Fine Arts Commons^™

Double Zero, Anthony Earl Smith

Theses and Dissertations

This thesis follows the trajectory of my artistic practice over the past two years, which has led to the installation of my thesis exhibition titled, Double Zero. I hope to position the work among its art and cultural terms by exploring how I have expanded my research concerning Situationist and Marxist theory as well as developed a broader photographic studio practice driven by material experimentation, play, and an investigation into how we live and interact with commodities through media.

Observance: A Record Of Experiments, Olivia L. Mosley

Undergraduate Theses—Unrestricted

Thesis writing on the work of Olivia Mosley, Bachelor of Fine Arts candidate in Printmaking at Washington University in St. Louis. Engaging with a diverse history of photography and observation through the theoretical writings of Barthes, Berger, Didi-Huberman and others, Mosley conducts a series of visual experiments as part of her art practice in an attempt to expand her visual knowledge. Exploring the concepts of visualization, observation and the role technology plays in both of the aforementioned activities, Mosley’s work is discussed alongside the visual contributions of scientists, artists and hobbyists experimenting with the photographic medium throughout history, including, Wilhelm …

Shtetl, Franklin I. Lieberman

Lawrence University Honors Projects

Shtetl looks at the Jewish community as a whole by focusing on the individuals within it. Jews are an incredibly diverse people. They come from all walks of life and racial backgrounds. Contrary to popular belief, there is no stereotypical Jewish person. Not all Jews are rich, nor do they all have curly dark hair and big noses. By being forced to look at the individuals within the community together, it becomes clear that while all of these individuals are Jewish, and therefore bound to each other because of it, they are all different and break this stereotypical mold.

The Value Of Everything Is Nothing, Jason Dawes

Electronic Theses, Projects, and Dissertations

Photography was my introduction into art. I gravitated toward portrait photography fairly quickly. I found the interaction between subject and photographer to be an intense moment in time. I began to push that intensity - through various non-traditional approaches, such as placing ads in the personals. It did not take long before I turned the camera on myself, creating self-portraits in the domestic setting. I began to play for the camera. I created various personas that placed myself in some gray area between masculinity and femininity. Shortly there after, I began working with collage. I found the formulas and rigidity …

Something Gained: Translation As Process, Amanda V. Rothschild

Undergraduate Theses—Unrestricted

This statement examines translation as a way to explore the act of painting. Drawing from theories of literary translation as discussed by Walter Benjamin, this essay looks at the ways in which the process of translating an image from a photograph into a painting echoes many ideas that come from the approach of translating between languages. The theme of translation is discussed first through an examination of the role of the photograph in determining the content of the paintings, using Gerhard Richter as a reference. The role of material and the physicality of paint in the translation of a space …

Long-Term Multi-Dimensional Interactive Time-Lapse Photography Using Microsoft Kinect, Daniel Mccoy

All Theses

In this thesis, a method is presented for the capture and interactive presentation of long-term multi-dimensional time-lapse photography. Time-lapse capture is commonly used for the observation based study of relatively long term phenomena such as plant growth and weather patterns. In terms of filmic devices, the visual time compression effect is complementary to slow motion and is nearly as prevalent. In this project, commonly available camera and computer equipment is used to capture images autonomously with minimal system supervision. A set of images is established, using long term, short interval continuous capture at a fixed position. Results are presented demonstrating …

Familial Dialects, Amanda King

MFA in Photography and Integrated Media Theses

Using the framework of scientific investigation, ‘Familial Dialects’ explores the languages – systems of signs and codification of those signs - of individual members of my family, and the metaphors that arise from their interaction with pieces of the natural world. Each of the pieces combine an inherent form and an organizing action as a means of representing an individual’s form of expression. These familial dialects are created and translated using the methodologies of a naturalist - collection, dissection, observation, and classification. The pieces draw meaning from the connotative associations built from familial connections as well as from broader cultural …

Awful/Awful: An Archive Of Light Embarrassments, Teysha Vinson

Boise State University Theses and Dissertations

The difficulty of representing intangible religious ideas is at the core of Awful/Awful: An Archive of Light Embarrassments. Through an interest in how light is discussed in the Bible as a symbol for God and his fellowship, I make imagery that both repulses me and intrigues me but never do I get to the point where I feel the work encapsulates any answers. Instead, the photographs are questions, archived, unable to represent this light of God on their own without being trite or obtuse. The arranged work on the walls consists of these photographs plus a few ephemera from my …

Taking In: The Best Of Undergraduate Photography 2014, Lucad Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the college of art and design. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication and a website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston Art Community to represent the best of undergraduate in 2014. The book in your hands is the end result of a collective effort by those in the class.

