History of Art, Architecture, and Archaeology Commons^™

Explorer: Muheb Esmat Sees Museum Open Doors To History, Pat Sims

Colby Magazine

Muheb Esmat ’17 made a significant discovery when he came to Colby. Actually, he made more than one.

Response And Responsibility: The War Veterans’ Art Center At The Museum Of Modern Art (1944–48), Laurel Humble

Dissertations, Theses, and Capstone Projects

From 1944–48 the Museum of Modern Art, New York (MoMA) offered free art classes to World War II veterans through an experimental educational initiative called the War Veterans’ Art Center. This project was run by Victor D’Amico, who served as the museum’s first Director of Education from 1937–69. Building on an existing institutional ethos of experimentation and civil service, D’Amico and his colleagues explored the role of creative engagement in facilitating the transition from military service to civilian life. As they experimented with new pedagogical approaches, they also worked to articulate and share their innovative methods with other professionals and …

The Geographical Information Of Art History: How To Trace The Making Of Knowledge And Facts, Olivier Marcel

Artl@s Bulletin

The objective of this trans-disciplinary, trans-regional and trans-periodical issue of Artl@s Bulletin is to confront a wide range of sources (catalogues, institutional archives, photographs, interviews, etc.), methods (qualitative, quantitative, comparative, multi-situated, cartographic, etc.) and areas of investigation (careers, movements, markets, etc.) in order to highlight the pivotal and problematic role of traceability in the spatial study of art.

Betwixt: Temporality And Comfort, Laura Newman

Theses and Dissertations

I push against traditions of ceramics by purposefully inviting breakage within my work. Destruction expresses fragility, temporality, and impermanence. I consider themes of frugality, familial relations, collections and nostalgia through my investigations of clay, steel, and glass.

Silent Protest And The Art Of Paper Folding: The Golden Venture Paper Sculptures At The Museum Of Chinese In America, Sandra Cheng

Publications and Research

Housed in the Museum of Chinese in America is the Fly to Freedom collection of paper art, which were produced by a traditional folk method of Chinese paper folding. The 123 paper works were created by detainees of the Golden Venture, a freighter used to smuggle undocumented immigrants into the U.S. On the evening of June 6, 1993, the ship ran aground off the Rockaways in New York City and nearly 300 migrants, gaunt from the four-month ordeal at sea, poured out of the cramped windowless hold of the vessel. Several drowned that night, a few escaped, but the majority …

The Space Of Art In The Digital Age, Ellie Isaacs

MA Projects

This journal article looks at the space of art in the digital age in order to establish whether virtual art practices will eventually render the physicality of art as obsolete. The article draws focus on the construction of virtual spaces to investigate the possibility of a consequential collapse in real space. Two key aspects that I have concentrated on are the social experience of these modes of artistic practice and the inversion of public and private spheres.

Anxiety Through Art, Brianna Mclean

Undergraduate Theses, Professional Papers, and Capstone Artifacts

Artists Louise Bourgeois, Salvador Dalí, and Francisco de Goya were all successful artists who used their varying degrees of anxiety or fear to aid their work. In a survey of their lives, and a brief exploration of their work, one will come to understand the personal events that contributed to the fear-inducing tones of their art. Their willingness to air their personal grievances has given them credibility in the art world to this day.

Abbot Suger’S St. Denis And The Cult Of Relics, Kathryn Funderburg

The Expositor: A Journal of Undergraduate Research in the Humanities

No abstract provided.

Cultural Sovereignty And Cultural Violence: Native American Artists And The Dunn Studio, 1932-1962, Pamela Krch

Open Access Theses & Dissertations

The early twentieth century engendered a period of profound change within the United States as industrialization, post-World War I miasma, and vigorous imperialism transformed the nation. The Southwest's Santa Fe provided a haven for the influx of White scientists, affluent socialites, and artists who sought authenticity through reinvention. Lighting upon the neighboring Indian communities, White elites soon appropriated Native culture, production, and imagery, seeing these as sources for nationalism, commodification, and as outlets for reformist aims. Art educator Dorothy Dunn stands as exemplary of the latter, as she fervently believed that the new genre of Native American easel art answered …

Crescendo, Jeffery A. Pabotoy

Theses and Dissertations

Artist Statement

I have always found comfort and warmth in my family. When I am not with them, I find myself clinging to the objects they leave behind as a substitute in their absence. As I began to re-create these objects through paintings and ceramics, I realized that I was creating symbolic portraits of my family. These portraits are tangible family moments preserved in pigment and clay.

