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French and Francophone Language and Literature Commons™
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Articles 31 - 60 of 99
Full-Text Articles in French and Francophone Language and Literature
Quevedo Y La Tupida Selva Europea Del Anacreón Castellano, Adrian Izquierdo
Quevedo Y La Tupida Selva Europea Del Anacreón Castellano, Adrian Izquierdo
Publications and Research
No abstract provided.
French In Culinary And Pastry Arts, Elaine Suarez
French In Culinary And Pastry Arts, Elaine Suarez
Publications and Research
The purpose of this project was to find out the impact of the French jargon used in the culinary and pastry industry and its origin. I investigated this topic through reading online articles that were based on the research of others. I found out that after the French Revolution, the French language as well as its culture was influenced many parts of Europe. Prior to that, other cultures influenced Europe, but regarding cooking, French was the one that stuck around to this day. It was shocking to hear those other cultures like Italian and German had a large impact on …
Poems Of Debate And Praise: Women As Published Authors In Sixteenth-Century France, Anna Soo-Hoo
Poems Of Debate And Praise: Women As Published Authors In Sixteenth-Century France, Anna Soo-Hoo
Dissertations, Theses, and Capstone Projects
Non-fictional, published poetic exchanges between men and women in sixteenth-century France provide new perspectives into how women writers operated in a literary culture whose main producers and dominant voice were male. Contrary to the notion repeated by many critics that women of that period were supposed to stay out of the public sphere, my study finds that publishing a woman’s poems did not destroy her reputation, and there appears to have been no major backlash when a man decided to include poems by a female contemporary in his book. My study takes as its point of departure the notion that …
The Surreal Voice In Milan's Itinerant Poetics: Delio Tessa To Franco Loi, Jason Collins
The Surreal Voice In Milan's Itinerant Poetics: Delio Tessa To Franco Loi, Jason Collins
Dissertations, Theses, and Capstone Projects
Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. The scope of research presented in this study examines the question of dialect literature as a valid genre which bears lines of demarcation that would assign it the distinction of genre. Research reveals that in fact the simple election of a language, or dialect, does not itself constitute a genre; moreover, most dialect literature bears characteristics that would neatly place it in another genre.
To examine this verity, this research compares two dialect poets who employ Milanese as a means of transmission …
Serial Killer: Gustave Flaubert's Pro-Woman, Woman-Killing Madame Bovary, Francesca Montalti
Serial Killer: Gustave Flaubert's Pro-Woman, Woman-Killing Madame Bovary, Francesca Montalti
Dissertations, Theses, and Capstone Projects
This thesis will argue that Gustave Flaubert kills the women in Madame Bovary, all of whom are married and/ or mothers in the novel, in order to overtly represent the impossible conditions of womanhood and domestic life in nineteenth century France. Further, I will expose the ways in which Flaubert, through these killings, aims to release his woman characters from their lives of oppression and imprisonment, detailing their increasingly limited options in life and their lack of agency. Although Flaubert does attempt to give his women, in particular Emma Bovary, limited agency in the work, this agency is always …
The Provocative Strangeness Of Camus's L'Etranger And Coetzee's Disgrace, Phyllis E. Vanslyck
The Provocative Strangeness Of Camus's L'Etranger And Coetzee's Disgrace, Phyllis E. Vanslyck
Publications and Research
Albert Camus’s L’Etranger (1942) and J. M. Coetzee’s Disgrace (1999), are two of the most controversial novels of the twentieth century. Their contested and exhaustive critical reception suggests that readers continue to be hailed by these texts in complex ethical ways. In each text, a white male protagonist engages in a violent encounter with an individual identified as Other. If they initially arouse discomfort by appearing to divest others of their alterity, these characters ultimately recognize and preserve that otherness, inviting readers to consider the requirement that we privilege others over ourselves in order to become subjects.
Dreams And Illusions Of An Antiracist Elsewhere: Blacks In Search Of A Home In France And America, Arno Pedram
Dreams And Illusions Of An Antiracist Elsewhere: Blacks In Search Of A Home In France And America, Arno Pedram
Capstones
This 3-part audio documentary explores how an idea of an antiracist France was created by African Americans in France, how it actually is like for Black French people in France, and what Black French people find in exile in the US.
