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Articles 781 - 810 of 1109

Full-Text Articles in French and Francophone Language and Literature

La Pensée Du Témoignage : De La Scène Du Génocide À La Scène Judiciaire, Sélom Gbanou Dec 2007

La Pensée Du Témoignage : De La Scène Du Génocide À La Scène Judiciaire, Sélom Gbanou

Présence Francophone: Revue internationale de langue et de littérature

This paper intends to study the stories of witnesses of the genocide of the Tutsi people in Rwanda from the angle of both History and Justice. It analyses how the actual event is brought back by the victims’s stories and shows the tormentors that the lives they have undone have been redone in defiance of the effort to wipe out all traces, the basic idea of genocide. Furthermore, the witnesses report seems to be a judiciary scene where, trying to understand what has happened, the victims put themselves in the witness box of their conscience in order to find their …

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Le Témoignage Dans L’Oeuvre De Yolande Mukagasana, Théopiste Kabanda Dec 2007

Le Témoignage Dans L’Oeuvre De Yolande Mukagasana, Théopiste Kabanda

Présence Francophone: Revue internationale de langue et de littérature

this article analyzes the status of testimony in Mukagasana’s La mort ne veut pas de moi and N’aie pas peur de savoir, by bringing out the main narrative strategies allowing to get round the unspeakable. It demonstrates the connection of the testimony, the memory and the history of the genocide in Rwanda as event which marked the humanity in 20th century. This link is studied through the conditions and the postures of testimony, the textual marks of dentification of the addressees and the roles of the testimony.

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Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières Dec 2007

Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières

Présence Francophone: Revue internationale de langue et de littérature

Bent Familia by the Tunisian filmmaker Nouri Bouzid breaks down silences by questioning norms and power structures, including patriarchal authority. Centered on an exceptional friendship between three women and examining their preoccupations as well as their needs, the film reveals the empowering forces of sharing, insightfulness and engagement. Through the character of Aïda and the intertwinement of arts – in particular music and painting – the film dismantles absolutes and illusions. It encourages deep questioning in order to trace new paths, valuing the clear-sighted contributions of women in a continuously changing society.

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Témoigner : Les Voies De La Connaissance, Catalina Sagarra Dec 2007

Témoigner : Les Voies De La Connaissance, Catalina Sagarra

Présence Francophone: Revue internationale de langue et de littérature

The author analyzes the narrations of Survivors of the genocide of the Tutsi, in 1994. A particular attention is paid to how the witnesses express two affects : guilt and responsibility. Their life stories explore these concepts which help them to carry out a search for Truth, which is deeply linked with the sufferings the horror of the past inflicted to them to the point of being haunted by the past. The Survivors ask themselves an array of questions, not always finding a satisfying answer which could bring them some peace. They address their questioning to different agents, telling them …

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Maggy Corrêa : Passer Le Témoin, Avec Ou Sans Le Feu Sacré, Isabelle Favre Dec 2007

Maggy Corrêa : Passer Le Témoin, Avec Ou Sans Le Feu Sacré, Isabelle Favre

Présence Francophone: Revue internationale de langue et de littérature

In her book entitled Tutsie, etc., Rwandan Swiss author Maggy Corrêa recounts how in july 1994, she was able to rescue her mother from the Rwandan genocide of the Tutsi. This essay begins by examining the status of the testimonial genre within the literary institution. Then, based on Maggy Corrêa’s text, the analysis will demonstrate how Derrida’s concept of sacramentum can be traced in Corrêa’s adventure, and how this same notion proved to be absent from the United Nations’s discourse taking place in Geneva at the same time.

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La Poétique Du Fragment Dans Le Récit De Survivance Au Rwanda, Eugène Nshimiyimana Dec 2007

La Poétique Du Fragment Dans Le Récit De Survivance Au Rwanda, Eugène Nshimiyimana

Présence Francophone: Revue internationale de langue et de littérature

The narrative about surviving is by definition an impossible narrative due to the enormity and absurdity of the tragedy. It is characterized by a fragmentary aspect which is a sign of its resistance to utterance. Based on Révérien Rurangwa’s Génocidé, the following reflection proposes to read the fragment as a manifestation of a traumatic memory that language fails to carry out due to the distortion of the signifying process in which the signified seems to take priority to the signifier. The fragment, thus, can be seen as an attempt to recuperate the symbolic, attempt that is always ''unsuitable'' due to …

