French and Francophone Language and Literature Commons^™

La Mondialisation Avant L’Heure : Le Devenir Du Français Au Canada Et Au Québec Dans L’Oeuvre Polémique De Jacques Ferron, Richard Patry

Présence Francophone: Revue internationale de langue et de littérature

This study is concerned with what Jacques Ferron’s non-fictional works say about the status of the French language in Canada during the 1960s and 1970s, and the future he predicted for this language, particularly in Quebec. A close scrutiny of these writings reveals sharp and definite positions with regard to this question and a very modern point of view, which remains up-to-date even today. The conclusions these writings lead to are very pessimistic for the survival of the French language in Canada, and dubious for the future of this language in Quebec.

Les Pouvoirs Du Récit : Un Remède Au Chaos Du Monde? En Attentant Le Vote Des Bêtes Sauvages, Madeleine Borgomano

Présence Francophone: Revue internationale de langue et de littérature

Right from his first novel, Les Soleils des Indépendances (1970), Kourouma introduced the theme of the reversed world, a baroque metaphor for the state of Africa after Independence. In Monnè (1990), telling the history of this reversal, he insisted on its linguistic roots. Consequently, En attendant le vote des bêtes sauvages (1998) shows how this reversal in the context of Cold War, favoured the genesis and development of dictatorial powers leading to an actual apocalypse. This victory of Chaos is told as a donsomana, traditional song of expiation among the Malinke hunters. The forms and magic virtues of this song …

Le Goût Des Jeunes Filles De Dany Laferrière : Du Chaos À La Reconstruction Du Sens, Nathalie Courcy

Présence Francophone: Revue internationale de langue et de littérature

This paper analyses the way politics, society and the representation of speech is structured in Le goût des jeunes filles, Dany Laferrière’s fourth novel. How do the events told and the disorganised narration itself symbolise the unspeakable? Moreover, how does the characters’ speech rebuild the meaning of existence, and how does Laferrière see the future? Chaos, madness, all that overtakes or destroys the norm, anchors fiction in an attempt to reorganize reality and the imaginary.

L'Image Des Réfugiés Et Des Personnes Déplacées Dans La Fiction Africaine Francophone, Augustin H. Asaah

Présence Francophone: Revue internationale de langue et de littérature

In their capacity as moralists and committed intellectuals, African Francophone writers such as C.C. Sow, N.N. Ndjekery, M.S. Keita, F. Couao-Zotti, Ahmadou Kourouma, Nimrod and E. Dongala portray various images of refugees and internally displaced persons in their works. This depiction is driven by the perceived need to humanize these displaced members of society by establishing moral/affective bridges between unfortunate members of society and readers. It is also sustained by the desire to reduce the damage caused by wars and natural disasters, as well as the need to reveal the plural identities of humans to the world.

Au Seuil Du Chaos : Devoir De Mémoire, Indicible Et Piège Du Devoir Dire, Issac Bazié

Présence Francophone: Revue internationale de langue et de littérature

That literature has not entirely lost its means when faced with great human tragedies is a fact widely debated when it comes to the Holocaust. This text relies on a discussion of the unspeakable in order to reflect on the texts written about Rwanda’s genocide. Reading those texts’ thresholds reveals a tension of writing between history and fiction, “devoir de mémoire” and near resignation of speech.

La Critique Et Léopold Sédar Senghor / Léopold Sédar Senghor Et La Critique, Fernando Lambert

Présence Francophone: Revue internationale de langue et de littérature

L. S. Senghor has maintained a double relation with criticism: his poetical work has provoked plentiful critical production and the poet has always been in dialogue with his critical examiners. Furthermore, he has practised literary criticism himself. Criticism relating to Senghor comes from two quite different sources. From 1945 to 1960, the European criticism is outstanding, while the African criticism confines itself more to peripheral questions in the Senghorian poetical work: French language

and "Negritude". The withdrawal of the poet from the political stage in 1980 is a significant date for critical production in Africa. Let us add that the …

Stratégies De Légitimation Et Modalités De Réception Des Littératures Francophones En Italie, Cristina Minelle, Lucie Picard

Présence Francophone: Revue internationale de langue et de littérature

This paper offers an overview of a broad research project concerned with the current diffusion of Francophone Literatures in Italy. The study comprises several components: a review of the academic literature; a survey of relevant websites; the analysis of publisher’s catalogues; archival analysis and face-to-face research at Universities and other Francophone cultural centres. Through a multi-disciplinary approach, the study offers an articulate though lively account of the state of Francophone Literatures in Italy.

L’Aventure Du Discours Critique, Justin K. Bisanswa

Présence Francophone: Revue internationale de langue et de littérature

The text traces the course of African Literature’s critical adventure. For a long time, studies have been focused on African identity. The critic is often ethnologic, anthropological, cultural and attracted by exoticism. The critic is also attentive to everything that indicates the difference with occidental culture and without which the African text would only be an outline. There is also the frequent intrusion of empty concepts in African Literature criticism (for example : tradition, relatives, ethnic group, oral character, traditional religion, African rhythm, solidarity, communion between the living and the dead). From the criticism of humor and sources, to criticism …

Discours Préfaciels Et Réception En Littérature Africaine De Langue Française, Sélom Komlan Gbanou

Présence Francophone: Revue internationale de langue et de littérature

Decisive instance between the text and its reader, the preface plays an important role in the reception of the literary work, as Gerard Genette emphasizes in his essay Seuils (1987). The present analysis proposes a reading of the stategies used in the prefaces of francophone African Literature from colonial times to the present. Who introduces whom? Why and how? These are a few of the questions this article deals with.

