History of Art, Architecture, and Archaeology Commons^™

The Performance Of Art: Picasso, Léger, And Modern Dance, 1917-1925, Amanda Holly Beresford

All Theses and Dissertations (ETDs)

This thesis examines the phenomenon of easel painters designing for ballet companies in Paris in the 1910s and 1920s. It focuses on the work of Picasso for Diaghilev's Ballets Russes and Léger for De Maré's Ballets Suédois between 1917 and 1925, and considers the consequences for these artists' studio practice of their involvement in dance theatre. Their work is situated in the historical context of Wagner’s influential notion of the Gesamtkunstwerk—total theatre synthesizing all the arts, including painting—and its reinterpretation by avant-garde theatre practitioners from the mid-nineteenth into the early twentieth century. Picasso’s and Léger’s stage designs reveal the dynamic …

Raphael's School Of Athens: A Theorem In A Painting?, Robert Haas

Journal of Humanistic Mathematics

Raphael's famous painting The School of Athens includes a geometer, presumably Euclid himself, demonstrating a construction to his fascinated students. But what theorem are they all studying? This article first introduces the painting, and describes Raphael's lifelong friendship with the eminent mathematician Paulus of Middelburg. It then presents several conjectured explanations, notably a theorem about a hexagram (Fichtner), or alternatively that the construction may be architecturally symbolic (Valtieri). The author finally offers his own "null hypothesis": that the scene does not show any actual mathematics, but simply the fascination, excitement, and joy of mathematicians at their work.

A Study Of A Thirteenth-Century Vernacular Moralized Bible: Vienna 2554 And Its Royal Audience, Jessica Wright

Theses and Dissertations

Codex Vindobonensis 2554, Vienna, Österreichische Nationalbibliothek (hereafter labeled Vienna 2554) is the only thirteenth-century moralized bible written in vernacular French and was intended for a royal audience. This bible provides a moralizing gloss on contemporary political and religious issues by juxtaposing scenes from the Old and New Testaments. Placing the manuscript in the historical context of Blanche of Castile's regency and her desire to instill devout faith in her young son, Louis IX of France, the manuscript serves as a mirror that reflects contemporary relations between church and state. Moreover, the illuminated depictions of kingship of this medieval bible are …

The Early Works Of Velázquez Through A Phenomenological Lens, Elyse June Cosma

USF Tampa Graduate Theses and Dissertations

The purpose of this thesis is to question the art historical notion of influences, specifically in the case of the seventeenth century Spanish Baroque artist Diego Velázquez. His work is often seen as an extension of the realist movements in Flanders and Italy at the turn of the seventeenth century, but that view is extremely reductive. Velázquez strove to depict the world around him as he saw it, attempting to incorporate the transient nature of the scenes before him into his works. The city of Seville, in which Velázquez lived and worked, provided the setting and cultural elements that would …

'Not Unworthy Of His Hand': Crossing Borders In Benjamin West's A Drayman Drinking, Lauren K. Lessing, Terri Sabatos

Faculty Scholarship

In May 1797, Benjamin West—President of the Royal Academy, Historical Painter to the Court of King George III, and Surveyor of the King's Pictures—exhibited a small genre painting titled A Drayman Drinking at the annual exhibition of the Royal Academy in London. It was one of seven paintings West exhibited that year, and the only one overlooked by the reviewer for the Times. The critic's oversight may have stemmed from the unprecedented number of paintings on view (nearly twelve hundred, four hundred more than were hung the previous year) and the resulting overcrowding of the principle exhibition room. Through his …

Archeological Site Assesments And Survey At Aquilla Lake, Hill County, Texas, Aaron R. Norment, Karl W. Kibler, Amy E. Dase

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

Personnel from Prewitt and Associates, Inc., conducted archeological site assessments and survey at Aquilla Lake from November to December 2010 in preparation for a pool raise planned by the U.S. Army Corps of Engineers, Fort Worth District. The proposed pool raise could potentially raise the conservation pool level of the lake by 6.5 ft. Field investigations revisited and reevaluated 41 previously recorded sites and surveyed 10 previously unsurveyed areas (180 total acres) within the confines of the proposed 6.5-ft conservation pool raise. The investigations consolidated 8 of the 41 previously recorded sites into 3, therefore reassessments are given for 36 …

From Ruhlmann To Rohde: How French Art Deco Became American, Lily K. Meehan '14

Summer Research Program

The American art deco designers of the 1930s were truly innovators, inventors and artists. They were not, however, the only ones creating “a modern world” during this time. In fact, America was one of the last countries to embrace the art deco style which was thriving in Germany, Austria, and France. There was a strong connection between the French art décoratifs movement and early 20th century American industrial designs. This paper investigates how the International Exposition of Modern Industrial and Decorative Arts held in Paris in 1925 heavily influenced the start of the American art deco movement.

