History of Art, Architecture, and Archaeology Commons^™

Sabellic Textile Terminology, Peder Flemestad, Birgit Anette Olsen

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Despite numerous recent studies of Italic textiles and textile production etc., no systematic study has so far been attempted regarding the textile terminology of Italic languages besides Latin. The present study seeks to remedy this, making a first step into the textile terminology of Sabellic languages, predominantly Oscan and Umbrian. There are two types of sources for Sabellic textile terminology: inscriptions and glosses in Greek and Latin literature. Both are, however, fraught with uncertainties. The glosses, as for example seen in the case of Etruscan, may have been misunderstood or misinterpreted and should be treated with due caution, and there …

Tunics Worn In Egypt In Roman And Byzantine Times: The Greek Vocabulary, Maria Mossakowska-Gaubert

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The principal element of the fashion in clothing introduced in Egypt with the arrival of the Romans was a tunic made of two rectangular pieces of fabric sewn together. Such a tunic either would leave the arms naked, or cover the arms to the elbow (fig. 1). This fashion changed with the turn of the 2nd and 3rd century AD. At this time, in addition to the tunics without sleeves, the inhabitants of Egypt started to wear tunics with ‘true’ sleeves – long or short, wide or tight – inspired by the Eastern fashion: the manner of making the tunics …

Ars Polymita, Ars Plumaria: The Weaving Terminology Of Taqueté And Tapestry, John Peter Wild, Kerstin Droß-Krüpe

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

In Roman Egypt papyrologists and archaeologists sometimes seem to inhabit two different, if parallel, worlds, each apparently unaware of the treasures to be found in the other. This paper, however, is a co-operative venture between an ancient historian with papyrological interests – Kerstin Droß-Krüpe – and an archaeologist – John Peter Wild. In the research field of textiles we overlap, and we want to offer you insights from each of our worlds. At some point in the later 2nd century AD an unnamed magnate in the territory of the Lingones in central Gaul dictated a will in which he stipulated …

Χιτών – Δαλματική – Μαφόρτης – Σύνθεσις: Common And Uncommon Garment Terms In Dowry Arrangements From Roman Egypt, Kerstin Droß-Krüpe

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

With regard to ancient textile terms, dictionaries could potentially generate a false sense of security. Their formal accuracy might let us think that we are, without doubt, provided with the term that corresponds perfectly with a particular expression from an ancient Greek and/or Latin document. However, translations in dictionaries are almost exclusively based on reading and interpreting ancient literary sources and tend to neglect documentary evidence. But documentary sources, such as papyri, are a valuable and unique resource for research, referring to manifold aspects of social and economic history. Above all, they offer an insight into the minutae of individual …

Zur Bekleidung Der Krieger Im Avesta: Rüstung Und Magischer Schmuck, Götz König

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Während die in Altavestisch komponierten Lieder des Avesta (die Gāϑās und das Yasna Haptaŋhāiti) einen rituellen Dichtungsstil pflegen, der sich in eigentümlicher Weise gegen die Dinge der Welt weitgehend verschließt, d.h. Wörter, die auf Materiales – auf in Raum und Zeit Identifizierbares – sich beziehen, vermeidet, stellen die in Jungavestisch abgefaßten metrischen wie prosaischen Texte des Avesta eine weitaus ergiebigere Quelle zur Rekonstruktion der materiellen avestischen Kultur dar. Richten dabei diejenigen Texte, welche die tägliche bzw. zu bestimmten Anlässen zu feiernde, um die altavestischen Texte herum komponierte Priesterzeremonie bilden (Yasna bzw. Yasna mit Vīsparad), ihre Aufmerksamkeit auf …

Xie, A Technical Term For Resist Dye In China: Analysis Based On The Burial Inventory From Tomb 26, Bijiashan, Huahai, Gansu, Le Wang, Feng Zhao

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

In May 2002, a burial site was found in Bijiatan, Huahai, in the Gansu province. During the following two months, the Gansu Institute of Archaeology excavated the graveyard and 55 tombs were excavated in total. A female corpse wrapped in several layers of silk garments was found in tomb 26 together with a burial inventory.