“Islam, Immigrants, And The Angry Young Man: Laurent Cantet And The ‘Limits Of Fabricated Realism’.”, Elizabeth Toohey
“Islam, Immigrants, And The Angry Young Man: Laurent Cantet And The ‘Limits Of Fabricated Realism’.”, Elizabeth Toohey
Publications and Research
My paper juxtaposes Laurent Cantet’s films The Class (2008) and The Workshop (2017) to explore how they are infused with concerns about radical Islam and the place of Muslim immigrants in the West. Both films center on "angry young men" facing class-based marginalization, who are prone to anti-social behavior. In The Workshop, however, a great effort is made to reveal the intellectual potential and moral complexity of the young white French-born Antoine, whose alienation is defined by his attraction to the xenophobic and Islamophobic rhetoric of the Far Right, whereas viewers of The Class are kept at arm’s length …
Martial Caillebotte’S Mélodies And Scènes Lyriques: Analytical Essays And Performance Guide, Dominique Mccormick
Martial Caillebotte’S Mélodies And Scènes Lyriques: Analytical Essays And Performance Guide, Dominique Mccormick
Dissertations, Theses, and Capstone Projects
Composer, pianist and photographer, Martial Caillebotte (1853–1910) was the unknown younger brother of famous Impressionist painter, Gustave Caillebotte. Martial studied piano and harmony at the Paris Conservatory from 1870–1874. Martial created a substantial number of musical compositions including mélodies, scènes lyriques, operas, symphonic poems, as well as sacred choral and symphonic works. Born into a wealthy Parisian family, he did not need to work for a living and did not self-promote, therefore his pieces were rarely performed and after his death, most of his compositions were left in family archives. In the late 1990’s a rebirth of interest in the …
The Art Of Opacity: Guy De Cointet In L.A., Media Farzin
The Art Of Opacity: Guy De Cointet In L.A., Media Farzin
Dissertations, Theses, and Capstone Projects
This dissertation provides the first detailed study of the work of French artist Guy de Cointet (1934–1983), specifically the books, objects, and performances he produced in Los Angeles between 1971 and 1983. Much of this work mined pop-cultural sources—genre fiction, magazine advertising, and television serials—for texts, which he reused in deliberately obfuscated ways: in pseudonymous publications written in code or invented languages, as well as in sigil-like paintings that doubled as props for performances in which actors delivered contradictory interpretations of the encoded objects. I argue that Cointet’s appropriations of the visual and narrative logics of postwar culture provide a …
Rewriting The Oeuvre: Raymond Queneau And The Art Of Translation, Christopher Clarke
Rewriting The Oeuvre: Raymond Queneau And The Art Of Translation, Christopher Clarke
Dissertations, Theses, and Capstone Projects
While the literary oeuvre of French author Raymond Queneau (1903-1976) has been extensively studied, his work as a literary translator has been largely overlooked. Queneau was a prominent member of the French literary avant-garde, but also a literary translator for two decades (1934-1953), and his writing was greatly influenced and impacted by his readings and translations of Anglophone writers. This dissertation provides insight into the role of translation in his conception of writing and language, and the inseparability of the different facets of his career as a writer, literary translator, and publisher. I examine his personal linguistic and literary history …
Queer Displacements: Minorities, Mobilities, And Mobilizations In French And Francophone Literature, Thomas Muzart
Queer Displacements: Minorities, Mobilities, And Mobilizations In French And Francophone Literature, Thomas Muzart
Dissertations, Theses, and Capstone Projects
Focusing on the work of Virginie Despentes, Jean Genet, Guy Hocquenghem, and Abdellah Taïa, this dissertation challenges the antisocial turn taken in queer theory, by means of a parallel study of the authors’ geographical and intellectual itineraries. While critics like Leo Bersani and Lee Edelman have suggested that the revolutionary potential in queer identity lies in its opposition to romanticized forms of community, I argue, along with José Esteban Muñoz, that their praising of singularity and negativity is similarly extreme. Alternatively, my study shows how the geographical displacements both experienced and imagined by my primary authors can illuminate the passage …
Where Do We Go From Here? Québécois Identity In The Road Novel From 1964 To 2008, Antoinette Williams-Tutt
Where Do We Go From Here? Québécois Identity In The Road Novel From 1964 To 2008, Antoinette Williams-Tutt
Dissertations, Theses, and Capstone Projects
Made famous with American of French-Canadian origin Jack Kerouac’s On the Road (1957), the road novel genre typically expresses evolving values and beliefs through the lens of the lone adventurer, embarking on journeys that are not only spatial but also social and cultural. The Québécois road novel adapts and reinterprets the American model, moving its protagonists within and without the province to address the deep-seated questions of Québec’s identity and nationalism through confrontations with the past, loss, grief, family, and cultural others. Car travel and cultural border crossings allow the protagonists to achieve a complicated individual and collective autonomy in …
Pratiquer Ou Incarner La Vertu? L'Agentivité Des Femmes Chez Marie De France Et Christine De Pizan, Kathe Blydenburgh
Pratiquer Ou Incarner La Vertu? L'Agentivité Des Femmes Chez Marie De France Et Christine De Pizan, Kathe Blydenburgh
Theses and Dissertations
This thesis studies the treatment of women in Medieval literature as active agents in their roles of upholding the virtues of the societies in which they live. This study focuses on works written by the female authors Marie de France and Christine de Pizan.