The Socialist Design: Urban Dilemmas In Postwar Europe And The Soviet Union, Elidor Mehilli

Publications and Research

Taking a cue from two books—Stephen Bittner’s account of the “many lives” of the Soviet Thaw and Greg Castillo’s study of the Cold War as a series of battles in design and the domestic sphere—as well as a recent explosion of interest among historians in the Khrushchev era, “spatial history,” material culture, and East–West exchanges, this article addresses the paradoxes of the Thaw as exemplified in urban form. It argues for the interconnected nature of domestic, international, and Eastern bloc- level dynamics by viewing processes of the Thaw simultaneously from the angles of neighborhood, city, and empire. These angles capture …

Stone In The Center, Amy Lubke

All Student Theses and Dissertations

Before the rise of the Incan Empire, there was an ancient civilization living throughout the Andes that thrived for several years. This civilization inhabited the region near the basin of Lake Titicaca known as the city of Tiahuanaco, presently in modern day Bolivia. Located at the site are many remnants of architectural structures and artwork made of stone. Little definitive knowledge is known about the peoples that created these enigmatic works.

This study is an examination of the stonework at the site of Tiahuanaco. These structures display the exquisite masonry skills and artistic capabilities that the ancient civilization attained. Each …

Three Rivers As Transitional Zone: Considering A Collective Metanarrative In Pueblo Prehistory, Heather Kline

Art & Art History ETDs

The Three Rivers petroglyph site in what is presently south central New Mexico represents important concepts for the study of southwestern prehistory. This site has been studied to a limited degree from the perspective of archaeological site surveys that have categorically classified the motifs represented on the petroglyphs, but at this point very little is known about the cultures that lived and created art in the Three Rivers area. The iconography of these images is remarkably similar to that represented on ceramics at both Mimbres during the Classic period (ca. AD 1000-1150), as well as Casas Grandes during the Medio …

Subversion Through Inversion: Kent Monkman's "The Triumph Of Mischief", Monique Thérèse Belitz

Art & Art History ETDs

Monkmans acrylic painting The Triumph of Mischief is the central subject of this investigation which includes its relationship to other paintings and objects in the installation The Triumph of Mischief. By applying Mieke Bal's narratology theory, the principles of carnivals as proposed by Mikhail Bahktin, the four dichotomies underlying Western movies, Monkman's appropriation of older art work, his use of various binary opposites and his inclusion of iconographic details from various art history epochs are explained. Investigating the painting from a postcolonial and postmodern theoretical angle demonstrates that several iconic images from Western art history are decolonized by mocking and …

Quilting: An Examination Of Harriet Powers And Elizabeth Hobbs Keckley, Jennifer J. Moreland

Art & Art History ETDs

African American quilting exhibits a long and rich history in antebellum and post-bellum America. Although hindered by their social status as slaves, African Americans were adroit artisans adept at producing exceptional quilts for personal use as well as for the plantation household. In the few surviving examples, slave quilts demonstrate a range of geometric improvisation, decorative patterning, and asymmetrical ornamentation. African American quilts are unique in their ability to articulate personal histories and narratives, religious ideologies, and communicate messages through color, pattern, and emblematic imagery. A close investigation of African and Euro-American design aesthetics is crucial to understanding the hybrid …

Framing Cultural Capitalism: William Wilson Corcoran And Alice Walton As Patrons Of The American Art Museum, Kelsey E. Tyler

School of Art, Art History, and Design: Theses and Student Creative Work

In 2011, Alice Walton opened what is now considered to be among the most important American art collections in the country, in a museum called Crystal Bridges, in Bentonville, Arkansas. What is remarkable is not only the exorbitant amount of money spent to open the museum - over $800 million dollars - but also that she was the primary financier. William Wilson Corcoran, a mid-nineteenth-century banker, in many ways is a better comparison than Morgan or Gardner, as like Walton he intended to found a museum dedicated specifically to American art. His museum, which he hoped would become a national …

Ritual, Culture, And Power: Politics And The Shrine Of Notre-Dame De Cambron, 1322-1329, Benjamin Wright

