Fine Arts Commons^™

The Day I Chose Buddhism Over Baseball, Jared Buchholz

The Echo

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Clutch Of The Sea, Reilly Mahan

The Echo

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This Isn't The Ball Cinderella, Ben Gamble

The Echo

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Questions I Have About Baby Corn (Yes, The Prematurely Plucked Vegetable), Eleanor Hewett

The Echo

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Big Brother, Meg Gillogly

The Echo

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Preface & Table Of Contents

The Echo

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Cover

The Echo

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Echo 2017 - Complete Issue

The Echo

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The Third Coast, Catherine Jane Davis

Theses and Dissertations

The Third Coast is a photographic exploration of the vernacular landscape of the US Gulf Coast. Stretching some 1,600 miles from the mouth of the Rio Grande in Texas to the Florida Everglades, America's southernmost shore is vast and complex. The region is a patchwork of both the natural and built environments, a tangled combination of history and geography, culture and ecology that reflects an intimate and ever-evolving relationship between man, land and sea. The Gulf Coast resists tidy hierarchies or easy classification. Rather, the rhythms of the region comprise its own syntax, a way in which seemingly dissimilar locations …

Seeking The Invisible, Alexis Bragg

Theses and Dissertations

Seeking The Invisible is a photography portrait series which explores the internal context of those suffering from invisible illness. This body of work examines the interior worlds of those often stigmatized as “outsiders,” and those who seek to be acknowledged beyond their illness. When one is told of another’s physical malady with no visible indicators of a problem, skepticism or outright disbelief is an unfortunately likely response. By asking my subjects “What would a portrait of your life look like?” I sought to observe the interior world of this subset and empower my subjects as something more than their illness.

Jon Yamashiro Interview, Ciera Stokes

Asian American Art Oral History Project

BIO: Jon Masuo Yamashiro was born the oldest son and raised as a third-generation Okinawan American in the “cultural pastiche” of Honolulu, HI. He traveled from the islands to study at Washington University in St. Louis and received his BFA in 1985, then went on to earn an MFA in photography from Indiana University in 1991. Since the fall of 1993, he has had the privilege of teaching photography to college students at Miami University. Jon lives in Liberty, Indiana, with his wife Jennifer and their daughter Lydia and son Luke. http://yamashirophoto.com/

Renluka Maharaj Interview, Steven Zych

Asian American Art Oral History Project

Bio: Renluka Maharaj grew up in the country of Trinidad and Tobago and moved to New York as a child where spent most of her life. Her Eastern and Western background wrapped with modern sensibilities is evident in her bodies of work. Her interests are centered on gender roles, sexuality, colonialism, mythology, iconography and fetishism. Some of the artists that have influenced her work are Yinka Shonibare and Yasumasa Morimura.

Ms. Maharaj completed her BFA at the University of Colorado Boulder and is currently completing her MFA at the School of the Art Institute of Chicago where she received the …

Jun-Jun Sta.Ana Interview, Jackson Hughlett

Asian American Art Oral History Project

Bio: Jun-Jun Sta.Ana is a self-taught multi-disciplinary artist born on September 19, 1963 to Remigio Benavidez Sta.Ana and Emma Cecilio Catral in Manila, Philippines. He moved to the United States at the age of 24, shortly after finishing a degree in Dentistry. He started his art career late just before he was turning 40- having a solo show of digital works using appropriated images from free porn sites which he deconstructed and embellished with images and symbols culled from Filipino talismans. His practice has become multi-disciplinary, and while still utilizing found images and materials, he also employs the technique of …

Sands Of Desire:The Creative Restlessness Of Lee Miller's Egyptian Period, Peter Schulman

World Languages and Cultures Faculty Publications

"As a spectator, I wanted to explore photography not as a question (a theme) but as a wound,"Roland Barthes writes in Camera Lucida. Similarly, in the famous first lines of his surrealist book Nadja, Andre Breton concluded that the question he should ask himself should be "not who I am, but whom I haunt." Could either of these quotes apply to Lee Miller's aesthetic as well ? While her photographs during her period of "apprenticeship" with Man Ray focused on the female body, and the ones in her studio in New York on elegant portraiture, it is during her period …

