History of Art, Architecture, and Archaeology Commons^™

Fired And Fractured: An Analysis Of Broken Ceramics, Evan Mcguire

Honors Projects

How does the construction of a ceramic object affect how it breaks? How does the force applied affect this break? These questions are based on my first-hand observations of the multitude of ceramic fragments found in different states of decay at archaeological sites. To answer these questions, I created samples that imitate ancient ceramics and then broke them in different ways. I then analyzed the fracture surfaces and looked for evidence of weak points in the objects. Pieces that were hit by a blunt force, such as a hammer, had radial fractures that formed along paths that had clusters of …

The Unicorn And Christ – Metamorphosis And Symbology, Luis Mendonça De Carvalho, Francisca Maria Fernandes, Maria Fátima Nunes, Ana Maria Costa, Paula Nozes, Ana Paula Figueira

International Journal of Religious Tourism and Pilgrimage

The unicorn is a legendary chimaera that, for centuries, has been present in the mindset of Euro-Mediterranean cultures. Although its morphological description changed, tradition identifies it as an animal like a horse, albeit smaller and with a spiralling horn on its head pointing forward. The unicorn has been known since Antiquity, with references by authors such as Ctesias and Pliny. However, its relevance for medieval Europeans began with the Biblical references to this animal in several Old Testament verses. These verses gave legitimacy to the unicorn, and it was accepted as a tangible animal. During the Middle Ages and early …

The Seeming Beginning: The Drawings Of Dorothy Hood, 1942-1986, Natalia Lopez

Art History Theses and Dissertations

The notable career of American artist Dorothy Hood (1918-2000) spanned nearly six decades which she witnessed, and contributed to, the transformative shifts in art history from the 1940s through the late 1990s. Today, Hood is known as a cult figure in her native Houston, celebrated for her large-scale abstract paintings that are said to evoke the expansive Texas skies. While these paintings create a large portion of Hood’s oeuvre, they represent only a fraction of her prolific artworks. Equally significant are her meticulously detailed and surreal drawings, which form a substantial, often overlooked portion of her legacy.

Hood’s drawings embody …

Worship Through Miniature Gesture: The Tell Asmar Hoard As Ritual Role Models, Libby Bush

Art History Theses and Dissertations

This thesis argues for a new approach to hand gesture in the Early Dynastic period, and more broadly, the Ancient Near East. I use the Tell Asmar hoard, a group of twelve miniature sculptures that were found buried in a temple in ancient Eshnunna in the Diyala region of Iraq, as a case study. The sculptures are dated to the Early Dynastic (2900-2334 BCE) and belong to the larger corpus of sculptures of Mesopotamia. I argue that the Tell Asmar hoard act as role models and mediators for the temple worshiper. My argument is built upon miniaturization theory, as the …

El Presidio Hispano-Colonial: Estudio Del Discurso Moderno De Fortificación Del Imperio Español A Traves De Planos Y Mapas, Javier E. Astorga Villarroel Ph.D.

Latin American Studies ETDs

This dissertation project delves into the processes of ideation, design, projection, and knowledge-transfer around the Presidio, an iconoclastic fortification system deployed by the Spanish Empire while projecting its colonial power toward the Transatlantic region. Based on Bruno Latour’s classic theory on the agency of networks of meanings (also known as new materialism) applied to historical cartography, my investigation examines the production of techno-military knowledge around the presidios as they were depicted through plans, maps, and manuals while mapping out border areas over North America and the Caribbean, from the 17th to the 19th centuries. With archival research work performed at …

The Endurance Of West African Textiles Through The Ages, Sarah Isak-Goode

The Confluence

West Africans have a long history of creating distinctive textiles. Yet, they are frequently misunderstood. Though often bold, the patterns and colors used in textiles have a subtle meaning. Separately and together, many of these patterns and symbols represent an unspoken language among natives. Research from the pre-colonial era to the contemporary era has shown that these textiles have persisted because of the reverence West Africans hold for both their heritage and personal expression. Further research is recommended to gain understanding of these textiles, from both the past and the present, as well as the West Africans who have intently …

Presence Of The Past: The Translation Of Traditional Culture Into Contemporary Form Among The Igbo Peoples Of Southeastern Nigeria, Nelson Agalaba