In recent years, my siblings were deployed to war and I began to represent them as various instruments. These instruments, both musical and tools of war, chronicle who they were and who they …

Art And Politics: The Cultural Revolution In The Eyes Of An Art Soldier, Shaomin Li

Management Faculty Publications

2016 marks the 50th anniversary of China's Great Proletarian Cultural Revolution (1966-1976). When the revolution started in 1996, I was 9. The ten years of the Cultural Revolution was the most important period for my education. I love painting and drawing. So during the ten years of the Cultural Revolution, I devoted all my time to study art except for the time I was forced to study communist ideology and to do hard labor. According to the communist theory, art is politicalized and is a tool to serve the communist revolutionary goal. During the Cultural Revolution, the politicalization of art …

The Aesthetic Experience, Flow, And Smart Technology: Viewing Art In A Virtual Environment, Carol Ikard

Walden Dissertations and Doctoral Studies

Smart technology can support art educators and museum professionals in mediating the aesthetic experience. It can also increase museum attendance, enrich the viewer's delight and engagement with artworks and art collections, and provide an avenue for extending art on a global level. The purpose of this study was to determine the extent to which a mobile art app with text-based narrative influences scores on an aesthetic experience questionnaire. This quantitative research measured the difference in pretest and posttest human-computer interaction scores on the Aesthetic Experience Questionnaire Form after participants used two versions of a mobile art app. Csikszentmihalyi's flow was …

Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek

Theses and Dissertations

This thesis examines the ways in which Potosí's two most influential colonial artists represented the urban dynamics of race, class and labor in their depictions of the Andean 'City of Silver' during the eighteenth century, when silver production, profits and population were dramatically declining.

Designing For Immersive Technology: Integrating Art And Stem Learning, Jane Elizabeth Crayton

Art & Art History ETDs

Students struggle to learn STEM concepts. The arts have been proposed as a means to engage students in STEM education, resulting in the idea of STEAM. However, STEAM approaches do not always result in learning. A collaboration between a major research university and a small Native arts college in the southwestern United States provided an opportunity for studying the potential for arts to engage students in STEM learning. This study investigates how participating art students (N = 4) solved technological and design production problems when working with immersive technologies in a paid summer internship program. The internship program lasted six …

The Figure In Art: Selections From The Gettysburg College Collection, Yan Sun, Diane Brennan, Rebecca S. Duffy, Kristy L. Garcia, Megan R. Haugh, Dakota D. Homsey, Molly R. Lindberg, Kathya M. Lopez, Kelly A. Maguire, Carolyn E. Mcbrady, Kylie C. Mcbride, Erica M. Schaumberg

Schmucker Art Catalogs

The Figure in Art: Selections from the Gettysburg College Collection is the second annual exhibition curated by students enrolled in the Art History Methods class. This exhibition is an exciting academic endeavor and provides an incredible opportunity for engaged learning, research, and curatorial experience. The eleven student curators are Diane Brennan, Rebecca Duffy, Kristy Garcia, Megan Haugh, Dakota Homsey, Molly Lindberg, Kathya Lopez, Kelly Maguire, Kylie McBride, Carolyn McBrady and Erica Schaumberg. Their research presents a multifaceted view of the representation of figures in various art forms from different periods and cultures.

Book Review Of A. Victor Coonin, From Marble To Flesh: The Biography Of Michelangelo’S David, Sandra Cheng

Publications and Research

Beginning of Book Review:
“What makes an icon?” is the underlying question of A. Victor Coonin’s book dedicated to Michelangelo’s statue of David. The larger-than-life-size David has a status akin to Leonardo’s Mona Lisa. Its image, whether whole or fragmented, is instantaneously recognizable, making it difficult to look at it afresh, but Coonin manages to reflect on well-trodden ground in a captivating manner. This study demonstrates how the David is more than an embodiment of masculinity but a statue imbued with multi-faceted symbolism that continues to resonate with viewers today.

