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Articles 481 - 510 of 555
Full-Text Articles in History of Art, Architecture, and Archaeology
Silent Protest And The Art Of Paper Folding: The Golden Venture Paper Sculptures At The Museum Of Chinese In America, Sandra Cheng
Silent Protest And The Art Of Paper Folding: The Golden Venture Paper Sculptures At The Museum Of Chinese In America, Sandra Cheng
Publications and Research
Housed in the Museum of Chinese in America is the Fly to Freedom collection of paper art, which were produced by a traditional folk method of Chinese paper folding. The 123 paper works were created by detainees of the Golden Venture, a freighter used to smuggle undocumented immigrants into the U.S. On the evening of June 6, 1993, the ship ran aground off the Rockaways in New York City and nearly 300 migrants, gaunt from the four-month ordeal at sea, poured out of the cramped windowless hold of the vessel. Several drowned that night, a few escaped, but the majority …
A Skin-Deep Analysis On Deconstruction: How Transforming The Modern Surface Transformed Notions On Gender, Elise K. Young
A Skin-Deep Analysis On Deconstruction: How Transforming The Modern Surface Transformed Notions On Gender, Elise K. Young
Scripps Senior Theses
While focusing on high fashion and architecture, this thesis explores an aesthetic transition between the early 20th century’s “modern” style and the later 20th century style of “deconstruction.” We believe the style of “deconstruction” revolutionized visual metaphors for modern gender identity through the manipulation and experimentation of surfaces. These metaphors were accomplished through transformation relationships between surface, structure, and ornament. This study exclusively uses examples from women’s fashion and building façades for its analysis
How Did We Get Here? Artist Relatives In Provincetown, Massachusetts, Camille Cardinal
How Did We Get Here? Artist Relatives In Provincetown, Massachusetts, Camille Cardinal
MA Projects
How Did We Get Here? Artist Relatives in Provincetown, Massachusetts explores the practices of eight families of artists across two or three generations who have lived and worked in Provincetown, a town on the very tip of Cape Cod, Massachusetts. Provincetown is one of the oldest and most significant art colonies, dating back to the early 20th century.
The Space Of Art In The Digital Age, Ellie Isaacs
The Space Of Art In The Digital Age, Ellie Isaacs
MA Projects
This journal article looks at the space of art in the digital age in order to establish whether virtual art practices will eventually render the physicality of art as obsolete. The article draws focus on the construction of virtual spaces to investigate the possibility of a consequential collapse in real space. Two key aspects that I have concentrated on are the social experience of these modes of artistic practice and the inversion of public and private spheres.
The Type Of The Triconch Basilica., Dale Kinney
The Type Of The Triconch Basilica., Dale Kinney
History of Art Faculty Research and Scholarship
No abstract provided.
The Image Of A Building: Santa Maria In Trastevere, Dale Kinney
The Image Of A Building: Santa Maria In Trastevere, Dale Kinney
History of Art Faculty Research and Scholarship
Buildings can only be seen through images, including sensory impressions (perceptual images), views created by artists and photographers (pictorial images), the analytical graphics of architects (analytical images), and now, digital means of representation. This article is concerned with another level of image: the themes or metaphors the building was intended to convey (intended images); the image projected by contingent factors such as age, condition, and location (projected images), and the collective image generated by the interaction of the building’s appearance with the norms and expectations of its users and beholders. The Roman church of Santa Maria in Trastevere is taken …
Anxiety Through Art, Brianna Mclean
Anxiety Through Art, Brianna Mclean
Undergraduate Theses, Professional Papers, and Capstone Artifacts
Artists Louise Bourgeois, Salvador Dalí, and Francisco de Goya were all successful artists who used their varying degrees of anxiety or fear to aid their work. In a survey of their lives, and a brief exploration of their work, one will come to understand the personal events that contributed to the fear-inducing tones of their art. Their willingness to air their personal grievances has given them credibility in the art world to this day.
Violence And Warfare In The Late Prehistoric Southwest : A Ritual Explanation, Nia Michelle Alecksynas
Violence And Warfare In The Late Prehistoric Southwest : A Ritual Explanation, Nia Michelle Alecksynas
Legacy Theses & Dissertations (2009 - 2024)
The last four decades of research regarding the late prehistoric American Southwest has produced abundant evidence for violence, warfare and cannibalism among the Ancestral Puebloan peoples. Most archaeologists attribute this rise in violence and subsequent abandonment of the Four Corners region to degrading environmental conditions. While ecological factors surely contributed, it is hard to accept that this alone led to the extreme mutilation of hundreds of human remains found throughout the Pueblo territory. It is proposed that increasing social complexity along with new ritual practices resulted in intense and violent attacks throughout the Pueblo expanse.
