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Articles 61 - 63 of 63
Full-Text Articles in French and Francophone Language and Literature
Cinéma Sénégalais: Évolution Thématique Du Discours Filmique Dans Les Oeuvres De Sembene Ousmane, Djibril Diop Mambety, Moussa Sène Absa, Jo Gaye Ramaka Et Alain Gomis, Moussa Sow
LSU Doctoral Dissertations
This work aims at filling a gap in African cinema studies. The plurality in film production has been neglected or overseen by Africanist critiques as well as most of the filmmakers from the continent. Such continental shield of a monolithic Africa has been carried by European anthropologists and fostered in part by the Negritude movement in the late 1930s, still conveyed by mimetic writing. We begin by assessing such a uniform vision and explaining the ways in which it resisted time after more than 40 years of cinema in Africa. Then we introduce the notion of national cinema by exploring …
Vie Et Mort De La Rhetorique Dans Le Conte Du Graal Ou Le Roman De Perceval, Oana Carmina Cimpean
Vie Et Mort De La Rhetorique Dans Le Conte Du Graal Ou Le Roman De Perceval, Oana Carmina Cimpean
LSU Master's Theses
This thesis illustrates the distinction established by Maurice Blanchot in Le Livre à venir, between novel and narration, as it appears in Chrétien de Troyes' Le conte du Graal ou le roman de Perceval. The novel accompanies the hero to the meeting with the Sirens, while the narration constitutes the meeting itself. Once the hero had his meeting with the Sirens, in Perceval's case he has the privilege of hearing God's names, he disappears from the novel, entering the realm of silence, which dominates the narration. In leaving the novel, Perceval gains access to a superior meaning, hidden to the …
The Underground Man And Meursault: Alienating Consequences Of Self-Authentication, Emily Rainville
The Underground Man And Meursault: Alienating Consequences Of Self-Authentication, Emily Rainville
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.