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Articles 91 - 104 of 104
Full-Text Articles in History of Art, Architecture, and Archaeology
Never A Complete Success, Never A Complete Failure: Thomas Hirschhorn’S Commemoration Of Antonio Gramsci, Ryan March
Never A Complete Success, Never A Complete Failure: Thomas Hirschhorn’S Commemoration Of Antonio Gramsci, Ryan March
Theses
This paper will analyze Thomas Hirschhorn’s Gramsci Monument, examining the level of collaboration which took place among the participating community members. The Gramsci Monument is an artwork that took place in 2013 in the Forest Houses projects in the Bronx, New York. It was an artwork that functioned as a temporary community center, providing different facilities such as a library, radio station, computer lab, newspaper center, and art studio to local residents. Hirschhorn hired a team of residents to build this monument, which was made of everyday materials like plywood, recycled wood pallets, packing tape, and cardboard. While the artwork …
Federal Fashion: Uniform Modification, Self-Expression, And The Union Infantry Officer Of The American Civil War, Clayton Davis
Federal Fashion: Uniform Modification, Self-Expression, And The Union Infantry Officer Of The American Civil War, Clayton Davis
Theses
The military uniforms of the American Civil War, particularly on the Union side, varied tremendously through time and location. There were an endless number of combinationsmyriad boots and hats, coats and jackets, insignias, and trousers. That was true for officers, especially commissioned officers, who exercised the greatest aesthetic freedom. Scattered works have broached the topic of officer uniforms, especially those of Confederate officers, though their Union counterparts have gone under the microscope also. Invariably, these works include non-regulation uniforms, either compiled by officers from separate pieces or handmade by one of the hundreds of tailors working across the nation. However, …
The Politics Of Eternity: Public History And Monuments To Memory In Kings Park, 1902-1934, Anthony Critchley
The Politics Of Eternity: Public History And Monuments To Memory In Kings Park, 1902-1934, Anthony Critchley
Theses
The sacred sites of Gargatup (Mount Eliza) and Gooninup (Kennedy’s Spring) were revered by Whadjuk Noongar people long before the arrival of Europeans in Western Australia. Now part of the site of Kings Park in Perth, it remains cherished by today’s community for its botanic beauty and panoramic views. European traditions have replaced the Indigenous cultural heritage, most notably with the erection of war monuments, statues, and memorial plaques, amidst the herbaceous gardens and native flora. The first president of the Kings Park Board, Sir John Forrest, and his successor, Arthur Lovekin, envisioned that the Park would emulate ornate British …
The Fountain Formula. Damien Hirst’S Use Of Marcel Duchamp’S Readymade Controversy, Grayson Nader
The Fountain Formula. Damien Hirst’S Use Of Marcel Duchamp’S Readymade Controversy, Grayson Nader
Theses
Controversial art challenges the norms of society, by pushing boundaries to expose what is comfortable and uncomfortable. It inevitably garners attention and demands discourse. Marcel Duchamp was an innovator of controversy. He was angered by the status quo and material greed of the art industry of the early 1900s and rebelled against it with his now-famous readymade, Fountain. In Fountain, Duchamp created a formula that used controversy to garner attention from the public, the media and the art world. This formula was used by various artists throughout the past century. Contemporary artist Damien Hirst was disillusioned by the monotony of …
The Physical And Digital History Of The Ancient Egyptian 18th Dynasty Queen Nefertiti High Hat Bust, Gidgette Ulloa-Torres
The Physical And Digital History Of The Ancient Egyptian 18th Dynasty Queen Nefertiti High Hat Bust, Gidgette Ulloa-Torres
Theses
This paper specifically questions the authenticity of the queen Nefertiti high hat bust currently exhibited at the Berlin Neues Island Museum as a modern fraud. Several factors back up this claim such as the fact that the discoverer, Ludwig Borchart created a carving of plaster of paris that covered the original limestone bust which was made by the royal sculptor, Thutmose. A major point in this composition is the examination of the forty depictions of queen Nefertiti as a black African woman showcasing African facial features. The queen Nefertiti high hat bust at the Neues Berlin Island Museum does not …
Bodies, Blood, And Fluids As Resistance In Feminist Art, Laura Alice Page
Bodies, Blood, And Fluids As Resistance In Feminist Art, Laura Alice Page
Theses
This thesis looks at examples of women’s bodies and their fluids being used as both subject and media in performance art. These selected works of art are analyzed for how the inclusion of these images and issues creates resistance through visibility in a society that seeks to sanitize and commodify women’s bodies. This thesis will focus on women’s bodies as a medium in performance art. It will also describe menstrual blood as a medium and how this seeks to highlight and make visible and normal this important and natural bodily function. It also looks at the use of other bodily …
Select Heresies Issues Published From 1977-79: Situating The Individual In Late Second-Wave Feminism, Audra Verona Lambert
Select Heresies Issues Published From 1977-79: Situating The Individual In Late Second-Wave Feminism, Audra Verona Lambert
Theses
Heresies was a grassroots second-wave feminist publication based in New York City that produced issues from 1977-93. The publication was spearheaded by recognizable feminist artists and critics, and it designated one issue to each theme, covering topics such as The Great Goddess (1978) and Sex Issue (1981), soliciting contributions from feminist writers and artists to engage with each issue’s specific subject matter. To contextualize the environment of late stage second-wave feminism, Heresies issues were published a half-decade after feminist milestones like the Roe v. Wade decision (1973) and the Equal Rights Amendment vote (1972).
