History of Art, Architecture, and Archaeology Commons^™

A Glass Bead Sequence For South America Based On Collections From Brazil And Guyana, William T. Billeck, Meredith P. Luze

BEADS: Journal of the Society of Bead Researchers

Glass trade bead assemblages recovered during archaeological investigations at nine sites by Smithsonian archaeologists Betty Meggers and Clifford Evans in Brazil in 1948 and 1949 and Guyana in 1952 and 1953 date to multiple time periods, including the early 17th, mid-18th, mid-19th, and mid-20th centuries. The assemblages are used to show that the glass bead chronologies developed in North America are directly applicable to South America and that there is a global glass bead sequence related to European colonialism. White drawn glass beads were independently dated by comparison with known composition changes through time in how the glass was made …

Beads: Journal Of The Society Of Bead Researchers - Volume 31 (Complete)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

Book Reviews And End Matter

BEADS: Journal of the Society of Bead Researchers

The Glory of Beads: The Rise and Fall of the Società Veneziana per l’Industria delle Conterie, by Nicole Anderson, reviewed by Rosanna Falabella. La cartelle veneziane del Museo di Storia Naturale di Milano, by Giorgio Teruzzi, Chiara Colombo, and Irene Mineo, reviewed by Stefany Tomalin. Glass Bead Trade in Northeast Africa: The Evidence from Meroitic and Post-Meroitic Nubia, by Joanna Then-Obłuska, with Barbara Wagner, reviewed by Karlis Karklins.

Rodcon, Program, 2019, University Of Northern Iowa. Rod Library.

RodCon Documents

Inside This Program:

--Rodcon: Free and open to the public
--Welcome to Rodcon
--Locations
--Schedule
--What's That?
--Artist Alley
--Food
--Sponsors
--Autographs

Kata Kapcevic, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

Janja Majstorovic, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

Mara Bojic, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

Anica Maric, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

James Joyce, Bruce Springsteen And The Notion Of Exile: It's A Town Full Of Losers, And I'M Pulling Out Of Here To Win, Barry Sheehan

Academic Articles

“It’s a town full of losers and I’m pulling out of here to win.”

Bruce Springsteen (1975) Thunder Road, Track 1 of Born to Run [CD], Columbia.

“So it returns. Think you're escaping and run into yourself. Longest way round is the shortest way home.”

James Joyce (1998) Ulysses, p.309.

James Joyce was born towards the end of the nineteenth century, in Dublin, Ireland. He spent most of his life writing about Dublin while living in exile.

Born in the United States in the middle of the twentieth century, Bruce Springsteen has spent a career …

Art In The Museum, Christopher Janneck

Writing Across the Curriculum

I visited the Metropolitan Museum of Art (“the Met”) found at 1000 Fifth Avenue in New York City on Saturday, September 15, 2018, during a visit home. Although there was substantial traffic because of a German Heritage parade, it was a beautiful day to visit a magnificent museum. Everything about the Met is grand, including its entrance lobby and its artwork. I passed a few hours wandering the different halls with my family, while taking pictures and notes for this assignment. Some of my favorites during this visit was the Heavenly Bodies exhibit and the many halls filled by American …

"History Of The Printed Book" Sheet Collection, University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

Manuscript Finding Aids

Sheets featuring examples of printer's art from the History of the Printed Book.

The Routledge Companion To Medieval Iconography. Routledge Art History And Visual Studies Companions, Gerald B. Guest

2019 Faculty Bibliography

No abstract provided.

Francis Quarles And Jesuit Images: Some Observations, Clifford Davidson

Early Drama, Art, and Music

An otherwise unpublished study of Francis Quarles's Emblemes.

Chaco Canyon, New Mexico: A Caretaker City And A Pilgrimage Destination, Larry Benson, Deanna N. Grimstead, John R. Stein, David A. Roth, Terry I. Plowman

United States Geological Survey: Staff Publications

Some Southwestern archaeologists continue to ascribe to the hypothesis that Chaco was agriculturally productive to the point that it could support at least a few thousand full-time residents. This paper suggests an alternative hypothesis; i.e., Chaco was marginally productive and could only support a few hundred permanent residents. Isotopic analysis of mammal teeth found in trenches cut through platform mounds fronting Pueblo Bonito indicate the possibility that much of the meat consumed by Chacoan residents and visitors came from higher elevation sites bordering the San Juan Basin. We suggest that resident population estimates based on great house room numbers and …

Glass And Lapidary Beads At Jamestown, Virginia: An Updated Assessment, Emma Derry