Rose Gilderson-Duwe Senior Art Portfolio, Elizabeth Gilderson-Duwe

Senior Art Portfolios

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"Perhaps," She Said, "Looking Itself Could Be An Antidote.", Sarah Moore

Graduate Student Theses, Dissertations, & Professional Papers

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Taking In: A Juried Selection Of Undergraduate Photography 2017, Lucad Students

Taking In

Taking In is a juried annual student-run publication that showcases the best of LUCAD undergraduate photography and video. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.

Dislocation, Brian Randall Deppe

LSU Master's Theses

This photographic project, Dislocation, seeks to document the current state and decline of Cortana Mall in Baton Rouge, Louisiana. The mall was built in 1976 during the height of shopping mall construction and was one of the largest shopping centers in the country with five anchor stores and 139 retail spaces. Now, just 48 stores and two anchor stores remain open. This high vacancy rate and deterioration of the mall is due to suburban flight, the building of new shopping centers in southern Baton Rouge, and changing consumer trends, which has led to malls closing across the country. My photographs …

Construction Of An Album For Oneself, Maria Tinaut

Theses and Dissertations

My work focuses on the construction and validation of images assembled from fragments of found photographs, generating new narratives that hover between “reality” and fiction. Archive and Fiction: Construction of the past and the self is the result of two years of artwork exploring my family archives and my relationship to my family through them. I understand the family as a place of identity in continuous change, serving as a container of history and memory. Conceiving of my family albums as material allows me to approach my family history as a visitor. Mediated memory and constructed memory intertwine in the …

What Deepest Remains: How Photojournalistic Mutualism Between Robert Capa And Elmer W. Lower Shaped Modern Concepts Of World War Ii, Steven Holiday, Dale L. Cressman

Faculty Publications

As American combat photographers documented the horrors and heroism of every front of World War II, photo editors worked behind the scenes to bring their images to publication. Matching photographers with assignments and selecting images that best told the story--all while navigating censorship, publication expectations, and intercultural societal norms--the photo editor was indispensable to the combat photographer. The partnership of Robert Capa and Elmer W. Lower exemplified such a mutualistic relationship. Whether serendipitous, as it was early in the war when Lower provided assistance in exchange for Capa's photos, or calculated, as it was later in the war when both …

Digital Photography As Experience Artifact, Ryan V. Brennan

Theses and Dissertations

Through the screen interface, the boundary between personal and collective experience is being redefined both spatially and temporally. Here, memories are given independent mediated existence, taking form in digital photographic artifacts that can be communally shared and manipulated into a synthetic continuum.

Abstraction As A Form Of Redaction, Alex P. Derosa

Bachelor of Fine Arts Senior Papers

Abstraction as a Form of Redaction acts as an explanation of the personal and conceptual basis of my three bodies of work titled the dimension of intimacy, notations of the mind, and medical signifiers. Examining contemporary art through the lens of the self, I have created work that is present in conversations about intimacy, abstraction, self-portraiture, and feminism. Though my work does not directly address contemporary feminism, I am using this work to reclaim my body, my mind, and my space as an act of agency. The work, when looked at as a compilation, functions as an autobiography. …

Threshold, Sarah Luke

The Echo

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Cold Coffee, Reilly Mahan

The Echo

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The Space Between, Alicia Pitts

The Echo

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The Fields That Bind, Caroline Anderson

The Echo

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Ekphrastic. Lavender Misty (1950). Artist: Jackson Pollock, Erin Mellor

The Echo

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Ten Things I Know As Of Thursday, January 21st, 2016 At 8:02 Pm, Jake Crouse

The Echo

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Swamp Rabbit Collection, Hayden Cox

The Echo

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Mountains, Britt Viergever

The Echo

No abstract provided.