Effects Of Speech Cues In French-Speaking Children With Dysarthria, Erika S. Levy, Gemma Moya-Galé, Younghwa Michelle Chang, Luca Campanelli, Andrea A. N. Macleod, Sergio Escorial, Christelle Maillart
Effects Of Speech Cues In French-Speaking Children With Dysarthria, Erika S. Levy, Gemma Moya-Galé, Younghwa Michelle Chang, Luca Campanelli, Andrea A. N. Macleod, Sergio Escorial, Christelle Maillart
Publications and Research
Background: Articulatory excursion and vocal intensity are reduced in many children with dysarthria due to cerebral palsy (CP), contributing to the children’s intelligibility deficits and negatively affecting their social participation. However, the effects of speech-treatment strategies for improving intelligibility in this population are understudied, especially for children who speak languages other than English. In a cueing study on English-speaking children with dysarthria, acoustic variables and intelligibility improved when the children were provided with cues aimed to increase articulatory excursion and vocal intensity. While French is among the top 20 most spoken languages in the world, dysarthria and its management in …
Out Of Home: Social Class In Women’S Writing, 1950–2016, Lisa M. Karakaya
Out Of Home: Social Class In Women’S Writing, 1950–2016, Lisa M. Karakaya
Dissertations, Theses, and Capstone Projects
Out of Home: Social Class in Women’s Writing 1950 – 2016 employs an intersectional feminist and critical race theory methodology to examine social class in relation to gendered and racial subjugations in the work of selected French and francophone women authors across diverse regions. This dissertation features Annie Ernaux’s texts in the introduction, and then the colonial societies of French Indonesia and Algeria as depicted by narrators in the position of colonizers in the first two chapters. In the last two chapters, post-colonial or settler societies of Guadeloupian and Québécois texts are shown as depicted by colonized or marginalized narrators. …
Failures Of Grace: Limits Of Tragedy In The Late Nineteenth-Century Novel, Anick S. Rolland
Failures Of Grace: Limits Of Tragedy In The Late Nineteenth-Century Novel, Anick S. Rolland
Dissertations, Theses, and Capstone Projects
Failures of Grace argues that nineteenth-century novelists challenge the hegemonies of literary form and the value of personal suffering through what I call the trans-genre tragic novel. This new form is emblematic of a period in which values hang in the balance and places traditional values at odds with themselves by combining the low form of the novel with the highest mimetic mode in the Western tradition: tragedy. It simultaneously proposes the most vulnerable members of society as tragic heroes in contrast to the noble figures who previously were presumed to define the genre.
Through close readings of works by …
Addressing Extremism Through Literature: An Online Cross-Cultural Conversation On Mahi Binebine's Horses Of God, Habiba Boumlik, Phyllis E. Vanslyck
Addressing Extremism Through Literature: An Online Cross-Cultural Conversation On Mahi Binebine's Horses Of God, Habiba Boumlik, Phyllis E. Vanslyck
Publications and Research
In the Fall of 2017, first year liberal arts students at Community College and second year Masters’ Students in literature at a university in Morocco collaborated in an online and live conversation focusing on the novel Horses of God (Les Etoiles de Sidi Moumen) written by Mahi Binebine. The novel describes the lives of four childhood friends growing up in a slum near Casablanca, navigating poverty and purposelessness and being drawn to religious fundamentalism. Students in the two colleges engaged in an online discussion on Facebook and live Google Hangouts exchange in which they shared questions about the …
Unlearning Don Carlos: Historical And Fictional Elements Of Innovation In César Vichard De Saint-Réal’S 'Dom Carlos, Nouvelle Historique,' Friedrich Schiller’S 'Don Karlos, Infant Von Spanien,' And Giuseppe Verdi’S 'Don Carlos', Maria-Cristina Necula
Dissertations, Theses, and Capstone Projects
The story of the sixteenth-century Spanish prince, Don Carlos, has inspired numerous literary and musical adaptations that, despite the artistic limitations of historically-based content, reflect an astonishing scope of creative freedom. The myth created around Don Carlos originated in European consciousness as early as 1568. Various theories recorded in political reports and in historical works insinuated that the prince had been murdered while incarcerated by orders of his father, King Philip II. Simultaneously, hatred of Spain, intensified by Philip’s violent suppression of the revolt in the Netherlands, determined exiled Flemish nobles to launch an anti-Philip propaganda. The mystery of Don …