Bachelor of Architecture Theses - 5th Year

Architecture serves as the physical embodiment of a group’s cultural values, history, and social dynamics- or identity. The arrival of European colonialism and modernism brought about a paradigm shift, prioritizing a universal European aesthetic and “international style”, displacing indigenous architectural traditions and severing the deep connections between culture and the natural and built environments. The global south has experienced the brunt of this process, especially the African continent. For example, the Igbo peoples of southeastern Nigeria have lost nearly all examples of their building traditions and have been in a constant struggle to create an architecture that captures their rich …

The Development Of Violin Art In China And The Exchange Of Eastern And Western Elements: A Case Study Of Fritz Kreisler's Tambourin Chinois, Chengyu Ren

UNLV Theses, Dissertations, Professional Papers, and Capstones

The Violin, often regarded as one of the most expressive and versatile instruments in the world, holds a central place in both Western and non-Western musical traditions. Its wide dynamic range, tonal flexibility, and unmatched capacity for nuanced expression have allowed it to transcend cultural boundaries and play a key role in the development of diverse musical genres. From classical symphonies and chamber music to folk, jazz, and even popular music, the violin's distinctive voice can be heard shaping the sonic identity of cultures across the globe. In the context of Chinese music, the violin's influence has grown significantly since …

Generative Ai: Cultural Shift Towards The Machine, Barbara Gilman, Damon Willick

Honors Thesis

No abstract provided.

The Tests Of Time: An Examination Of Contemporary Indigenous Artwork On Display In Southern Museums, Gwendolyn R. Pfrenger

Honors Theses

This paper examines current practices in three Southern museums of varying sizes and missions as they relate to the curation and display of Indigenous art. Specifically, the paper aims to investigate the place of contemporary Native art in art and anthropology museums: How does display vary across the two disciplines? What is its role, now that cultural institutions are becoming more progressive and making a stronger push toward representing artists from minority groups? This is a fairly new area of study, especially for art history, so much of what is discussed here is drawn from art historians, anthropologists, and museum …

Trans-Pacific Connections: Chinese Porcelain And Aztec Motifs In Colonial Mexico, Natalia Ramirez

Departmental Honors & Graduate Capstone Projects

This research explores artworks within the Global Baroque as visual and ideological evidence through which colonial power, trade, and cross-cultural influence shaped the material culture of the early modern world. Centering on blue and white ceramics as a key medium of transcultural and trans-local exchange, the study analyzes how global motifs, particularly those drawn from Aztec and Chinese traditions, were reinterpreted, aestheticized, and circulated in Aztec and Novohispanic artistic practices.

Through a close observational comparison of Aztec and Chinese decorative systems, the study recognizes contrasting systems of cultural documentation embedded within similar visual forms. Aztec motifs, rooted in ritual, calendrical, …

Trans-Pacific Connections: Unveiling Cultural Exchange Through Baroque Folding Screens Of Japan And Mexico, Natalia Christine Ramirez

Departmental Honors & Graduate Capstone Projects

This study focuses into the often-overlooked world of 16th-17th-century globally-mobile folding screens, revealing them as vastly important cultural objects. While conventional scholarship tends to compartmentalize artistic traditions, focusing on isolated cultures, this research emphasizes the vibrant exchanges that connected Japan and Mexico during the ‘Baroque’ period. By contrasting the Conquest of Mexico screen with the Japanese Namban Folding Screen, the nuances and vastness of cultural interaction through creative objects becomes illuminated and revered as important pieces of global history.

Through applying global art historical theories, especially the concept of the ‘global Baroque,’ I explore how Mexican biombo screens adapted from …

Entropy And Incarnation In The Duchamp Room: An Inquiry Into Aesthetic Time, Jesse Goodman

Electronic Theses and Dissertations

This thesis investigates the posthumous installation of Marcel Duchamp, Étant donnés, as a test case for how particularly historically situated artworks may or may not change over time. It begins with an overview of Duchamp’s biography, and his own theories of art’s relationship to temporality (which influenced the piece’s construction). It then moves through contrasting accounts of aesthetic time from Adorno and Robert Smithson. Section two works with Walter Benjamin’s writing on photography and aura to produce an account of estrangement between the piece and the viewing subject induced by the historical development of the artwork’s “translation” and “replication”—through …