Discursive Capabilities Of Contemporary Artistic Practices In Honduras, Gustavo Larach

Art & Art History ETDs

My dissertation constitutes a descriptive and interpretative analysis of modern and contemporary artistic practices in Honduras. This analysis is carried out comparatively, contrasting mainly the formative decades of Honduran modernism' (1920s-40s) against the last 15 years of artistic production. Along this diachronic strategy, my interpretation of these processes is anchored in detailed accounts of the socio-historical durations that bear upon them. For each case, at least one case study is developed thoroughly, elucidating thus the dialectic entwinement of art and history. For such purpose, the modes of production and reception entailed by the practices of Arturo López Rodezno (active 1940s-1960s) …

Creating Digital Art History: Library, Student, And Faculty Collaboration, D. Russell Bailey

Library Faculty and Staff papers

Over the last two decades, teaching, learning, and research in higher education have developed a growing digital presence. Digital development in the humanities has been slow relative to most other areas in academia, and with some exceptions, art and art history have enjoyed slow digital growth within the humanities. Within this environment, the article here presents one collaborative model for digital art history, rare in its exclusive focus on undergraduate “junior scholars”. Undergraduate senior-level art history and studio art students at Providence College collaborate annually with art history and studio art faculty to publish their senior theses in print format …

Imagining New Possibilities Through Social Practice, Sarah O. Hull

Undergraduate Theses—Unrestricted

In my practice, I have significantly questioned the role of the arts in social change. I have explored various forms of social practice, especially political art,public art and community art. Social practice lives in-between the world of art and social action and can add an important voice to both. Still, social practice, (like all forms of art) is limited and cannot be the sole source of social change. It is by working with others already organizing for social change, but bringing in the unique skills and perspectives of an artist that social practice is most effective. In this thesis, I …

Gerhard Richter: Recovery And Memory In Postwar Germany, Devin N. Garnick

Student Publications

Gerhard Richter explored themes of memory and national identity in a society with a controversial past and a difficult recovery. He broke the silence that permeated the country and created a dialogue about remembering, memorializing, and politics.

After World War II, Germany had difficulty facing the atrocities of the war and ignored the flaws in the country’s recovery. Richter witnessed first hand the social and political struggles of the country as a citizen of Nazi Germany and the German Democratic Republic, societies that required strict conformity to their ideologies. Upon his escape to West Germany, where he was exposed to …

Considering Triple Self-Portraiture In The Work Of María Izquierdo, Brooke Lashley

The Quiet Corner Interdisciplinary Journal

This paper looks to María Izquierdo’s paintings, Prisioneras (Prisoners) of 1936 and Sueño y presentimiento (Dream and Premonition) of 1947, as case studies for activating a theory of triple self-portraiture. The theory reflects how plurality arises in the singular or in single significations of the self and disrupts homogeneity in thinking about identities for the self and others within the genre of self-portraiture. In activating a theory of triple self-portraiture, I found three forms of the self in Izquierdo's works: the self as oppressed (the past); the self as oppressing (the current); and the self as an emancipator (future). Although …

Contrabienal: Latin American Art, Politics And Identity In New York, 1969-1971, Aimé Iglesias Lukin

Artl@s Bulletin

This article focuses on a community of Latin American artists living in New York and the influence of regionalism and politics in their identification as a group, taking up the case of the Contrabienal, an art book published in 1971 as a call to boycott the XI São Paulo Biennial in protest of censorship and torture in dictatorial Brazil. The book was aesthetically eclectic and included artists from different generations. Still, its organizers were all part of the strong shift towards Conceptualism then taking place. In light of the current revision of the Latin American Conceptualism canon, this article …

The Hidden Level In Space And Time: The Vertical Shaft In The Royal Tombs Of The Zhongshan Kingdom In Late Eastern Zhou (475–221 Bce) China, Jie Shi

History of Art Faculty Research and Scholarship

Among the best preserved royal tombs in early China, the tombs of the Zhongshan state (dated to the late fourth to early third centuries bce) in present-day Pingshan county each featured a concealed earthen shaft in the middle of the tomb. Constructed with rammed earth, this gigantic

structure was located above the underground burial chamber, where the deceased’s casket and body were located, and below the freestanding offering hall that housed the deceased’s soul. Although this empty shaft would eventually be buried and become invisible, it was carefully embellished and sometimes even decorated with false architectural elements. What role did …