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Le Témoignage De L’Itsembabwoko Par La Fiction. L’Ombre D’Imana, Josias Semujanga Dec 2007

Le Témoignage De L’Itsembabwoko Par La Fiction. L’Ombre D’Imana, Josias Semujanga

Présence Francophone: Revue internationale de langue et de littérature

Following the Tutsi genocide in 1994, many African writers went to Rwanda, in 1998, and then wrote some novels and other fictional texts about the horror they saw. This study shows how Véronique Tadjo’s L’ombre d’Imana adopts several mechanisms of Traveler’s Narratives, but poses also their limits in ethical thinking about genocide. Tadjo uses indeed the subversion of Traveler’s Narratives by adding other forms of genres like reportage and testimonies. She discusses about the limits of testimony narratives on a genocide.

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« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi Dec 2007

« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi

Présence Francophone: Revue internationale de langue et de littérature

This article is a study of the dialogue that is maintained between the novel « La femme qui pleure » by Assia Djebar and the Picasso painting that bears the same title. This article also aims to show author’s achievement of the liberation of the feminine subject through an aesthetic means, in other words, through an angle that allows for an encounter between that which has been written and the painting, which combined give the women the right to the word and the image portrayed. The form and the structure that are shared between the novel and the painting appear …

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L’Écriture Tumulaire : Témoignage Sur La Mort, Pour La Vie, Philippe Basabosa Dec 2007

L’Écriture Tumulaire : Témoignage Sur La Mort, Pour La Vie, Philippe Basabosa

Présence Francophone: Revue internationale de langue et de littérature

The article proves how the testimony narrative, in writing death and genocide-related atrocities, attempts to restore human dignity to the victims. The narrative space that becomes in that way a burial place and a funeral monument plays also the role of the ''redemption'' of history in order to secure the future. The narratives that the article analyzes constitute at the same time a hymn to life. By creating themselves other destinies, other reasons for life, the survivor and witness authors succeed in overcoming the world-weariness that threatens every survivor of the Itsembabwoko slaughter.

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Self-Efficacy And Health Value Among Undergraduates Following A Lifetime Fitness Course, Heather M. Brown Aug 2007

Self-Efficacy And Health Value Among Undergraduates Following A Lifetime Fitness Course, Heather M. Brown

All-Inclusive List of Electronic Theses and Dissertations

The question of whether perceived self-efficacy for exercise and health value, respectively, varied as a function of gender and exercise stage of change was the focus of this study. An archival data set was used. Participants were 190 college students who completed a demographic questionnaire, the Exercise Stage of Change Questionnaire, the Rokeach Values Survey, and the Self-Efficacy for Exercise questionnaire before and after completing a lifetime fitness course. Two 2-factor analyses of covariance were conducted for each dependent variable, self-efficacy and health value. Gender and exercise stage of change were the independent variables. Exercise stage of change was divided …

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Le Nouvel « Engagement »? : Rachid Boudjedra Entrehistoire Et Écriture, Hafid Gafaït Jun 2007

Le Nouvel « Engagement »? : Rachid Boudjedra Entrehistoire Et Écriture, Hafid Gafaït

Présence Francophone: Revue internationale de langue et de littérature

According to Charles Bonn and other critics in the 1980’s and 1990’s, North-African literature evolved from a perspective that underlined both the centrality of style, or the writer’s aesthetic standpoint, and the importance of themes, ideas and content, to a production that was dominated by ideology, politics, factual events and testimony. To what extent can this statement be generalized? Does referentiality necessarily exclude literarity? These are questions I will explore on the basis of Rachid Boudjedra’s recent work, which is characterized by an increasingly visible fusion of writing and History. From this, I will consider if what we are witnessing …

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Boudjedra, Écrivain De Langue Arabe?, Touriya Fili-Tullon Jun 2007

Boudjedra, Écrivain De Langue Arabe?, Touriya Fili-Tullon

Présence Francophone: Revue internationale de langue et de littérature

This paper is devoted to bilingualism in R. Boudjedra’sliterary practice. Our aim is to show how French and Arabic versions of his books may be read as hypertexts of metadiscoursive value. Considered from this point of view, the differing versions neutralize any genetic approach and make the rules of an “authoritative” translation obsolete.

