
The "Postmodern Geographies" Of Frank Gehry's Los Angeles, Katherine Shearer
Scripps Senior Theses
This thesis examines the ways in which Frank Gehry’s architectural contributions to Los Angeles’ social and built environment have shaped the region’s “postmodern geographies” throughout the 20th and 21st century. Through a focused exploration of three of Gehry’s postmodernist structures in Greater Los Angeles—a house, a library, and a concert hall—this thesis analyses how Gehry and his designs reflected and affected the artistic and socio-spatial development of Los Angeles’ “decidedly postmodern landscape.”
Trauma And Recovery: A Confessional Process, Mia Siracusa
Trauma And Recovery: A Confessional Process, Mia Siracusa
Scripps Senior Theses
This paper is about a confessional painting series, which appropriates Abstract Expressionist techniques, and is on geometric canvas reliefs. The main focus through out the series is the process of my recovery from a traumatic event and the process of the creation of a language through abstraction.
History And Desire: A Short Introduction To The Art Of Cy Twombly, Michael Schreyach
History And Desire: A Short Introduction To The Art Of Cy Twombly, Michael Schreyach
Faculty Authored and Edited Books & CDs
This book is meant for readers (and viewers) searching for an introduction to the major themes of Twombly’s art, and for an explanation of the techniques by which he realized his intentions. It presents a developmental history of the artist’s achievement in various media (mostly painting, sculpture, and drawing). At the same time, it addresses certain issues that concern art historians more broadly, such as modern art’s relationship to the past.
Hayashi Yasuo And Yagi Kazuo In Postwar Japanese Ceramics: The Effects Of Intramural Politics And Rivalry For Rank On A Ceramic Artist’S Career, Marilyn Rose Swan
Hayashi Yasuo And Yagi Kazuo In Postwar Japanese Ceramics: The Effects Of Intramural Politics And Rivalry For Rank On A Ceramic Artist’S Career, Marilyn Rose Swan
Theses and Dissertations--Art and Visual Studies
The use and firing of clay to make art instead of vessels was a revolutionary concept in Japan when it first was introduced by Hayashi Yasuo in 1948 with Cloud, and expanded upon by Yagi Kazuo in 1954 with Mr. Samsa’s Walk. Although both avant-garde artists were major forces in the advancement of abstract, nonfunctional ceramics, Yagi is usually given sole credit and occupies a prominent place in the literature, while Hayashi’s name can scarcely be found, despite his numerous international awards, large body of work and career spanning seven decades. This thesis seeks to identify the factors …
Public Art Between Authoritarianism And Democracy (The Case Of The Maidan Protest In Ukraine), Asia Bazdyrieva
Public Art Between Authoritarianism And Democracy (The Case Of The Maidan Protest In Ukraine), Asia Bazdyrieva
Dissertations and Theses
This thesis explores the spatial organization and public art of Kyiv’s Independence Square to address broader social and political realities after the Maidan protests of 2013-14. Using theories of power and ideology, this study demonstrates how the discourse on public art reflects the political situation of post-revolutionary Ukraine, and how public engagement with urban space signals a paradigmatic shift in the developing country’s process of self-identification. The purpose of this thesis is threefold: first, to identify the Soviet ideological approach embedded in the spatial organization of Kyiv’s administrative center (including the Maidan); second, to examine artistic interventions at the site …
The Deprivatization Of Art: Dan Graham As An Art Worker, Jordana Cotilletta
The Deprivatization Of Art: Dan Graham As An Art Worker, Jordana Cotilletta
Dissertations and Theses
No abstract provided.