The Hilltop Review

Does religious ritual transform political identities? Political identities often rise out of culture; and cultures in turn are shaped by the countless manifestations of religious ritual. It should come as no surprise that this triangle of ritual, culture, and power is used as a tool for the construction of the homogeneous political identities upon which nation states are created. The case study of the religious cult center of Notre-Dame de Cambron, a 14th century pilgrimage shrine in Belgium a few miles from the French border, provides one example of this triangularity. In the midst of its bicultural region, Cambron's shrine …

Castle Rushen, Valerie Dawn Hampton

The Hilltop Review

This picture features Castle Rushen, the royal seat of the Kingdom of Man on the Isle of Man, UK, during the 12th-15th centuries. The Isle of Man is also home to the internationally renown TT races. The motorcyclist rounding the curve of Castle Rushen links a "modern knight" on mount with armor in a very historic setting.

Model Of A Funerary Boat, Risd Museum, Peter Dean, Peter Johnson

Channel

During the funeral, the deceased took a last earthly journey, traveling by boat to the cemetaries on the west bank of the Nile. The next voyage then began: a spiritual pilgrimmage to Abydos, the religious center and burial place of the god Osiris. For this reason, wooden model boats were often placed within tombs as substitutes for large-scale vessels in the afterlife. This model boat mimicked papyrus funerary barks. The wedjat-eyes painted on the hull were meant to guide the vessel safely through the perilous journey to the afterlife. 2100-1900 BCE

Franz Marc As An Ethologist, Jean Carey

USF Tampa Graduate Theses and Dissertations

Keywords: Animalisierung, Einfühlung, Ethology,

Expressionism, Painting, German Modernism

In this study I deploy the perspective of ethology to examine Franz Marc's paintings of animals. To perceive animals ethologically means acknowledging that animals feel, think, experience, and imagine the world. Ethology has come to include interpretive pursuits as well as traditional field studies, and as I show, Marc's practice encompassed both aspects of this evolving discipline. To establish the presence of ethology in the humanities I give a "case study" of what I call "retroactive ethology" in the work of J.M. Coetzee. I present an account of Marc's deep …

Vision And Insight: Portraits Of The Aged Woman Artist, 1600-1800, Julia K. Dabbs

Art History Publications

No abstract provided.

Der Zauber Der Musik: E.T.A. Hoffmann Und Das Erleben Des Sublimen, Katelin M. Richter

Lawrence University Honors Projects

Die Werke von E.T.A. Hoffmann konzentrieren sich auf ein bestimmtes romantisches Konzept: auf die Sehnsucht nach dem Unendlichen und auf das Erlebnis dieses sublimen romantischen Reiches. Um Hoffmanns romantische Ästhetik besser zu begreifen, lohnt es sich seine Werke (Novellen, musikalische Schriften, Aufsätze und Kompositionen) heranzuziehen, um festzustellen, wie seine Figuren vor allem durch die Musik das romantische Reich erleben und wie und aus welcher Perspektive der Zuschauer auf dieses Reich reagieren kann. Diese Arbeit wird untersuchen, wie sich Hoffmanns romantische Ästhetik in den Erzählungen, den theoretischen Schriften und in der Oper Undine offenbart, wie seine Charaktere durch die Musik danach …

Projecting Pornography And Mapping Modernity In Mexico City, Ageeth Sluis

Scholarship and Professional Work - LAS

Drawing on Elizabeth Grosz’s and Doreen Massey’s insights that place and gender are mutually constitutive, this article examines the articulation among the embodied city, sexual desire, and changing gender norms in the wake of the Mexican Revolution. At this time, a newly governing revolutionary elite sought to reinvigorate and “civilize” Mexico City through a series of urban reforms and public works, partly in response to their concern over women in public as a social problem. By analyzing depictions of female nudity as conversant with urban landscapes in the banned magazine Vea, the author argues that pornography connected Mexico City …

Mme. De Pompadour: Self Promotion And Social Performance Through Architecture And The Decorative Arts, Kelly Elizabeth Boyd

Scripps Senior Theses

The structure of this thesis relies on the physical locations of Mme. de Pompadour. Although the chapters are roughly chronological, beginning with her arrival at Versailles in 1745 and ending with her death in 1764, this work makes no attempt to comprehensively chronicle the entirety of her involvement in the decorative arts. Rather, it focuses on several specific aspects of her patronage, with the goal of illuminating her social position and public image, and how she worked to control the two. Chapter One deals with the first rooms Mme. de Pompadour inhabited, from 1745-1750. These upper apartments characterize her early …

