History of Art, Architecture, and Archaeology Commons^™

A Ceramic Zoomorphic Figurine From Tel Bet Yeraḥ, Nadeshda B. Knudsen

'Atiqot

A well-made ceramic zoomorphic figurine was recovered from a domestic EB IB context (Stratum V) in the southern part of Tel Bet Yeraḥ. The physical characteristics of this figurine suggest that it was intended to represent an equid, possibly a donkey. Such animal figurines are common at Early Bronze Age sites, usually representing familiar domesticate animals. The purpose of these figurines remains obscure, with multiple suggestions offered, including their use as toys, talismans, teaching aids, exchange tokens, or for rituals.

The Price Of Zero: On Aesthetics, The Market, And The Salvage Art Institute, Emily Henson

Theses and Dissertations

Founded by Elka Krajewska, The Salvage Art Institute (SAI) recontextualizes artworks classified as "total loss" through public exhibition and archival practices, and challenges conventional art market values by exploring alternative frameworks for artistic worth.

The Paradox Of Value, David Enrique Guarnizo

Theses and Dissertations

The present thesis project examines how, in the United States, and especially in the state of Virginia, archetypes of "wealth," "value," and "identity" have been constructed in relation to land and territory. This analysis explores the tension between the inherent value of life on the land and the economic value that can be derived from it. This tension is exemplified by a theory known as the "paradox of value", also referred to as the "paradox of water and diamonds", which was developed by the renowned Scottish economist and philosopher, Adam Smith. This theoretical framework serves as a fundamental axis for …

Review: The Shape Of Power: Stories Of Race And American Sculpture, Jiaying (Gloria) Dai

Art Inquiries

The Shape of Power: Stories of Race and American Sculpture, co-curated by Karen Lemmey,

Tobias Wofford, and Grace Yasumura, ambitiously asked: How does American sculpture

intersect with the history of race in the United States?1 Positioning itself as the first major survey

exhibition of American sculpture in decades, this exhibition featured 82 sculptures created by 70

artists spanning from 1792 to 2023.

The Synagogue At Ḥorbat Merot: Its Construction Phases And A New Interpretation Of The Finds (Hebrew; English Summary), Emmanuel Damati

'Atiqot

This article focuses on the ancient synagogue uncovered at Ḥorbat Merot and offers a new interpretation of its various phases. Three strata were identified: Stratum I, predating the synagogue, from the Early Roman period; Stratum II, the construction of the synagogue and its use, with three phases dating from the Byzantine to the Early Islamic periods; and Stratum III, when the building served as a dwelling in the Mamluk period. In the Ottoman period, an Algerian village existed on-site. The excavation of the synagogue yielded many finds, including coin deposits dating from the fourth and fifth centuries CE; a treasury …

Greek Inscriptions From The Byzantine-Period Monastery At Ḥura, Yulia Ustinova

'Atiqot

Five mosaic inscriptions adorned the halls of the Byzantine-period monastery at Ḥura, four of them in Greek and one is bilingual. One inscription belongs to an early phase of the building, from the late fourth or early fifth century CE, while the other inscriptions belong to the monastery of the sixth century CE. Two of the latter inscriptions contain dates within the last quarter of the sixth century CE.

A Byzantine-Period Monastery At Ḥura, Daniel Varga, Rina Talgam

'Atiqot

A building identified as a monastery, probably associated with the nearby Byzantine settlement at Ḥorbat Ḥur, was paved with four mosaic pavements containing four Greek inscriptions and one bilingual inscription in Greek and local Syriac. The inscription in the prayer hall indicates that the building was a monastery, probably founded in 575 CE. The monastery’s cemetery, located to its southwest, was well-preserved including four sealed graves of adult males, possibly monks. The mosaic art in the monastery deviates from the period’s trends, depicting figurative images and implicit crosses. This, and the location of the monastery, suggest that the monastery served …

In The Case Of Prince Ling Ching: Visualizing The Boxer Rebellion Through Puck Magazine, Mimi Yu

Honors Program: Senior Projects (Public)

Through the framework of orientalism, this paper examines the historicism behind satirical illustrations created by artists and editors in Puck Magazine which depict the Boxer Rebellion, spanning from 1899 to 1902. In doing so, I aim to explore the nuances in which mass-produced visual satire seeks to justify Western hegemony. Widely published and distributed in the United States, Puck was a satirical magazine from the late 19th and early 20th century, and one of the first satirical magazines to contain colored lithographic covers. Puck further contributed to discourse over the “Yellow Peril” by employing caricature art and passages of punchlines …