From The Inside Out, And Through., Dominique Ovalle

The Transdisciplinary STEAM+ Journal

These photographs describe “Science” born of consumerism, hijacked by me, economically disenfranchised, or rather—temporarily embarrassed, artist. I was putzing around Malibu—my old college stomping ground, looking for free food; maybe a sample of some gourmet $5 chocolate, and all I got were these photographs.

Pipo Nguyen-Duy Interview, Emily Flanagan

Asian American Art Oral History Project

Artist Bio:

Pipo Nguyen-duy was born in Hue, Vietnam. Growing up within thirty kilometers of the demilitarized zone of the 18th Parallel, he describes hearing gunfire every day of his early life He immigrated to the United States as a political refugee.

Pipo has taken on many things in life in pursuit of his diverse interests. As a teenager in Vietnam, he competed as a national athlete in table tennis. He also spent some time living as a Buddhist monk in Northern India. He earned a Bachelor of Arts degree in economics at Carleton College. He then moved to New …

Garry Winogrand: The Art Of Street Photography, Micayla Beuley

Honors Projects

This exhibition proposal, designed for the Dorothy Uber Bryan Gallery located in the Fine Arts Center at Bowling Green State University, is designed to enhance gallery patrons’ understanding of and appreciation for street photography through a biographical analysis of the works of Garry Winogrand. In addition to presenting 30 photographs by this esteemed photographer, patrons are invited to actively participate in the creation of street photographs and provides a unique opportunity to display them alongside that of a professional in a gallery setting. This exhibition proposal includes a curator’s statement, formal exhibition catalog essay, list of works proposed, detailed floor …

Gelang: A Photography Of Belonging, Chase Clow

Collected Faculty Scholarship

Gelang: A Photography of Belonging proposes a new category of landscape photography, one that moves away from emphasis upon imagery of particular kinds of landscape (such as wilderness, topographical, or wastelandscape) and also away from genres of photography (art, documentary, or scientific) and instead investigates the shared values and ethics among landscape and nature photographers and the kinds of awareness and knowledge that arise through outdoor, field-based photographic practice. An analysis of the writings of photographers and their published interviews, as well as the author's own photographic experiences in the field, reveals a common core of life-affirming values predicated on …

Graviora Manent: Heavier Things Remain, Andrea Laborde Barbier

LSU Master's Theses

The photographic collection Graviora Manent addresses the complexities and deciphering of human relationships, intensified through the decisive acts of obscuring or revealing formal information. The pictures are made using an alternative French photographic method called mordançage, which physically alters the surface of the gelatin silver print using a combination of chemistry and water. The images frequently include recurring elements of my own dreams, as well as figures set in recognizably interior or exterior environments. Recurring themes in the series include what is public vs. what is private, voyeurism, familiarity, and the unknown.

A Meal Denied, Sarah Kolac

LSU Master's Theses

The photographs in the series A Meal Denied offer a unique portrait into the lives of individuals currently serving as Texas Death Row inmates. In 2011, due to an extravagant meal request by an inmate, Senator John Whitmire sought to put an end to the last meal requests in Texas. Whitmire stated, "It is extremely inappropriate to give a person sentenced to death such a privilege." However, I disagree with Whitmire; every inmate on Death Row should not be denied one of the only choices they will perhaps ever have during their incarceration in prison due to one particular inmates' …

Art And Symbolism: The Technique Of Applying Hidden Meaning And Communicating Specific Ideas Through Art, Andrea C. Macbean

