History of Art, Architecture, and Archaeology Commons^™

Fort Ancient And Woodland Pottery From The Hahn Site, Hamilton County, Ohio: A Petrographic Analysis Of Chronological Changes In Ceramic Temper, Shelby C. Lutz 20

Honor Scholar Theses

Thousands of pottery sherds have been excavated by the Cincinnati Museum Center from the Hahn Site (Ohio Archaeological Site #33HA10), located near Newtown, Ohio. These potsherds, created by Native Americans, show a variety of temper materials, including fragments of limestone, shell, grog, and rock debris from glacial outwash. To better understand changes in the pottery-making technique, transitions and advancements in temper material, and possible economic and trade indicators, ceramic petrography and geochemical analyses were used to determine temper variability. A single archaeological feature from the site was chosen as a case study, Feature 146. This feature is a depression that …

Welcome To Gendered Dada, Morgan Drawdy

Georgia College Student Research Events

This paper explores the works of art throughout the Dada art period from three specific artists; Marcel Duchamp, Francis Picabia, and Baroness Else Von Freytag-Loringhoven. It delves deep into the making of the pieces and the influences behind them. The pieces are analyzed through the lens of gender and gender bias that is caused by the changing of societal roles during World War One. Those roles touching on topics such as women entering the work force and the evolution and devolution of the typical masculine role throughout history. The paper is brought together to explore how these societal changes influenced …

Sex On The Walls: The Art Program Of The Suburban Baths In Pompeii, Jennifer Wright

Research Horizons Day Posters

No abstract provided.

Archaeology And The Philosopher's Stance: An Advance In Ethics And Information Accessibility, Dina Rivera

USF Tampa Graduate Theses and Dissertations

Ancient Greek scholars have scaffolded ethical examination for several fields beyond philosophy, providing essential guidance for management and practicum within professions. From the Society of Antiquaries of London (1718) to the Society of American Archaeology (1934), the professional study has continued to evolve as new translations of the past and new models for predicting human behavior in the future would underpin the development of ethics in academic archaeology. Database enabled study creates opportunities for open research, expanding data pools and scientific perspectives and becomes essential for providing inclusivity, respect, and cooperation in order to build and rebuild paradigms.

The Effects Of Feudalism On Medieval English Mobility: A Biological Distance Study Using Nonmetric Cranial Traits., Jonathan H. Barkmeier

USF Tampa Graduate Theses and Dissertations

Social and environmental factors play a key role in determining biocultural phenomena that can be observed on skeletal populations. Genetic markers in the form of nonmetric traits can help understand underlying questions about population movement and subsequent gene flow. During the medieval period in England, feudalism may have limited migration and created sedentary lifestyles for the peasant class who lived and worked on land owned by the nobility. By using a biological distance model, questions about the interactions between rural and urban populations, as well as the restrictive economic system that was in place during the Middle Ages, can be …

Unwritten Records: Crime And Punishment In Early Virginia, Jessica L. Gantzert

USF Tampa Graduate Theses and Dissertations

Crime and punishment are highly racialized aspects of American society, and have been since the beginning. History has consistently focused on wealthy white males, leaving large gaps in our collective understanding of criminality as it applies to poor people and people of color. My thesis discusses how people of Amherst County in Colonial Virginia navigated imprisonment and their positionality. I engage with constructivist and feminist theories to expose silences in archives which hinders deeper understanding of the archaeological record. Though my research, I have been able to find the names of some of the people that were imprisoned, along with …

Patronage, Audience And Ownership Of The Psalter Of Blanche Of Castile, Blair C. Gallon

LSU Master's Theses

The so-called Psalter of Blanche of Castile (Psautier latin dit de saint Louis et de Blanche de Castille, Bibliothèque nationale de France, Bibliothèque de l’Arsenal, Paris, MS 1186 réserve) is a well-preserved illuminated manuscript made in Paris in the first half of the thirteenth century. As a devotional book, it witnesses the concerns of a thirteenth century individual of high rank, most likely a woman. As its modern name indicates, scholars link its existence to the Queen of France Blanche of Castile (4 March 1188 – 27 November 1252; r. 1226-34, 1248-52). No firm documentation, however, attests to the circumstances …

Lamin Fofana: Blues, Alaina Claire Feldman, Dino Dincer Sirin, Lamin Fofana

Publications and Research

Catalogue for the exhibition "Lamin Fofana: Blues" presented at Baruch College's Mishkin Gallery in 2020.