Leaving No Stone Unturned : Investigating Preclassic Lithic Production, Consumption, And Exchange At San Estevan, Belize And K'O And HamontúN, Guatemala, Jason Scott Rhett Paling
Leaving No Stone Unturned : Investigating Preclassic Lithic Production, Consumption, And Exchange At San Estevan, Belize And K'O And HamontúN, Guatemala, Jason Scott Rhett Paling
Legacy Theses & Dissertations (2009 - 2024)
This dissertation investigates the relationship between economic and political complexity through the examination of chipped stone tool procurement, production, consumption, and exchange within Middle, Late, and Terminal Preclassic (1000 B.C. – 250 A.D.) households across Maya lowland political centers. In this study, lithic chert tool and debitage assemblages were collected from midden deposits located at residential areas from the eastern Maya lowland center of San Estevan, located in northern Belize, and from K’o and Hamontún, located in northeastern Petén, Guatemala. During the Preclassic period, Maya centers transitioned from villages to urban centers with burgeoning, state-like institutions, but were also accompanied …
Rethinking Settlement And Mobility Models In Eastern New York, Jaclyn A. Nadeau
Rethinking Settlement And Mobility Models In Eastern New York, Jaclyn A. Nadeau
Legacy Theses & Dissertations (2009 - 2024)
This research is a technofunctional analysis of the by-products of stone tool manufacture. It is a straightforward look at how people were making tools in eastern New York between the Late Archaic and Woodland period. The purpose of the study is to examine whether there is evidence to support models of widespread change in subsistence and settlement practices from the Late Archaic through the Mid-Late Woodland in Eastern New York. Analysis of lithic assemblages from a multitude of sites suggests a gradual settling in of past populations. Specifically, it does not appear that methods of procurement, manufacture, or use differed …
Exploring Mortuary Behaviors During The Rural Cemetery Movement In The Capital District Of New York State, Jeanette Carioto
Exploring Mortuary Behaviors During The Rural Cemetery Movement In The Capital District Of New York State, Jeanette Carioto
Legacy Theses & Dissertations (2009 - 2024)
This dissertation investigates the leading causes behind mortuary behaviors in the Capital District of New York during the Rural Cemetery Movement. Four cemeteries were sampled: Oakwood Rural Cemetery, an established rural cemetery; Waterford Rural Cemetery and Blooming Grove Rural Cemetery, two smaller, non-sectarian cemeteries; and St. John’s Cemetery, a Catholic cemetery. The built and natural landscape was the focus during data collection and analysis, to reveal how the cemetery was experienced and how that experience was affected by and affected society. This study combines a quantitative statistical analysis and a qualitative phenomenological study of the cemeteries’ designs, gravestone data and …
Impermeable Assemblages: Flooding, Urban Infrastructure, And Stormwater Politics In São Paulo, Brazil, Nate Millington
Impermeable Assemblages: Flooding, Urban Infrastructure, And Stormwater Politics In São Paulo, Brazil, Nate Millington
Theses and Dissertations--Geography
This project analyzes efforts to remake the relationship between water and city in São Paulo, Brazil. Currently experiencing overlapping problems of flooding, scarcity, and pollution, São Paulo illustrates the challenges of managing water in a contemporary mega-city. This dissertation subsequently considers the city’s water management through an approach that borrows from urban political ecology, social studies of science, and post-colonial urban theory. With an epistemological grounding in these literatures, this project analyzes ongoing conversations about water management in São Paulo, and focuses on how water is encountered and engaged with in the landscape by engineers, artists, and activists. This project …
Frida Kahlo: A Post-Revolutionary Artist, Katie Jean Tapia-Lynch
Frida Kahlo: A Post-Revolutionary Artist, Katie Jean Tapia-Lynch
Wayne State University Theses
General scholarship on Frida Kahlo focuses on her personal life, so much so that her work is often viewed through a narrow autobiographical lens. Scholars have subjected her work to a psychoanalytical approach, and have overused her personal narrative as the basis of discussing her art. Her dramatic marriage to Rivera, her poor health and the loss of several pregnancies have led scholars to psychoanalyze her paintings. However, it is crucial to avoid reducing Kahlo’s art to merely her physical and emotional pain. This approach has been exhausted and may put Kahlo’s importance as an artist at risk. While Kahlo’s …
Imitation Amber Beads Of Phenolic Resin From The African Trade, Rosanna Falabella
Imitation Amber Beads Of Phenolic Resin From The African Trade, Rosanna Falabella
BEADS: Journal of the Society of Bead Researchers
Examination of contemporary beads with African provenance reveals large quantities of imitation amber beads made of phenol-formaldehyde thermosetting resins (PFs). This article delves into the early industrial history of PFs and their use in the production of imitation amber and bead materials. Attempts to discover actual sources that manufactured imitation amber beads for export to Africa and the time frame have not been very fruitful. While evidence exists that PFs were widely used as amber substitutes within Europe, only a few post-WWII references explicitly report the export of imitation amber PF beads to Africa. However they arrived in Africa, the …
Beads: Journal Of The Society Of Bead Researchers - Volume 28 (Complete)
Beads: Journal Of The Society Of Bead Researchers - Volume 28 (Complete)
BEADS: Journal of the Society of Bead Researchers
No abstract provided.