Senior Honors Theses

Symbolism is an artistic style frequently used in the arts. Through the course of art history, it was its own artistic movement as well. The incorporation of specific symbols, shapes, colors, or identifiable images communicates to the viewer an intended message or statement. Frequently, symbolism appears to be hidden or initially unperceived by the intended audience. In some works, symbolism is so abstract that it needs explanation or clarification to be understood completely by the viewer. This thesis will analyze a few techniques of symbolism that can be incorporated in a work of art to communicate truth, entice thought, point …

Superimposition Of Cultures, Becky Ravenberg, Dr. Mark Magleby

Journal of Undergraduate Research

By means of my photography, I have highlighted the Anglo and Hispanic communities that are in the immediate proximity of this university and in other communities in Utah County. I did this by superimposing photos of both cultures. These photo illustrations were displayed in two separate shows.

Bodies In Motion (Photography), Ty Lamont Mecham, Val Brinkerhoff, Caroline Prohosky

Journal of Undergraduate Research

Photography is prominent form of communication in our society, and I envisioned a body of work that would glorify beauty and form in an aesthetically pleasing way. Two of the best resources for these requirements are the landscape and dancers, both of which I absolutely love and am constantly inspired by. Due to the landscapes I chose to photograph as the dancers’ environment, the work needed to be done in color photography. I also wanted the images to feel alive, so each dancing shape had to be in motion, ranging from large obvious motion to small subtle motion.

Bodies In Motion (Photography), Ty Lamont Mecham, Val Brinkerhoff, Caroline Prohosky

Journal of Undergraduate Research

Photography is prominent form of communication in our society, and I envisioned a body of work that would glorify beauty and form in an aesthetically pleasing way. Two of the best resources for these requirements are the landscape and dancers, both of which I absolutely love and am constantly inspired by. Due to the landscapes I chose to photograph as the dancers’ environment, the work needed to be done in color photography. I also wanted the images to feel alive, so each dancing shape had to be in motion, ranging from large obvious motion to small subtle motion.

Photographing Refugee Camps In Eastern Chad, Mario Ruiz, Paul Adams

Journal of Undergraduate Research

ABECHE, CHAD—Sudanese funded military groups known as the Janjaweed have been attacking villages in the Darfur region of Sudan since early 2003. The group claims to be looking for insurgents scattered across the region. The Janjaweed have violently attacked villages, strategically killing men to instill fear in the lives of possible rebels. They have burned hundreds of villages and raped tens of thousands of women and young girls. They have also gunned down nearly a hundred thousand people since 2003. Almost two million people have been forced to flee their homes and are now internally displaced within Sudan. Another two-hundred …

Hong Kong Space (Visual), Daniel Everett, John Telford

Journal of Undergraduate Research

We live in a separated world. Despite extensive technological advances in global connectivity, our understanding and knowledge of other cultures is quite limited. We gain small amounts of information through history lessons and brief news reports. Sometimes we are fortunate enough to hear descriptions from someone who has experienced a culture first hand, but for the most part we remain removed from other societies. For my research, I wanted to take a step forward in expanding my boundaries as well as provide a similar opportunity to others through my work. I choose to spend a month in Hong Kong photographically …

Images Of The Modern Day Family, Leslie Duke, Richard Hull

Journal of Undergraduate Research

This project was an exciting exploration into the realms of both art and society. Originally, as was stated in my grant proposal, the goal of this project was to create a series of narrative illustrations depicting the dynamics of the modern day family, particularly focusing on the urban families of New York City. These illustrations were to be completed using visual research, such as sketches, on-site paintings and photographs, taken in New York City.

Goldfield Studies, Dawn Roe

Faculty Publications

The dialogue within this essay serves as a response to the series, Goldfield Studies, a work itself prompted by the history and landscape of this eponymous region of Victoria, Australia. The imagery produced takes the form of paired and multiple still photographs and a digital video sequence, displayed in triple-projection. The discussion is framed by the artist’s introduction, which defines the project as a critical consideration of cultural memory in relation to the opposing perspectives of indigenous and colonial settler narratives, pastoral landscape representations, folklore and myth. A collaborative dialogue between an artist and art historian who share common research …

Art In The Library: From The Collection Of The Thomas G. Carpenter Library, University Of North Florida, Thomas G. Carpenter Library

Art in the Library Catalog

The Thomas G. Carpenter Library’s Art in the Library project began in 2008. Since the project’s inception the collection has grown to more than 100 pieces through the generosity of artists and collectors. Many of the works are by artists from northeast Florida. This is a selection of the pieces that may be found on display throughout the library’s four floors.