Visibly Invisible: Reclaiming Atlanta Black Architecture Through Black Expression, Sean M. Spencer

Bachelor of Architecture Theses - 5th Year

Architecture has long grappled with questions of self, community, and cultural identity. While the number of Black architects is growing, architecture that genuinely reflects Black identity remains rare. This lack of representation has contributed to a sense of invisibility for Black communities within the built environment—whether by design or neglect. There is an urgent need to define and celebrate Blackness and Black space in ways that reflect the cultural richness of Black communities. As George Will points out, broad labels like African American or African often obscure the unique cultural experiences within Black communities. Historically, the lack of economic and …

The Intersection Of Spirituality, Commerce, And Art In The Work Of William Keith, Joan Gallagher

Theses

This thesis examines the nineteenth-century Tonalist artist William Keith, focusing on how he successfully integrated commerce, art, and spirituality to achieve financial success, artistic innovation, and spiritual depth. While scholars often emphasize the symbolism and religiosity in his work, they tend to overlook his financial accomplishments. This study explores Keith's background, religious influences, and artistic development within the cultural, economic, and social context of nineteenth-century America. As a Tonalist, Keith produced popular works for the art market; as a Swedenborgian, his art reflected the spiritual principles of that faith. Unlike his East Coast counterparts, Keith’s California-based landscapes captured the dramatic …

Encountering The Imaginary: Félix Régamey In Japan And The Legacy Of Japonisme, Nicolas Moiseyev

Art and Art History Honors Projects

This thesis critically examines Félix Régamey’s transformative role in the development of Japonisme, highlighting his pivotal contribution to bridging Western perceptions and authentic Japanese culture during the late nineteenth century. Through an exploration of his firsthand experiences in Japan, Régamey emerges as a multifaceted and paradoxical figure—an artist, educator, and author—whose pursuits reshaped the narrative of Japanese art and cultural exchange in France amid the fervor of Japonisme. His immersion in Japanese society enabled him to engage directly with its artistic traditions, which he skillfully translated for European audiences. This study reveals Régamey’s efforts to challenge the prevailing Orientalist stereotypes …

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

Stitch Theory, Brittany Adeline Adama King

Theses and Dissertations

This paper weaves personal history together using “stitched” citational text, supporting the concept that an archive can function as support, as worn; as garment.

Folds, Bayan Abukiwan

Theses and Dissertations

This thesis uses the fold as an orienting metaphor and material gesture to linger on the minor details of intimacy that are severed by occupation and political violence. Through painting, drawing and ceramics, the work traces the more implicit modes of dehumanization—particularly in relation to Palestine—while engaging the domestic as a site of quiet and complexity. Influenced by artists like Jennifer Packer and Beatriz González, the practice embraces slowness, touch, and opacity to fold the viewer into a haptic encounter with the work.

The Logic Of Car Accidents And Other Digestive Processes, Rosalie G.L. Smith

Theses and Dissertations

In this essay the author explores the artistic process via an analogy with digestion. The author goes on to explain their work via components of their practice, described as organs.

An Archeology Of Looking, Marco G. Dasilva

Theses and Dissertations

Marco DaSilva’s mosaics explore camouflage and syncretism, blending symbols from American culture, Catholic saints, Afro-Brazilian deities and queer spaces. His work examines objects as relics, where identity is hidden and revealed. By integrating simple materials and transforming them into unique compositions, DaSilva creates hybrid objects where all of his worlds intersect, crafting his own mythology.

Moiré And Its Ineffable Liquidity: A Study Of Pictorial Watered Silk In The Works Of Andrea Mantegna, Giovanni Bellini And Raphael, Olivia Birkelund

Theses and Dissertations

This study explores pictorial moiré in Renaissance Italian paintings, arguing that its liquid appearance held spiritual and humanist resonances beyond luxury. Through dissemblant facture, artists Giovanni Bellini, Mantegna and Raphael rendered a moiré with overtones of the Incarnation, sacred fluidity, and fertility, creating meditative sites of theological and cultural meaning.

The Past In The Present: Photography, Vietnam War, And Memory, Yuya Kawata

Theses and Dissertations

This thesis focuses on three contemporary artists—An-My Lê, Dinh Q. Lê, and Harrell Fletcher—who use photography to explore the contentious memory of the war in Vietnam. Addressing different contexts in which the war is remembered, their works invite careful reflection on how to approach the elusive past.

