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Film and Media Studies

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Articles 331 - 360 of 369

Full-Text Articles in French and Francophone Language and Literature

Christopher L. Miller (1999), Nationalists And Nomads, Essays On Francophone African Literature And Culture 1, Chicago Et London, The University Of Chicago Press, 258 P., Ambroise Kom Dec 2001

Christopher L. Miller (1999), Nationalists And Nomads, Essays On Francophone African Literature And Culture 1, Chicago Et London, The University Of Chicago Press, 258 P., Ambroise Kom

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Livres Reçus (N° 57) Dec 2001

Livres Reçus (N° 57)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Index (N° 57) Dec 2001

Index (N° 57)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Abstracts (N° 57) Dec 2001

Abstracts (N° 57)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Parties Annexes (N° 57) Dec 2001

Parties Annexes (N° 57)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Écriture Apatrlde : Le Langage De L'Exil Dans Le Jardin Perdu D'Andrée Chedid, Marlène Barsoum Dec 2001

Écriture Apatrlde : Le Langage De L'Exil Dans Le Jardin Perdu D'Andrée Chedid, Marlène Barsoum

Présence Francophone: Revue internationale de langue et de littérature

The fertile territory of exile, inhabited and explored by displaced writers, has yielded myriad personal narratives. In this article, I discuss the strategy that Andrée Chedid chooses to broach in Le jardin perdu. Instead of relating a personal account of her own uprooting, she recreates the archetypal story of exile, that of Adam and Eve banished from paradise. By imagining what would have been their fears and hopes as they faced the unknown, she evokes the typical emotions of all exiles. By removing the story of displacement from the temporal and personal spheres, she brings it into the realm …


Najib Redouane (Dir.) (2000). Rachid Mimouni, Collection « Autour Des Ecrivains Maghrebins », Toronto, Les Editions La Source, Toronto, 428 P., Bouba Mohammedi-Tabti Dec 2001

Najib Redouane (Dir.) (2000). Rachid Mimouni, Collection « Autour Des Ecrivains Maghrebins », Toronto, Les Editions La Source, Toronto, 428 P., Bouba Mohammedi-Tabti

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Hyènes Ou L'Étau De La Mondialisation, Sada Niang Jan 2001

Hyènes Ou L'Étau De La Mondialisation, Sada Niang

Présence Francophone: Revue internationale de langue et de littérature

Throughout his career, Djibril Diop Mambety infrequently associated with organizations set up by African film makers. He lived a life of dreams and invariably attempted to turn his dreams into film : the dream of a city (Dakar) at the crossroads of the history of a country (Contras'City, 1968), the dream of freedom (Badou Boy, 1970), the dream of belonging to a country free from the determinations of hegemonic discourses (Touki Bouki, 1973). In Hyenas (1992), Djibril Diop Mambety puts globalization on trial.


Hégémonie, Féminin Et Paradoxes De La Représentation, Alexie Tcheuyap Jan 2001

Hégémonie, Féminin Et Paradoxes De La Représentation, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

Gender issues in African literature and cinema have always raised challenging questions. It seems that the real or supposed oppression of women is often Justified in biological rather than in social terms, which, in turn obfuscates the real issues. This essay addresses the problem of film reecritures, from a comparative perspective. In so doing we pay special attention to the status of the feminine. Our aim is to reconsider current trends and ideological changes in the transfer from literary to filmic text.


L'Image-Son Dans La Zerda Ou La Pharmacie Du Cinématographe, Mireille Calle-Gruber Jan 2001

L'Image-Son Dans La Zerda Ou La Pharmacie Du Cinématographe, Mireille Calle-Gruber

Présence Francophone: Revue internationale de langue et de littérature

Film and literature are interrelated in the works of Assia Djebar. An analysis of La Zerda et les chants de l'oubli reveals among other techniques, that the "image- son" can also be found in the literary production of this author whose concern for autobiography and languages is essential.