BEADS: Journal of the Society of Bead Researchers

An updated assessment of the trade beads in the Jamestown collection has long been overdue since Heather Lapham’s 1998 study. The size and variation of the collection has expanded to include nearly 4,000 glass beads representing over 100 Kidd and Kidd varieties, as well as nearly 100 lapidary beads made of amber, coral, jet, amethyst, carnelian, chalcedony, agate, and quartz. The Jamestown assemblage strongly resembles those found at 16th-century Spanish colonial sites, due to the presence of navy blue Nueva Cadiz beads manufactured in Venice and faceted quartz-crystal beads likely produced in Spain. Other beads in the collection, however, may …

Roman To Islamic Beads And Pendants From Matmar And Mostagedda, Middle Egypt, Joanna Then-Obłuska, Alexandra D. Pleşa

BEADS: Journal of the Society of Bead Researchers

Between 1927 and 1931, British archaeologists Guy Brunton and his wife Winifred recorded over 150 graves assumed to date from Late Dynastic to early Islamic times in the cemeteries of Matmar and Mostagedda, Middle Egypt. Sixty-four bead objects found in funerary context are now located in six museum collections. Recent studies of material found in these tombs and the radiocarbon dating of textile samples allowed for a revision of Brunton’s initial chronology and an overview of the typology of the bead corpus based on the revised chronological framework. The analysis of the Matmar and Mostagedda corpus also opens the avenue …

Beaded Aprons Of The Coastal Peoples Of The Guianas, Michael Oehrl

BEADS: Journal of the Society of Bead Researchers

Although many beaded aprons from the coastal area of the Guianas are among the oldest preserved collected objects of the South American lowlands, there is still no general consensus as to who the manufacturers of these aprons were. The glass beads used differ from those typically employed at the end of the 19th century and can be dated between 1750 and 1850. In the literature and museums, these aprons are not frequently described in detail, and the author is not aware of any early object for which a collector has provided more detailed information. This article is intended to give …

The Importance Of Frankfurt Printing Before 1550. Sebald Beham Moves From Nuremberg To Frankfurt, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Five hundred years ago, Sebald Beham had reasons enough to leave Nuremberg and more than enough reasons to move to Frankfurt. That town's attraction as a printing center became one of the factors that resulted in Beham's settling permanently in the city on the Main in 1531, leaving behind his home town of Nuremberg, best known as the artistic center of the Renaissance master Albrecht Durer. Despite the high regard the Franconian town and Durer received, the authorities there did not treat other painters in Durer's circle particularlywell. The dubbing of Beham as 'godless painter' in 1525 constituted one of …

Buffering..., Nicholas B. Vialpando

Electronic Theses and Dissertations

Buffering… focuses on scenes from everyday life such as cooking breakfast or a day at the office which are presented in a half-rendered frozen form. The works are partially pixilated in certain areas to create a sense of perpetual buffering illustrating a never-ending frustration between advancement and expectation. This body of work is meant to create an opportunity for viewer to experience a sensation of tension while information perpetually buffers. This sensation reflects how society has been conditioned by its technological devices and their implied promises of instant gratification. This body of work aims to shed light on the frustration …

Guide To The Mission San Diego De Alcalá Excavation Records, Raymond Brandes

University Records

The Mission San Diego de Alcalá Excavation records document the nearly twenty years of excavation work conducted during a University of San Diego course led by Professors Raymond Brandes and James Moriarty. Among the records are course materials, newspaper articles, photographs and negatives, research materials, maps, and audio recordings. Course materials include planning materials for the course, informational materials for students, and documentation of excavation work. This includes notes about work conducted during class sessions, inventories of found artifacts, and drawings of the excavation areas. Aerial photographs taken of the Mission San Diego de Alcalá site, and topographical maps created …

A Gift No More: A Byzantine Reliquary Of The Holy Cross, Justin Willson

Faculty Scholarship

For nearly a century, scholars have interpreted a Byzantine reliquary of the True Cross at the Vatican Museums using the framework of gift-giving, as famously theorized by Marcel Mauss (figs. 1a–b).1 Brought to light in 1903, the reliquary is constructed of wood and consists of a shallow base with a sliding lid.2 Decorated with painted images outside and in, the reliquary’s unusual iconography has led scholars to suggest that it must have been designed as a gift from the Byzantine Church to the papacy.3 The outer surface of the lid displays a dramatic scene of the Crucifixion. Mary, who typically …

It’S Elementary: The Bayeux Tapestry As A Medieval Educational Tool, Sarah Bulger

