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Articles 1 - 30 of 221
Full-Text Articles in Other French and Francophone Language and Literature
Examining Enrolment Patterns In French Electives At The University Of Botswana: Implications For Policy And Curriculum Development, Kagiso Jacob Sello
Examining Enrolment Patterns In French Electives At The University Of Botswana: Implications For Policy And Curriculum Development, Kagiso Jacob Sello
International Journal of Transformative Teaching and Learning in Higher Education
This study examines enrolment trends in French electives at University of Botswana (UB) to assess cross-disciplinary relevance, sustained student engagement, and implications for curriculum development and institutional internationalisation. Using a descriptive-analytical design, the study analysed institutional enrolment data from six consecutive semesters. Data were disaggregated by faculty and analysed using SPSS, guided by Student-Centred Curriculum theory and Interdisciplinary Learning principles. A total of 1,200 enrolments were recorded. The Faculty of Business accounted for the highest participation (48.6%), followed by Humanities (20.8%) and Social Sciences (14.9%). Other faculties, including Science, Education, and Engineering, showed lower but consistent participation, confirming broad interdisciplinary …
Transformasi Konsumsi Anime Di Prancis Lewat Platform Streaming, Diajeng N. R. Salsabila, Airin Miranda
Transformasi Konsumsi Anime Di Prancis Lewat Platform Streaming, Diajeng N. R. Salsabila, Airin Miranda
Multikultura
Covid-19 pandemic has brought significant changes to media consumption habits, especially on streaming platform services. The government's appeal for people to remain at home has ultimately contributed to a spike in the number of users of these services, with anime content as the top choice. This phenomenon is reminiscent of the early period when anime such as Goldorak and Candy Candy first dominated the French market, marking the beginning of a major shift in the acceptance of Japanese popular culture in France. To answer this research problem, Wahidmurni's (2017) qualitative method, Fairclough's (1995) critical discourse analysis, and literature study were …
Humor Subversif Dalam Video Musik Balance Ton Quoi Oleh Angele, Nur Annisa Khalish Zarkasya, Airin Miranda
Humor Subversif Dalam Video Musik Balance Ton Quoi Oleh Angele, Nur Annisa Khalish Zarkasya, Airin Miranda
Multikultura
The phenomenon of the #MeToo and #BalanceTonPorc hashtags became the focus of attention in various parts of the world in 2017. It was first popularized by Alyssa Milano on her Twitter account using the #MeToo hashtag, and later followed by Sandra Muller with #BalanceTonPorc in France. The feminist movement on social media inspired many artists and musicians, including Angèle, a singer from Belgium. She released a song and music video titled "Balance Ton Quoi" (2019), in which she expressed that the activist spirit of feminism resides within her, turning her song into a feminist anthem. The messages conveyed in her …
La Lutte Pour Les Droits Des Femmes Africaines: Le Womanisme Dans Taafe Fanga, Elizabeth Davis
La Lutte Pour Les Droits Des Femmes Africaines: Le Womanisme Dans Taafe Fanga, Elizabeth Davis
Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal
Dans cette thèse, j'analyserai le film Taafe Fanga (Pouvoir de Pagne en français), un film de 1997 du Mali, réalisé par Adama Drabo. Le film suit l'histoire du village de Yanda où des femmes, avec l'aide d'un masque qui invoque la peur dans des hommes, changent des rôles de genre, leur permettent de prendre le rôle masculin et dominant et mettent des hommes dans les rôles que les femmes tenaient avant. J'examinerai ce film d'un angle womaniste. J’affirme que, bien que les femmes dans le film d'Adama Drabo qui s'appelle Taafe Fanga luttent pour les droits des femmes, ce n'est …
La Puissance Douce Française Manifestée Par Les Politiques Linguistiques En Afrique, Barbara O. Olewska
La Puissance Douce Française Manifestée Par Les Politiques Linguistiques En Afrique, Barbara O. Olewska
Global Tides
Du premier étape des colonisateurs français sur la terre africaine jusqu’à le français étant l’une des langues primaires en Afrique, les français avait eu une influence en Afrique. Pour comprendre comment les politiques linguistiques agissent comme une passerelle de l'implémentation de la puissance douce française en Afrique, nous explorons les politiques linguistiques et systèmes d’éducation en Côte d’Ivoire, au Sénégal, et au Burkina Faso. La littérature décrit comment le français est la langue d'administration dans ces trois pays, donc il est valorisé sur les langues locales. La présence intense du français permet à la France d’employer la puissance douce en …
Mille-Feuille Magazine Littéraire, Printemps 2025
Mille-Feuille Magazine Littéraire, Printemps 2025
Mille-Feuille Magazine Littéraire
No abstract provided.