Ousmane Sembène Et Le Cinéma Politique, Samba Gadjigo Jan 2001

Ousmane Sembène Et Le Cinéma Politique, Samba Gadjigo

Présence Francophone: Revue internationale de langue et de littérature

The study examines how Ousmane Sembene positions himself as a fiimmakerthrough his ideology. it begins with a summary of his trade union days on the docks of Marseille, and continues with his memberships in the CGT (Confederation generale des travailleurs), the French Communist Party, and other sister organisations. Further, the study provides a sketch of Sembene's ideal society and finally analyze the role he attributes to cinema in such a setting. The study concludes with a discovery ofthe main features of politically committed filmmaking for Ousmane Sembene.


État Illégitime Et Discourse Cinématographique Au Cameroun, Gilbert Doho Jan 2001

État Illégitime Et Discourse Cinématographique Au Cameroun, Gilbert Doho

Présence Francophone: Revue internationale de langue et de littérature

Cameroonian cinema is a product of a system that France and the local colonialists forged to maintain the imperial cultural hold. In order to cover its repressive nature, the local regime had to build up a cinematographic discourse that would portray its repressive nature and silence a rebellious population.


État De Recherches Et Orientations Nouvelles Du Cinéma Francophone Ouest-Africain: 1980-2000, Suzanne Crosta Jan 2001

État De Recherches Et Orientations Nouvelles Du Cinéma Francophone Ouest-Africain: 1980-2000, Suzanne Crosta

Présence Francophone: Revue internationale de langue et de littérature

Now is an opportune time to look at the expanse of research that has emerged since 1980 in the field of African film criticism, to trace its parameters, highlight its strengths and identify its current shifts. In examining its present trends, we shall underscore themes and promising features in current African films. Our focus ·will be on French West African films and filmmakers; we will emphasize theoretical and esthetic writings in the field rather than popular media resources. It is a modest contribution to the field of African film studies, one we hope will foster further research into the full …


Which Original Works? Tracking Sophocles' Narrative In "Jean De Florette" And "Manon Des Sources", Marie-Jo Binet Jul 2000

Which Original Works? Tracking Sophocles' Narrative In "Jean De Florette" And "Manon Des Sources", Marie-Jo Binet

French Faculty Publications

Pagnol's two-part novel, L'Eau des collines ( 1962), was inspired by his own films, Manon des sources and Ugolin, released ten years before (1952). Much better known are Berri's 1986 films bearing the novel's titles Jean de Florette and Manon des sources.

In this essay I want to examine the architectural and thematic transformations between the three types of "texts:'

I will show that each piece is referring to a different diegetic universe. Pagnol's film is a celebration of provencal verbal activity, ` joie de vivre," and of the Christian notions of redemption and forgiveness. The musical motif of L'Arlesienne …


Style Guide Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek Mar 2000

Style Guide Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


Copyright Clcweb: Comparative Literature And Culture ©Purdue University, Steven Tötösy De Zepetnek Mar 2000

Copyright Clcweb: Comparative Literature And Culture ©Purdue University, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


Discours Préfaciel Et Poétique Africaine, Andre-Patient Bokiba Jan 2000

Discours Préfaciel Et Poétique Africaine, Andre-Patient Bokiba

Présence Francophone: Revue internationale de langue et de littérature

The rather common use of a preface in African literature raises the question of the poetic value of such a practice. A preface written for the author by an older or recognized writer usually seeks to legitimate or consecrate that work. The author who writes his own preface, however, has other goals in mind and his preface is marked by a certain number of properties which, on a practical level, lend themselves to ambiguous interpretation. The present study is based on an analysis of some 100 introductory texts of all types. It concludes that, in writing his own preface, an …


Towards The History Of Hungarians In Alberta, Steven Tötösy De Zepetnek Sep 1999

Towards The History Of Hungarians In Alberta, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


The Validity Of Selected Draw-A-Person Test Classifying Criteria Among Homosexual And Non Homosexual Males, Joel Von Ornsteiner Aug 1999

The Validity Of Selected Draw-A-Person Test Classifying Criteria Among Homosexual And Non Homosexual Males, Joel Von Ornsteiner

