History of Art, Architecture, and Archaeology Commons^™

Mass Effect: Art And The Internet In The Twenty-First Century, Elizabeth Sutton

Art Inquiries

Book review of Mass Effect: Art and the Internet in the Twenty-First Century, edited by Lauren Cornell and Ed Halter.

Back Matter

Art Inquiries

No abstract provided.

Time, Space, And Devotion: The Madonna Della Clemenza And The Cappella Altemps In Rome, Kirstin Noreen

Art History Faculty Works

Placed on the altar of the Cappella Altemps in the church of Santa Maria in Trastevere (Rome) in 1593, the medieval icon of the Virgin and Christ known as the Madonna della Clemenza was the focal point of a newly decorated space. The chapel’s pictorial program underscores that decisions ratified at the Council of Trent were not only situated in the context of biblical history, but were also directly connected to the presence of the cult image of the Madonna della Clemenza. This article will explore the late sixteenth-century architectural and decorative reframing of the icon as a means of …

Interview With Duane Paxson, Dorothy Joiner

Art Inquiries

No abstract provided.

The Last Laugh: Selections From Michael Aurbach’S Secrecy Series, Dorothy Joiner

Art Inquiries

No abstract provided.

Picture Titles: How And Why Western Paintings Acquired Their Names, Colleen Truax Yarger

Art Inquiries

Book review of Picture Titles: How and Why Western Paintings Acquired Their Names, by Ruth Bernard Yeazell.

Ancient Puebloan Human Effigy Vessels: An Examination Of Iconography And Tradition, Amy G. Marshman

Theses and Dissertations

This dissertation provides an iconographic interpretation of a group of Ancient Puebloan human effigy vessels and fragments from the American Southwest, dating to the Pueblo II period, c. 900 -1150 CE. Initially, this project focuses on Ancient Puebloan human effigy vessels from three specific collections; a single vessel in the collection of the National Museum of the American Indian in Washington, D.C., a human effigy vessel in the collection of the American Museum of Natural History in New York, and the so-called Putnam Human Effigy Jar from Chaco Canyon at the Peabody Museum of Archaeology and Ethnology at Harvard University. …

Antithetical Commentaries On X, Y And The Disruption Of Being, Eva Rocha

Theses and Dissertations

Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the artist:work:viewer relationship and how it can encourage …

Catching All Passions In His Craft Of Will: Portraits And Pater In Oscar Wilde’S “The Portrait Of Mr. W. H.”, Rebecca E. Jones

Theses and Dissertations

This thesis examines Oscar Wilde’s “The Portrait of Mr. W. H.” as the product of Wilde’s long interest in critic Walter Pater’s literature and scholarship. From its first iteration published in 1889, through Wilde’s ongoing revision and expansion into the version commonly anthologized today, “The Portrait of Mr. W. H.” is an evolving work that mirrors Wilde’s enduring relationship with the art and ideas of his former teacher. This relationship is explored in three contexts: Pater’s contribution to Wilde’s understanding of the Renaissance period; the steady influence of Pater’s ideas and persona on Wilde’s other major works from the period …

Hidden In Plain Sight: Image, Text, And Social Commentary In Victor Ekpuk's Cartoons For The Daily Times Of Nigeria, 1989-1998, Kaleb W. Jewell

Theses and Dissertations

This thesis provides an analysis of the cartoons produced by Victor Ekpuk for The Daily Times newspaper of Nigeria from 1989 through 1998 and the artist’s use of ancient nsibidi script to “hide in plain sight” his social commentaries on sociopolitical and economic issues in Nigeria. Victor Ekpuk’s original cartoons within the permanent collection of the Smithsonian Institution’s National Museum of African Art are examined in the context of indigenous masking practices and other indirect methods employed by indigenous comedians to protect themselves. Moreover, the cartoons’ use of caricature and their nsibidi scripts within are argued to provide a connotative …

Cajamarca Ceramic Spoons From Northern Peru: Forming A Symbolic Function, Jeanette Louise Nicewinter