Catalog contains work by the following artists: Nofa Dixon, Diane Farris, John Bunker, Mindy Hawkins, Tom Farrell, Anthony Whiting, Louise Freshman Brown, Susanne Schuenke, Susanna Richter-Helman, Tiffany Leach, Jonathan Lux, Marilyn Taylor, Steve Williams, Christie Holechek, Sydney McKenna, Jerry …

Pao Hoau Her Interview, Bentley "Libby" Christenson

Asian American Art Oral History Project

Artist Bio: Pao Houa Her is a visual artist base in Minnesota. She studied at Minneapolis College of Art and Design and at Yale University School of Art. She can be reached at [email protected]. Bio from- http://phphoto.nfshost.com/?page_id=33

Pao Houa Her was born in Laos. In 1986 after the Vietnam War ended, Pao and her family moved to Thailand and a year later moved to Minnesota. Pao is the oldest of seven and currently resides in Minneapolis, MN. She has received a B.F.A. in photography at the Minneapolis College of Art and Design, and was the first Hmong individual …

Locus, Claire Krueger

Theses and Dissertations

This thesis explores my practice as it has progressed into video and video installation. I detail my use of cinematic tropes and mechanisms as they function within a spatial installation. I discuss the relationship of my work to other artists such as Pierre Huyghe, Janet Cardiff and George Bures Miller, and Kevin Cooley who also deal with themes of landscape, spatial displacement, and video viewing. My work has evolved to video installation from a need to experience the traditionally flat viewing plane of photography in a more experiential way. The Locus installation is multi sensory, in that it addresses smell, …

Many Worlds Converge Here: Vision And Identity In American Indian Photography, Alicia L. Harris

School of Art, Art History, and Design: Theses and Student Creative Work

Photographs of Native Americans taken by Frank A. Rinehart at the Trans-Mississippi and International Exposition in 1898 were then and continue to be part of the construction of indigenous identities, both by Anglo-Americans and Natives. This thesis analyzes the ramifications of Rinehart’s portraits and those of his peers as well as Native American artists in the 20^th and 21^st centuries who have sought to re-appropriate these images to make them empowering icons of individual or tribal identity rather than erasure of culture.

This thesis comprises two sections. In the first section, the analysis is focused on the historical …

Reimagining The Silver Screen: Contemporary Film Stills, Kyle Demartino

Senior Honors Projects

During the late 19^th century longer rolls of celluloid photographic film, and motion picture cameras were first introduced, which allowed for the capture of rapid sequences of still images at a relatively high speeds. The first films shown to audiences on a larger screen, although rudimentary, caused people to gasp or run from the cinema, as they believed the images on screen were real. As technology increased feature films progressed from only showing a simple static event to creating full stories spanning over various sets and containing multiple characters. With the advent of sound, filmmakers were given another tool …

Imagining The Unknown, Angelina Kidd

MFA in Photography and Integrated Media Theses

It is true that there is no scientific proof of life after life or of the human soul. However, I believe there is a soul and that it is energy manifested as light. Our lifetime is a mere pulse when measured against the evolution of earth. We are connected to the cosmos through the very calcium in our bones and the iron in our blood, which originated from stars that died billions of years ago. My belief is that the earthly body is separate from the soul and that our light energy returns to the cosmos. Energy will not cease …

Middle Ground: Being Human, Reality & The Imaginary, Ann Pegelow Kaplan

All Theses

Meandering through the seemingly endless spectrum that makes up contemporary Visual Arts, it is clear that many are taking stock of the past and wondering where we go from here. Looking back, documenting, accounting, excavating. Looking forward, wondering, daring to hope. My artwork embraces both the backward glance and the lean forward by considering the present moment and what constructs it. Within three interrelated series of photographic and video works, I consider and present for rumination our individual and shared human experience of the world and one another.
This body of work draws attention through a juxtaposition of the elevated …