Repatriating The Bust Of Nefertiti: A Critical Perspective On Cultural Ownership, Lauren Bearden

The Kennesaw Journal of Undergraduate Research

Who owns antiquities? This question has plagued the global community in recent times and has opened dialogues between former colonial Western countries and their past colonized nations whose property is exhibited. This essay examines the conflicting perspectives of ownership in the repatriation of the Bust of Nefertiti between Berlin, Germany and Egypt. By analyzing the effects of European occupation in Egypt and the Western dominance in foreign cultures during the Age of Imperialism, a moral argument arises questioning the legality of the Bust’s removal. This article will review the historical significance of the Bust of Nefertiti in terms of its …

A Spectacle Of Great Beauty: The Changing Faces Of Hagia Sophia, Victoria M. Villano

Master's Theses

No abstract provided.

American Made: Ansel Adams And The Bishop National Bank's "The Islands Of Hawaii", Lauren Walton

Master's Theses

No abstract provided.

"La Venus Se Fue De Juerga Por Los Barrios Bajos": Nacho López, Mass Culture, And Modernity, Jenifer L. Caneschi

Master's Theses

No abstract provided.

Religion And Architecture In Downtown Orlando, Djordje Jovanović

Master of Liberal Studies Theses

Since the onset of Western civilization, religion has continuously influenced architectural and urban forms. These material echoes of religion are often unrecognized in the modern city. This work identifies, analyzes and classifies such influences, and illustrates their manifestation with the example of downtown Orlando. Religious influences can be observed in the locations of the cities, in their urban planning, and in many constructive and architectural elements and styles developed for religious purposes. One principal group of architectural elements that that carries a religious connotation is the elements of classical antiquity, which reflect their pagan origins. The other group is the …

Maidens, Matrons, And Magicians : Women And Personal Ritual Power In Late Antique Egypt., Meghan Paalz Mcginnis

Electronic Theses and Dissertations

Utilizing an interdisciplinary approach to a variety of material, textual, and literary evidence, the aim of this thesis is to shed light on the realities – rather than stereotypes -- of an important aspect of late ancient women’s experience: the use of ritual power. Patterns of gender differentiation in late antique Egyptian magic are investigated and shown to be connected to the particular aims to which numinous powers were employed, aims which were in turn bound up with the social roles expected of each sex. The majority of this study consists of a series of case studies of different types …

Frames Behind The Throne: Contextualizing The Calotype Albums Of Prince Albert 1850-1859, Sherri Sorensen-Clem

Art & Art History ETDs

This thesis examines four extant calotype albums from the collection of Prince Albert and, contains approximately 383 images ranging in date from 1850-1859. I propose that the photographs in these albums, which belong to Queen Victoria’s husband, operate as fragments of the visual world and form a pictorial autobiography of the Prince Consort, offering frames behind the throne. It is my contention that Prince Albert uses the mimetic faculty of the photograph and its placement within the album to become an object of narrative, autobiography, and identity. This thesis will also attempt to contextualize the historical impact of being a …

By My Side: Charles E. Burchfield's Letters To Bertha K. Burchfield From 1923 To 1963, Alana Ryder

History Theses

Over the past 80 years, research on American artist Charles E. Burchfield (1893-1967) has often placed little emphasis on the people and events that were essential for his artistic freedom and the success of his career. This paper, based on the contents of forty years of letters between Burchfield and his wife Bertha Kenreich (1886-1973), challenges the artist’s mythology, which includes misconceptions of his isolation, lack of influences, dislocation from art history and the insignificance of human connections and activities.

New dimensions of Burchfield's identity are examined, significantly his positions as a husband, father, friend to other artists represented by …

An Inspired Romance: An Exploration Of The Lives And Work Of Artists Alfred Stieglitz And Georgia O’Keeffe, Dana Janell Lindsay

Renée Crown University Honors Thesis Projects - All

Statement Question: How did the evolution of the artists’ relationship affect their individual work?

• With an emphasis the couple’s public and private persona, and its development over time.

The work begins with a brief biography of both artists, Alfred Stieglitz and Georgia O’Keeffe; providing an overview of their childhoods, education, and work, during the development of Modernism in the first half of the twentieth century. The work emphasizes the process by which Stieglitz facilitated the transition from pictorialism to modernism, his development of the period’s ideal female artist, and the opening of his famed avant-garde galleries. The work will also …