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2016

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Articles 31 - 39 of 39

Full-Text Articles in French and Francophone Literature

La Dame Aux Camelias’ Effect On Society’S View Of The “Fallen Woman”, Christiana Johnson Feb 2016

La Dame Aux Camelias’ Effect On Society’S View Of The “Fallen Woman”, Christiana Johnson

The Kabod

Alexandre Dumas’ play, La Dame aux Camelias presents Marguerite Gautier, a “fallen woman,” as having redeemable qualities which challenged both society’s condemnation of the “fallen woman” and led to a more realistic portrayal of life on the stage and in literature as a whole.


Unidentified Verbal Objects: Contemporary French Poetry, Intermedia, And Narrative, Eric Lynch Feb 2016

Unidentified Verbal Objects: Contemporary French Poetry, Intermedia, And Narrative, Eric Lynch

Dissertations, Theses, and Capstone Projects

This dissertation examines the vital experimental French poetry of the 1980s to the present. Whereas earlier twentieth century poets often shunned common speech, poets today seek instead to appropriate, adapt, and reorganize a wide variety of contemporary discourses. Narrative also reemerges both in hybridized writing fusing prose and verse and in sequences of digressions and anecdotes. Poetic form becomes specific to a given text as poets adapt techniques from other fields, such as the visual arts, and integrate a wide array of media into literary works. In recent pieces, poets such as Emmanuel Hocquard and Olivier Cadiot incorporate new media …


Beur In Name Only? A Comparison Of La Honte Sur Nous By Saïd Mohamed And Le Gone Du Chaâba By Azouz Begag, Mark Nabors Jan 2016

Beur In Name Only? A Comparison Of La Honte Sur Nous By Saïd Mohamed And Le Gone Du Chaâba By Azouz Begag, Mark Nabors

Inquiry: The University of Arkansas Undergraduate Research Journal

This paper compares the narrator-protagonist in La Honte sur nous by Saïd Mohamed to the protagonist in the paradigmatic work of Beur fiction, Le Gone du chaâba by Azouz Begag. I argue that Mohamed’s protagonist does not have a hybrid identity as traditionally defined by Beur fiction. Even so, he is automatically relegated to the margins and assigned a hybrid identity by society, although he does not have the necessary profile. In closing, I ask if Mohamed’s work can be classified as Beur fiction given the weak parallels between the works.


Dance As Sport: Living Art And Commentary On The Lives Of Dancers In French Literature, Catherine Ellis Jan 2016

Dance As Sport: Living Art And Commentary On The Lives Of Dancers In French Literature, Catherine Ellis

Lewis Honors College Capstone Collection

In defining what qualifies a sport, dance historically seems to lie closer to the description of art instead of sport. However, dance is better defined as a living and athletic art—combining art and sport in an unmatchable hybrid of the two. In French youth literature, Catherine Certitude (written by Patrick Modiano, published in 1988) recalls a childhood flashback of the protagonist, Catherine, and her life in Paris with her father, Georges. This paper argues that family dynamics and gender roles, a battle between two cities for the story’s location, and a clear presence of mystery throughout the story show distinct …


Reason Is King And Science Is His Crown: A Study Of French Science-Fiction For The Dissemination Of Philosophical Thought, Lauren A. Gandy Jan 2016

Reason Is King And Science Is His Crown: A Study Of French Science-Fiction For The Dissemination Of Philosophical Thought, Lauren A. Gandy

Honors Undergraduate Theses

The thesis seeks to explore the didactic application of French science-fiction during the seventeenth and eighteenth centuries for the portrayal and dissemination of their respective philosophical theories. Studying science-fiction novels during these centuries will allow a comparison of seventeenth and eighteenth-century dissemination methods, to determine if the foundational seventeenth-century methods were retained or modified to more accurately represent the change in philosophical attitudes. Exploration of this topic will contribute to a greater understanding of French Enlightenment theory, analysis of relatively unstudied novels in the science-fiction genre, and a novel approach to “proto” science-fiction literature by connecting the previously separate genres …


Gendered Virtue: A Study Of Its Meaning And Evolution In Early Modern France, Mariela Saad Jan 2016

Gendered Virtue: A Study Of Its Meaning And Evolution In Early Modern France, Mariela Saad

Honors Undergraduate Theses

Virtue in early modern France was a broad concept considered by clergymen, philosophers, and moralists as an instrument for measuring and implementing human ethics. This unprecedented research seeks to track the development of the notion of virtue from a gendered and dichotomous notion to a unique and undivided term. The word virtue is constantly present in French texts such as manuels de conduite1 , since the medieval period. Thus, it can be regarded as one of the most significant concepts defining genders in Western civilization. However, it is difficult for modern readers to grasp the complexity of the debate unless …


Whimsical Pornography: Albert Dubout's Illustrations For Sade's Justine, Olivier M. Delers Jan 2016

Whimsical Pornography: Albert Dubout's Illustrations For Sade's Justine, Olivier M. Delers

Languages, Literatures, and Cultures Faculty Publications

In Dangereux supplement: I 'illustration du roman en France au dixhuitieme siecle, Christophe Martin explains that images were generally considered to be dangerous additions to a text, because they could not be limited to their intended primary purpose: to provide a visual translation for characters and events depicted in works of fiction.1 For even as they illustrate, images also offer a reading that necessarily shapes the reader's perception of a novel. In the process, the images themselves become texts with their own complex system of signification. As such "supplements" go, illustrations of Donatien Alphonse Francois de Sade's novels …


Patrice Mersault, L’Incarnation D’Une Philosophie, Alexandra Burgers Jan 2016

Patrice Mersault, L’Incarnation D’Une Philosophie, Alexandra Burgers

CMC Senior Theses

La Mort heureuse, la première tentative romanesque d’Albert Camus publiée à titre posthume en 1971, est fréquemment négligée dans les critiques de son œuvre à cause de l’acceptation générale de l’échec littéraire de ce roman. Cependant, il contient beaucoup d’éléments bien travaillés et présente clairement la philosophie de la vie du jeune écrivain durant ces années. Dans ce travail, nous avons essayé de tirer les particularités de cette philosophie du texte en examinant l’évolution de son personnage principal. Dans sa quête du bonheur et d’une vie remplie, nous avons découvert une vision étendue de la relation absolue entre le …


L'Art Et L'Amour À Travers Un Amour De Swann De Marcel Proust, Sarah M. Robertson Jan 2016

L'Art Et L'Amour À Travers Un Amour De Swann De Marcel Proust, Sarah M. Robertson

Scripps Senior Theses

The esteemed French author, Marcel Proust, revolutionized the way that literature fuses with visual art. Through the detail of his novella Un Amour de Swann, Proust creates a world in which the idolatry of a painting destines one man to a life void of fulfillment in love. This thesis explores the intrinsic connection of painting and literature to love through Proust’s treatment of the Botticelli fresco, Les Épreuves de Moïse, and the carefully crafted lesson that Proust teaches to integrate art into the fabric of life. Proust’s advice reaches far beyond the constraints of his own words, and …