All-Inclusive List of Electronic Theses and Dissertations

The purpose of this study was to explore the validity of Machover's (1949) interpretation that attention to both the hips and buttocks drawn by male subjects in their first male Draw-A-Person Test (DAP) or the drawing of a female figure first are significant indicators of male homosexuality. The hypothesis was that the frequency of these homosexual indicators among non-instituted homosexuals would be significantly higher (P = < .05) than the male heterosexual group. One hundred homosexual and 100 heterosexual males were selected from groups of volunteers from two universities, one bookstore and a community center in the New York City area. The subjects were administered a DAP test in booklet format and a questionnaire. The drawings were classified for homosexual indicators blindly and independently by three judges who were trained in the use of the Machover interpretation of the DAP. Chi square analyses were calculated for the frequency of hips and buttocks and for the drawing of a female figure first and no significant differences between the self identified homosexual and heterosexual male groups in the expected direction were found. It was concluded that the lack of any significant difference between the scores of the homosexual and heterosexual males in this study casts considerable doubt on the validity of the male homosexual interpretations explored. Speculations were made concerning the widely discrepant results from past studies and this investigation. The majority of the past research had been conducted within institutional settings and there have been cultural changes over the last fifty years in both psychology and society's tolerance for the male homosexual. Unlike any previous DAP study, one-hundred urban homosexual and one-hundred heterosexual males were randomly selected. This researcher cautions that the DAP test should be interpreted with other available information, and results based on its independent use are viewed with much skepticism. Implications for future research were discussed.


Advisory Board And Editors Of Clcweb: Comparative Literature And Culture, Ari Ofengenden May 1999

Advisory Board And Editors Of Clcweb: Comparative Literature And Culture, Ari Ofengenden

CLCWeb Library

No abstract provided.


Selected And Annotated Bibliography Of German-Canadian Literature And Criticism, Steven Tötösy De Zepetnek Mar 1999

Selected And Annotated Bibliography Of German-Canadian Literature And Criticism, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


Multilingual Bibliography Of (Text)Books In Comparative Literature, World Literature(S), And Comparative Cultural Studies, Steven Tötösy De Zepetnek Mar 1999

Multilingual Bibliography Of (Text)Books In Comparative Literature, World Literature(S), And Comparative Cultural Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


Pre-1900 German-Canadian Ethnic Minority Writing, Steven Tötösy De Zepetnek Mar 1999

Pre-1900 German-Canadian Ethnic Minority Writing, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


Selected Bibliography Of Works For The Study Of Film And Literature 1985-1999, Roumiana Deltcheva Mar 1999

Selected Bibliography Of Works For The Study Of Film And Literature 1985-1999, Roumiana Deltcheva

CLCWeb Library

No abstract provided.


Contents Of Purdue University Press Clcweb Library Series, Steven Tötösy De Zepetnek Mar 1999

Contents Of Purdue University Press Clcweb Library Series, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


Aims & Scope Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek Mar 1999

Aims & Scope Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


Tötösy De Zepetnek, Steven Curriculum Vitae, Steven Tötösy De Zepetnek Jan 1999

Tötösy De Zepetnek, Steven Curriculum Vitae, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


Selected Comparative Literature And Comparative Humanities Journals, Steven Tötösy De Zepetnek Jan 1999

Selected Comparative Literature And Comparative Humanities Journals, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


Annual Reports Of Clcweb: Comparative Literature And Culture 1999-, Steven Tötösy De Zepetnek Jan 1999

Annual Reports Of Clcweb: Comparative Literature And Culture 1999-, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


An Analysis Of The Films Of Francois Truffaut, Tara Dreier Jan 1998

An Analysis Of The Films Of Francois Truffaut, Tara Dreier

Whittier Scholars Program

This project, written in French, is an exploration of the relationship between the personal ideology of French film director François Truffaut and his films. In examining such things as camera movements, camera angles, music, staging, and dialogue, the Scholar discovered how Truffaut’s ideas of childhood were displayed in his films. The life and work of Truffaut serves as a great example of how a director’s worldview is inevitably reflected in their films.