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La Vie À L’Endroit De Rachid Boudjedra : Entre Subjectivité Et Folie, Sonia Zlitni Fitouri Jun 2007

La Vie À L’Endroit De Rachid Boudjedra : Entre Subjectivité Et Folie, Sonia Zlitni Fitouri

Présence Francophone: Revue internationale de langue et de littérature

In this study of Rachid Boudjedra’s La vie à l’endroit, I will show how the Algerian writer endeavours to put “en abyme” three types of madness (joyful, fatal, hallucinatory); these generate one another in a cause and effect relationship and distance themselves from the delirious discourse of his first novels in order to give an account of a period of terror which struck Algeria under the Muslim fundamentalist threat. We will also show how the character-narrator faces all this madness by setting up his subj bj ectivity as a shield against what he calls “external fear and inner fear”, and …

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Meka Ou Le Lent Retour À Soi, Alexandre Lizotte Jun 2007

Meka Ou Le Lent Retour À Soi, Alexandre Lizotte

Présence Francophone: Revue internationale de langue et de littérature

Inspired by Ferdinand Oyono’s novel Le vieux nègre et la médaille and relying on the works of Albert Memmi and a number of critics of the negro-african novel, what we are proposing here is a reflection on the relation between the colonizer and the colonized. At the very core of our analysis is the character of Meka, Oyono’s main character, who symbolizes the people’s strive for freedom and self-rediscovery and reconquest. Step by step, we follow him through his long and difficult “walk” or journey towards himself, towards his own truth. In our understanding of that whole liberation process, we …

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De L’Écriture De L’Urgence À L’Écriture Du Renouveau, Armelle Crouzières-Ingenthron Jun 2007

De L’Écriture De L’Urgence À L’Écriture Du Renouveau, Armelle Crouzières-Ingenthron

Présence Francophone: Revue internationale de langue et de littérature

This critical analysis focuses on Rachid Boudjedra’s trilogy that deals with Algerian fundamentalism. Even though Boudjedra’s famous labyrinthine and vertiginous technique was at first based on the literary, on a pleasure of writing that would in turn trigger political thought – at least until the publication of the political pamphlet FIS de la haine –, his more recent technique reflects an urgency and a writing focused on political thought, both of which give birth to a literary process. Despite the author’s well-known reticence regarding conventional happy endings, he annihilates once and for all terrorism and fundamentalism, and embraces an optimistically …

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Une Révolution Boudjedrienne Des Concepts Historiques : Un Regard De L’Histoire (Fictionnelle) Sur L’Histoire, Laetitia Vincent Jun 2007

Une Révolution Boudjedrienne Des Concepts Historiques : Un Regard De L’Histoire (Fictionnelle) Sur L’Histoire, Laetitia Vincent

Présence Francophone: Revue internationale de langue et de littérature

Rachid Boudjedra binds ingeniously fictional and real history and, beyond historic forgery, this author succeeds in transcribing the authentic events of his country. This article exposes one of the novelist’s historic conceptions through which the reader apprehends History : detailed visions alternate and blend with globalizing visions. For this author, nothing must be abandoned or put aside; by analyzing his novelistic writing, a fictional mosaic, we will come to understand his perspective on History.

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Topographie Idéale Pour Une Agression Caractérisée : Roman De L’Émigration, De La Ville Ou De L’Écriture?, Charles Bonn Jun 2007

Topographie Idéale Pour Une Agression Caractérisée : Roman De L’Émigration, De La Ville Ou De L’Écriture?, Charles Bonn

Présence Francophone: Revue internationale de langue et de littérature

Published in 1975 after a wave of anti-Algerian racist attacks in France, this novel is first and foremost a statement of urban space, whose labyrinthian subway lines merge with those of writing, and participate in the drawing of spatiality. But this writing, which disconcerts the documentary expectation of the readers, betrays that expectation : instead of describing the daily life of the emigrant, it seizes his marginalization in order to represent itself, both as a victim who is sacrificed like the hero without name of the novel and as the ridiculous object of a narcissistic and ludic utterance.

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Théorie Et Pratique De L’Écriture Chez Pius Ngandu Nkashama, Kasereka Kavwahirehi Jun 2007

Théorie Et Pratique De L’Écriture Chez Pius Ngandu Nkashama, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

Pius Ngandu Nkashama is mostly known as a literary critic and theorist. But he is also an established novelist, poet and playwright. This essay attempts to show that both his critical work and his creative work share a common dynamic. It shows how, for Pius Ngandu, literary and aesthetic practice is not only a way of life, an existential experience from which he draws the energy to overcome despair and human mediocrity, but it is also a way of participating in the African struggle for freedom and for the conquest of a history that has been confiscated by dictators.