The Cumulate Project: Creating Art That Builds Pathways Between Poetry And Accessibility In Public Spaces., Jenny Haddon

Posters, Proceedings, and Presentations: CTR Library

The University of Nebraska at Kearney( UNK) is completing an extensive renovation to the Calvin T. Ryan Library. Nebraska’s 1% for Art Law requires that 1% of all state-funded projects be set aside for a public art commission. The Nebraska Arts Council spearheaded UNK’s search and out of over 100 submissions the successful applicant was Leslie Iwai, an accomplished artist with a history of creating thought-provoking pieces in public spaces, galleries and museums. Together with Nebraska’s State Poet Matt Mason, serving as cumulate’s Poetry Curator, she designed and created an interdisciplinary art project aimed at sparking curiosity and interaction …

Palette Of Perspective: Designing An Inclusive Art History Curriculum, Amy Bettencourt

Theses

This project aims to develop an inclusive art history curriculum as a high school level course, addressing the traditional Western-centric focus that has been marginalized non-Western contributions. By pairing Western and non-Western artworks within a chronological framework, students can compare artistic expressions across cultures, emphasizing parallel histories rather than a single Eurocentric narrative. The curriculum employs diverse interpretive methodologies to foster critical thinking and challenge conventional narrative. Designed for a 20-week semester, it focuses on a smaller number of key artworks per unit to encourage meaningful engagement and projects. While still rooted in Western art, the course connects global artistic …

Lost In The (Re)Process: Challenging Constructions Of Downtown Louisville Through The Urban Renewal Commission Photograph Collection., Cassidy Meurer

Electronic Theses and Dissertations

This thesis chronicles the historical significance of the Urban Renewal Commission photograph collection, traces the history of racial capitalism in Louisville through research at Metro Louisville Archives & Records Center, and argues for alternative ways of organizing, digitizing, and presenting these archival materials in the University of Louisville’s Archives & Special Collections. I describe my methodology for breaking the photographic materials from their original order, going against typical archival processing methodologies, with the aim that the collection will more accurately represent the city’s strategic displacement of Black Louisvillians and civic prioritization of capital efficiency over community. This work emphasizes the …

Queerform/Ing, Matthew Solon-Lee Weimer

Art Theses and Dissertations

My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …

Texas Gothic, Taryn Uribe Turner

Art Theses and Dissertations

The emotional and the ecological combine to create my body of work titled, “Texas Gothic.” My thesis tells the stories of my oil paintings created through personal connections to a variety of landscapes, animals and experiences that share the setting of Texas.

Desire and regret take shape as animals and figures not fully formed or real. Unreliable narratives of the past are entangled with present tensions to create a painting that haunts and stalks.

And yet, there is hope!

Through nostalgia and sweetness and burdens, my paintings confront a shrouded future. The contradictions of time passing are explored in my …

Fragmented Bodies, Lauren Careese Alexander

Art Theses and Dissertations

Through Memory Webs and fragmented ceramic vessels, I express what it feels like to grow up living in a biracial body. I utilize mixed media to emulate a mixed-race experience. My Memory Webs are fashioned by painting on scraps of canvas and attaching them with crocheted wire and ribbon to speak to how my memory has impacted my identity. My fragmented ceramic vessels are cut up and stitched back together to represent disjointedness and un-belonging. All of my work is contextualized through the novel Frankenstein by Mary Shelley and what the Monster may represent for people of color. I also …

Suspicion And The Witch’S Tit, Shayna R. Miller

Theses and Dissertations

Shayna Miller’s paintings are built up panels with protruding points, appearing as if a mass is pushing up from behind the burlap-stretched painting surface. In Suspicion and the Witch’s Tit, Miller contextualizes her work in relation to a history of shaped painting and frames her discussion around references related to suspicion, embodiment, and rejection.

A Taste For The Distasteful: The Aesthetics Of Gore In The Giallo And Horror Films Of Mario Bava, Thais Casado Bignardi-Engstrom

Theses and Dissertations

This thesis analyzes the Italian experience with horror in cinema in both psychoanalytic feminist and cognitive Marxist critical film theories through a study of visual renderings of excessive violence and sex in gothic and thrillers known as giallo films created by the film director Mario Bava. This is an art historical study that looks at Bava’s work against the Italian cultural landscape in the post war period.

The Unspoken Words Of Fashion: Movements Behind Harajuku’S Avant-Garde Fashion Trends, Alastair Leon

Theses/Capstones/Creative Projects

Over the past 50 years, the Harajuku neighborhood in Tokyo, Japan, has become an epicenter for innovative fashion trends that have reached global audiences. Fashion, as a medium, is an art form that can be as powerful as traditional work. It can convey a multitude of messages, and most notably, it can be a wordless statement against dominant culture and societal norms. Social groups have used fashion as an identifier, and they are commonly linked with a subcultural identity. Self-expression is a powerful tool to fight against the status quo, and fashion enthusiasts in Japan have advocated for a rebellion …

My Body Adorned, Marie Y. Peterson

Art and Art History Honors Projects

My studio art honors project is an autobiographical body of work expressed through a ceramic-based installation. Further exploring the hybridized identity of being an Asian-American adoptee, My Body Adorned aims to juxtapose the contentious history of body modifications using the familiar and prestigious visual language of South Korean-inspired celadon-ware. My Body Adorned showcases a collection of vessels inspired by Korean ceramics with “tattooed” exteriors. Reinforced and informed by my tattooing practice, my work exposes the visual, linguistic, and technical skills that intertwine clay and skin and establishes a conversation between my physical human body and body of work.

Art And Evidence In Totems Of Uganda (2014), Margaret Nagawa, Taga F. Nuwagaba

Artl@s Bulletin

In his painting and book project, Totems of Uganda: Buganda Edition (2014), Ugandan artist Taga Nuwagaba asks: What is the function of a totem? In Buganda, the historical kingdom in current-day Uganda, totems serve as unique identifiers for fifty-two distinct patrilineal descent groups designated as clans, or ebika in the Luganda language, forming the primary scheme of social and political organization. Yet, totems also serve as a conservation practice. In this 2022 interview, Nuwagaba discussed his art and the evidence he relies upon to create his images, demonstrating that identities and knowledges are complex.

Munna Uganda Taga Nuwagaba abuuza nti: …

Art And Propaganda :The Formation Of Habsburg Absolutism, Emily B. Suter

Student Publications

Habsburgian propaganda is most often understood within the context of the 17th and 18th centuries, during the monarchy's period of baroque absolutism, causing earlier attempts at propaganda and centralization to be seen as ineffective in comparison. However, through analyzing royal, propagandistic art in the 16th century empire, produced by monarchs beginning as early as Maximilian I, it becomes clear that a unified foundation of an absolutist policy was developed and fostered within this era, one which was a necessity in the success of the absolutist ideologies two centuries later. Through analyzing trends of royal, propagandistic art in the 16th century …

Or To Be Eaten Alive, Christopher Williams

School of Art, Art History, and Design: Theses and Student Creative Work

“or to be eaten alive'' is a multimedia exhibition in which I merge my own coming of age story with a mythological ecology. In this work I reclaim my queer identity by communing with my past selves in a fantasy world created through the lens of Queer Ecology and Queer Eco-Futurism. The visuals in this exhibition obscure reality. They are abstractions of the landscapes I occupy—particularly the Tallgrass prairie and Ozark ecoregions. Through a speculative, fantasy world the exhibition introduces moments of adoration, death, fracturing, growth, joy, and failure. I form, draw, color and arrange the work embracing mistakes and …

Paths To The Abstraction: Kandinsky And Rothko, Vera Schueler

MA Theses

This thesis explores the artistic journeys of Kandinsky and Rothko, focusing on underlying motivations that led them towards the realm of abstraction. Kandinsky and Rothko played pivotal roles in the development and advancement of abstraction in the art world. They shared the belief that only non-figurative art had the power to convey deep meaning and evoke profound emotions, going beyond mere representation of the physical world. Despite their divergent artistic paths, artists were united by the idea of the transformative power of artistic expression and aimed to transcend to the viewer the energy and concepts of their vision through delving …

Jurgen Comics Contest Newspaper And Artwork - Fall 2023, Julia Martinez

Jurgen Banned Art Comics Contest

Digital edition of the Jurgen Comics Contest broadsheet newspaper celebrating the Fall 2023 Contest winners. The newspaper design and supplemental artwork were created by contest student editor Julia Martinez. Supplemental promotional materials include a poster for an online information session.