The Burial Inventory from Tomb 26: A burial inventory is a list of buried items that would accompany the deceased to the afterlife. It was commonly found in the tombs in northwest China during the 4th to 7th centuries AD.The inventory of Tomb 26 is …

Weaving A Song. Convergences In Greek Poetic Imagery Between Textile And Musical Terminology. An Overview On Archaic And Classical Literature, Giovanni Fanfani

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

In an analysis of the household-management (οἰκο- νομία) in the first book of the Politics, Aristotle discusses the nature and use of tools (ὄργανα), both inanimate (τὰ ἄψυχα) and animate (τὰ ἔμψυχα). While such a distinction is functional, in Aristotle’s argument, to illustrate the priority of the latter group (represented by the assistant, ὁ ὑπηρετής, and the slave, ὁ δοῦλος) over the first, what interests us here lies mainly within the realm of inanimate tools. As commentators to the passage have not failed to notice, a first literary frame of reference for Aristotle’s exemplum fictum is to be found …

Der Text Als Gewebe: Lexikalische Studien Im Sinnbezirk Von Webstuhl Und Kleid, Oswald Panagl

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Die Thematik des folgenden Beitrags ist gleichsam doppelt gepolt. Sie ist zunächst im terminologischen Feld der Prozesse, Instrumente und Produkte der Sachbereiche von Weben und Flechten verankert. Zugleich ist sie auch in den metaphorischen Verwendungsweisen der zugehörigen Sinnbezirke bzw. Wortfelder, also im weitgespannten Horizont der Herstellung von Stoffen, Tüchern und Gewändern verortet. „Vom Textil zum Text“ ließe sich die Intention des Artikels bündig zusammenfassen: Dabei verläuft also die Richtung der Bedeutungsentwicklung des Produkts in ihrer Tendenz gegen den Vorgang der zugehörigen morphologischen Ableitung. Ich möchte mich meinem Vorhaben zunächst mit einem Blick auf die bekannten beiden konversen Zugänge zur Semantik …

The 1939 Dickinson-Belskie Birth Series Sculptures: The Rise Of Modern Visions Of Pregnancy, The Roots Of Modern Pro-Life Imagery, And Dr. Dickinson’S Religious Case For Abortion, Rose Holz

Women's and Gender Studies Program: Faculty Publications

This multidisciplinary essay examines the hugely influential—yet surprisingly overlooked—Birth Series sculptures. Created in 1939 by Dr. Robert L. Dickinson (obstetrician-gynecologist and leader of the Planned Parenthood Federation of America) and sculptor Abram Belskie, they illustrate the process of human development from fertilization through delivery. First displayed at the 1939–1940 World’s Fair in New York City, they were reproduced in a variety of forms and sent out across the United States and overseas. Hardly a brief fad, their popularity persisted into the 1980s. This essay has four purposes. First, it tells the stories of Dickinson and Belskie to appreciate their contributions …

Representing Propaganda: Anti-Tyrannical Art Of The Greek, Roman, And French Populist Agendas, Katherine Norgard

School of Art, Art History, and Design: Theses and Student Creative Work

History is often shaped to fit certain agendas. Regular, flawed individuals become heroes and martyrs. The truth is often more complicated, as proven by the fact that Harmodios and Aristogeiton gained their fame by publicly slaughtering a well-liked ruler for encroaching on their pederastic relationship, Brutus gained his fame by murdering Julius Caesar for getting too close to his mother (and sister), and Jean-Paul Marat was exalted and worshiped for violence-inciting journalism.

Harmodios, Brutus, and Jean Paul Marat all serve as symbols of equalitarianism. Their public portrayals were crafted to be symbols that fit the [needs of] revolutionary agendas. As …

Study Of Northern Renaissance Artist Sebald Beham Through His Printed Works, Anika Zempleni

UCARE: Research Products

Sebald Beham (1500-1550) was a Northern Renaissance artist born in Nuremberg, Germany. His works include woodcuts, engravings, paintings, and designs for stained glass. Most of his works are prints, however. This project focused on gaining a better understanding of the interests, associates, and living locations of Beham, based off of the knowledge that was gained through looking at where his works were printed, and by whom.

