History of Art, Architecture, and Archaeology Commons^™

The Concerns And Concepts Underlying My Photographic Work, Mark Ivan Hinderaker

Art & Art History ETDs

This is an examination of the underlying concepts and the formal characteristics of my photographic work. In my work, the repetition of formal elements, the visual meanings which emerge from the sequential interplay of the images, and my interest in visual problems related to depth and surface, are combined with a diaristic and existential viewpoint in the use of the camera and with an interest in photographing American material culture. My work is in the tradition of Robert Frank and uses insights from my study of Ralph Gibson's use of sequencing. I see my work in relation to poetry and …

The Sequential Photographs Of EugèNe Atget, Photographer Of Paris, Donald Lee Neal

Art & Art History ETDs

An examination is made of Atget's style, the range, scope and content of his photographic work. The purpose of this dissertation is: to clarify facts about Atget's career, to draw conclusions about the way Atget photographed and developed a personal style through an examination of Atget's original prints and other source material, and to determine whether the published view of Atget is representative of his work as a whole. Eugene Atget made an exhaustive photographic record of aspects of Paris and its surroundings. While his work was methodical, it was not systematic; mature but lacking in the overall structural clarity …

Dead Reckoning And Sufficient Means, Kendra Mackenzie

Art & Art History ETDs

I discuss the nature of this installation as a work in progress, a situation set up both to generate information and to make possible an assessment of certain issues within this work. I discuss my original intentions and my changing perceptions of them. Included notes from the actual week in progress and a sample of the sequences of the photographic documentation. I conclude with a brief discussion of selected sources and some thoughts for future work.

A Curriculum Model For Teacher Art Education (P1-P3) In Nigeria, Olayinka Ajayi-Kardin

Art & Art History ETDs

This dissertation is aimed at developing an art education teacher-training program that is consistent with the Nigerian traditional culture and the national goals of education. In traditional Nigeria, amidst the network of fundamental religious beliefs, values, rites, and practices, creative activities are not given titles or names because art is a way of life that explains the past and helps Nigerians to relate to the present world. The arts mediate social relations, express emotion, and maintain social stability. However, years of colonial government brought an imposition of Western and Christian values on Nigerians. Nigeria has a rich culture with valuable …

Twenty-Six Gasoline Stations: The Photograph As Fact And Other Aspects Of Ed Ruscha's Books, Henri Man Barendse

Art & Art History ETDs

This paper analyzes the fourteen books California artist Ed Ruscha published from 1962 to 1972. Initial discussion of the emergence of Pop Art and the so-called "L.A. Look" form the background for a review of the artist's life and career. This is followed by a brief chronology and descriptions of the books establishing their impact and influence on contemporary art and photography. The publications are discussed in relation to significant movements during the decade, such as Conceptual Art, and it is concluded that they are unique and therefore escape easy categorization. Ruscha's inconoclastic attitude and "styleless" approach to photography as …

Decoration And Pattern As Picture, Nancy Norman

Art & Art History ETDs

Many of the concepts for my imagery are drawn from an attitude of affirming the decorative in art and a personal choice to further explore those possibilities. Ornamentation can enhance art, not because it is superfluous and not because it can embellish life with beauty, but as in the ornamental arts themselves it can magnify qualities already present in material life and work. In this presentation I present my decorative ideas in art from a contemporary perspective in terms of an art historical context a well as through my individual vision represented by paintings, lithographs, and paper pieces. Both sections …

Picto-Relieves Ritmicos: Una Forma De Integrar La Pintura Y La Escultura, Miguel A. Sosa

Art & Art History ETDs

The "picto-reliefs" are a solution for the integration of painting and sculptural elements. This integration is resolved by an abstract format where lines, planes and bands are projected in a constructivist manner. In this paper, an examination is made of the relationships that exist between visual images and "sonorous" images, between visual rhythms and musical relationships, and between color and certain qualities of sound. The bands are a key element in the "picto-reliefs". The bands create a three-dimensional form in the painting, therefore transforming the painting into a relief. The bands also possess ''musical power”, since according to the color …

From Obsession To Oxymoron: Sonic Cartoons, Steven Ralph Fitch

Art & Art History ETDs

In this thesis I will identify some of the motives and sources behind my present series of photographs and in the process, attempt to clarify their meaning as visual statements and as cultural artifacts.