Heresies, as a critical theory-driven, self-published …
Neo-Pop In Brazil: When Pop Art Addressed Politics, Larissa Couto Rogoski,
Neo-Pop In Brazil: When Pop Art Addressed Politics, Larissa Couto Rogoski,
Theses
After the consolidation of Pop Art in the 1960s, the American movement started to be incorporated and interpreted, on its own terms, outside the United States. In Latin America, Brazilian artists created their own “pop language.” Based on qualitative, critical, postcolonial readings of various texts and works of art, I argue that Neo-Pop art in Brazil can be understood as incorporated under the Brazilian concept of “anthropophagic culture.” The term “anthropophagy,” as defined by Gazi Islam, “marks moments of intercultural contact, where devouring the other at once acknowledges an appetitive desire for appropriation and an aggressive process of deconstruction.”1 Anthropophagy …
St. Finbarre’S Cathedral And Other Ecclesiastical Work In County Cork By William Burges 1827 -1881, Debbie Dawson
St. Finbarre’S Cathedral And Other Ecclesiastical Work In County Cork By William Burges 1827 -1881, Debbie Dawson
Theses
In this thesis I set out to examine the important role played by William Burges in the revival of stained glass in the mid-nineteenth century. I have examined how his unique vision and obsession with the thirteenth century developed through his extensive travelling abroad, studying European architecture. My central discussion is on Burges’ first major commission at the age of thirty-five; St. Finbarre’s Cathedral, Cork. Through the use of local newspapers, correspondence and documentation, such as Vestry Minute Books, designs and cartoons stored in the Chapter House of St. Finbarre’s, I have tried to put the building of St. Finbarre’s …
Apocalypse And Fortune - Digest, Lila M. Held
Apocalypse And Fortune - Digest, Lila M. Held
Theses
The premise upon which this study is based is that German Expressionist art has undergone an expansion in marketability, and aesthetic recognition during the past decade. German Expressionism is defined as an art of protest, an art that expressed its fundamental precepts visually through distortion, brutal images, and the emotive use of color and form.
I chose to use Ludwig Meidner to exemplify the characteristics of the movement. The basic tenets of Expressionism are apparent in both Meidner's visual and literary endeavors. Ten years ago, this artist's name and work were obscure. Today, his art appears in galleries, his name …
The Architectural Theme In Painting, Allene Jones Ricker
The Architectural Theme In Painting, Allene Jones Ricker
Theses
The architectural theme has been used in painting in varying ways as decoration, in landscape, as composition and as abstraction. From the first century until the Renaissance, architecture was used by artists as decoration or as a backdrop, setting the stage and framing the figures. Architecture as subject matter continued to evolve in a manner nearly parallel to the development of the landscape. Architecture in the form of Roman ruins, for example, was used in picturesque landscapes.
Architecture in landscapes developed into townscapes. In both Holland and Italy the townscape was painted extensively. The Venetian view painters were interested in …
Virginia Woolf, I Understand, Nancy S. Follis
Culminating Project, Judy A. Crockett
Nineteenth Century American Painting: An Evolution In Value, Marguerite P. Walker
Nineteenth Century American Painting: An Evolution In Value, Marguerite P. Walker
Theses
This thesis explores the significant transformation in the market value and cultural appreciation of nineteenth century American paintings. Marguerite P. Walker investigates the historical, social, and economic factors that contributed to the evolving status of American art from a marginalized, undervalued genre to one recognized for its artistic and monetary worth. Initially viewed as crude and provincial in comparison to European works, American paintings from this period suffered from widespread prejudice. However, shifts in national identity, increased art education, and the rise of a domestic art market spurred interest in American subjects, particularly landscapes and genre scenes reflecting national pride …