Mille-Feuille Magazine Littéraire, Printemps 2024, Pascale-Anne Brault
Mille-Feuille Magazine Littéraire, Printemps 2024, Pascale-Anne Brault
Mille-Feuille Magazine Littéraire
No abstract provided.
Autoportrait D’Un Auteur En Exil : Une Magie Ordinaire De Kossi Efoui, Morgan Faulkner
Autoportrait D’Un Auteur En Exil : Une Magie Ordinaire De Kossi Efoui, Morgan Faulkner
Présence Francophone: Revue internationale de langue et de littérature
Kossi Efoui’s sixth novel, Une magie ordinaire, constitutes his intellectual autobiography in that it follows the reconstruction of an “intellectual development” (Paul Ricoeur, 1995) by retracing his own trajectory as a writer in exile, born and raised in a dictatorship, forced to live the last days of his mother’s life away from her. This study explores the role played by private life, history, and literature in the reconstruction of the writer’s trajectory that unfolds in this novel. How do these three themes, and the discourses that accompany them, interact with each other to build the self portrait of an …
Présence Francophone, Numéro 101
Présence Francophone, Numéro 101
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Le Goût Du Transfert. Dany Laferrière Depuis Sa Vieille Ford Des Années 80, Bernadette Desorbay
Le Goût Du Transfert. Dany Laferrière Depuis Sa Vieille Ford Des Années 80, Bernadette Desorbay
Présence Francophone: Revue internationale de langue et de littérature
Dany Laferrière’s chronicles which make up Les années 80 dans ma vieille Ford (2005), are presented in the form of snapshots around situations and personalities that marked him in Haiti, and in North America where he took refuge in June 1976 (Montreal followed by stays in New York and Miami). He talks about colleagues from Le Petit Samedi Soir or intellectuals he portrayed in New York for Haïti-Observateur, with whom he crossed swords on more than one occasion. Throughout his work and up to the Petit traité du racisme en Amérique (2023), he participates in the genre of intellectual autobiography …
Parties Annexes (N° 101)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Front Matter And Table Of Contents (N° 101)
Front Matter And Table Of Contents (N° 101)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
L’Autobiographie Intellectuelle De V. Y. Mudimbe Et Les Enjeux De La Différence, Justin Bisanswa
L’Autobiographie Intellectuelle De V. Y. Mudimbe Et Les Enjeux De La Différence, Justin Bisanswa
Présence Francophone: Revue internationale de langue et de littérature
Based on Les corps glorieux des mots et des êtres. Esquisse d’un jardin africain à la bénédictine, this text would like to analyze, at the confluence of sociology and rhetoric, the modalities (with their variations and their extensions) by which V. Y. Mudimbe broadens intellectual autobiography to other modes of writing and functions as a dialogic space between poetry and prose, experience and fantasy, reality and imagination. Retracing his pathway, Mudimbe makes his text a journey within oneself, a quest for the “absolute elsewhere” or a quest for the total Self. A feeling of lack emerges which explains this …
Une Autobiographie Intellectuelle De Maryse Condé : Vivre Et Écrire, Josias Semujanga
Une Autobiographie Intellectuelle De Maryse Condé : Vivre Et Écrire, Josias Semujanga
Présence Francophone: Revue internationale de langue et de littérature
In this study of autobiography by French-speaking writers, we propose to construct a syntax for the genre, after recalling the great difficulty of tackling such a vast subject for so long. From then on, any study of autobiography implies confronting it with other related forms, such as essays, memoirs, autofiction, testimonies or diaries, all characterised by the assumed subjectivity of the “I” narrator, who recounts a life journey as well as a personal reflection on world events. The general idea defended here is that the grammar of intellectual autobiography presents itself as a narrative posture that needs to be thought …
V.Y. Mudimbe Et La Recherche D’Une Parole Pour-Soi : L’Essai Philosophique Aux Prises Avec L’Autobiographie : Vivre Et Écrire, Kasereka Kavwahirehi
V.Y. Mudimbe Et La Recherche D’Une Parole Pour-Soi : L’Essai Philosophique Aux Prises Avec L’Autobiographie : Vivre Et Écrire, Kasereka Kavwahirehi
Présence Francophone: Revue internationale de langue et de littérature