Tears, Blood, And Milk: Frida Kahlo's Depictions Of Maternity, Jenny Mushkin Goldman

Theses and Dissertations

This thesis analyzes Frida Kahlo’s representations of miscarriage, childbirth, and breastfeeding as departures from idealized portrayals of womanhood in post-revolutionary Mexico. Drawing on Catholic and Mesoamerican imagery, Kahlo reframes the maternal body as a site of resistance, engaging mexicanidad (Mexicanness) to counter its patriarchal constructions of national identity and gender.

Apocalypse As Utopia: The Exorcisms And Memorials Of Las Yeguas Del Apocalipsis And Queer Liberation In Chile, 1987-1997, Nicolas Poblete

Theses and Dissertations

This thesis provides a comprehensive history of the queer activist-art collective Las Yeguas del Apocalipsis (1987-1997) and their performance-based resistance to the Chilean dictatorship (1973-1990), cultural homophobia, and the HIV/AIDS crisis. Through art actions blending ritual, protest, and queer poetics, the collective redefined public space and national identity, envisioning a utopian queer apocalypse rooted in memory.

The Imposition Of A Narrative Line: The Bildungsroman As Form In Contemporary Art, Brianne Chapelle

Theses and Dissertations

This thesis examines the work of contemporary American artists and writers Moyra Davey, Chris Kraus, Frances Stark, and Martine Syms within the context of feminist art history, theory, and practice in the post-1970s artworld. While often read as autobiographical or self-referential, their work across media uses personal narrative as a means of engaging broader theoretical and institutional concerns. Through the literary form of the bildungsroman, these artists employ narrative, fiction, and memoir—often through new and time-based media, but also through interdisciplinary modes rooted in writing—to reflect on their ongoing education as artists within an increasingly globalized Euro-American artworld. By …

Hemispheres Of Faith: Mapping The Global Journey Of An Ivory Rosary Bead At The Metropolitan Museum Of Art, Mary M. Thompson

Theses and Dissertations

Hemispheres of Faith reattributes a carved ivory rosary bead in the Metropolitan Museum of Art to the Quito School in 18th-century Ecuador. Through examining the trade history of the Manila Galleons, material analysis, and iconographic study, Hemispheres of Faith challenges the bead's European origins and reveals the object as a product of global exchange, devotional practice, and colonial artistic collaboration within the Spanish Empire.

Black America, Ethiopianism And Ethiopians: Tizita (ትዝታ), And The Longing That Binds, David Brunberg

Theses and Dissertations

This thesis maps the concept of Ethiopia within the development of Black American peoplehood and Pan-Africanist thought, while shedding light on the deep influence of an American-inspired Pan-Africanist ethos on the works of two Ethiopian-American bridge artists, Julie Mehretu and Aïda Muluneh specifically, and on art production more generally as expressed within contemporary Ethiopia. They are “bridge” artists because they straddle an international space between Black American and Ethiopian identities. It explores the following questions: How did an American Ethiopianism morph into or become synonymous with Afrocentrism? What crosscurrents can one see in contemporary art production in Ethiopia, and its …

Intersections: Gastro-Politics Aesthetic And Contemporary Chinese Art, Fan Du

Theses and Dissertations

This thesis examines how contemporary Chinese artists use food as a medium to explore ritual, trade, politics, and cultural identity. Centering on The Note of Food, an exhibition I curated, it draws on Arjun Appadurai’s concept of gastro-politics and Lu Xun’s nalaizhuyi (“grabbing doctrine”) to analyze how artists strategically appropriate cultural resources amid tensions between East and West, and tradition and modernity. Merging curatorial practice with food and visual anthropology, the project uses exhibition-making as both method and object of inquiry. As a native anthropologist working as both curator and researcher, I propose a model of curatorial anthropology that …

Louis-Léopold Boilly’S Toddler In Mamluk Costume, Circa 1803: Feminism And Orientalism In The Napoléonic Era, Jessie Polk

Theses and Dissertations

Privately held until it came into the Met collection, Toddler in Mamluk Costume by Louis-Léopold Boilly was not widely known and hasn’t been extensively studied. This thesis seeks place it in context and argues that it is likely a portrait of a girl, a niece of Napoléon I, Zénaïde Bonaparte.