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Photography

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Articles 391 - 420 of 898

Full-Text Articles in Fine Arts

The Everlasting, Adare Taylor Oct 2020

The Everlasting, Adare Taylor

The Echo

No abstract provided.


Fearless, Anvitha Yalavarthy Oct 2020

Fearless, Anvitha Yalavarthy

The Echo

No abstract provided.


Risen, Adare Taylor Oct 2020

Risen, Adare Taylor

The Echo

No abstract provided.


Red Exit, Jacob Rabinovich Oct 2020

Red Exit, Jacob Rabinovich

The Echo

No abstract provided.


When Your Lover Tells You She Doesn’T Love You Anymore,, Braedon Mcconnell Oct 2020

When Your Lover Tells You She Doesn’T Love You Anymore,, Braedon Mcconnell

The Echo

No abstract provided.


Squalene, Jacob Rabinovich Oct 2020

Squalene, Jacob Rabinovich

The Echo

No abstract provided.


Danny The Davidson Tiger, Ciaran Francis Oct 2020

Danny The Davidson Tiger, Ciaran Francis

The Echo

No abstract provided.


Preface & Table Of Contents Oct 2020

Preface & Table Of Contents

The Echo

No abstract provided.


Cover Oct 2020

Cover

The Echo

No abstract provided.


Echo 2020 - Complete Issue Oct 2020

Echo 2020 - Complete Issue

The Echo

No abstract provided.


Optics In Art: Ways Of Seeing, Christian J. Baker Oct 2020

Optics In Art: Ways Of Seeing, Christian J. Baker

P-12 Lesson Plans

In this lesson, which relies on art from the ZMA Collection and the exhibition it's your world for the moment displayed in fall 2020, students will learn about the basic mechanics of the eye and its similarities to the camera, explore the history of the camera obscura and its use in art and early photography, learn about perspective as a principle of photography, and learn to relay information on major artists by way of their relationship or impact on photography as an artistic medium.


Photography & Visual Perception, Rachel Leigh Bell Oct 2020

Photography & Visual Perception, Rachel Leigh Bell

Open Educational Resources

This online class introduces students to the basic materials, terms and methods of digital photography. Students will be introduced to the digital camera, including camera settings and controls, but can also work with any photographing device. This is a hands-on class and students will photograph subjects indoors and outdoors, upload, edit, and print image files. Students will complete photo assignments throughout the semester as well as a final project that incorporates the techniques and themes covered in the course.


Medicine In Spirituality, Ashesh Soni, Krunal Patel Oct 2020

Medicine In Spirituality, Ashesh Soni, Krunal Patel

be Still

Modern day medicine places a major emphasis on appreciating spirituality. A patient’s cultural and religious beliefs are integral when practicing medicine in order to provide the most humanistic care possible to patients. This photograph comes to show the exact opposite, medicine in spirituality. Medicine is an integral part of a medical professional's life and it serves as a major defining characteristic of an individual. Though viewed as objective and subjective, medicine and spirituality are all one.


Glut And Guzzle, Ashley Kay Gardner Jul 2020

Glut And Guzzle, Ashley Kay Gardner

Graduate Theses and Dissertations

In Glut and Guzzle I explore my relationship with my partner, our sexualities and how to navigate these outside of the LDS faith of my childhood, and their struggles with gender, sexual expression and mental illness. This exploration landed on seductive and repulsive imagery of food and body. I use color, texture and size as a tool similar to visual tools of advertising to seduce my viewer. This is an exploration of how gender norms and the visual language of advertising that infiltrates daily lives and through media and religion can shape identity and gender roles. I utilize advanced 3D …


Connections: Life, Memories, And Metaphors Through The Window, Cindra Lyn Ross Jun 2020

Connections: Life, Memories, And Metaphors Through The Window, