History of Art, Architecture, and Archaeology Commons^™

The Logic Of Car Accidents And Other Digestive Processes, Rosalie G.L. Smith

Theses and Dissertations

In this essay the author explores the artistic process via an analogy with digestion. The author goes on to explain their work via components of their practice, described as organs.

Recollections Of A Tejana Life, Carolina Yáñez

Art Theses and Dissertations

This thesis encompasses the life of a young woman navigating life in Texas through various political and social barriers. My interdisciplinary practice analyzes the historical context of Mexicans in Texas from its Revolutionary period into current injustices. Through fiber, printmaking, and photography I create a visual diary to illustrate what the political has made personal. These works display the beauty of Tejano culture, but also the power struggles that threaten communities I care for, as well as my own existence that persists against far-right wing agendas.

Current politics and government leadership in Texas have inspired me to make artwork calling …

“Gli Scheletri Della Dittatura”: Fascist Art, Architecture, And Monuments In Modern Italy, John "Jack" Moore

History & Classics Undergraduate Theses

When Italy reconstituted itself as a republic in 1948, it inherited the art, architecture, and monuments that were constructed under Fascism. Many of these artifacts contained inherent Fascist imagery and were made to exalt the regime, but Italy’s postwar government – known as the First Republic – neglected to systematically confront them. This mirrored the First Republic’s approach to shaping Italy’s memory of Fascism, as the government established an anti-fascist narrative without addressing the country’s support for the regime. During the 1980s, notions of anti-fascism began to fall alongside the political power structure upholding them. This coincided with the rise …

A Canvas Decolonized: An Exploration Of Haiti’S Colonial History Through Haitian Artists Philemon Obin, Jean Appolon, Sheilby Mecena, Flex Morisseau–Leroy, And Claes Gabriel, Dominique Dempsey

Graduate Research Conference (GSIS)

A Canvas Decolonized examines the complex realities faced by Haiti through the lens of its vibrant artistic heritage, highlighting the role of art in interpreting, preserving, and challenging narratives about the nation's history and identity. By exploring the works of Haitian muralists, photographers, painters, and poets including Jean Appolon, Flex Morisseau Leroy, Claes Gabriel, and Edwidge Danticat this study illuminates how these artists engage with themes of colonization, immigration, generational trauma, and cultural displacement. Grounded in the theoretical frameworks of Frantz Fanon and Benedict Anderson, the paper argues that Haitian art provides a powerful medium to analyze and contextualize the …

Buildings Of The Persian, Hellenistic And Early Roman Periods At Khirbat Kabar, In The Northern Hebron Hills (Hebrew, Pp. 49*–71*; English Summary, Pp. 205–207), Yuval Baruch

'Atiqot

Two buildings were exposed. The northern building comprised rooms surrounding a central courtyard; the pottery finds from this building date from the Persian period, and chiefly, to the Hellenistic and Early Roman periods (first century BCE). Only two rooms survived of the southern building, which apparently opened to a courtyard. Many storage-jar sherds were found, seemingly in situ. On two of them, Aramaic letters were incised before firing. An Achaemenid-style conical glass seal was unearthed, depicting a hero or a ruler holding flanking lions. This building may have had an administrative or storage function. Three tombs were uncovered in proximity …

Drinking Vessels (Rytha) From Tel Ya‘Oz (Hebrew, Pp. 25*–37*; English Summary, Pp. 203–204), Irit Ziffer, Raz Kletter, Orit Segal

'Atiqot

Three drinking vessels (rytha) were found in the Persian-period building at Tel Ya‘oz: an almost complete human-headed rython and two animal heads, of a ram and a lion. The anthropomorphic rython is undoubtedly the most extraordinary of the three. It is a local adaptation of an Achaemenid vessel that was used at royal banquets. Its Egyptian appearance might suggest that is was created by an Egyptian working on the Levantine coast, or by a Levantine trained in Egyptian iconography.

A Seventh-Century Ce Mosaic Floor At Pi Maẓuva (Hebrew, Pp. 57*–66*; English Summary, Pp. 185–187), Rina Talgam

'Atiqot

The mosaic floor uncovered at Pi Maẓuva comprises a broad border of acanthus medallions, surrounding a carpet of flower buds, with a woman’s bust depicted in its center, possibly a personification of abundance and agricultural fertility. The acanthus border is populated by floral and animal motifs, which seem to have been executed by experienced artists. Based on iconographic and stylistic considerations, the mosaic was dated to the seventh century CE, probably created after the Muslim conquest, attesting to a continuation of local Byzantine traditions throughout the seventh–eighth centuries CE. The mosaic might have adorned a room that was used for …

Dwellings From The Byzantine Period At Pi Maẓuva In The Western Galilee (With A Contribution By Danny Syon) (Hebrew, Pp. 31*–39*; English Summary, Pp. 182–183), Gilad Cinamon, Yoav Lerer

'Atiqot

The excavation at Pi Maẓuva revealed building complexes, some separated by an alley, dating from the Byzantine period. The finds at the site included a bronze cross, an ashlar limestone lintel with a cross engraving, and pottery dated to the sixth–seventh centuries CE, which comprised local types, alongside many imported ones, some adorned with crosses. An interesting find is a high-quality, colorful, seventh-century CE mosaic floor adorned with floral motifs, animal and human figures, and two fragmentary Greek inscriptions. The finds at the site point to the existence of a rural Christian settlement, probably destroyed during the Persian conquest of …

A Milestone Station In The Bet Neṭofa Valley, North Of Ẓippori, And Its Place In The Roman Imperial Road System In The Galilee (Hebrew, Pp. 1*–24*; English Summary, Pp. 163–165), Yotam Tepper

'Atiqot

A salvage excavation in the western Bet Neṭofa Valley exposed a square foundation, three large stone bases and three milestones. The three milestones are inscribed in Latin and seem to have been erected along a road that ran from north to south in two main phases: during the days of Hadrian (120 CE and 130 CE), and later, during the reign of Constantine (333–337 CE). The stone-built foundation dates to the fourth century CE. One of its stones bore a worn relief of an animal, probably a lion in profile. Its location beside the road suggests that it was a …

Mosaic Floors, Liturgical Furniture And Architectural Sculpture From The Church At Ḥorbat Ḥadat (Hebrew, Pp. 119*–134*; English Summary, Pp. 145–146), Lihi Habas

'Atiqot

Excavations within the Ḥorbat Ḥadat church revealed several mosaic floors, a marble chancel screen post and a limestone column capital. The mosaic floors were laid in the early phase of the church and continued in use during its later phase. All the carpets and panels exhibit geometric and floral patterns made in a variety of colored tesserae. The low chancel screen post has a groove for fitting a chancel screen panel and two holes with metal remains, probably for fitting an offerings table. The capital bears an engraved cross within a circle.

A Greek Inscription From The Church At Ḥorbat Ḥadat (Pp. 121–126), Leah Di Segni

'Atiqot

A three-line Greek inscription was uncovered in the church at Ḥorbat Ḥadat, set within the mosaic pavement of the nave, at the foot of the bema. The inscription includes a unique quotation from Psalms and an invocation to Christ. The inscription is dated to the fifth century CE, most likely in its second half, based on the shape of the letters.

A Byzantine-Period Church At Ḥorbat Ḥadat (Hebrew, Pp. 93*–118*; English Summary, Pp. 141–143), Uzi ‘Ad, Orit Segal, Oren Shmueli, Rudolph Cohen

'Atiqot

Excavations at Ḥorbat Ḥadat revealed a church paved with colorful mosaic floors. Two phases of construction were discerned: an early phase, comprising a basilica-type church and a complex of adjacent rooms; and a later phase, when the plan of the church was altered and reduced in size. The construction of the church is dated according to a Greek inscription in a mosaic floor to the second half of the fifth century CE. It is plausible that the church belonged to a large agricultural monastery that was in use from the mid-fifth or early sixth century through the seventh or mid-eighth …

Roman-Period Wall Paintings From The Western Quarter At Gamla (Pp. 83–120), Yoav Farhi, Lena Naama Sharabi

'Atiqot

The colored wall-painting fragments presented in this article were retrieved from the Western Quarter at Gamla. The fragments are of excellent quality, most of them colored red, yellow-ochre and green, often bordered by black or red bands. Several patterns were noticed among the fragments: molding and marble imitations, geometric patterns, meanders, vegetation, thin pilasters and decorative borders. These fresco and secco fragments complement the previously published stucco fragments from Gamla and serve an important role in the reconstruction of the decorative schemes of the houses.

“Jerusalem Ivories”: Iron Age Decorated Ivory Panels From Building 100, Giv‘Ati Parking Lot Excavations, And Their Cultural Setting (Pp. 57–74), Reli Avisar, Yiftah Shalev, Harel Shochat, Yuval Gadot, Ido Koch

'Atiqot

This preliminary report presents an assemblage of ivory items found in the precincts of the City of David National Park in Jerusalem. Such prestigious ivory items have only been found in prominent cities, such as Late Bronze Age Megiddo and Iron Age Samaria, where they originated in buildings recognized as part of palatial complexes. These items are the first of their kind to be found in Jerusalem, revealing the wealth of Jerusalem’s elite on the eve of the city’s destruction in 586 BCE. The findings shed light on the cultural and economic role of the city’s elite in the “global” …

Torso Of A ‘Weary Heracles’ Marble Statuette From Ḥorbat Ṭarbenet (Pp. 167–177), Gabriel Mazor, Walid Atrash

'Atiqot

A statuette of a free-standing naked male figure of Heracles was discovered in a fill partially covering a village bath at Ḥorbat Ṭarbenet. The appearance of Heracles in Roman baths is witnessed elsewhere in the region, forming part of the bath décor and usually set in niches in the frigidarium walls, the palestra, or the natatio. A statuette of Heracles in a bathhouse, although not an exceptional Hellenic cultural expression, is a rather unique find in a remote (Jewish?) village.

A Zoomorphic Clay Figurine From ‘En Ḥakhlil, Migdal ‘Ha-Emeq (Pp. 113–116), Nadeshda B. Knudsen

'Atiqot

A nearly complete clay zoomorphic figurine was uncovered in the Early Bronze Age I–II burial cave at ‘En Ḥakhlil. The animal species represented is not clear, as the shape of the ears/horns is vague, and the tail is missing; it may represent a donkey or a bull. The figurine seems to have been deposited as a burial offering for the deceased.

A Middle Bronze Age Scarab From Tamra (Ez-Zu‘Abiyya) (Pp. 159–162), Daphna Ben-Tor

'Atiqot

The scarab was found in the earth that was dug out of an Iron Age building, with which it was most likely associated. The scarab’s features and base design argue, however, for a date in the Middle Bronze Age, and thus, it is probably a heirloom.

A Church From The Byzantine, Umayyad And Abbasid Periods Andremains From Iron Age I At Tamra (Ez-ZuʻAb Iyya ) In Ramat Issakhar (Hebrew, Pp. 55*–106*; English Summary, Pp. 168–171), Yotam Tepper

'Atiqot

Excavations at the village of Tamra ez-Zuʻabiyya exposed well-preserved basalt architectural remains of a rural settlement, dating from the Byzantine to the Early Islamic periods. Remains were also uncovered from the Iron Age and the Persian and Roman periods, as well as from the Fatimid, Mamluk and Ottoman periods. In the Byzantine period, a church was erected at the site, decorated with a colorful mosaic pavement, depicting doves and peacocks. During the Umayyad period, the church included a nave, a bema and a northern aisle. The nave was adorned with a colorful mosaic pavement, containing a four-line dedicatory inscription in …

A Byzantine-Period Funerary Chapel In The Newe Yam Dalet Neighborhood In Ashqelon (Pp. 147–158), Yulia Ustinova, Gregory Seriy

'Atiqot

Excavations in Ashqelon’s Newe Yam Dalet neighborhood revealed a remarkable funerary chapel.The funerary complex comprises a courtyard, a tomb and a roofed chamber. The chamber floor was paved with mosaics, containing three Greek inscription; a fourth inscription was found on a marble slab in secondary use.The epigraphic evidence endorses the interpretation of the site as a cultic complex, perhaps aprivate memorial site of an individual venerated by the community.

Mosaic Floors, Liturgical Vessels And Furniture, Andarchitectural Sculpture From The Byzantine Monasteryin Naḥal Qidron, Jerusalem (Pp. 83–100), Lihi Habas

'Atiqot

Salvage excavations in Naḥal Qidron, southof Jerusalem, revealed a monastery adornedwith mosaic floors. A composition of geometricinterlaces populated with animals decorated thefloor of the church hall, while geometric andvegetal carpets decorated the vestibule.Stylistic and technical analyses of the mosaicsindicatea datein the mid-sixth century CE.Liturgical furniture madeof imported marble, alongside local stoneimitations, as well as architectural sculpture,were also found at the site. Fragments of two liturgical vessels, a marblepanel, a fragment of a leg of an altar table and a limestonebracket were found.

A Byzantine Monastery In Naḥal Qidron, Jerusalem (Pp. 49–82), Yehiel Zelinger, Hervé Barbé

'Atiqot

A salvageexcavation was conducted on the lowerwestern slope of a high hill east of NaḥalQidron, Jerusalem. The remains wereidentified as a Byzantine monastery.Most of the site washighly disturbed by construction activities andwas excavated as one large unit,including two courtyards, northern and southern, the rooms surrounding them on the north andsouth, and anundergroundburial complex in the east.The finds––pottery, roof tiles, glassand mosaic floors––date to the Byzantine–EarlyIslamic periods, up to the eighth century CE.Fragments of a few ossuaries date to the EarlyRoman period, but they lack a clear stratigraphiccontext. The monastic complex belongs to theone-story coenobium type that flourished inthe Judean Desert …

Fragments Of A Roman-Period Wall Painting At ‘En Ya‘Al (Naḥal Refa’Im), Jerusalem (Pp. 77–79), Silvia Rozenberg

'Atiqot

Seventy-five painted plaster fragments were found in the Roman villa excavated on the northern bank of Naḥal Refa’im. The fragments are painted in basic colors: white, red, green and black. The poor technique and the dullness of the colors indicate that the murals should be dated between the late second and the early third centuries CE.

A Villa And A Pottery Kiln From The Late Roman–Byzantine Periods At ‘En Ya‘Al (Naḥal Refa’Im), Jerusalem (With A Contribution By Anat Cohen-Weinberger) (Hebrew, Pp. 71*–119*; English Summary, Pp. 107–110), Shlomit Weksler-Bdolah

'Atiqot

The excavation on the northern bank of Naḥal Refa’im in Jerusalem unearthed the remains of three occupation phases: architectural remains from the late Hellenistic or Early Roman period (Stratum III); part of a Roman villa (Stratum II); and a pottery kiln from the Late Roman–Early Byzantine periods (Stratum I). Sections of two rooms belonging to the Roman villa were exposed; the southern room was decorated with colored wall paintings, and its floor was adorned with mosaics. The villa may have been part of an estate granted to a Roman army veteran or officer. Above the ruins of the villa, a …

A Mosaic Floor With Xenia At ‘En YaʻAl (Naḥal Refa’Im), Jerusalem (Hebrew, Pp. 121*–126*; English Summary, Pp. 111–112), Rina Talgam

'Atiqot

Two rooms of a Late Roma-period villa were exposed on the northern bank of Naḥal Refa’im, Jerusalem. The southern room was paved with a white mosaic floor adorned with two colored panels: one, enclosed in a wide frame, contains xenia that usually adorn the floors of dining or reception rooms, and the other, is adorned with an intersecting rosette pattern. The composition, the colors and the quality of the mosaics indicate a third-century CE date.

Finds From The Hellenistic ‘Favissa’ At ‘Akko-Ptolemais (Pp. 11–20), Donald T. Ariel, Natalie Messika

'Atiqot

A salvage excavation conducted south of the central bus station in ‘Akko uncovered a Hellenistic-period pit. The fill in the pit contained a large quantity of potsherds, including 21 stamped amphora handles and 3 terracotta figurines. The stamped handles belong to the Rhodian class, dating from the end of the third quarter of the third century until the third quarter of the second century BCE. The terracotta figurines are made of well-levigated clay, bearing white slip and traces of black and brown paint. They represent a bird/dove, a female human and a horse-and-rider. The figurines belong to the Western Greek …

Two Decorated Potsherds From The Islamic Period From Danny Mass Street, Ramla (Hebrew, Pp. 127*–128*; English, P. 120), Nitzan Amitai-Preiss

'Atiqot

Two decorated potsherds were unearthed: a stamped jar handle depicting a “cross” and part of a flask. The flask bears an Arabic inscription, which was dated, based on comparisons, to the thirteenth–fourteenth centuries CE.

Excavations Near The Triple Gate Of The Temple Mount, Jerusalem (Pp. 37–95), Yuval Baruch, Ronny Reich

'Atiqot

In the vicinity of the ‘western Hulda Gate’ in the southern wall of the Temple Mount, four areas were excavated. Area A revealed a large miqweh (ritual bath). Area B contained three rock-cut, vaulted rooms supporting the monumental staircase to the Triple Gate. In Area C, south of the vaulted rooms, fills were excavated and a rock-cut surface was exposed. In Area D, the rock-cut ‘Secco Room’ was cleaned. Several architectural fragments, including column drums, a column base, entablature fragments, staircase elements and a fragment of a threshold, were uncovered, many of which originated in Herod’s Royal Stoa. Some of …

A Mosaic Floor In The Church Of Bishop Johannes At Ḥorbat Barqa, Gan Yavne (Hebrew, Pp. 89*–126*; English Summary, Pp. 129–132), Lihi Habas

'Atiqot

Mosaic pavements were uncovered in the nave and in the atrium of the Church of Bishop Johannes at Ḥorbat Barqa. Of the mosaic carpet in the nave nine rows were preserved; a large central medallion containing a circle of harmony and another large medallion with a dedicatory inscription emphasize its main axis. The mosaic is decorated with vine scrolls populated with still life objects, fauna, birds and daily scenes, alongside motifs with of religious significance. The mosaic floor, made in a flat, schematic style, is similar in style, composition and iconography to mosaic floors from the early sixth century CE …

Fragments Of Liturgical Furniture From The Church Of Bishop Johannes At Ḥorbat Barqa, Gan Yavne (Hebrew, Pp. 127*–141*; English Summary, Pp. 133–135), Lihi Habas

'Atiqot

The excavation at Ḥorbat Barqa yielded fragments of marble liturgical furniture belonging to an altar table, two chancel-screen panels—one solid and one with a lace pattern—as well as a silver-plated bronze cross with holes, which was probably inlaid in an architectural element. Based on parallels, the chancel screens seem to have been decorated with the stephanos composition (stephanostaurion), which symbolizes Christ, the redemption and the salvation that he brought, and the triumph over death. The liturgical area of the apse and the bema were not preserved; however, the altar-table fragments and the chancel screens provide evidence for their existence.

New Archaeological Finds From Kursi-Gergesa (With A Contribution By Gabriela Bijovsky) (Pp. 175–197), Vassilios Tzaferis

'Atiqot

Two areas were opened (Areas C, D), exposing a stepped tunnel, a bathhouse and a cemetery. The stepped tunnel, which was unearthed in the 1970–1971 season of excavations, was found to end in a narrow leveled space, above which was a vaulted entrance leading to a spacious underground room. A compact Roman–Byzantine bathhouse was exposed, comprising five distinct units: a water-supply unit, a heating installation (praefurnium), heated-water pools, a hot room (caldarium) and a cool room (frigidarium). It is evident that the bathhouse was connected to the hostel building excavated in 1970–1971. The pottery from the bathhouse was similar to …