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Boubacar Boris Diop

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Full-Text Articles in French Linguistics

Lieux Fictifs, Réelles Critiques : Kaveena De Boubacar Boris Diop, Morgan Faulkner Jun 2021

Lieux Fictifs, Réelles Critiques : Kaveena De Boubacar Boris Diop, Morgan Faulkner

Présence Francophone: Revue internationale de langue et de littérature

This article examines the relationship between invention and reality in Boubacar Boris Diop’s novel, Kaveena (2006). The author intertwines the postcolonial story of a fictional African country with that of the real history of the continent. The fictional city of Maren and the region of Nimba are described in relation to Cameroun, Rwanda and Sierra Leone, among other concrete locations. Invented characters and those known by the reader (Patrice Lumumba, Idi Amin, etc.) both occupy space in the text. What narrative practices allow this association of the fictional story and historic details? What are the effects? How does this mix …


Combat Esthétique Et Mémoire Militante: Le Double Engagement De Boubacar Boris Diop, Serigne Seye Jun 2021

Combat Esthétique Et Mémoire Militante: Le Double Engagement De Boubacar Boris Diop, Serigne Seye

Présence Francophone: Revue internationale de langue et de littérature

In this article, I argue that in Boubacar Boris Diop’s work, the articulation between aesthetic experimence and writing from memory confers on his character-narrators the functions of “écrivain-écrivain” and “écrivain porte-parole”. This sheds light on both aspects of the Senegalese’s author commitment through his main characters, as most of them are writers who themselves show the mechanism of creation of the novel. This text is resulting from a writing resolutely writing focused turned towards its own materiality. This article aims to demonstrate that the representation of the memory in Diop’s fiction is doubly militant. It testifies …


Le Mal Politique Dans La Nuit De L’Imoko De Boubacar Boris Diop, Kodjo Attikpoé Jun 2021

Le Mal Politique Dans La Nuit De L’Imoko De Boubacar Boris Diop, Kodjo Attikpoé

Présence Francophone: Revue internationale de langue et de littérature

According to his credo that African literature remains fundamentally inseparable from its initial political goals, Boubacar Boris Diop constantly denounces and criticizes ceaselessly African political issues in his works. His collection of short stories, La nuit de l’Imoko (2013), deals primarily with the question of political evil and thus bears witness to the author’s literary project. This article examines some aspects of this question in La nuit de l’Imoko, in particular the representation of the President and the intervention of political power in the cultural world. Boubacar Boris Diop’s short stories are certainly devoted to tackle so-called African evil, …