OUR Journal: ODU Undergraduate Research Journal

The Bayeux Tapestry, a 230-foot-long, 950-year-old Anglo-Norman embroidery has baffled historians resulting in extensive (and diverse) scholarship since its rediscovery in the eighteenth century. The Bayeux Tapestry plays a preeminent role (outside of contemporaneous manuscripts and texts) in deciphering aspects of medieval life in England through its visual representation of the age of the Norman Conquest. Long-standing assumptions about the Bayeux Tapestry’s commission, production, and purpose have accumulated through the years based on a single inventory document from 1476 postulating its intended location and function as a religious ornament for Bayeux Cathedral. Modern academics have explored themes readily visible …

Ichimatsu Boy And The Historical Impact On Ichimatsu Ningyo, Sherelle Rodgers

OUR Journal: ODU Undergraduate Research Journal

This article discusses the historical research found on the Ichimatsu Ningyo boy doll by Takizawa Koryusai II. This doll is housed by the Barry Arts Museum and is an example of the Japanese Ichimatsu Ningyo art style. The purpose of this project was to discover why and how the doll was created due to the lack of provenance. This investigation will first address the make and style of the doll as well as the symbolism that lies well within its image. Second, it will address the historical significance and future of the Japanese Ningyo doll. By comparing how the doll …

"Introduction" To Crossroads: Frankfurt Am Main As Market For Northern Art 1500–1800, Miriam Hall Kirch, Birgit Ulrike Münch, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Table of Contents Inhaltsverzeichnis

Simple curiosity has sparked many a book, and that is true of this book, too. We wanted to know what role Frankfurt am Main played in the rise of the commercial art market in general and in particular of painting and printmaking during the early modern period. We were surprised to find no ready answer to our question, for although the Frankfurt Book Fair remains a major publishing event, art historians have not yet focused sufficiently on its precursor, the Frankfurt fair, an important location for the trade in paintings and prints. Frankfurt's hub function as …

Japanese Influence On Western Impressionists: The Reciprocal Exchange Of Artiistic Techniques, Emma Wise

A with Honors Projects

In 1853, Commodore Perry reopened Japanese ports to the rest of the world. Japanese products made their way into Western markets (Ives). Products like fans, kimonos, lacquers, and other products became popular. This created the movement of Japanism, which is characterized by the influence of Japanese culture. For artists, there was a focus on Japanese art. Western artists looked at the techniques, compositional methods, and subject matter common in woodblock prints. Woodblock prints, from the Edo period, became an influence for the Impressionist movement in Paris during the nineteenth century. Similarly, the Western influence on Japan affected art during the …

A Portrait Of Myself: Gaze Through The Eyes Of Florine Stettheimer, Sydney A. Mullins

Oswald Research and Creativity Competition

Saloniste Florine Stettheimer rarely exhibited her art while she was alive- and when she did, it was only to her inner circle of queer and avant-garde friends (including individuals like Marcel Duchamp and Carl Van Vechten). After her death, however, we see why she was so secretive- her works were very ahead of their time in the 1920s, and remain layered with intention. This essay seeks to analyze three of Stettheimer’s artworks- A Model (Nude Self-Portrait), Portrait of Myself, and Portrait of My Sister, Ettie Stettheimer- in the context of how gender and female sexuality were and …

Among The Ancestors At Aidonia, Lynne Kvapil, Kim Shelton

Scholarship and Professional Work - LAS

No abstract provided.

Calligraphy, Aesthetics, And Character In "The Tale Of Genji", Tomoko Sakomura

Art & Art History Faculty Works

No abstract provided.

Deities And Devotion In Mongolian Buddhist Art, Charles Mason, Andie Near, Tom Wagner

Kruizenga Art Museum Exhibition Catalogs

Design by Tom Wagner. Produced by Storming the Castle Pictures (StCP) as a catalog for the Kruizenga Art Museum exhibition “Deities and Devotion in Mongolian Buddhist Art,” August 30 – December 14, 2019.

Kruizenga Art Museum Online Collection - Exhibition Gallery

A Body Of Work, Ali Edelson

MA Projects

“A Body of Work”, the working title for this curatorial proposal, examines how a group of emerging female artists represent the female form in their work. The representation of the female form, and more specifically the female nude, has long been a key part of art history. For many years, men took ownership over women’s bodies as a commodity, especially in the case of nudes. In the 20th century, feminist artists began to take more power over the ways in which the female form was portrayed by either refusing to commodify or sexualize it or taking ownership over it themselves. …