The Scientific Romances Of Jules Verne And H.G. Wells: Imperialism Disguised As Progress In The Early Days Of Science Fiction, Timothy Ferris
The Scientific Romances Of Jules Verne And H.G. Wells: Imperialism Disguised As Progress In The Early Days Of Science Fiction, Timothy Ferris
Theses and Dissertations
Frequently in their respective oeuvres, Verne and Wells write in a rhetoric of conquest that almost always translates to discovering a more efficient means of taming wild, non-European environments. These goals extend not only to the lands that their protagonists explore, but also to human beings and other life that may populate them. Indeed, the underlying focus—the one that is masked behind the thrill and adventure of both Wells and Verne—is none other than the march of progress as understood by middle-class Europeans in the latter half of the nineteenth century. Progress can produce positivistic optimism, and it can also …
The Subject Of Jouissance: The Late Lacan And Gender And Queer Theories, Frederic C. Baitinger
The Subject Of Jouissance: The Late Lacan And Gender And Queer Theories, Frederic C. Baitinger
Dissertations, Theses, and Capstone Projects
The Subject of Jouissance argues that Lacan’s approach to psychoanalysis, far from being heteronormative, offers a notion of identity that deconstructs gender as a social norm, and opens onto a non-normative theory of the subject (of jouissance) that still remains to be fully explored by feminist, gender, and queer scholars. Drawing mostly on the later Lacan, The Subject of Jouissance shows that by locating the identity of the subject in the singularity of its bodily mode of enjoyment (that Lacan calls “jouissance”), and not in the Imaginary illusions of the ego, nor in the Symbolic social structures, Lacan fosters thinking …
The Transformation Of Women's Roles In Fashion In Eighteenth-Century France: Femininity, Fashion, And Frivolity In Fiction, Christine M. Carter
The Transformation Of Women's Roles In Fashion In Eighteenth-Century France: Femininity, Fashion, And Frivolity In Fiction, Christine M. Carter
Dissertations, Theses, and Capstone Projects
“The crime of luxury is that it makes us judge a man not according to what he is, but according to what surrounds him.”[1]
There is a significant existing body of scholarship surrounding the establishment of France as the European epicenter for fashion and taste beginning in the seventeenth century and reaching its apogee during the eighteenth century. The eighteenth century was a period of extensive growth for France in terms of textile production, and an increase in particular professions. These were key factors in perpetuating economic growth. Women in particular were affected by these changes. Not only were …
Re-Defining Gender And Sexuality In West African Theatre: Women Artists, Feminist Representations, And Same-Sex Desire In The Twenty-First Century Theatre Of Benin, Burkina Faso, And Togo, Heather J. Denyer
Dissertations, Theses, and Capstone Projects
This dissertation examines French-language theatre in the West African countries of Benin, Burkina Faso, and Togo that tackles gender-related themes. Topics often considered taboo, including domestic violence, child brides, and sexual desire, are publically addressed through contemporary theatre. The study focuses on the growing presence of women artists, including playwrights, actresses, and directors. Particularly since 2010, these artists have shifted the aesthetic and thematic substance of the theatre being created. Their presence has also generated new paths for plays written by and directed by men, including gay male characters and bold women. By considering the field of African women's studies …
Rhetorique Du Soi Dans La Litterature Francophone Haïtienne Du Xxe Siècle. Manques Et Manquements?, Jasmine Narcisse
Rhetorique Du Soi Dans La Litterature Francophone Haïtienne Du Xxe Siècle. Manques Et Manquements?, Jasmine Narcisse
Dissertations, Theses, and Capstone Projects
Partant du constat de la précarité du genre autobiographique dans la littérature haïtienne, et des théories formelle (Lejeune), philosophique et historique (Price-Mars, Gusdorf, Fanon, Glissant…), psychanalytique et rhétorique (Fanon, Doubrovsky, Kristeva…) sur le genre lui-même ou traitant de l’identité et de l’individuation, je propose un cadre d’établissement d’un corpus haïtien de l’écriture de soi. Ce sera l’occasion d’analyser les mécanismes mis en place par ces textes pour dire le soi dans une société comme la société haïtienne où le JE est pris en otage par un NOUS lui-même lourdement « surdéterminé » par un legs historique paralysant et l’encombrement social …