The Fall 2023 Jurgen Comics Contest invited VCU students to explore a specific historical incident of censorship or suppression of visual art, books, music, film or performance.

Arth102: History Of Western Art Ii, Heather Horton

Open Educational Resources

Syllabus for History of Western Art II, a chronological survey of major periods, styles, artists, and monuments of western visual arts, primarily painting, sculpture, and architecture beginning with the development of the arts from about 1300 to the present day.

Standing On The Edge Of A Dream, Parto Ahmadpour Mobarake

Graduate Theses and Dissertations

Standing On the Edge of a Dream delves into the intricate tapestry of lived experiences shaped by relocation, emphasizing the nuanced space that exists between reality and imagination. As an individual who has undergone the transformative journey of immigration, I recognize that the concept of relocation is like standing on the edge of a dream. This notion becomes a living structure, intricately woven with threads from our past, present, and future. My artistic exploration extends beyond my artworks, yet it remains deeply rooted in my personal narratives. The artworks in the exhibition continue to draw inspiration from personal memories and …

On The Black Book As Durational: Noah Purifoy’S Desert Library, Paul Benzon

Criticism

What happens to a library in the desert? How does it transform as a material object under these pressures, and what might these transformations tell us about its capacity for bearing and registering history? This article considers these questions in relation to the artist Noah Purifoy’s found-object installation Library of Congress, one of approximately thirty works that make up the ten-acre space of the Noah Purifoy Desert Art Museum of Assemblage Art in Joshua Tree, California. The museum consists of a wide range of found-object sculptures, all deeply enmeshed within the space of the desert. The museum, and indeed Purifoy’s …

Both Human And Holy: A Veneration Of Personhood Through Mythic Means, Abigail Porter

MFA in Visual Arts Theses

Mythology acts as a reflection of humanity, a connection of personhood and storytelling that spans through history. This essay covers how the ideas of myth, personhood, archetype, and portraiture remain central to my work. The nature of mythology is innately human in all aspects, centering on ideas being both fictitious and truthful - which allows the ideas of the dualistic aspects between the personhood and mythos with the figures worked with. My work is about people; I elevate the figure into mythic while using those myths to discuss the aspects of identity. My work leans heavily upon my own fixation …

The Artistry Of Mediation: A Look At Mediation’S Effectiveness For Resolving Cross-Cultural Disputes Through The Leonardo Da Vinci Conflict Between France’S Louvre Museum And Italy’S Uffizi Gallery, Sophia D. Casetta

Pepperdine Journal of Communication Research

Art is powerful, as it symbolizes the history and identity of the country that claims it. However, through timely transitions, such as trade and wars, the ownership of meaningful artworks blurs, with museums fighting to claim their heritage to put on honorable display for their people. Mediation can be a peaceful means to resolve art ownership disputes, as it accounts for respecting the individual cultures of the countries represented in the dispute. Using the key medication traits described within this essay, a prepared mediator involved in such a cross-cultural conflict should be able to help resolve the issue at hand. …

The Hospitality Of Doubt, Ian Grieve

Art Theses and Dissertations

This paper discusses the last two years of research toward a Master of Fine Art in Studio Art. I mainly address my painting practice, but while in the program, I have worked in collage, ceramics, intaglio printmaking, and sculpture. My paintings are thick, multilayered, and often contain ambiguous narratives. The pictures develop through engagement, openness, and response within the work. I seek and embrace connection with viewers of the work. The spectator ‘completes’ the art and enhances or alters the artworks meaning by observing it and applying their individual perspectives. I seek to incorporate a sense of nostalgia and familiarity. …

Speak Now To Forever Hold Your Piece: On Aesthetic Ownership And Interpretation, Spencer Heitman

Honors Theses

The primary objectives of this research are to describe ways in the interpretation of art-objects is shaped by their ownership and to endorse fan culture participation as a mechanism through which people might be led to aesthetic value. This analysis shall be grounded in an understanding of trust and shall point the reader toward care, noting that these phenomena positively correlate and help interpreters to receive meaning of more abundance and depth. It will be initially claimed that art interpretation is itself contribution to aesthetic dialogue with artists. This claim is grounded in an understanding of art’s communicative capacities and …