Theses and Dissertations

Ten painted Cajamarca-style ceramic spoons form the foundation for an investigation of the way that these seemingly utilitarian objects were bestowed with economic and symbolic value both within and outside of the borders of the Cajamarca region, located in the north highlands of present-day Peru. Since the ceramic spoons have been recovered from sites associated with large and powerful societies and states, such as the Moche of the north coast and the Wari of the central highlands, an analysis of the form, style and imagery present on these spoons reveals how these objects transcended cultural boundaries. To assess and evaluate …

V.1 2016-2017, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The 2016-2017 issue contains articles on Kara Walker, Women's March, "Look at Art, Get Paid" program, #pizzagate, the Mutual Encounters exhibition, and smartphones.

Understanding The Problems And Importance Of The Turin-Milan Hours: A Study Of Art Historical Methods, Araceli Bremauntz

The Expositor: A Journal of Undergraduate Research in the Humanities

No abstract provided.

Cultural Sovereignty And Cultural Violence: Native American Artists And The Dunn Studio, 1932-1962, Pamela Krch

Open Access Theses & Dissertations

The early twentieth century engendered a period of profound change within the United States as industrialization, post-World War I miasma, and vigorous imperialism transformed the nation. The Southwest's Santa Fe provided a haven for the influx of White scientists, affluent socialites, and artists who sought authenticity through reinvention. Lighting upon the neighboring Indian communities, White elites soon appropriated Native culture, production, and imagery, seeing these as sources for nationalism, commodification, and as outlets for reformist aims. Art educator Dorothy Dunn stands as exemplary of the latter, as she fervently believed that the new genre of Native American easel art answered …

Reframing Pictures: Reading The Art Of Appropriation, Liz Linden

Faculty Publications

No abstract provided.

Custom Framing: An Analysis Of Camille Pissarro's "Les Turpitudes Sociales" Within A Base-Superstructure Model, Robin S. Klaus

Senior Independent Study Theses

No abstract provided.

Insurgency In The Late Bronze Age Levant: A World-Systems Analysis Of Three Egyptian Garrison Sites, Eric T. Hubbard

Senior Independent Study Theses

The wide-ranging research focused on the turbulence of the Late Bronze Age in the Mediterranean and the Levant has not yet yielded a unified narrative of how this period was experienced across the region. While some sites exhibit no sign of the infamous collapse or ‘crisis,’ many others exhibit rapid abandonment or destruction layers. The narrative surrounding these destructions tends to be viewed as relating to foreign powers such as the imperial Egyptian invasion, Israel’s rising kingdom, or all manner of so-named ‘Sea Peoples.’ This macro-causal approach leaves fewer considerations of micro-scale incidents of local resistance/agency. Recent evidence from a …

Viewing Victorian Prisoners: Representations In The Illustrated Press, Painting, And Photography, Lauren Boasso

Theses and Dissertations

Victorian prisoners were increasingly out of sight due to the ending of public displays of punishment. Although punishment was hidden in the prison, prison life was a frequent subject for representation. In this dissertation, I examine the ways Victorian illustrated newspapers, paintings, and photographs mediated an encounter with prisoners during a time when the prison was closed to outsiders. Reports and images became a significant means by which many people learned about, and defined themselves in relation to, prisoners. Previous scholarship has focused on stereotypes of prisoners that defined them as the “criminal type,” but I argue prisoners were also …

Crescendo, Jeffery A. Pabotoy

Theses and Dissertations

Artist Statement

I have always found comfort and warmth in my family. When I am not with them, I find myself clinging to the objects they leave behind as a substitute in their absence. As I began to re-create these objects through paintings and ceramics, I realized that I was creating symbolic portraits of my family. These portraits are tangible family moments preserved in pigment and clay.