Advisor: Alison Stewart

Past Meets Future: Combining Gis, 3d Technologies, And Legacy Data To Reanalyze Ceramics At Copan, Honduras, Stephanie Sterling, Heather Richards-Rissetto, René Viel

UCARE: Research Products

The archaeological site of Copán—a UNESCO World Heritage Site in Honduras—was a primary center for cultural and economic exchange in the Maya world from the fifth to ninth centuries. Our research investigates the sociopolitical climate of the city immediately preceding this collapse. This poster presents the results of a pilot study intended to evaluate the potential of using a combination of digital technologies and legacy data to reanalyze a subset of diagnostic ceramics from select sites outside of Copan’s urban core. Our methods involved:

(1) Applying photogrammetry to generate 3D models for approximately 30 potentially temporally-diagnostic ceramic types

(2) Digitizing, …

Chaco Landscapes: Data, Theory And Management, Ruth Van Dyke, Stephen Lekson, Carrie Heitman, Julian Thomas

Department of Anthropology: Faculty Publications

The Colorado Plateau is a land of long horizons punctuated by dramatic buttes, mesas, and mountain ranges. The rich cultural heritage and natural beauty of this region hold meaning for the millions of tourists who visit each year to experience this iconic landscape. Many of these same places on the Plateau are still considered central to indigenous religious practices, histories, and oral traditions of descendent communities in the region. This landscape is also defined by the complex connections and histories of diverse resident communities. Ancient communities of the Plateau are the focus of ongoing major anthropological investigations into such issues …

Airborne Lidar Acquisition, Post-Processing And Accuracy-Checking For A 3d Webgis Of Copan, Honduras, Jennifer Von Schwerin, Heather Richards-Rissetto, Fabio Remondino, Maria Grazia Spera, Michael Auer, Nicolas Billen, Lukas Loos, Laura Stelson, Markus Reindel

Department of Anthropology: Faculty Publications

Archaeological projects increasingly collect airborne LiDAR data to use as a remote sensing tool for survey and analysis. Publication possibilities for LiDAR datasets, however, are limited due to the large size and often proprietary nature of the data. Fortunately, web-based, geographic information systems (WebGIS) that can securely manage temporal and spatial data hold great promise as virtual research environments for working with and publishing LiDAR data. To test this and to obtain new data for archaeological research, in 2013, the MayaArch3D Project (www.mayaarch3d.org) collected LiDAR data for the archaeological site of Copan, Honduras. Results include: 1) more accurate archaeological maps, …

Resilient Russian Women In The 1920s & 1930s, Marcelline Hutton

Zea E-Books Collection

The stories of Russian educated women, peasants, prisoners, workers, wives, and mothers of the 1920s and 1930s show how work, marriage, family, religion, and even patriotism helped sustain them during harsh times.

The Russian Revolution launched an economic and social upheaval that released peasant women from the control of traditional extended families. It promised urban women equality and created opportunities for employment and higher education. Yet, the revolution did little to eliminate Russian patriarchal culture, which continued to undermine women’s social, sexual, economic, and political conditions. Divorce and abortion became more widespread, but birth control remained limited, and sexual liberation …

Lucas Cranach's Samson And Delilah In Northern European Art, Jacqueline S. Spackman

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis explores images of Samson and Delilah in northern Europe in the fifteenth and early sixteenth centuries. My research focuses primarily on Lucas Cranach’s painting, Samson and Delilah of 1528-30, in the Metropolitan Museum of Art, New York. By examining prints and decorative artworks that include the Samson and Delilah narrative, it is my goal to understand where Cranach’s painting fits into the larger art historical picture. Through examining the locations and suggested meanings of other works, I hope to establish that it is also possible to understand the intention and meaning behind Cranach’s painting. I analyze the work …

Constructing Helen Frankenthaler: Redefining A 'Woman' Artist Since 1960, Alexandra P. Alberda

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis addresses how academics, curators, and art writers in the popular press reviewed Helen Frankenthaler during her major retrospectives of 1960 (The Jewish Museum), 1969 (The Whitney Museum of American Art), and 1989 (The Museum of Modern Art). Included is an examination of how she has been written about after her death in 2012, with analysis of the changes in the language used to critique the artist and her work as influenced by the advent of feminist theory, social history, and gender theory. I examine recent exhibitions on Frankenthaler at the Gagosian Gallery, New York City, and the Albright-Knox …

Between Historical Truth And Story-Telling: The Twentieth-Century Fabrication Of “Artemisia”, Britiany Daugherty