Beads And Pendants From The Tumuli Cemeteries At Wadi Qitna And Kalabsha-South, Nubia, Joanna Then-Obłuska
Beads And Pendants From The Tumuli Cemeteries At Wadi Qitna And Kalabsha-South, Nubia, Joanna Then-Obłuska
BEADS: Journal of the Society of Bead Researchers
More than 500 beads and pendants were excavated by a Czechoslovakian team in the early 1960s at two sites in Lower Nubia. The beads were associated with 40 tumuli in the Wadi Qitna cemetery and two tumuli in the Kalabsha-South cemetery. These 4th-century cemeteries are related to the Blemmyes, the Eastern Desert dwellers whose pottery has been commonly recognized in the region between the Nile Valley and the Red Sea coast at a time of intensive overseas trade contacts. The bead assemblage, stored at the Naprstek Museum in Prague, was recently restudied and its materials and parallels could be more …
Bead Netting And Plaiting Techniques In The Peranakan World, Valerie Hector
Bead Netting And Plaiting Techniques In The Peranakan World, Valerie Hector
BEADS: Journal of the Society of Bead Researchers
It has long been recognized that the Peranakan Chinese peoples of Southeast Asia were expert bead embroiderers. As it happens, they were also expert bead netters and plaiters. After establishing a conceptual framework for discussing bead netting and plaiting techniques in general, this article discusses 14 pieces of Peranakan Chinese (or Minangkabau) beadwork and various techniques. The techniques likely derived not just from Europe, as early researchers tended to assume, but from island Southeast Asia and China as well. Knowledge of these and other needleworking techniques helped Peranakan beaders devise radically new permutations, some of them highly complex. Additional factors …
Review Of The Portrait Bust And French Cultural Politics In The Eighteenth Century By Ronit Milano, Heather Belnap Jensen
Review Of The Portrait Bust And French Cultural Politics In The Eighteenth Century By Ronit Milano, Heather Belnap Jensen
Faculty Publications
“The term ‘portrait bust’ rarely awakens much enthusiasm among contemporary art connoisseurs, most of whom will likely circumvent major museum galleries devoted to this genre of sculpture” (p. 1). Having dispensed with this matter of business in her opening line, author Ronit Milano delves into the task of convincing her readers that such a response is unwarranted. In certain historical periods, the author argues, the art form was tremendously popular, had myriad uses in the public and private sectors, held widespread appeal for the middle and upper classes, and proved economically and critically profitable for sculptors. The last few decades …
Embroidery In The Circle Of The Last Romanovs, Wendy Salmond
Embroidery In The Circle Of The Last Romanovs, Wendy Salmond
Art Faculty Articles and Research
This article essay examines the liturgical embroideries associated with the Empress Alexandra Fedorovna and her sister Grand Duchess Elizaveta Fedorovna. It suggests that the sisters’ needlework for sacred purposes was invested with a significance not seen in elite Russian society since the late seventeenth century. At a time when the arts of Orthodoxy were undergoing a state-sponsored renaissance, who was better suited to lead the resurgence of liturgical embroidery than the wife and sister-in-law of the Emperor, the last in a long line of royal women seeking to assert their piety and their power through traditional women’s work? In the …
Visigothic Spain And Armenia: Masonry Consideration, Anahit Ter-Stepanian
Visigothic Spain And Armenia: Masonry Consideration, Anahit Ter-Stepanian
Art & Design Faculty Publications
Visigothic monuments display architectural and sculptural features which are hard to explain in 7th c. Western Europe. These features include high level of stone craftsmanship, cruciform plans, tall and narrow sprayed windows, horseshoe shaped arches, vaulted spaces, monumentality combined with small size, figural, geometric, and floral ornamental motifs applied to unusual areas for Western Christian architecture. Since many individual Visigothic features can be traced to Roman, Syrian, or Byzantine monuments, these traditions are considered instrumental in creation of Visigothic architectural vocabulary. More recently, a growing number of studies point to Islamic art as a possible source of influence and thus …
Caracol, Belize, And Changing Perceptions Of Ancient Maya Society, Diane Z. Chase, Arlen F. Chase
Caracol, Belize, And Changing Perceptions Of Ancient Maya Society, Diane Z. Chase, Arlen F. Chase
Anthropology Faculty Research
No abstract provided.