From D.C. To Kentucky: The History Of The United States Senate Clerk's Desk, Olivia Bowers

Documents

This Mahurin Honors College Capstone Experience aims to highlight the importance of the historical object and accurately document the complete history of the former United States Senate Clerk’s Desk, placed in the chamber in 1859 and removed in 1951. The desk’s first and last occupants were Kentucky natives and civil servants, and its current resting place is in Western Kentucky University’s Kentucky Museum. Through research that began in the nation’s capital, and a journey to follow the desk’s paper trail, the object’s massive historical legacy and close ties to the state of Kentucky may live on. Along with a traditional …

A Desk's Tale, Olivia Bowers

Documents

No abstract provided.

A Visual Analysis Of The U.S. Senate Clerk's Desk, Olivia Renee Bowers

Documents

No abstract provided.

Cast Of Characters, Olivia Renee Bowers

Documents

No abstract provided.

Virgilian Imagery And Meaning On A Carolingian Flabellum: Contradiction Or Continuity?, Carol Long

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

A New Kind Of Loom In Early Roman Egypt? How Iconography Could Explain (Or Not) Papyrological Evidence, Maria Mossakowska-Gaubert

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

The question of the different kinds of loom used in ancient Egypt is one of the most crucial issues to understanding the evolution of textile production and its technological development in the Nile Valley. However, sources concerning looms (archaeological, iconographic and written) from the Pharaonic era until the Arab medieval period are meagre, and many research questions remain open. This article is an attempt at a new interpretation of some evidence, particularly iconographic and papyrological, which could add new data to the study of weaving looms used in Egypt of the early Roman period (1st–2nd century AD).

Frontmatter For Egyptian Textiles And Their Production: ‘Word’ And ‘Object’. (Hellenistic, Roman And Byzantine Periods), Maria Mossakowska-Gaubert

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Covers

Dedication

Contents

Introduction by Maria Mossakowska-Gaubert

Contributors

Tackling The Technical History Of The Textiles Of El-Deir, Kharga Oasis, The Western Desert Of Egypt, Fleur Letellier-Willemin

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

The site of El-Deir is situated north of Kharga in the “Great Oasis” of the Egyptian Western Desert (fig. 1). The site was occupied between the 6th century BC and the 6th century AD. A complex history emerged with the influence of many cultures: Persian, Greek, Roman and early Christian. Archaeological finds in both El-Deir and the oasis itself (the site of Dush and the temple of Darius in Hibis, a city north of Kharga) confirm that the Great Oasis was a wealthy region. This is also substantiated by texts from Ain Manawir and Dakhleh. The presence of an artesian …

What Flaws Can Tell: A Case Study On Weaving Faults In Late Roman And Early Medieval Weft-Faced Compound Fabrics From Egypt, Barbara Köstner

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Silk samites from Late Roman and Early Medieval Egypt are well-known objects in museum collections all over the world. One group of fragments, the so-called Akhmim silks, show a mechanically repeated floral pattern. More than 100 examples with this design are known; the fragments bear striking similarities in design and technique. Were they woven in the same workshop? If all or at least a large number of pieces could be traced back to several batches of production, this would lead to further insights concerning the economics of early silk weaving. A detailed analysis of two exemplary pieces reveals features that …