Black Polar, Françoise Naudillon

Présence Francophone: Revue internationale de langue et de littérature

We would like to present some examples of the French Mystery Novel as it is being written by sub-Saharan and Maghrebin authors, as Yasmina Khadra, an author from Algeria. After outlining a history of the genre itself, we will follow a few of the thematic trails taken up by the authors in question. We would like to call specific attention to the strategies of transformation, appropriation and transmutation being used on an already well defined and respected genre whose roots lie in a completely different cultural background (European and North American).

De L’Aliénation À La Libération, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

This essay addresses the issue of education in pre and post-colonial Africa. It examines the ideological discourses, challenges and consequences associated with the adoption of western education in African countries. Based on novels and films, some of which are set in universities, the article analyses the effects of violence and irrelevant syllabi on African education, and argues that in order for knowledge to serve as a tool for real liberation, it has to be relevant to the social environment. It contends further that, paradoxically, even colonial education can contribute towards the liberation of Africans from some problematic aspects of their …

Écriture Du Destin Et Destin De L’Écriture, Regards Croisés Sur René Philombe Et Mongo Beti, Pierre Fandio

Présence Francophone: Revue internationale de langue et de littérature

The objectives of self-determination displayed by the Cameroon cultural and political agents look identical. However the present communication, that examines the reception of the works of Mongo Beti and René Philombe in Cameroon and its implications on the relationship between the writers and the dominating political order, reveals that the harmony is only a concealment. In fact, the political order conceives the institution of its own discourse exclusively either in terms of exclusion all nonconformist speech or in terms of its dominance.

The Literature Of Verbal Nonsense In Lewis Carroll, Samuel Beckett And Eugène Ionesco, Madeleine R. Scalliet

Loma Linda University Electronic Theses, Dissertations & Projects

Nonsense literature and nonsense poetry have provided release from the shackles of logic for centuries. But the greatest masters of English nonsense are Lewis Carroll and Edward Lear. Carroll gives, in Alice in Wonderland and Through the Looking-glass, the principles underlying a carefully-built structure. In Lewis Carroll's nonsense world, the creatures break the determinism of meaning and significance.

Nonsense can be defined by the following characteristics: a strong adherence to the concrete in every way possible in order to allow the intellect to be in complete control of its material and thus prevent reference; the elaboration of a pseudo-logic based …

Ua68/6/2 Voices, Vol. Viii, No. 2, Western Writers

Student Organizations

Magazine produced by the Western Writers, a group of student readers and writers devoted to good writing and determined to encourage those interested in creative work. It presents members' best efforts in other than class-assigned papers.

Ua68/6/2 Voices, Vol. V, No. 2, Western Writers

Student Organizations

Magazine produced by the Western Writers, a group of student readers and writers devoted to good writing and determined to encourage those interested in creative work. It presents members' best efforts in other than class-assigned papers.

Ua68/6/2 Voices, Vol. Iv, No. 2, Western Writers

Student Organizations

Magazine produced by the Western Writers, a group of student readers and writers devoted to good writing and determined to encourage those interested in creative work. It presents members' best efforts in other than class-assigned papers.

Ua68/6/2 Voices, Vol. Iv, No. 1, Western Writers

Student Organizations

Magazine produced by the Western Writers, a group of student readers and writers devoted to good writing and determined to encourage those interested in creative work. It presents members' best efforts in other than class-assigned papers.

Ua68/6/2 Voices, Vol. I, No. 2, Western Writers

Student Organizations

Magazine produced by the Western Writers, a group of student readers and writers devoted to good writing and determined to encourage those interested in creative work. It presents members' best efforts in other than class-assigned papers.

French Origins Of American Imagist Poetry, Beatrice Hope Zedler

Bachelors’ Theses

Every reader, I am sure, has at one time or another chanced upon a passage which instantly struck his attention by its resemblance to something else which he had read. He may have dismissed this occurrence as a merely accidental similarity, or he may have questioned whether one work had influenced the other. The latter has been my experience. In reading the poetry of Theophile Gautier, I was startled by its similarity to some of the poetry of Amy Lowell and by its adherence to two of the principles of Imagism, as set forth by Miss Lowell in the preface …

The Skepticism Of Anatole France, Margaret E. Camp

University of the Pacific Theses and Dissertations

When Anatole France died 1n 1924, he had the satisfaction of knowing that he had lived long enough to enjoy the honors which are not usually bestowed upon men until their death. His long life filled with years of labor and earnest endeavor to improve the lives of his fellow-men, through a better adjustment to society, culminated in his election to the French Academy.

By some critics he has been called the greatest writer of today. It is difficult to tell exactly upon what merits this distinction is based. Anatole France was not content to simply call himself a skeptic. …