History of Art, Architecture, and Archaeology Commons^™

An Exploration Of Irish Celtic & Early Germanic Brooches And Their Cultural Functions, Lisa Michele Medlen Mueller

Theses

During the early medieval period in the British Isles, jewelry objects, in particular brooches, served many functions, while simultaneously expressing differing social hierarchies and distinctions. The following analysis investigates the forms, materials, iconography, and symbolism present in brooches created by Irish Celtic and early Germanic peoples from the 7th to the 9th centuries CE, also termed Insular artworks. Additionally, this research examines the performative aspects of early medieval brooches in the British Isles, exploring their social roles as mediators between wearer and viewer. By analyzing specific examples such as the 'Tara' Brooch, Kingston Brooch, Londesborough Brooch, and Strickland Brooch, this …

Framing Queenship: Gender, Power, And Political Representation In Holbein’S Portraits Of Jane Seymour And Anne Of Cleves, Kateryna Chernenko

Theses

This paper explores the intricate relationship between queenship, gender, and political representation as depicted in Hans Holbein’s portraits of Jane Seymour and Anne of Cleves, two wives of Henry VIII. By analyzing these works within the framework of Tudor England's gender dynamics, we can better understand how Holbein’s portraits transcend mere artistic expression to serve as critical commentaries on the roles of women in a predominantly patriarchal society. Recent scholarly trends emphasize the significance of gender in the interpretation of historical art, revealing how these portraits reflect, challenge, and reinforce the societal constructs of their time. This study focuses on …

Beatrice Wanjiku: A Portrait Of Human Vulnerability, Suzanne R. Vuoncino

Theses

Abstract artist Beatrice Wanjiku uses an anatomical composition to illustrate a sense of vulnerability, an element of human identity, in relation to one’s social environment. Going beyond the skin, Untitled excavates the mental and emotional aspects of the human condition and gives expression to experience. By observing her figural composition, examining the foundation of identity theory, and interpreting her use of abstraction, I will describe how Untitled speaks to a message of connectivity through a portrait of human vulnerability. This thesis argues that one’s environment affects the individual and exemplifies how vulnerability is seen as a pervasive aspect of human …

The Queen Of Heaven: Evelyn De Morgan's Transcendence Of The Soul, Sarah Victoria Eller

Theses

This thesis examines the religious iconography in three key paintings by the Pre-Raphaelite artist Evelyn De Morgan, The Angel of Death, The Undiscovered Country, and Lux in Tenebris, and explores how they draw on Early Italian Renaissance visual traditions to depict themes of death and the soul’s transcendence. Recent scholarship has assessed De Morgan’s oeuvre through the feminist lens and emphasized her engagement with Spiritualism and the nineteenth-century revival of Swedenborgian philosophy. The Renaissance artist Sandro Botticelli has also been recognized as an influential reference for De Morgan, particularly in her mythologically themed works. This study expands on that scope …

Nextgen Humanities: A Digital Art History Pedagogical Revolution, Analisa Soverns-Reed

Theses

In response to the urgent need for more accessible, inclusive, and technologically relevant humanities education, the NextGen Humanities project was conceived as a digital initiative to reimagine pedagogical practices within art history and the broader humanities. Traditional perceptions of humanities disciplines as elite and static have contributed to declining engagement, necessitating innovative solutions that integrate open-access resources, digital tools, and inclusive frameworks. This project developed a publicly accessible platform curating free, vetted resources grounded in artificial intelligence (AI), virtual reality (VR), and open educational resources (OER), emphasizing critical engagement, cultural inclusivity, and technological adaptability. Methodologically, NextGen Humanities combined extensive literature …

Trembling At The Threshold: Zurbarán's Saints And The Crisis Of Masculine Virtue, Andrew T. Epsilantis

Theses

No abstract provided.

Embodied Intimacy And Social Justice: Patricia Cronin's Memorial To A Marriage, Alex Anne Mattioli

Theses

This paper examines Patricia Cronin’s Memorial to a Marriage (2002) as a pivotal work within her artistic catalogue, one that engages deeply with themes of intimacy, identity, and social justice. Created at a time when same-sex marriage was illegal in the United States, Memorial to a Marriage represents Cronin and her partner, feminist artist, Deborah Kass, in a Classical funerary sculpture, reclaiming the tradition of public monuments to center an LGBTQIA+ experience from memory. Through a critical analysis of Memorial to a Marriage within Cronin’s broader artistic practice, this study explores how the sculpture challenges the conventions of public art …

Presence Through Absence: The Ark Of The Covenant And The Aniconic Image Of God In Early Israelite Religious Art, Natalie Rivas

Theses

This thesis investigates the Ark of the Covenant as a paradoxical visual and theological artifact within early Israelite religious art. While the Israelite tradition has long been characterized as aniconic (eschewing anthropomorphic representations of the divine) the Ark occupied a central role in ritual, worship, and religious identity. Prior scholarship has focused either on the Ark’s narrative function in biblical texts or its formal attributes as a cultic object. However, limited attention has been given to how the Ark embodies divine presence through the visual strategy of absence. This study argues that the Ark does not merely avoid figural representation …

A Kind Of Myth: Infallible Abstraction In The Work Of Perle Fine, Shannon Hadfield

Theses

Unavailable.