Ancient Greek Dyeing: A Terminological Approach, Peder Flemestad

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

The Oxford English Dictionary defines dyeing as: “to impregnate (any tissue or the like) with a colour, to fix a colour in the substance of, or to change the hue of by a colouring matter”. In ancient Greek this operation is in general expressed by the verb βάπτειν, but the process of dyeing could be designated by a multitude of other terms. The following contribution provides an overview of the extensive ancient Greek terminology for the action of dyeing. The focus therefore lies primarily on the verbs designating the dyeing process itself, while wider dye terminology is only occasionally touched …

Dyeing In Texts And Textiles: Words Expressing Ancient Technology, Ines Bogensperger, Helgo Rösel-Mautendorfer

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

The complex chaîne opératoire of ancient textile production in various stages has been frequently discussed by textile scholars. According to documentary papyri, textile manufacturing represented the highest taxed industry after agriculture. This emphasises its importance as a significant sector in the ancient economy. A highly specialised branch within the chaîne opératoire is the dyeing industry. Ancient dyers used natural and animal dyestuffs, as well as different dyeing techniques to achieve their colourful results. They were also aware of the specific properties of the different textile fibres. In ancient times, wool and linen were the characteristic materials for manufacturing textiles, but …

How (Not) To Organise Roman Textile Production. Some Considerations On Merchant-Entrepreneurs In Roman Egypt And The Ἱστωνάρχης, Kerstin Droß-Krüpe

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

For almost the last 100 years, various ancient historians have suggested that organisations comparable to the “putting- out” system existed in the Roman Imperial period. They are most commonly believed to have occurred in textile production. As early as 1913, Theodor Reil assumed that the production of textiles in Roman Egypt was organised through the putting-out system. This idea can subsequently be traced through more than a century to recent publications. However, as this assumption is rarely based on genuine source material, it seems appropriate to get to the bottom of this hypothesis. In this context, special attention will also …

Textile Production In The Papyri: The Case Of Private Request Letters, Aikaterini Koroli

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Throughout the “papyrological millennium”, that is from the 3rd century BC to the 8th century AD, both administrative and private life in Egypt were largely based on letters. Apart from oral communication, letter writing, mostly on papyri and ostraca, was the only available form of communication for the inhabitants of the land of Nile when they needed to get in touch and exchange information with people who did not live in their immediate surroundings. Papyrus letters, written by and sent to private, ordinary people and not to the authorities, composed in the Greek vernacular and intended to fulfill a wide …

Domestic Textile Production In Dakhleh Oasis In The Fourth Century Ad, Jennifer Cromwell

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Ancient Kellis, modern Ismant el-Kharab is located in Dakhleh Oasis in Egypt’s Western Desert. The main occupation of the village was from the early to late Roman period (late 1st century to the beginning of the 5th century AD). Excavated as part of the Dakhleh Oasis Project, the site has revealed textual and archaeological evidence from which a detailed picture of life can be painted. To date, the main publications of the village’s finds have focussed on the textual remains, of literary and documentary texts in Coptic, Greek, and Syriac.1 A comparable publication of the archaeological evidence from the site …

Egyptian Pit-Looms From The Late First Millennium Ad — Attempts In Reconstruction From The Archaeological Evidence, Johanna Sigl

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

In discussions on the development of weaving technology, specifically treadle looms in the Mediterranean area, Egypt is often referred to as one of the earliest countries in which people used foot-powered looms for producing cloth. It is thought to have been in regular use in the production of cloth as early as the second half of the 1st millennium AD. This belief is built on results from excavations undertaken during the early 20th century by the Egypt Exploration Fund at the hill of Sheikh Abd el-Qurna in Luxor, as well as on textile studies. Unfortunately, none of the postulated looms …

Conclusion: Egyptian Textiles And Their Production, Dominique Cardon

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

This book, “Egyptian textiles and their production: ‘word’ and ‘object’ (Hellenistic, Roman and Byzantine periods)” is both very useful and… frustrating. Indeed, all volumes of transactions of a scientific symposium are bound to be so, since research is a never-ending story. However, this is particularly true of textile research, which involves so many different approaches. Most of the relevant scientific domains are represented in this volume. There is a good combination of several reports on new research – recently studied archaeological textiles and iconographic documents on weaving – with attempts at syntheses of available evidence, both archaeological and textual, alongside …

