French and Francophone Literature Commons^™

Fiction And The Ontological Landscape, Thomas G. Pavel

Studies in 20th & 21st Century Literature

The paper examines fictional ontologies in relation to the distinction between sacred and profane ontologies. This distinction suggests that most cultures organize their worldview into various ontological landscapes. Several types of such landscapes are examined and fiction is characterized as a peripheral ontology used for ludic and instructional purposes.

Semiotic Consequences, Jonathan Culler

Studies in 20th & 21st Century Literature

This paper outlines the semiotic perspectives of Saussure and Peirce and the points at which these quite different theories intersect. It considers the implications of these points of intersection for literary studies and uses the example of Oedipus Rex to illustrate the semiotic character of acts and facts.

A Gift From Marguerite Yourcenar, Member Of The Academie Francaise, Syracuse University

The Courier

Mme. Marguerite Yourcenar, distinguished French writer and the first woman to be elected to the Academie Francaise in its 346-year history, has generously presented seventeen of her books to the Syracuse University Libraries. Some are early editions of special value, and one, Nouvelles orientales (Gallimard, 1938), is extensively corrected in her own hand. All the books contain a presentation inscription.

Includes a comprehensive list of the books that were donated.

R.B. Polygraphe, Betty R. Mcgraw, Steven Ungar

Studies in 20th & 21st Century Literature

Introduction to the special issue

A Message Without A Code?, Tom Conley

Studies in 20th & 21st Century Literature

The photographic paradox is said to be that of a message without a code, a communication lacking a relay or gap essential to the process of communication. Tracing the recurrence of Barthes's definition in the essays included in Image/Music/Text and in La Chambre claire, this paper argues that Barthes's definition is platonic in its will to dematerialize the troubling — graphic — immediacy of the photograph. He writes of the image in order to flee its signature. As a function of media, his categories are written in order to be insufficient and inadequate; to maintain an ineluctable difference between …

Barthes's Imaginary Voyages, Lynn A. Higgins

Studies in 20th & 21st Century Literature

Reading L 'Empire des signes and Alors la Chine as points of departure, the article explores a network of reciprocal images of the text as voyage and the voyage as text, with Barthes as a self-styled, disinherited ethnographer/traveler.

Narrative Finality, Armine Kotin Mortimer

Studies in 20th & 21st Century Literature

The cloturai device of narration as salvation represents the lack of finality in three novels. In De Beauvoir's Tous les hommes sont mortels an immortal character turns his story to account, but the novel makes a mockery of the historical sense by which men define themselves. In the closing pages of Butor's La Modification, the hero plans to write a book to save himself. Through the thrice-considered portrayal of the Paris-Rome relationship, the ending shows the reader how to bring about closure, but this collective critique written by readers will always be a future book. Simon's La Bataille de …

Roland Barthes's Secret Garden, Frances Bartkowski

Studies in 20th & 21st Century Literature

This article traces the metaphor of the body through all of Barthes's works in order to clarify a further view of Barthes as writer, critic, and reader. Though it is only disclosed in his autobiography as the «manaword» of his vocabulary, it appears as early as Writing Degree Zero in a discussion of 'style' as the literary element that Barthes cannot easily describe or define.

The indescribability of style will later be located in such notions as the writerly text, the text of bliss, the unsayable, the disreal. It is the body, the flesh, the idiosyncratic which hides within these …

Roland Barthes: Recollections In Gratitude, Leon S. Roudiez

Studies in 20th & 21st Century Literature

An informal homage in which I recall personal and professional encounters with Roland Barthes and his texts over a period of some twenty-five years, during which I developed increasing respect for the man and interest in his critical practice.

A Musical Note, Steven Ungar

Studies in 20th & 21st Century Literature

Frequent references to musical terms in Barthes's writings since 1970 suggest a progression beyond a standard semiological inquiry. A text on the «grain» of the voice, another on música practica, and a third on Romantic song develop a model of figuration Barthes explores actively in the Fragments d'un discours amoureux (A Lover's Discourse) and La Chambre claire.

Sensationalism, Jean-Jacques Thomas

Studies in 20th & 21st Century Literature

Roland Barthes's fascination with discourse is usually considered a glorification of intellectual exchanges, the parade of a virtuoso eager to display his unalloyed dedication to logocentrism. As a consequence, scholars tend to rely on his writings as if they were principally a catalogue for the functional concepts of modernity.

The purpose of this article is to show through a close reading of Barthes's latter-day texts that his exhilarating verbal brio is first and foremost a sensuous relationship between the speaking subject and the verbal substance. In his case, this particular relationship generates a discourse akin to physical heroism, thanks to …

Barthes's Body Of Knowledge, Gregory L. Ulmer

Studies in 20th & 21st Century Literature

Roland Barthes invites a reading of his own texts in terms of the same methodologies he employs in his criticism. The «Biographeme»—those few details, preferences, inflections—which Barthes identified in his favorite authors, may be sought in Barthes as well. Barthes's biographeme, for me, consists of a glutinous effect associated with the organs of the mouth and throat as presented in several images, some of which belong to his tutor texts (Poe and Réquichot). An analysis of this biographeme reveals Barthes's strategy for disseminating the subject of knowledge—the author's fantasmatic body—through the signifiers of writing, fusing the heterogeneous singularities of the …