A Matter Of Class: Sin Yun-Bok’S Depictions Of Kisaeng As Participants Of Everyday Life, Abigail Sease
A Matter Of Class: Sin Yun-Bok’S Depictions Of Kisaeng As Participants Of Everyday Life, Abigail Sease
Undergraduate Research Awards
The eighteenth century within the Korean peninsula, part of the extensive Joseon dynasty (1392-1910), was marked by peace and prosperity after a long period of foreign invasions, war, and factional conflict. After centuries of negatively shifting political and social relations, intellectual and cultural life was flourishing beyond the walls of the palace. Despite prevailing differences in class and education, both the literary and visual arts rapidly developed. Works produced during this time mutually influenced one another, developed into vernacular understandings, and tended towards representing the native and the local, rather than foreign or imaginary subjects. A new nativist form of …
2016 Bethsaida Field Report, Rami Arav, Carl Savage, Kate Raphael, Vanessa Workman, Kenneth M. Bensimon, Nicolae Roddy
2016 Bethsaida Field Report, Rami Arav, Carl Savage, Kate Raphael, Vanessa Workman, Kenneth M. Bensimon, Nicolae Roddy
Field Reports
No abstract provided.
Abbot Suger’S St. Denis And The Cult Of Relics, Kathryn Funderburg
Abbot Suger’S St. Denis And The Cult Of Relics, Kathryn Funderburg
The Expositor: A Journal of Undergraduate Research in the Humanities
No abstract provided.
Women Surrealists: Muses Or Seekers?, Noor A. Asif
Women Surrealists: Muses Or Seekers?, Noor A. Asif
Scripps Senior Theses
Surrealism has often been labeled as a misogynistic movement that sought to provide man with an avenue into a higher reality at the expense of the humanity of women. By perceiving the opposite sex as their muses, Surrealist men rendered women as mysterious sources of the marvelous, the name given to the higher realm, which they desired to attain. I propose that Surrealist women were empowered by the fact that ‘woman’, as an abstract concept, and femininity were synonymous with the marvelous. This entailed that Surrealist women had the advantage of being “sources of revelation, as provokers of wonder, dreams, …
Old Masterpieces, New Mistress-Pieces: Cindy Sherman's Reinterpretations Of Renaissance Portraits Of Women, Caitlyn D. Marianacci
Old Masterpieces, New Mistress-Pieces: Cindy Sherman's Reinterpretations Of Renaissance Portraits Of Women, Caitlyn D. Marianacci
Scripps Senior Theses
This thesis examines a selection of eight photographs in the History Portraits series by American photographer, Cindy Sherman, produced from 1989 to 1990. The photographs are based on Renaissance paintings of biblical and secular women painted by old master artists such as Leonardo da Vinci, Sandro Botticelli, and Raphael. Sherman focused on the female types of Biblical mother and femme fatale, as well as wives and models. These types are defined in their relation to men and are depicted by men. In Sherman’s reinterpretations of their portraits, she retells the stories of these women in ways that reaffirm their independence …
V.1 2016-2017 Supplement, Center For Arts & Language, Students Of Risd, Risd Archives
V.1 2016-2017 Supplement, Center For Arts & Language, Students Of Risd, Risd Archives
All Student Newspapers
v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The 2016-2017 Supplement issue contains handwritten answers on post-its to the question "What feels urgent to you in your studio? In your life? In the world?" These post-its were written at a grad-student gathering on the day after the 2016 US Presidential election, scanned and printed as a zine the next day, and distributed at open studios the day after that.
Dever's "The Lives Of Ordinary People In Ancient Israel: Where Archaeology And The Bible Intersect" (Book Review), Kathleen Kempa
Dever's "The Lives Of Ordinary People In Ancient Israel: Where Archaeology And The Bible Intersect" (Book Review), Kathleen Kempa
The Christian Librarian
A review of Dever, W. G. (2012). The lives of ordinary people in ancient Israel: Where archaeology and the Bible intersect. Grand Rapids, MI: Eerdmans. 436 pp. $17.05. ISBN 9780802867018
Fictions Of Abundance In Early Modern Madrid: Hospitality, Consumption, And Artistic Identity In The Work Of Juan Van Der Hamen Y Leon, Carmen Ripollés
Fictions Of Abundance In Early Modern Madrid: Hospitality, Consumption, And Artistic Identity In The Work Of Juan Van Der Hamen Y Leon, Carmen Ripollés
Schnitzer School of Art + Art History + Design Faculty Publications and Presentations
This article examines how still-life painting contributed to the creation of a distinct urban aristocratic culture in seventeenth-century Madrid. Focusing on a group of paintings by Juan van der Hamen, the article situates these images within the context of the picture gallery and the practice of aristocratic hospitality. By giving visual form to this new urban mode of magnificence, Van der Hamen’s still lifes created a fiction of abundance that glossed over Madrid’s economic realities. At the same time, Van der Hamen concealed signs of manual craftsmanship and commercial interest in order to advance and ennoble his own artistic identity.