History of Art, Architecture, and Archaeology Commons^™

Deciphering The Cultural Heritage And Function Of The Ella Strong Denison Library Complex, Sara E. Zúñiga

Scripps Senior Theses

To be submitted.

"Show Me An Angel, And I'Ll Paint You A Lie," Gustave Courbet, The Man And His Myths Behind The Revolution, Shanna Goodwin

Phi Kappa Phi Research Symposium (Archived)

Excerpt: "This presentation will look into his works and examine if he really did try to understand the working-class. It will go beyond the name and into the heart of the man behind the revolution."

“Where The Blazed Trail Crosses The Boulevard”: Gear, Fashion, And Outfitting In Early Recreational Wilderness Camping, 1880-1920, Brian Beauvais

Dissertations and Theses @ UNI

During the late nineteenth and early twentieth centuries, American culture experienced a profound fascination with primitivism, wilderness, and raw nature. Numerous outdoor activities became increasingly popular as Americans sought to revitalize the national vigor they envisioned as inextricably connected to a life close to nature. One of these activities was woodcraft camping; that is, a minimalistic form of wilderness recreation that valued simplicity and self-sufficiency as opposed to luxuriant idleness. Woodcraft campers expressed a deep dissatisfaction with what they considered to be the mind-numbing, spirit-crushing emptiness of modem life. In the wilderness, they beheld one of the remaining vestiges of …

Material And Motion: Phenomenology And The Early Work Of Carolee Schneemann 1957-1973, Regina M. Flowers

School of Art, Art History, and Design: Theses and Student Creative Work

Carolee Schneemann is a multidisciplinary artist known for using her body in her artworks in order to engage with issues of sexuality, gender and identity. Best known for her 1975 performance Interior Scroll, Schneemann’s work is most often theorized in connection with the emergence of Feminist, Performance and Body Art, yet Schneemann has always considered herself primarily a painter. In this thesis I address the disconnect between Schneemann’s repeated insistence on her status as a painter and the scholarly discussion of her work solely in relation to the integration of her body in her performative works. The period covered …

The Museum Of Modern Art's "What Is Modern?" Series, 1938-1969, Jennifer Tobias

Dissertations, Theses, and Capstone Projects

Between 1938 and 1969, the Museum of Modern Art (MoMA) poses the question of What Is Modern? (WIM) in a series of books, traveling exhibitions, and a symposium. This dissertation argues for the WIM project as a sustained if minimally effective effort to influence popular American perceptions of modern art, architecture, and design, at the same time embodying tensions inherent to the museum and its notions of that modernism.

MoMA is an unquestionable influence on modern art history. WIM is a significant component of this influence, yet scholarship on the series is minimal. Hiding in plain sight, the series offers …

The Cult Of The Monstrous: Caricature, Physiognomy, And Monsters In Early Modern Italy, Sandra Cheng

Publications and Research

Caricature emerged as a pictorial genre in early modern Italy and became a potent form of social satire practiced by the period’s foremost draftsmen, including the Carracci and Guercino. The deformed and misshapen subjects of caricature drawings coincided with a fascination with monstrosity. Monsters, aberrations, and anomalies reflected a cultural appreciation for the curious. The monster that slowly took shape in scientific literature was first alluded to in comparative physiognomic texts that related man to beast, then made brief appearances in the discourse on medical conditions, and finally became the primary focus of specialty publications. The attention given to physical …