This article aims at two closely linked objectives : on the one hand, to show how the philosophical essays of V. Y. Mudimbe carry autobiographical sequences which complete or explain certain passages of his intellectual autobiography (The glorious bodies of words and beings) and, on the other hand, to question the stakes of such a rather singular practice in African philosophy. The basic hypothesis is that this practice is to be understood from an important moment in his intellectual development, namely May 68 and what has been called “La pensée 68” within which two antagonistic tendencies oppose each …
Présentation, Olga Hel-Bongo
Présentation, Olga Hel-Bongo
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Discours Des Autres Et Récit De Soi : L’Autofiction Intellectuelle Chez Ananda Devi, Nina Bouraoui Et Shumona Sinha, Florian Alix
Discours Des Autres Et Récit De Soi : L’Autofiction Intellectuelle Chez Ananda Devi, Nina Bouraoui Et Shumona Sinha, Florian Alix
Présence Francophone: Revue internationale de langue et de littérature
Some autofictional texts tend to refer to a socio-historical context through the exploration of a specific subjectivity. On the first hand, telling the self enables to show a singularity which puts in perspective a collective situation by revealing its intersectional complexity. On the other hand, appears the burden of collective normative discourses, which literary writing try to interrogate and distance through valorization of body and affects.
Gisèle Pineau, Pour Une Auto-Gyno-Biographie Littéraire Et Intellectuelle Guadeloupéenne, Françoise Simasotchi-Bronès
Gisèle Pineau, Pour Une Auto-Gyno-Biographie Littéraire Et Intellectuelle Guadeloupéenne, Françoise Simasotchi-Bronès
Présence Francophone: Revue internationale de langue et de littérature
Unlike other authors in her literary field (P. Chamoiseau, R. Confiant, M. Condé, D. Maximin, etc.), Gisèle Pineau did not write an “intellectual or literary” autobiography strictly speaking ; we can nevertheless reconstruct it from the various interviews she has given or other writings in which she reflects on creative practice. The author draws her scriptural inspiration from empirical models, listening to the life stories (often involving violence) that West Indian women whisper to each other in the privacy of the kitchen. Discreetly disqualifying the scholarly literate library, it favors the female oral library, an illiterate memorial motherhood heritage which …
Les Écritures De Soi Entre Identité Éclatée Et Identité Réconciliée. Une Herméneutique De La Pratique Autobiographique Intellectuelle Chez Maryse Condé Et Henri Lopes, Gervais Désiré Yamb
Les Écritures De Soi Entre Identité Éclatée Et Identité Réconciliée. Une Herméneutique De La Pratique Autobiographique Intellectuelle Chez Maryse Condé Et Henri Lopes, Gervais Désiré Yamb
Présence Francophone: Revue internationale de langue et de littérature
This article aims at analyzing the heuristic status of self-writing through the articulation of shattered and reconciled identity in La vie sans fards (2012) of Maryse Condé and Ma grand-mère bantoue et mes ancêtres les Gaulois (2003) by Henri Lopes. In fact, we argue that the articulation in question, here, appears as writing for oneself and for others, which is based on a hermeneutical perspective of the self and the sociality of texts proposed by Paul Ricoeur and Claude Duchet. The main objective of this investigation is to understand, in Condé and Lopes writings, the practice of intellectual autobiography as …
Index (N° 101)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Abstracts (N° 101)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Présence Francophone, Numéro 100
Présence Francophone, Numéro 100
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Sembène Ousmane, Un Cinéaste En Guerre, Léthicia Obono Ngou-Milama
Sembène Ousmane, Un Cinéaste En Guerre, Léthicia Obono Ngou-Milama
Présence Francophone: Revue internationale de langue et de littérature
If he is mobilized, enlisted in the corps of “Senegalese Riflemen” of the French army during the Second World War, the war inflicts a deep wound to Sembène Ousmane. This shocking and traumatic experience will tirelessly inspire his literary and cinematographic work. With his camera and his acerbic gaze, the Senegalese filmmaker will address the tragic fate of African soldiers and will restore the indelible imprint of war and colonialism on Africa in his films Niaye (1964), Emitaï (1971) and Camp de Thiaroye (1988).
