French and Francophone Language and Literature Commons^™

George Moore : Cultural Tourist In France, Eamon Maher

Books/Chapters

Ofall the Irish writers ofthe nineteenth and twentieth centuries, George Moore (I 8S 2.-1933) is the one who was most embedded in French literature, painting and culture. Taking the strongly autobiographical Confessions ofa YoungMan as its main focal point, this chapter will examine Moore's love affair with France and the influence this exerted on his literary and artistic evolution. In Confessions, we read the extent ofMoore's attraction to Paris: '[ ... ] my thoughts reverted to France, which always haunted me; and which now possessed me with the sweet and magnetic influence ofhome.'l Moore clearly had a deep appreciation ofFrance …

Voies/Voix Réflexives Du Discours Social Mortifère Dans L’Ombre De Baudelaire De Fabienne Pasquet, Lucienne J. Serrano

Présence Francophone: Revue internationale de langue et de littérature

Fabienne Pasquet brings to life the tragedy experienced by Jeanne Duval in 19th century Paris. Duval is portrayed as the heir of Makandour, an initiator of the Haitian revolution, and as a seductive young woman celebrated by Baudelaire, who is painted and subsequently erased by Courbet at the poet’s request. Jeanne would then have but one desire: to recapture Baudelaire’s attention and her role of muse. As part of the games that characterized this rediscovered love, Baudelaire writes his poems on Jeanne’s skin with the help of a metallic quill and thus she unconsciously relives a forgotten past where the …

Essai De Typologie Des Familles Éclatées Dans L’Oeuvre Romanesque De Calixthe Beyala, Clémentine Mansiantima Nzimbu

Présence Francophone: Revue internationale de langue et de littérature

In Calixthe Beyala’s novels, the narrators are in search of their own identity due to traumas experienced in broken families. The expression broken or shattered family (famille éclatée) is used in a broad way, pertaining to principles and responsibilities of marriage, particularly with children. The abandonment of a spouse, regardless of the motive, wounds the family unit. This study uses eight novels to examine the various configurations of families in which the place of biological parents is called into question. This study also shows that abandoned children, in the works of Beyala, cope with the absence of a parent.

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

La Folie Comme Aliénation Et Dissidence Chez Mongo Beti Et V.Y. Mudimbe, Florian Alix

Présence Francophone: Revue internationale de langue et de littérature

In Le pauvre Christ de Bomba and Entre les eaux, the narrator’s evolution seems a kind of madness, as Ambroise Kom defined it: a process of social exclusion based on alienation because of norms told by dominant discourses. Individuals can’t find their right place in front of “languages in madness” which rule the colonial thought and hide part of reality. Therefore novel becomes a space where individual madness appears as a dissidence against dominant discourses.

Acknowledgements/Image Credits, Molly Lynde-Recchia

Transference

No abstract provided.

Notes On Contributors

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No abstract provided.

Orchards 52, Orchards 54, Orchards 57: The Doe, And Orchards 59 By Rainer Maria Rilke, Susanne Petermann

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Translated from the French by Susanne Petermann.

The Stranger By Charles Baudelaire, Kent Dixon

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Translated from the French by Kent Dixon.

First Poem For Her And Poem For My Shadow By Marie-Célie Agnant, Corine Tachtiris

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Translated from the French by Corine Tachtiris.

Foreword

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No abstract provided.

Transference Vol. 3, Fall 2015

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No abstract provided.

Brújula Quebrada, Julio Antonio Molinete

Open Access Theses & Dissertations

Brújula quebrada o la reinvención del dolor, es un cuaderno de poesía en el cual se aborda el fenómeno del exilio, de la diáspora. Verso a verso es la historia de un diasporante signado por la angustia, el rechazo y el desprecio. Pero más que un poemario personal, deviene en un pedazo de la historia contemporánea cubana. Esa en donde los hijos de la Isla se ven obligados a escapar en pos de la libertad, un derecho que se hace esquivo aun en la tierra de la libertad.

La Première Couche D’Encre, Abdourahman Waberi

Présence Francophone: Revue internationale de langue et de littérature

The author reexamines his engagement with the Rwandan genocide.

Du Témoin Et De L’Humain Chez Gilbert Gatore : Le Passé Devant Soi, Jean-Pierre Karegeye

Présence Francophone: Revue internationale de langue et de littérature

This article revisits Gatore’s novel, The past ahead, in analyzing the idea of witnessing. Some critics estimate that the novel does not make a clear distinction between the perpetrator and the victim. While recognizing the danger, the article extends the debate on the notion of the human beyond the categories of “perpetrator” and “victim”. Without excusing acts of the former, the author of this article affirms that the perpetrator and the victim belong to the same humanity. While they remain extreme and inexcusable, crime against humanity and genocides are not a contingent acts, which opens a meditation on the fragility …

Le Devoir De Mémoire Ou Une Identité Ravalée Dans Cicatrices D’Alain Kamal Martial, Katharine Hargrave

Présence Francophone: Revue internationale de langue et de littérature

This article examines the construction of identity in Alain Kamal Martial’s novel, Cicatrices. Conceived during a rape committed by a group of militiamen, the narrator struggles against a sense of obligation to avenge his mother’s assault, as well as a need to liberate himself from this event. However, under the onus of being a proxy witness, he realizes that he cannot forget his duty of memory because he embodies the inherited trauma of past generations. The crude and powerful immediacy of this text forces the reader to reflect upon his or her own role in the remembrance of past injustices.