In recent years, my siblings were deployed to war and I began to represent them as various instruments. These instruments, both musical and tools of war, chronicle who they were and who they …

Allegories Of The Modern: The Female Nude In Art Nouveau, Emily Winthrop

Theses and Dissertations

Modernism is a plurality, not a singular concept. This project explores examples of Art Nouveau nudes to describe the particular expressions of the modern through varied and complicated allegorical bodies. The female nude as a nexus for ideals of gender, art, and beauty, is informed by and constructs the understanding of these ideals within society. Art Nouveau thus employed the nude to represent complex manifestations of modernity. Three diverse cases provide the subjects of each chapter. All explore modernism through objects and interiors, in public and private environments, and each connects the decorative arts with accounts of European modernism in …

The Economic Life Of The Aetas Of Northern Philippines, Darin Jan Tindowen

Khazar Journal of Humanities and Social Sciences

In today’s world, one of the bases of economic development is the presence of technology. However, not all communities and groups can have an access to the different technologies created by man. And one of these groups is the Aetas of Northern Philippines. This study was conducted to determine the different economic activities, and seasonal activities for survival of the Aetas. The participants of the study were the 25 Aeta families of a rural community in Northern Philippines. In-depth interview, observation, and community immersion were the instruments used by the researcher. Moreover, key informants and the elders were identified to …

Gynecologists, Bureaucrats, And Stoners: The Rise Of Women In Television Comedies And Critiquing The Postfeminist Perspective, Victoria Montecillo

Scripps Senior Theses

This thesis looks to explore the rise of women in television comedy and the accompanying implications of this phenomenon. Using a historical framework, this thesis looks at the progression of representations of women in television comedies beginning in the 1950s up to today. Considering factors such as the rise of social media, as well as online television streaming services such as Hulu and Netflix as more legitimate avenues to distribute content, this thesis traces women’s place within television comedy, and argues that shows such as Parks and Recreation, The Mindy Project, and Broad City serve as examples of the progress …

Nostos: On Recollecting Loss And The Physical Manifestation Of Loss, Stephanie M. Huang

Scripps Senior Theses

This paper examines nostalgia in photo-poetry book Nostos, and nostalgia’s existence as a theoretical global condition arising from displacement, looking at nostalgia specifically not as a yearning for home, but a yearning for a lost sense of feeling at home. It traces the lineage of image-text hybrid art practices and examines the significance of conveying meaning through both synergistically. It studies the psychoanalytic process of transforming loss into object, or absence into presence, ultimately using the object as a lens to view oneself and the way in which nostalgia manifests itself.

Grange Stone Circle (B):New Thoughts On An Old Monument, Frank Prendergast

Book/Book Chapter

No abstract provided.

From Audubon To Warhol: The Art Of American Still Life, Stephanie Huber

Art Inquiries

No abstract provided.

Drawing In Silver And Gold: Leonardo To Jasper Johns, Sophia Quach Mccabe

Art Inquiries

No abstract provided.

David Maisel/Black Maps: American Landscape And The Apocalyptic Sublime, Kelly Wacker

Art Inquiries

No abstract provided.

Art Inquiries, Xvii:1, Full Issue

Art Inquiries

No abstract provided.

Art And Politics: The Cultural Revolution In The Eyes Of An Art Soldier, Shaomin Li

Management Faculty Publications

2016 marks the 50th anniversary of China's Great Proletarian Cultural Revolution (1966-1976). When the revolution started in 1996, I was 9. The ten years of the Cultural Revolution was the most important period for my education. I love painting and drawing. So during the ten years of the Cultural Revolution, I devoted all my time to study art except for the time I was forced to study communist ideology and to do hard labor. According to the communist theory, art is politicalized and is a tool to serve the communist revolutionary goal. During the Cultural Revolution, the politicalization of art …

The Early Pottery Of San Antonio, Department Of Chinandega, Nicaragua, Kelsey I. Willis

Electronic Theses and Dissertations 2020 - Present

I analyzed the potsherds (n=732) recovered from the 2009 archaeological excavations at the site of San Antonio in Chinandega, Nicaragua. I classified the pottery in accordance with the Type: Variety-Mode system that is used almost exclusively in Mesoamerica and the Greater Nicoya Sub-Region. Identifications of known ceramic wares, groups, types, and varieties were made through comparisons with reference specimens from type collections housed at several institutions. New taxa were defined as needed in accordance with the established protocols of the Type: Variety system (e.g., Smith et al. 1960) and as subsequently amended (e.g., Rice 1976). In the thesis, I describe …