Voz Alta: The Sound Of A Collective Memory, Sarah E. Kleinman

Graduate Research Posters

Voz Alta is a participatory, voice-activated public light installation designed by Rafael Lozano-Hemmer as a memorial for the Tlatelolco massacre, which occurred on October 2, 1968 in the Plaza de las Tres Culturas in Tlatelolco, Mexico. In the Plaza, Lozano-Hemmer has synchronized a megaphone with a 10 kW Xenon robotic searchlight. As each participant speaks into the megaphone, the searchlight shines to the uppermost floor of the towering Centro Cultural Tlatelolco (CCT) building where three additional searchlights instantaneously strobe, dim, and brighten, illuminating the nocturnal landscape in horizontally fixed, tangential beams. Although the aesthetic, social, historical, and political aspects of …

Reviving Project:A Chinese-American Culture Exchange Project, Yushan Cassie Sun

UROP Posters

Through art exhibitions in Beijing, China and Richmond, Virginia, Reviving project 01 aims to help promote/ revive a craft technique in Qinghai, China that is disappearing due to the urbanized surroundings.

American artist were invited to collaborate with people from Qinghai to make new pieces incorporating original crafted pieces.

Inspiring Piety: The Influence Of Caravaggio’S Paintings In Santa Maria Del Popolo, Cara Coleman

Williams Honors College, Honors Research Projects

This article looks at the way Italian Baroque painter, Michelangelo Merisi da Caravaggio broke from the artistic conventions of the Renaissance and Mannerist styles in his religious paintings to create an entirely new style that reflected the needs of the post-Tridentine Catholic Church. Caravaggio pushed painting throughout Europe in a new direction, away from the idealization of the Renaissance and the artistic extremes of Mannerism, by popularizing realism in art. Caravaggio’s unique style is examined through comparisons of his paintings, The Conversion of Paul, c.1601 and The Martyrdom of Saint Peter, c.1601 in the Roman basilica, Santa Maria del Popolo …

Psychotic Diagnosis And Artist Pathology: Schizophrenic Art’S Influence On The Identification Of The Disorder, Danielle Watson

Honors Projects

The use of artwork created by schizophrenic individuals is unique in its contextual elements, including bizarre imagery, strong border lines, and desexualized features. The uniqueness of schizophrenic art lends itself to the possibility of being identified as such, therefore, opening the possibility for it to be used as a diagnostic tool in the clinical setting. Presently, schizophrenic art is used in art therapy, but is not widely employed in diagnostic practices. The current study aimed to test the possible identification of schizophrenic art in contrast to normal art and no art. Three questionnaires were created and randomly distributed to participants. …

Expanding Art's Audience, Tony Connors

Journal of Undergraduate Research at Minnesota State University, Mankato

This paper investigates the need for contemporary art museums to expand their audience to fit their role as educational institutions. It is based on research that looks at ways museums have typically been operated in the past and then focuses on newer modes of operation, using the Brooklyn Museum as an example of a museum that educates and reaches a greater audience. Lastly, the paper looks at how particular artists have broken the mold of presenting art in order to interact with and relate to audiences in new ways. This research explains ways that art can be made accessible to …

Reflections On Canvas: Caravaggio And The Development Of Optical Stype, Eleanor Rae Harper

Journal of Undergraduate Research at Minnesota State University, Mankato

At the height of his career, Baroque painter Michaelangelo de Mersi Caravaggio was revered for his ability to foster a heightened sense of realism never before seen upon the canvas. However as recent scholarship and a renewed interest in the history of artistic methodology reveal, the artist may have utilized optical devices such as a single lens to project reflections of his subjects upon the canvas. Due to the limitations of such devices, spatial discontinuity and unnatural proportion are just two of the discrepancies which have affected the realism and overall unity of his artwork. Caravaggio worked with naturalism in …

Political Art Of The Black Panther Party: Cultural Contrasts In The Nineteen Sixties Countermovement, Melissa Seifert

Journal of Undergraduate Research at Minnesota State University, Mankato

The Black Power Movement found its beginning in the late fifties with sit-ins and freedom rides, which conveyed a new racial consciousness within the black community in the United States. However, these initial forms of protest were non-violent. The civil rights movement did not see a great deal of violence until nineteen sixty five when Huey P. Newton and Bobby Seale founded the Black Panther Party. Through the pages of the Party's newspaper the Black Panther, resident artist Emory Douglas used his drawings to persuade action and vengeance. His work is similar in style to the work of Pop artist …