Issues And Ideas: Shifting Perspectives In My Photographic Concerns, 1974-1978, Robert A. Widdicombe

Art & Art History ETDs

This thesis shall be an examination of the various ideas and interests which have influenced my photography. The discussion will concentrate on the four main bodies of work I have produced since I became seriously involved with photography. The photographs in the first group were done during the years from 1974 through 1976 while I was living in Lansing, Michigan and working as a commercial photographer. The next series of photographs was created between 1976 and 1977, shortly after I began my post-graduate studies at the University of New Mexico. The third body of work is entitled "The Interrupted Landscape" …

The Landscape Photographs Of Darius Kinsey, Ansel Adams, Alvin Langdon Coburn And Harry Callahan, Eric Barton Johnson

Art & Art History ETDs

The landscape is introduced as a useful motif in order to examine the sensibilities of a group of photographers toward the same subject in detail and in addition discuss some aspects of the mediation imposed by the camera lens on any subject. Four photographers are examined with a detailed analysis of four to six images from each: Darius Kinsey (1871-1940), Ansel Adams (1902-    ), Alvin Langdon Coburn (1882-1966), and Harry Callahan (1912-    ). Chapter I, "Darius Kinsey's Logging Views." The background of the American frontiersman's attitude toward the wilderness is introduced as a context for Kinsey's work done at logging …

Second Generation Abstract Expressionism, Donna Kay Tennant

Art & Art History ETDs

An examination is made of a select number of painters who are considered to be younger members of the Abstract Expressionist School. The study concentrates on the period 1950-1960 in New York City, but also examines the political, social and economic conditions of the United States and the world in the twentieth century. The first part of the paper discusses the rise of New York as an art center, the influence of World War II on the art community, the society in which these artists lived and worked, the role played by museums, galleries and co-ops and the response by …

An Historical And Practical Manual For Hand Silk Screened Textiles, Grace Danisch Kraft

Art & Art History ETDs

The development and evolution of hand-stenciled textiles is studied from early Chinese cultures (C.A. 15,000 B.C.) to the present. The history of printed textiles is traced in western China, Japan, India, France, England, and America, with Japan and India playing important roles in the types of stencils used and importation of printed fabrics to other parts of the world.

Mother Knows Best, Robert Saxby

Art & Art History ETDs

This thesis is a personal and brief chronicle of my artistic development. It attempts to put my art, and my attitudes toward art into a biographical framework. The English educational system, my emigration to the United States, and my three years at the University of New Mexico are examined, and the effects of each of these experiences on my work are noted. The thesis also deals, quite specifically, with my art work. What I have created, even how I have created it, is briefly discussed. I also scan the primary ideas and influences on my work. I conclude with a …

Modern Photography In America: Marketing The Machine Esthetic, Joseph Maurice Deal

Art & Art History ETDs

During the intervening years between World War I and World War II an international spirit and style matured in art and architecture, based on a "machine esthetic," which was a blend of pre-World War I movements in painting (Cubism, Futurism) and a more sober and practical application of these abstract principles in architecture, design, and the popular arts which developed in France and Germany after the war. This style became recognized and accepted in America, and popularly characterized as “modernistic.” Two closely related institutions of American photography provided the impetus and direction of the modern style in photography: The Pictorial …

David Hockney: Literary Painting In The Twentieth Century, Nicholas Martin Jones

Art & Art History ETDs

The Royal College of Art was the focus of British Pop during the Fifties and Sixties in London. The "Mod" phenomenon, and the events in English history which preceeded it, were instrumental in forming the climate in which the young British artists worked. David Hockney's days as a student at the Royal College during that time in England formed the basic stance that would direct his future career. At the College Hockney met H.B. Kitaj, who would give him the confidence to paint literary and figurative pictures at a time when American Abstract Expressionism dominated the art world. In following …

Towards The Completion Of An Illusion, Joan Emaime Martin

Art & Art History ETDs

I have made an investigation of Renaissance perspective in pursuit of an illusion of objects in space. The drawings reflect the analytical nature of the investigation and a continuing search for new objects which can be represented in the environment of lines and marks used to create the perspective illusion itself.

Dream Confirmation: Present Thoughts On My Work Completed Between The Summer And Autumn Of 1977, Philip J. Calabria

Art & Art History ETDs

This thesis discusses an approach to art, as well as an investigation into the concepts underlying the author's work that was completed between the summer and autumn of 1977. The thesis is separated into three parts. Part I deals with the influences that contributed to shaping the author's aesthetic approach. An examination of the author’s work immediately preceding the present sequence is the main topic covered in Part II. And in the final section, Part III, the current sequence, "Dreams through a Crimson Chamber,” is the focus of attention, with particular emphasis given to the formal activity and symbolic theory …

Reflections On The Mundane, Virginia Stone Yen

Art & Art History ETDs

For me life has always been a splendid tapestry made of ordinary objects, daily routines and common occurrences. When I make art the main thread of thought is a deliberate exploration of what people frequently encounter in everyday living. Etched in my mind are many moments of awe over some commonplace experiences. I want to communicate this sense of wonder because I think the mundane is a common ground which can facilitate communication and perhaps be a springboard for comprehension of existence.