"Casting Aside That Ficticious Self.": Deciphering Female Identity In The Awakening 2015, Anne L. Dicosimo

Master's Theses

Kate Chopin’s female protagonists have long since fascinated literary critics, raising serious questions concerning the influence of nineteenth-century female gender roles in her writing. Published in 1899, The Awakening demonstrates the changeability of the various representations of woman. In the nineteenth century, the subject of women may be divided into two categories: the True Woman and the New Woman. The former were expected to “cherish and maintain the four cardinal virtues of piety, purity, submissiveness and domesticity” (Khoshnood et al.), while the latter sought to move away from hearth and home in order to focus on education, professions, and political …

L’Animal : Agent Du Biopouvoir Dans L’Imaginaire Postcolonial Alain Cyr Pangop Kameni Et Hervé Tchumkam, Alain Cyr Pangop Kameni, Hervé Tchumkam

Présence Francophone: Revue internationale de langue et de littérature

This article seeks to understand the status of the animal and its relation to biopolitics in postcolonial fiction. Going beyond and against Graham Huggan’s notion of “postcolonial exotic”, the analysis of the relation between human and animal is twofold: first, describe and interpret the mechanisms of power, and second, show how the figure of the beast which is at the center of political struggle and social conflict makes more complex the understanding of the “discipline and punish” in postcolonial contexts. Ultimately, drawing on the study of selected novels and drama, the aim of this paper is to show that the …

L’Envol (En)Chanteur Du Colibri Ou La Poétique Environnementale Du Vivant Dans Les Neuf Consciences Du Malfini De Patrick Chamoiseau, Gwenola Caradec

Présence Francophone: Revue internationale de langue et de littérature

This article considers Patrick Chamoiseau’s recent work, which has focused increasingly on ecological themes, expressed particularly in one of his latest novels, Les neuf consciences du Malfini (2009). Strongly influenced by his “Master” Édouard Glissant and the latter’s concept of the “Tout-M-Monde” (“Whole-World”), C hamoiseau offers a paradigm shift for the very notion of Nature, revealed to be inseparable from a certain Poetics of Life.

Écriture(S) De La Nature Au Québec : Un Champ À Défricher, Mariève Isabel

Présence Francophone: Revue internationale de langue et de littérature

Are there literary works oriented toward the questions of nature and environment in Quebec’s literature? If so, under which forms does this corpus present itself? This article will explore different types of nature writing in Quebec, including examples from travel literature, agrarian novel, natural history, regionalism, and environmental literature. After reflecting on the presence of ecocriticism in Quebec, various works will be presented in order to show that nature writing in Quebec is rich and varied, and that there is potential for a québécois ecocriticism.

Le Flâneur Contemporain: The Wanderer In The 21st Century, Zachary Kocanda

Honors Projects

This creative project is a love letter to walking, poetry, and the French language. The flâneur is a French literary type, the most famous example being Charles Baudelaire. Baudelaire epitomizes la modernité, writing poetry about urban Paris in the nineteenth century. The flâneur's importance as a literary type continues in contemporary poetry. Through fifteen prose poems, the project examines what it means to wander in the twenty-first century.

Lost In Translation? Found In Translation? Neither? Both?, Esther Allen, Mary Ann Caws, Peter Constantine, Edith Grossman, Nancy Kline, Burton Pike, Damion Searls, Karen Van Dyck, Alyson Waters, Roger Celestin, Charles Lebel

The Quiet Corner Interdisciplinary Journal

Translation specialists Esther Allen, Mary Ann Caws, Peter Constantine, Edith Grossman, Nancy Kline, Burton Pike, Damion Searls, Karen Van Dyck and Alyson Waters respond to the TQC question:

“Lost in translation”; “Found in translation”: Are these just useless commonplaces or are they indicative of something relevant to your own practice?

Rhinocéros: Animals, Ideologies And Global Awareness, Brenda Crosby

French

French IV-V students read the Theater of the Absurd play Rhinocéros by Eugène Ionesco. The foci of this unit are more oriented toward history, politics, global awareness, and unexamined assumptions (les idées reçues) than theater as such. Students do, however, present most of the play in the Reader’s Theater style. The pre-reading activity introduces the final evaluation of the unit. Students first associate animals to ideologies and concepts. This first activity also allows the instructor to introduce the ideas fanaticism, totalitarianism, and conformism. The final assessment asks each student to chose one country, not necessarily a French speaking country. For …

Poetry Inspired By Art, Brenda Crosby

French

The activity is part of an Art, Beauty, and Aesthetics unit. First, students read a short text about the notion of the window, and how looking through a window frames or changes our perspective. Students then read and analyze Charles Baudelaire’s prose poem “Les fenêtres”. Students are provided copies of teacher selected paintings and photographs, each of which features a window. In class, they write any words that the image evokes for them. From this initial writing, they write an original poem inspired by the painting or photo. This activity encourages vocabulary development, close observation of one work of art, …

Acknowledgements/Image Credits, Molly Lynde-Recchia

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No abstract provided.

First Mill (Excerpts) By René Char, Nancy Naomi N. Carlson

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Translated from the French with commentary by Nancy Naomi Carlson.

The Fisherman By Anonymous, Luke J. Chambers

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Translated from the Old French with commentary by Luke Chambers.

Just Above Silence By Anna Greki, Lynda Chouiten

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Translated from the French with commentary by Lynda Chouiten.

Foreword, David Kutzko, Molly Lynde-Recchia

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Thoughts on the second volume by editors-in-chief David Kutzko and Molly Lynde-Recchia.