Unveiling: The Exploration Of The Self And Ego Dissolution, Joseph Gonzales

Theses

This project explores self and ego dissolution through painting, engaging with Buddhist notions of no-self (Anatta), Christian Mystical union, and Jungian psychology to challenge the idea of a fixed identity. Through portraiture and figurative representation, the work visually explores impermanence and the tension between the individual and the collective consciousness, utilizing transparency, multiplicity, and symbolism. This research is grounded in a multidisciplinary approach, synthesizing visual art, philosophy, and psychology. By integrating Eastern and Western philosophies, this work expands the discourse on identity in contemporary art, contributing to broader conversations on the self and the ego within wisdom traditions and psychology. …

Framing The Gaze: The Transformation Of Storytelling From Chinese Scrolls To Persian Miniature Illuminations, Lindsey A. Maslar

Theses

Miniature painting represents one of the many exquisite traditions in Islamic art, flourishing particularly during the Safavid period (1501–1736 CE). Numerous power shifts throughout Persia during this time resulted in significant cross-cultural artistic exchanges, particularly with visual culture from the Ming Dynasty. The Mongol invasion of Persia in the 13th century facilitated a profound cultural diffusion, as Persian artists and patrons selectively incorporated Chinese motifs, techniques, and spatial concepts, adapting them to suit local aesthetic and ideological frameworks. This thesis examines how the adaptation of Mongol artistic elements in Persian miniatures influenced not only stylistic conventions but also transformed the …

Postermania: The French Advertising Poster Of The Fin-De-Siècle: An Art History Course, Erin Quirk

Theses

This project presents a comprehensive exploration of illustrated advertising posters at the fin de siècle highlighting their multifaceted role as artistic works, commercial media, and cultural artifacts. Designed as a three part course for a museum education department, the study integrates art history, visual culture, and social history to analyze the impact of these posters on the modernizing city of Paris. Focusing on artists like Jules Chéret, Henri de Toulouse-Lautrec, and Alphonse Mucha, the project traces the aesthetic evolution of the poster that blurred the lines between fine art and mass culture. The course examines the broader socio-historical context, exploring …

Breaking The Grid: Metamorphosis And Materiality In Meret Oppenheim’S An Evening In The Year 1910, Jacklyn Meyer

Theses

This paper analyzes Meret Oppenheim’s painting An Evening in the Year 1910 from 1972 and its exploration of the theme of metamorphosis and materiality. Looking at certain biographical information about the artist’s crisis period and time spent with the Surrealist group is crucial in understanding what can be discerned from viewing this work. Other works with the theme of metamorphosis within her oeuvre are studied as they provide further context for Oppenheim’s artistic philosophy and her penchant for revisiting themes repeatedly. Other works with the theme of metamorphosis are studied as they provide further context for Oppenheim’s artistic philosophy and …

Project-Based Learning In Art History: Course Curriculum, Katelyn Baltes

Theses

The course entitled “Project-Based Learning in Art History” is a rigorous curriculum that introduces students to art history but creates a better understanding of how materials and techniques were used throughout time. Students in 11-12th grade will be able to apply their knowledge and learning through projects integrated within each unit to develop a stronger understanding of the content. Students will be able to apply the design elements and principles of design within their artwork and recognize the different characteristics of various periods and cultures. There will be the use of two-dimensional and three-dimensional art within each unit, and students …

Beauty Beyond Barbed Wire: Chiura Obata’S Perspective Of The Horizon, Bri Carlson

Theses

Depictions of the environment are an integral part of American art history because they convey cultural relationships of all who inhabited the land. The environment is often a stagnant force that harbors lifetimes of human history. One of these histories is the incarceration of about 120,000 Japanese immigrants and American citizens in 1942 after the bombing of Pearl Harbor. They were forced to evacuate their homes, lives, and families to live in detention centers and prison camps where living conditions were subpar. Many turned to art making to cope, and some artists used their work to silently protest and visually …

Jacqueline Marval: Référence Sans Révérence Art History Lecture And Activity Series, Michelle Erickson

Theses

The painting Les Odalisques (1902-03) anchors the investigation of French artist Jacqueline Marval’s presence and contribution to the modernist art narrative. The painting is composed of five women who share a face and features, set in a private female space. The canvas is complete with bold strokes of color, and their skin is painted in the unrealistic tones that Fauvists will embrace, yet naturally – these women are still fully and complexly human. From a distance, they are sculptural.