Besides a clarification of this basic concern with the mundane, I also include some personal philosophy and quests …

The Photography Of Charles Fletcher Lummis, 1887 To 1892, James Richard Hajicek

Art & Art History ETDs

Charles Lummis is well known for his cultural contribution to the American Southwest as a writer, magazine editor and museum founder. He was also a photographer worthy of consideration although very little attention has been given in the past to this aspect of his multifaceted career. From the fall of 1887 to the fall of 1892 Charles Lummis produced an extensive body of cyanotypes and salt prints documenting the Indians, pueblos, geological landmarks and archeological ruins of the Southwest. These photographs represent not only a valuable historical and ethnological record, they offer a significant contribution to the history of photography. …

The Camera: Its Literary Context, Dana Asbury

Art & Art History ETDs

A discussion is undertaken of modern ideas on the nature of appearance and reality, and how these ideas relate to photography, especially portraiture.

An examination is made of some portrait photographers (August Sander, Richard Avedon, Arnold Newman, Diane Arbus) to trace the evolution of my own approach, which is further related to some movements in art history (Romanticism, Surrealism) and to twentieth century literature (Virginia Woolf).

Of Elements, Memories, And Dreams, Margaret Emily Newman

Art & Art History ETDs

This thesis is an exploration of the relationship between my paintings and various memories, reflections, and experiences. Because there is an elusiveness to the memories of experience which over time confuses dreams and reality, I describe these events in prose poem forms, which seems better suited to the nature of these reflections.

Response To Structure: An Explication Of My Work, Dennis Paul Grady

Art & Art History ETDs

The chronological development of my art is discussed in relation to the ideas involved in the ark. The central notion, that art is an impulse which answers to the structure of the world, is dealt with in terms of how information and structure are presented, and represented, in my pictures. The first section deals with work done from 1971 to 1976. The second section deals with work done since arriving at the University of New Mexico in the fall of 1976.

Apologia Photographica, Joseph William Marshall

Art & Art History ETDs

A general examination is made of the author's personal history as a photograph r from 1970 to 1977, with concurrent evaluations of the changes in his pictures under the pressure of events. Beginning with a brief discussion of the role of intellect in the author's picture making process, the narrative describes the ongoing modifications in his aesthetic opinions up to and slightly past the completion of his thesis exhibition. The autobiographical events which caused those changes and their pictorial results are also discussed.

Because I Must, Debra M. Sachs

Art & Art History ETDs

Things that make sense don’t necessarily work. Those that are nonsense often do.

The Creation Of Abstract Forms In Metal, Lynn Ellen Peters

Art & Art History ETDs

The purpose of this thesis is to explain the creation and the reasoning behind a group of jewelry pieces which was begun in August, 1974. The following discussion of my work covers a range of topics related to my jewelry and how they reflect my philosophical outlook. In my efforts to create abstract forms derived from nature, I work with two mental processes which deal with my intuitions and intellect and they help me to make use of my creative abilities. Much can happen from these processes, and I hope to justify my jewelry making not only on these terms, …

Predicting The Unpredictable, Elizabeth A. Kay

Art & Art History ETDs

My work is an attempt to create a visual metaphor for my personal attitude towards life which stems not only from intuition, but also from my continued interest in literature, history, and philosophy. I have tried to clarify my intuitive feelings by drawing upon other points of view which seem to resemble my own and to question personal opinions when others seem more reasonable. Consequently, my work is the visual product of a great deal of mental speculation and the imagery often has a close relationship with the thinking that inspires it.

Maps And Space: Notes On Organization, Michael Christopher Stousland

Art & Art History ETDs

This thesis will begin with a brief introduction to work which was begun in 1975. I will then discuss the use of maps in my work, first as metaphor, in relation to recent drawings, and second, concerning the symbolic sense in which they are used in my paintings. Finally, I will discuss the use of various map projections in the most recent work, concluding with observations on the nature of geometry and organization.

I Want To Say Something About All That Noise, Stacy Louise Mann

Art & Art History ETDs

When I paint, I often feel as though I am casting characters for an episode. The characters come from the world around me. They are arranged diagrammatically or physically with other images. The characters are talking their places for a ritual. Through rituals we can transcend our surroundings or pass through gates and extend our aesthetic limits. It is fantasy.

European Influences In Early Colonial Descriptions And Illustrations Of The Mexica Monthly Calendar, Betty Ann Brown

Art & Art History ETDs

Titanium dioxide (Ti02) has been studied to determine the feasibility of using this dielectric material in Metal-Insulator-Semiconductor (MIS) structures. MIS structures utilizing various dielectric materials have received considerable attention in recent years. Materials such as titanium dioxide which exhibit a high permittivity are attractive as insulators in MIS devices because of high capacitive density, good surface control for thick films, large power handling capability, and reduction in device size.

The Cliché-Verre In The Nineteenth Century, Elizabeth J. Glassman

Art & Art History ETDs

The cliché-verre process is a photographic technique; an image is made on a glass plate which is then employed as a negative for contact printing on a light-sensitive sheet of paper. The cliché-verre method for creating prints was developed in the mid-nineteenth century, a period of intense technical experimentation in photography and of revived interest in the graphic process of etching. As the cliché-verre incorporates elements of both printmaking (a drawn matrix through a prepared ground) and photography (the presence of a photographic negative), the technique has occupied a middle ground between the two arts. The process has been explored …