Reconstruction Of A Deconstructed Tunic, Anne Kwaspen

Egyptian Textiles and Their Production: ‘Word’ and ‘Object’

Tunics of the 1st millennium AD can be classified into two main groups according to the direction of the warp in the finished tunic. The first group of tunics has horizontal warp threads in the finished tunic. This means that the cloth as it is worn is rotated 90° from the weave direction on the loom. In the second group of tunics the warp runs vertically in the finished tunic. Each group of tunics has their typical technological features and finishing methods, with additional distinctions between wool and linen tunics. This article focuses on the study of a tunic belonging …

Egyptian Textiles And Their Production: ‘Word’ And ‘Object’, Maria Mossakowska-Gaubert

Zea E-Books Collection

This volume presents the results of a workshop that took place on 24 November 2017 at the Centre for Textile Research (CTR), University of Copenhagen. The event was organised within the framework of the MONTEX project—a Marie Skłodowska-Curie individual fellowship conducted by Maria Mossakowska-Gaubert in collaboration with the Contextes et Mobiliers programme of the French Institute for Oriental Archaeology in Cairo (IFAO), and with support from the Institut français du Danemark and the Alexander von Humboldt Foundation. Twelve essays are arranged in 4 sections: I. Weaving looms: texts, images, remains; II. Technology of weaving: study cases; III. Dyeing: terminology and …

Rockhounding, Seafaring, And Other Material Tales For The End Of The World, Noemie Fortin

The Goose

In the face of accelerated environmental degradation and climate instability, the future of the Earth and of all life on earth is difficult to visualize. Therefore, the different mediums through which we consider environmental issues are just as important as the actions we take to address them. Focusing on three projects combining art, science, and activism, this article suggests a compilation of material tales. They tell stories of plastic rocks and aluminum nuggets where the protagonists are partly finely crafted objects, partly waste materials, and sometimes both at once. Artists Kelly Jazvac, Yesenia Thibeault-Picazo, and the collective Studio Swine collaborate …

Public Perception Towards Conservation Of Heritage Buildings In Berlin And Kuala Lumpur, Shaharuddin Shahariah Norain

Student Works (2020-2029)

This study examines the local public perception towards the intention to conserve the heritage buildings and sites in the city area. The need for an effective public interest and integrated heritage conservation in the city is vital which resolve the issues on the demolition of historic buildings. The objective of this study is to investigate the perception of attitudes, subject norms and perceived behavior control of the local public that influence the behavior towards the intention to conserve the heritage building in the city area. This study also investigates the behavior of local public from the opinion of stakeholders towards …

Conch Calls Into The Anthropocene: Pututus As Instruments Of Human-Environmental Relations At Monumental ChavíN, Miriam A. Kolar

Yale Journal of Music & Religion

Pututus, conch shell musical horns, are known in the Andes as annunciatory devices enabling their players to call across long distances. Beyond their iconic call, the sonic and gestural versatility possible in pututu performance constitutes dynamical evidence for prehistorical uses and site-specific cultural valuations of these multifaceted ritual instruments. Pututus appear in drawings created during the Spanish conquest and colonization of the Andes, and intact shell horns have been excavated from monumental architecture in Perú preceding the Inca by more than two millennia. At the late Andean Formative center at Chavín de Huántar, Perú, a well-preserved ceremonial complex active …

Capacity, Rachel Baydian

CGU MFA Theses

This Master of Fine Arts Thesis Exhibition by Rachel Baydian is an installation of ceramic sculptures that function as a stand-in for the human body, touching on relationship, interconnectivity, and imperfection. Using abstracted forms that derive from the earth, these art objects are sculpted to mimic nature and its processes. The work highlights our human connection to nature as integrative and vital. Through experience and tactility, there is more of an awareness of space and heightened senses. The work taps into the awe and seduction of the mystery of nature through seemingly ordinary elements of the physical world.