Hybridité Et Ironie Dans Le Mandat D’Ousmane Sembène, Florence Leca Mercier
Hybridité Et Ironie Dans Le Mandat D’Ousmane Sembène, Florence Leca Mercier
Présence Francophone: Revue internationale de langue et de littérature
Hybridity is the discursive pattern which best expresses the postcolonial experience. Given the interweaving of the aesthetic and the political projects in Sembène’s work, we would like to show that stylistic hybridity in the short story Le mandat emerges in three fields, lexical, enunciative and intertextual, and generates irony, thus connecting aesthetics and politics. In terms of lexicon, hybridity means a combination of idioms or registers; as far as enunciation is concerned, hybridity meets the “discours mixtes” as defined by Laurence Rosier; finally, we can see an intertextual hybridity: Le mandat is built on an underlying folktale structure which relevance …
Éditorial, Jean Ouedraogo
Éditorial, Jean Ouedraogo
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Les Actes Révolutionnaires De La Gent Féminine Dans Les Bouts De Bois De Dieu D’Ousmane Sembène, Assane Ndiaye
Les Actes Révolutionnaires De La Gent Féminine Dans Les Bouts De Bois De Dieu D’Ousmane Sembène, Assane Ndiaye
Présence Francophone: Revue internationale de langue et de littérature
As a committed writer, Ousmane Sembène reminds the critical struggles led by women during the railway workers’ strike with the intention of taking part in the establishment of more fair world. The social commitment of the man originated from Ziguinchor is supported by various feminine figures embodying the ideology of the Senegalese novelist about freedom of speech. In order to show that Sembène is a revolutionary, we focused on ten militants in Les bouts de bois de Dieu. Through a sociocritical approach, this article has tried to reveal women’s activism.
Index (N° 100)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Front Matter And Table Of Contents (N° 100)
Front Matter And Table Of Contents (N° 100)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
De Marseille À Moscou : Retour Sur Le Contexte Politique Des Années De Formation D’Ousmane Sembène (1946-1962), Gabrielle Chomentowsky
De Marseille À Moscou : Retour Sur Le Contexte Politique Des Années De Formation D’Ousmane Sembène (1946-1962), Gabrielle Chomentowsky
Présence Francophone: Revue internationale de langue et de littérature
This article seeks to reconsider through some archival documents and testimonies the first years of political and artistic formation of the writer-filmmaker Ousmane Sembène, from his years in Marseille to his first trips to the Soviet Union in 1958 and 1962.
Écritures Dans Les Films D’Ousmane Sembène : Enjeux Linguistiques Et Réception Cinématographique, Louis Ndong
Écritures Dans Les Films D’Ousmane Sembène : Enjeux Linguistiques Et Réception Cinématographique, Louis Ndong
Présence Francophone: Revue internationale de langue et de littérature
The article deals with the written elements in Ousmane Sembène’s films. I point out all aspects relating to the written canal in Sembène’s cinematographic productions (opening and end titles, signs, mentions on cars, etc.). The interest of the study lies in the functions assigned to the written canal in interplay with the dialogues and sounds, but also in the use of languages in writings and the challenges that are linked to it. Through the analysis, we can observe written elements in Wolof as well as in French, two languages which play an important role in Sembène’s cinematographic aesthetics.