Other French and Francophone Language and Literature Commons^™

Regimes Of Prestige And Power: Transnational Authorship And International Acclaim In Rutu Modan's Exit Wounds, Kyle Eveleth

disClosure: A Journal of Social Theory

This essay will examine the reception of Rutu Modan’s international-award-winning graphic novel Exit Wounds (2007) in the massive cultural centers of the United States and France by situating its success within the inter/transnational dynamics of the contemporary comics market, or what James English would term an “economy of prestige.” My essay reconsiders Exit Wounds beyond its popular status as an international phenomenon—that is, one that crosses national borders but which maintains distinctions between those nations it enters and its home state—by considering it a transnational work—one which blurs the lines between nation-states in its form, function, and reception. To do …

Dance As Sport: Living Art And Commentary On The Lives Of Dancers In French Literature, Catherine Ellis

Lewis Honors College Capstone Collection

In defining what qualifies a sport, dance historically seems to lie closer to the description of art instead of sport. However, dance is better defined as a living and athletic art—combining art and sport in an unmatchable hybrid of the two. In French youth literature, Catherine Certitude (written by Patrick Modiano, published in 1988) recalls a childhood flashback of the protagonist, Catherine, and her life in Paris with her father, Georges. This paper argues that family dynamics and gender roles, a battle between two cities for the story’s location, and a clear presence of mystery throughout the story show distinct …

Re-Thinking Paris At The Fin-De-Siècle: A New Vision Of Parisian Musical Culture From The Perspective Of Gabriel Astruc (1854-1938), Cesar A. Leal

Theses and Dissertations--Music

Gabriel Astruc (1864-1938), a French impresario of Jewish background, is mostly known for his collaborative work as an impresario with Sergei Diaghilev and his Ballets Russes. His role within Parisian musical culture at the fin de siècle, however, was much broader. He was a critic, creator of a leading periodical, producer of musical and circus events, music publisher, and associate of many important cultural figures of his day. Although Astruc has been mentioned in scholarly literature, his multifaceted activities have never been carefully studied.

Following the revisionist initiatives of previous scholars (e.g., Pasler, Huebner, Garafola, Fauser), this project offers …

Telling Stories From Haiti: Dany Laferriere And Authenticity And Authority In Autobiography, Lee Skallerup Bessette

disClosure: A Journal of Social Theory

No abstract provided.