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From The Cloister To The World: Mainstreaming Early Modern French Convent Writing: An État Présent, Thomas M. Carr Jan 2007

From The Cloister To The World: Mainstreaming Early Modern French Convent Writing: An État Présent, Thomas M. Carr

French Language and Literature Papers

The article is an overview on recent scholarship dealing Ancien Régime convent writing. Although nuns constitute a large percentage of the seventeenth-century women authors whose writings were published, except for a few figures like Marie de l’Incarnation Guyart or the Port-Royal nuns, their texts have been largely ignored, even by scholars engaged in the retrieval of women’s writing during the period. This is in contrast to Italian and Hispanic studies, where the contribution of convent writing is acknowledged as central. The état present discusses reasons for this neglect, the methodological challenges and perspectives for further research, along with a 120 …

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A Checklist Of Published Writings In French By Early Modern Nuns, Thomas M. Carr Jan 2007

A Checklist Of Published Writings In French By Early Modern Nuns, Thomas M. Carr

French Language and Literature Papers

The great amount of writing by early modern nuns that was published during the Ancien Régime is underexploited because no master list of it exists. For example, at least ninety books by some sixty different nuns were published between 1600 and 1700, and many more that have been published since. The Checklist of over 300 items is an effort to fill this gap. Besides books authored by nuns, it includes many biographies that contain samples of their writings. Short occasional texts, such as death notices, lettres circulaires, and legal factums have generally been excluded, however. Unless another location is noted, …

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La Traversée Des Savoirs Dans Le Roman Africain, Justin K. Bisanswa Dec 2006

La Traversée Des Savoirs Dans Le Roman Africain, Justin K. Bisanswa

Présence Francophone: Revue internationale de langue et de littérature

The African novel refers to a socio-political as well as a literary History, but does so with guile, expressing this History from an angle. Referring constantly to the social and human sciences, to the point of competing with them, the novel vacillates between dependency and autonomy. It thus proposes a specific knowledge of society, its functioning, and the individuals who constitute it. However, its true intention is not to copy the world, nor even to imitate its life, but to provide a miniaturized replica of both, and set itself up as a vast metonymic duplicate of a certain universe.

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L’Historiographie Positiviste Au Miroir De La Fiction Littéraire, Kasereka Kavwahirehi Dec 2006

L’Historiographie Positiviste Au Miroir De La Fiction Littéraire, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

In its study of L’Écart by V.Y. Mudimbe, this article examines the critical and ironic mirroring of the discourses of the social sciences. By highlighting the pretensions of scientific discourse, Mudimbe’s fiction reveals the ambiguity and the limits of positivist methodology in a postcolonial context.

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Murambi Et Moisson De Crânes Ou Comment La Fiction Raconte Un Génocide, Josias Semujanga Dec 2006

Murambi Et Moisson De Crânes Ou Comment La Fiction Raconte Un Génocide, Josias Semujanga

Présence Francophone: Revue internationale de langue et de littérature

This article shows how literary fiction is able to narrate the event of genocide so as to shatter the rational explanations of the world that are the accepted framework for discourse. It studies two texts written on the Rwandan genocide: Murambi by Boubacar Boris Diop and Moisson de crânes by Abdourahman Waberi.

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Le Romancier Africain Et L'« Énigme D'Arrivée », Bernard Mouralis Dec 2006

Le Romancier Africain Et L'« Énigme D'Arrivée », Bernard Mouralis

Présence Francophone: Revue internationale de langue et de littérature

The theme of travel occupies an important place in African literature for two reasons. The earliest African writers wanted to substitute their own discourse for the one that had been produced by the West for centuries and which was long considered to be the sole legitimate discourse on Africa. By portraying African heroes and/or narrators who embarked on voyages to Africa or to Europe, African writers showed that the African too could be a traveler. The second reason is linked to generic considerations. Since the time of Don Quixote, the novel unfolds as an itinerary moving from one point to …

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L'Islam En Termes Chrétiens : Quand L’Aventure Ambiguë « Croise » Pascal Et Saint Augustin, Mbaye Diouf Dec 2006