School of Art, Art History, and Design: Theses and Student Creative Work

This research focuses on the twentieth century rediscovery of the seventeenth-century Italian painter Artemisia Gentileschi by scholars, novelists, playwrights, filmmakers, and artists. I argue that the various authors who told her story constructed two distinct “Artemisias,” what I identify as the “Academic Artemisia” and the “Celebrity Artemisia.” The “Academic Artemisia” results from writings by scholars focused on her 1610 Susanna and the Elders, who used approaches from formalism and connoisseurship, to feminism and iconography. The “Celebrity Artemisia” stems from popular fictions that refashioned the life and art of Artemisia according to pop culture tastes. Studying what has been said about …

Coelum Britannicum: Inigo Jones And Symbolic Geometry, Rumiko Handa

Architecture Program: Faculty Scholarly and Creative Activity

Inigo Jones’s interpretation that Stonehenge was a Roman temple of Coelum, the god of the heavens, was published in 1655, 3 years after his death, in The most notable Antiquity of Great Britain, vulgarly called Stone-Heng, on Salisbury Plain, Restored.¹ King James I demanded an interpretation in 1620. The task most reasonably fell in the realm of Surveyor of the King’s Works, which Jones had been for the preceding 5 years. According to John Webb, Jones’s assistant since 1628 and executor of Jones’s will, it was Webb who wrote the book based on Jones’s “few indigested” notes, on …

Previously Undocumented Art Criticism By Walt Whitman, Wendy J. Katz

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Whitman’s “Letters from a Travelllling Bachelor,” written for the New York Sunday Dispatch (October 14, 1849, through January 6, 1850) are well known, as is his practice of contributing news about Brooklyn and Brooklyn artists to the Dispatch as well as to other newspapers like the Evening Post.1 But his extended description of a painting by Jesse Talbot, Encampment of the Caravan, in the Evening Post (“Encampment of the Caravan,” April 29, 1851; p. 1), and his critique of the National Academy of Design annual exhibition in the Dispatch of the following year (“An Hour at the Academy of Design,” …

Alienata Da'sensi: Reframing Bernini's S. Teresa, Andrea Bolland

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Gian Lorenzo Bernini’s Ecstasy of St Teresa for the Cornaro Chapel (1647–52) is perhaps the artist’s most sensually charged creation, and the apparently physical nature of Teresa’s ecstasy is today even acknowledged in survey textbooks. Teresa herself opened the door to this reading when, in describing her spiritual ecstasy, she admitted that ‘the body doesn’t fail to share in some of it, and even a great deal’. Yet the balance between sense and spirit in the sculpture emerges somewhat differently if it is viewed (literally and figuratively) in context: as an altarpiece in a chapel where its presentation is structured …

Prairie Skin: A Quilted Shelter, Elizabeth Ingraham Dr.

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Mapping Nebraska is a drawn, stitched and digitally imaged cartography (physical, social, cultural, sociological) of that state. This nine-year project, now in the permanent collection of the International Quilt Museum, includes a hand-drawn Locator Map, quilted and embroidered Terrain Squares, on-the-ground documentation or Surveys, and Ground Cloths, mixed mixed media textile constructions which respond to a particular location in a more intuitive and imaginative way.

In this public talk at the International Quilt Museum I give a visual overview of my development of the fourth component of Mapping Nebraska—a large-scale textile construction, titled Prairie Skin, designed to wrap a human …

The Artist's Lament In 1528. Exile, Printing, And The Reformation, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

The plight of painters and other artists was not an easy one when the Reformation made inroads into German-speaking lands. Commissions for Catholic subjects and altarpieces dried up as a result of Lutheran influence. Two laments dating from the early Reformation period address the artist's situation. Both are brief, date from 1526 and 1528, and appear in different contexts - one in a letter of introduction and the other in a printed pamphlet. The first concerns the painter Hans Holbein the Younger (1497/98- 1543) whose portraits painted for King Henry VIII and his court indicate that the pictorial genre of …

Prehistoric Earth Oven Facilities And The Pathoecology Of Chagas Disease In The Lower Pecos Canyonlands, Karl Reinhard, Adauto Araujo