This project is intended as a Club de Lecture series for adult learners of French culture and language at the Alliance …

Reframing The Canon: Black Contemporary Artist Shaping The Western Narrative, Elaysha A. Bazil

Theses

Reframing the Canon is an exhibition and thesis project that centers on Black Contemporary artists and their pivotal contributions to the Western art canon. Curated by Art BaziL, the exhibit challenges traditional narratives and biases, creating a space where Black art is celebrated as integral rather than supplemental. Through a collection of multi-medium works—from abstract paintings to digital art and handcrafted jewelry—the exhibit invites viewers to experience Black creativity beyond themes of struggle, highlighting resilience, innovation, and beauty. This project responds to the historical exclusion of Black voices within mainstream art institutions, advocating for a more inclusive and representative canon. …

Contemplating Glaciers - A Dialogue, Jessica Elizabeth Turner

Theses

This project investigates the evolving relationship between art, climate education, and audience engagement. It explores how the visual arts serve as a medium for fostering awareness and dialogue about climate change while inspiring climate resilience through artistic and curatorial intervention. The exhibition Contemplating Glaciers – A Dialogue showcases the work of Canadian artist Jan Kabatoff, whose practice incorporates multisensory experiences, including paintings, sculptures, photographs, VR, and soundscapes to engage viewers with the ongoing degradation of glaciers. The exhibition bridges the gap between scientific knowledge and artistic expression within a gallery space designed to encourage participation and reflection. It seeks to …

A Comparative Study Of Weavings Of Two Disparate Cultures: Finding The Similarities In Handcrafts, Monica Lowe

Theses

This thesis is a study of the similarities between the traditional weavings of two indigenous cultures who appear to be culturally unrelated, the West African Ewe and the Peruvian Quechua located in the Cusco Province. Its purview includes the purpose it serves, who does the craft, and meanings woven into the textiles. The focus of this thesis is based on a theory that across human cultures, iconographies and archetypes are demonstratively the same, with similar collective, unconscious meanings. The overall theory is that handcrafts are an important consideration when demonstrating a reflection of human cultural similarities in beliefs, community, and …

Palette Of Perspective: Designing An Inclusive Art History Curriculum, Amy Bettencourt

Theses

This project aims to develop an inclusive art history curriculum as a high school level course, addressing the traditional Western-centric focus that has been marginalized non-Western contributions. By pairing Western and non-Western artworks within a chronological framework, students can compare artistic expressions across cultures, emphasizing parallel histories rather than a single Eurocentric narrative. The curriculum employs diverse interpretive methodologies to foster critical thinking and challenge conventional narrative. Designed for a 20-week semester, it focuses on a smaller number of key artworks per unit to encourage meaningful engagement and projects. While still rooted in Western art, the course connects global artistic …

Hatshepsut And Akhenaten: Dualities Of Gender, Religion, And Implementation Of Queer Theory, Sadie Anderson

Theses

This paper discusses 18th Dynasty pharaohs Hatshepsut and Akhenaten and the images they portrayed during their reigns. Hatshepsut, though being female, adhered to the preconstructed image of a traditional male pharaoh while Akhenaten defied the long-established artistic canon in order to create a more androgynous pharaonic identity. Both did this to legitimize their rule, connect themselves to divinity, and interpret the duality of gender innate to Egyptian religion through their iconography. Hatshepsut’s masculine depictions cemented her as the father of the polytheistic Egyptian empire over which she reigned. Akhenaten’s more androgynous representations, on the other hand, portrayed him as both …

Exploring Experience Design In The Art Deco Restoration Of Indianapolis Bottleworks Hotel, Jennifer A. Mott

Theses

This thesis investigates the interaction between emotional resonance, the Decorative Arts, and historical significance in creating a curated emotional experience. Focused on the case study of the Bottleworks Hotel, a restored Art Deco gem within the former Coca-Cola Bottling Company plant in Indianapolis, this research provides an interpretative analysis, synthesis of the literature, and primary source surveys and reviews to show that the Art Deco restoration and the historical significance of the bottling plant work together to create stimulating experience design. As urban landscapes undergo transformation and the tourism industry becomes increasingly competitive and significant, this study not only enriches …

An Examination Of Artistic Expression Through Honoré Daumier's Le Fardeau, Sarah Isak-Goode