L'Islam En Termes Chrétiens : Quand L’Aventure Ambiguë « Croise » Pascal Et Saint Augustin, Mbaye Diouf

Présence Francophone: Revue internationale de langue et de littérature

If it is recognized that The Ambiguous Adventure is one of Africa’s most studied texts, it should also be noted that most analyses of Cheikh Hamidou Kane’s novel are general sociological commentaries on a mythologized Africa or on a society that is caught in the snares of its own mythic “values.” These commentaries often forget that the text is also the passage through a history that was imposed on Africa, and one which the writer tries to interpret in his own way. If Kane’s text plunges into the Christian faith by invoking Pascal and Augustine, it is in order to …

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La Représentation Du Politique Dans La Littérature Gabonaise, Jean René Ovono Mendame Dec 2006

La Représentation Du Politique Dans La Littérature Gabonaise, Jean René Ovono Mendame

Présence Francophone: Revue internationale de langue et de littérature

From which viewpoint do Gabonese writers relate to the realities of the political and social policies of their country and what place do political players occupy in their works? Why do they hesitate so much to denounce the problems of their society? Why is there such a pronounced silence within their literary works? This article raises these delicate and complex questions. The report produced on the evolution of Gabonese writing affirms that writers’ silence is the product of self-censorship. They are condemned to fear saying anything, not only because of potential reprisals, but because they are, for the majority, political …

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Hannah Arendt, Boris Diop Et Le Rwanda : Correspondances Et Commencements, Isabelle Favre Jun 2006

Hannah Arendt, Boris Diop Et Le Rwanda : Correspondances Et Commencements, Isabelle Favre

Présence Francophone: Revue internationale de langue et de littérature

While the social and political sciences account for a relatively large number of books on the 1994 Rwandan genocide, there are still very few literary texts on the subject. Taking Hannah Arendt’s concept of beginning as its point of departure, this article begins with an analysis of the “act of writing” before going on to examine the dynamic interplay between philosophy and literature via Boris Boubacar Diop’s novel Murambi, le livre des ossements (2000).

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Sony Labou Tansi : La Question Du Bas Matériel Et Corporel, Boniface Mongo-Mboussa Jun 2006

Sony Labou Tansi : La Question Du Bas Matériel Et Corporel, Boniface Mongo-Mboussa

Présence Francophone: Revue internationale de langue et de littérature

According to Mikhail Bakhtin, the material and corporeal “lower stratum” includes the symbols that refer to the nether regions of the human body. By adopting this approach to writing in a dictatorship, Labou Tansi most likely wanted to protect his work and himself from possible reprisals by his country’s political authorities. More importantly, however, this move constitutes a strategy of subversion of Marxist ideology: the focus on the material and corporal “lower stratum” (indistinguishable from the carnivalesque) is a form of resistance to what Bakhtin calls official discourse, and becomes a way of reclaiming the writer’s literary autonomy.

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Femme Nue, Femme Noire : Tribulations D’Une Vénus, Lydie Moudileno Jun 2006

Femme Nue, Femme Noire : Tribulations D’Une Vénus, Lydie Moudileno

Présence Francophone: Revue internationale de langue et de littérature

This article examines the return, in two contemporary novels, of the figure of the “naked black woman” as an emblematic site of difference. Two women of African origin take back this twice-appropriated figure and use it to question the ways in which the materiality of the body is again being written into contemporary postcolonial society. The aim of the essay is to underline the means and meaning deployed in these new appropriations of African icons, while pointing to some possible limits to the symbolic passage from the colonial imagination to a postcolonial one.

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L’Inscription Du Corps Dans Quatre Romans Postcoloniaux D’Afrique, Augustine H. Asaah Jun 2006

L’Inscription Du Corps Dans Quatre Romans Postcoloniaux D’Afrique, Augustine H. Asaah

Présence Francophone: Revue internationale de langue et de littérature

More and more, contemporary African literature dwells on the body —as the subject and object of desire, as a refuge and as a commodified and objectified victim. Using as reference points four novels —Calixthe Beyala’s C’est le soleil qui m’a brûlée and Femme nue, femme noire, Williams Sassine’s Mémoire d’une peau and Nimrod’s Les jambes d’Alice— all of which inscribe the body onto and into the text, this article seeks to analyse diverse manifestations of the textualized body. Works of alienation and dispossession, these four texts also focus on corporeal quests for equilibrium. The presence of the body in the …

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