School of Natural Resources: Faculty Publications

Understanding the endemic region of a disease is part of developing a concept of the disease’s natural history and its threat to human health in both ancient and modern times. Chagas disease is caused by the parasite Trypanosoma cruzi and has recently been identified as an emergent disease in North America. Ancient endemicity and reemergence has been demonstrated by an examination of a mummy found on the border between Coahuila, Mexico and Texas, USA. This mummified man, who died over 1000 years ago, exhibits the gross pathology of megacolon, which is consistent with Chagas disease. We are now exploring the …

Finding Addison Mizner: His Scrapbook Testimony, Suzanne B. Kane

Architecture Masters of Science Program: Theses

Through historic archival research, this study focuses on the works of Florida architect Addison Mizner (1872-1933), credited with bringing Spanish/Mediterranean Revival architecture to Palm Beach, Florida in the early 20^th century. This thesis is the first to study the works of Mizner through the perspective of his personal scrapbooks. In a state of advanced deterioration, Mizner’s scrapbooks are currently housed in Society of the Four Arts, King Library in Palm Beach, Florida. While a rare and treasured source of their own accord, the importance of the scrapbooks is elevated by the fact that many of Mizner’s buildings have been …

Today’S Curation: News Of The Art Museum And The Crowd, Amanda M. Guenther

College of Journalism and Mass Communications: Professional Projects

Crowd-sourcing and crowd-curating—when the public plays a role in determining content—has become an exhibition trend within American art museums. An interactive Web presence has allowed members of the public to submit amateur artworks and select from among museum collections to create exhibitions that become about popular taste. Personal interviews and documentary research revealed six major commonalities about how and why museums are choosing to relinquish traditional models of authority in exhibition creation and engage audiences in a new technological way, after surveying 10 exhibitions that have taken place since 2008. Part I of this report presents the summary findings and …

Flax Fibre: Innovation And Change In The Early Neolithic; A Technological And Material Perspective, Susanna Harris

Textile Society of America: Symposium Proceedings

Flax (Linum sp.) was one of the first domestic plants in Neolithic Europe, providing a potential cultivable source of fibres for the first farmers. As the plant provides both oil and fibre, it is a matter of enquiry as to whether the plant was first domesticated for its seeds or stem. Through examining new data collected by the EUROEVOL Project, UCL it is possible to chart the earliest archaeobotanical evidence for flax species in Europe. This provides the basis on which to consider the origin of fibres from the flax plant (linen) as a basis for change and innovation …

Constructions Of Black Identity In The Work Of Glenn Ligon And Kara Walker, Shadé R. Ayorinde

School of Art, Art History, and Design: Theses and Student Creative Work

In this thesis I reference artworks and installations by Glenn Ligon and Kara Walker, as well as contemporary mass media images, to offer a reading of various constructions of black identity in the 1990s and into the 21^st century. I specifically note the continuation of social biases against black bodies, which in large part stems from historical conditions of 19^th century America and the lingering legacy of slavery. I also address how the absence or implied absence of the black male body, as referenced in works by both Ligon and Walker, relates to contemporary social conditions in which …

The Imperial Temple At Antiochia Ad Cragum: Aspects Of Architecture And Iconography, Geraldine S. Dobos

School of Art, Art History, and Design: Theses and Student Creative Work

Along the northeastern Mediterranean shore lies Antiochia ad Cragum, an ancient city located in the western area of the Roman province of Rough Cilicia. It is now known as the village of Guney, in southern Turkey. The Northeast Temple is the first Imperial structure at Antiochia that has been revealed in its entirety and its reconstruction is anticipated. This excavation by the University of Nebraska (Antiochia ad Cragum Archaeological Research Project, or ACARP), is directed by UNL Professor Michael Hoff.

The hypothetical reconstruction of the Northeast Temple’s geison course, which I present, emphasizes certain diagnostic features that may be used …

Serpentine Imagery In Nineteenth-Century Prints, Paula A. Rotschafer

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis explores images of sea serpents in nineteenth-century print culture that reflect an ongoing effort throughout the century to locate, capture, catalogue, and eventually poeticize the sea serpent. My research centers primarily on the sea serpent craze that occurred within the New England and Mid-Atlantic states between 1845 and 1880 and examines the following three prints: Albert Koch’s Hydrarchos, a fossil skeleton hoax, printed in an 1845 advertisement by Benjamin Owen, a book and job printer; an 1868 Harper’s Weekly illustration titled The Wonderful Fish; and Stephen Alonzo Schoff’s etching, The Sea Serpent from 1880, based on …