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Film and Media Studies

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Articles 31 - 38 of 38

Full-Text Articles in Modern Art and Architecture

Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss Nov 2016

Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss

Posters-at-the-Capitol

Through a generous donation to Morehead State University, research has been conducted on thousands of slides containing images of artwork and artifacts of historical significance. These images span from Egyptian hieroglyphs to the inaugural dress of every first lady of the United States. The slides are in the process of being recorded and catalogued for future use by students in hopes of furthering academic comprehension and awareness of the influence of fashion and costume history through the ages. Special thanks to the family of Gretel Geist Rutledge, faculty mentor Denise Watkins, as well as the Department of Music, Theatre, and …

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Shadows And Light. Ernie Gehr Exhibitions At The Museum Of Modern Art, Sean M. Fuller Feb 2016

Shadows And Light. Ernie Gehr Exhibitions At The Museum Of Modern Art, Sean M. Fuller

Dissertations, Theses, and Capstone Projects

This thesis examines exhibitions and media installations of Ernie Gehr’s work at The Museum of Modern Art (MoMA), beginning with the pivotal 1970 show Information, which presented four films by Gehr. Wait (1968), Transparency (1969), Reverberation (1969), and History (1970) were screened alongside work by other avant-garde filmmakers and video artists in a circular viewing booth in the gallery space, in a show featuring works now considered masterpieces of conceptual art. It also considers the two site-specific video works, MoMA on Wheels (2002) and Navigation (2002), which Gehr created for the lobby space at MoMA QNS, …

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Ken Jacobs, Alchemist, Ara C. Osterweil Oct 2014

Ken Jacobs, Alchemist, Ara C. Osterweil

Criticism

Optic Antics: The Cinema of Ken Jacobs edited by Michele Pierson, David E. James, and Paul Arthur. Oxford: Oxford University Press, 2011. Pp. 312; 48 photographs. $99.00 cloth, $39.95 paper, 26.99 E-book.

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Using The Spatial Variability Of Lead In Urban Soils And Demographic Variables To Predict Exposure Risks: An Environmental Justice Analysis In Terre Haute, Indiana, Heather A. Foxx Aug 2014

Using The Spatial Variability Of Lead In Urban Soils And Demographic Variables To Predict Exposure Risks: An Environmental Justice Analysis In Terre Haute, Indiana, Heather A. Foxx

All-Inclusive List of Electronic Theses and Dissertations

Terre Haute, Indiana, is similar to many older cities throughout the United States with a history of manufacturing and industry that relied on extensive road and rail networks. This industrial history has resulted in the presence of over 20 brownfields and even a Superfund Site within the city today. Historic neighborhoods and abundance of pre-1950’s homes is another characteristic of the city. Unfortunately, improper removal and deterioration of lead (Pb) paints, as well as high Pb solder used in gutters, appear to be significant sources of soil Pb in Terre Haute. Despite the fact that most new environmental sources of …

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Edward Steichen And Hollywood Glamour, Alisa Reynolds Jan 2014

Edward Steichen And Hollywood Glamour, Alisa Reynolds

Theses and Dissertations--Art and Visual Studies

As a word, glamour is hard to define, but is instantly recognizable. Its association with Hollywood movie stars fully emerged in the 1930s in the close-up celebrity portraits by photographers like George Hurrell. The aesthetic properties in these images that help create glamour are characterized by the Modernist style, known for sharp focus, high contrast, seductive poses, and the close-up (tight framing). My essay will explore the origins of the visual aesthetics of glamour, arguing that their roots can be found in the still life photographs of the 1910s, produced by fine art photographers such as Edward Steichen. This essay …

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Bias In A Just World? Sexual Prejudice, Gender Self-Esteem, And Intimate Partner Violence, Crystal D. Mahoy Sep 2012

Bias In A Just World? Sexual Prejudice, Gender Self-Esteem, And Intimate Partner Violence, Crystal D. Mahoy

All-Inclusive List of Electronic Theses and Dissertations

Each year, approximately 835,000 men and 1.3 million women are victims of intimate partner violence (IPV; American Bar Association, n.d). Although the prevalence of same-sex intimate partner violence (IPV) is approximately the same as IPV in heterosexual couples (Alexander, 2002), fewer studies have examined perceptions of IPV in same-sex couples or of IPV perpetrated against heterosexual men compared to heterosexual women. In the current study, Just World Theory (Lerner & Miller, 1978) is used as a framework for understanding factors associated with perceptions of heterosexual and same-sex IPV, including sexual prejudice and gender self-esteem. Perceptions of IPV were examined in …

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Man Ray: Prophet Of The Avant-Garde, Thomas A. Ipri Oct 2010

Man Ray: Prophet Of The Avant-Garde, Thomas A. Ipri

Library Faculty Research

Man Ray: Prophet of the Avant-Garde originally aired as an episode of PBS’ American Masters in 1997 and provides a succinct overview of the life of the talented Man Ray, a painter, photographer, sculptor, and film maker, who is perhaps best known for his photographic portraits of famous artists, such as Igor Stravinsky, Gertrude Stein, Ernest Hemingway, and Pablo Picasso. The film, engagingly narrated by Stockard Channing, surveys Ray’s life while being attuned to the need to frame his life and work in a cultural and historical context. The often underappreciated Ray is given flattering treatment as director Mel Stuart …

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Machian Epistemology And Its Part In František Kupka's Painterly Cognition Of Reality, John G. Hatch Jan 2000

Machian Epistemology And Its Part In František Kupka's Painterly Cognition Of Reality, John G. Hatch

Visual Arts Publications

A consensus has emerged amongst art historians that portrays the work the Czech painter, František Kupka (1871-1957), as fluctuating between differing styles and never resolving itself into one straightforward and single-minded direction beyond abstraction. Visually this is true, but for Kupka the visual was secondary in that it plays a subsidiary role to the process involved in the creation of the work itself. A failure to properly understand this process has resulted in an inaccurate reading of Kupka's art, essentially missing the point that his paintings embody in their imagery the cognitive process involved in their creation. Significantly, as I …

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