Dostoevsky As A Translator Of "Eugénie Grandet", Julia Titus
Dostoevsky As A Translator Of "Eugénie Grandet", Julia Titus
Dissertations, Theses, and Capstone Projects
The focus of this study in comparative criticism is a close analysis of Dostoevsky’s first literary publication - his 1844 translation of the first edition of Balzac’s Eugе́nie Grandet (1834) and the stylistic choices that he made as a young writer while working on Balzac’s novel. Through the prism of close reading this dissertation analyzes Dostoevsky’s literary debut in the context of his future mature aesthetic style and poetics. Comparing the original and the translation side by side, the dissertation focuses on the omissions, additions and substitutions that Dostoevsky brought into the text. It demonstrates how young Dostoevsky’s free translation …
Lost And Found In Translation: A Study Of The Bilingual Work Of Samuel Beckett, Julien Green, And Nancy Huston, Genevieve Waite
Lost And Found In Translation: A Study Of The Bilingual Work Of Samuel Beckett, Julien Green, And Nancy Huston, Genevieve Waite
Dissertations, Theses, and Capstone Projects
While much has been written and theorized about translation, until recent years, considerably less attention has been paid to the product and process of self-translation, and self-translation studies has only recently emerged as a new and growing field of interest in academia. In my dissertation, I analyze the extent to which literal, linguistic loss in translation leads to figurative gain in the self-translated work and non-authorial translations of three translingual Franco-Anglophone authors: Samuel Beckett, Julien Green, and Nancy Huston. In addition to examining how self-translators and non-authorial translators afford themselves liberties in translation, I investigate the ways in which a …
In Anthropocene Air: Deleuze's Encounter With Shakespeare, Steven Swarbrick
In Anthropocene Air: Deleuze's Encounter With Shakespeare, Steven Swarbrick
Publications and Research
No abstract provided.
“‘The Most Fabricated Exception’: Islam, Immigration And The White-Saviour Narrative In Laurent Cantet’S The Class.”, Elizabeth Toohey
“‘The Most Fabricated Exception’: Islam, Immigration And The White-Saviour Narrative In Laurent Cantet’S The Class.”, Elizabeth Toohey
Publications and Research
This article suggests that the acclaim director Laurent Cantet received for his 2008 award winning film “The Class” obscures the way this film reinforces the very undercurrents in French culture he sets out to critique. Rather than unearthing or mirroring the racial dynamics of twenty-first-century Paris, Cantet brings to the film a set of fascinations and anxieties latent in the French imagination about blackness, Islam and Arab culture. His preoccupations and preconceptions with race, religion and nationality appear first in the portrayal of Muslim immigrants as threatening; next, in his image of a ‘white saviour’ bent on rescuing racial minorities; …
Desire, Curiosity, And The Search For Truth In Proust, Moreno, And Bechdel, Santiago Parga Linares
Desire, Curiosity, And The Search For Truth In Proust, Moreno, And Bechdel, Santiago Parga Linares
Dissertations, Theses, and Capstone Projects
Marcel Proust’s influence on twentieth century literature is broad and has been well documented. This dissertation attempts a comparative reading of À la recherche du temps perdu that places it in contrast with Colombian writer Marvel Moreno’s 1987 novel, En diciembre llegaban las brisas, and Alison Bechdel’s 2006 comic memoir, Fun Home. Starting from a Deleuzian reading of the Recherche, this dissertation proposes the notion of the “proustian truth seeker”, a thematic and stylistic phenomenon which can be traced in all three writers. The characteristics of the truth seeker can be used to understand the ways in …
Clemence Of Barking And Valdes Of Lyon: Two Contemporaneous Examples Of Innovation In The Twelfth Century, Lisa Murray
Clemence Of Barking And Valdes Of Lyon: Two Contemporaneous Examples Of Innovation In The Twelfth Century, Lisa Murray
Dissertations, Theses, and Capstone Projects
The Twelfth Century in Western Europe was a remarkable time in history. Scholars have noted that Roman law was being revived, Aristotelian theory was being studied, Romanesque and Gothic art was being produced, scholasticism was being cultivated, and economic growth was being fostered by the rise of towns. These are just some of the developments that help give this era the well-known term “twelfth-century renaissance.” Despite the flourishing of creativity that this label suggests, there are few surviving, specific examples of innovation from this time that have been passed down to us. In AD 1175 the Benedictine nun Clemence of …