Theses

Honoré Daumier, renowned for his career as a political cartoonist in 19th-century France, created a substantial body of personal works that have received comparatively little scholarly attention. This thesis focuses on Daumier's paintings, particularly those created during his midlife (1848-1864), examining their distinctively serious qualities and emotional depth. Through an interdisciplinary approach combining art historical analysis and psychobiography, this research explores the previously unrecognized connection between Daumier's paintings and his private life experiences. Central to this study is an in-depth analysis of Le Fardeau, a painting that exemplifies Daumier's artistic evolution and emotional expression during a period marked by personal …

Ap Art History For Marshall Public Schools, Gage Bunting

Theses

Advanced Placement Art History (AP Art History) is a course that, while being one of the less popular AP offerings, exists in thousands of schools already. College Board is the institution that facilitates these courses and sets the requirements each school must follow in order to offer the course. With that said, there is not a rigid requirement that all courses be taught in the same manner, and because of that, the curriculum of this project was adapted to enhance learning for students of Marshall High School.

The art department of Marshall High School has evolved in recent years and …

Gustav Klimt: A Modern Representation Of The Pregnant Female Body, Emma Fanger

Theses

This thesis analyzes Gustav Klimt’s Hope I (1903) and Hope II (1907–1908) to explore how the artist offered a revolutionary and rare representation of pregnancy at the turn of the twentieth century. Klimt, a key figure in the Symbolist and Art Nouveau movements, is recognized for his decorative, allegorical, and emotionally charged style. His portrayal of the pregnant female body challenged traditional artistic conventions. This thesis argues that Hope I and Hope II are significant not only for their modern visual language, but also for their contribution to the limited representation of pregnancy in Western art. In addition to examining …

Three Zafimaniry Carvings From The Southern Highlands Of Madagascar And Their Symbolic Meaning, Emily Krupp

Theses

The Zafimaniry people are a community living in the southern highlands of Madagascar, most known for their geometric, low-relief works of art that they carve onto wooden surfaces throughout their villages. The shapes that make up the designs signify the Zafimaniry people's ideologies, but motifs carved into the homes specifically represent their beliefs about marriage and societal structure. Three metaphorical symbols have been translated within the motifs by the Zafimaniry people as the patriarch, the family, and the community. A comparative cultural study between the motifs on Zafimaniry window shutters and Swahili doorways reveal similarities in material culture, visual elements …

Revealing The Similarities Between Bosch's Garden Of Earthly Delights And Medieval Musical Forms, Lindsay A. Nevin

Theses

This paper analyzes the triptych entitled The Garden of Earthly Delights by Hieronymus Bosch painted between 1490 and 1510. This specific piece is Bosch’s most famous and therefore garners the largest amount of discourse analyzing the visual components of it. This specific paper is unique in its approach by using methodology similar to music historians to relate the forms of music popular at this time to the visual elements in the work. Some of the most popular music genres at the time were those of madrigal and polyphonic. An additional element popular in the transition between the 15th and 16th …

Meaning Through Materiality: Bisa Butler’S Expressive Portraits, Jacqueline D’Arco Miller

Theses

This thesis examines how Bisa Butler creates meaning through the materiality in her quilted portraits. Bisa Butler is of West African and American descent and incorporates part of her own identity in her quilted portraits using Dutch wax prints and other highly patterned textiles. Not only does Butler connect her identity in her quilted portraits, but she also connects the meaning of these textiles to the figures in her portraits. This thesis explores the materiality of Bisa Butler’s Colored Entrance (2023), along with The Passion of Questlove (2023) and Grandpa Zakani (2004), to argue that in this new development of …

Catherine Opie And Sally Mann’S Exploration Of Motherhood And The Domestic Sphere, Krista Rose Frohling

Theses

This paper analyzes the work of Catherine Opie and Sally Mann, white, contemporary artist mothers. Using the narrative and auto-ethnographic research methodologies and applying feminist theory, queer theory, and mother studies, this paper will investigate how contemporary photography is confronted with the work of artist mothers that utilize their mothering roles and status of mothers as a muse into their photographic work. The concept of truth in photography is explored in its role of playing into the visualization of the discomforts of representation within the work of the unseen mother in Sally Mann’s Immediate Family series and dismantling of stereotyped …

Paulus Potter’S Punishment Of A Hunter: A Study In Cultural Shifts, Moderation And Class, Taylor Brown

Theses

This paper proposes a new reading of the painting Punishment of a Hunter (1647-1652) by Dutch painter Paulus Potter through the lens of its unique position in seventeenth-century Dutch art with regards to allegory, human and animal caricature, human nature, class, and the influence of economic growth and complexity of class in Amsterdam. The painting consists of fourteen individual vignettes on one panel of wood. Utilizing socio-economic, political, historical and formal analysis, this thesis proposes a reading of the painting. A total of five chapters, each addressing key themes of the painting, will contribute to my main thesis asserting that …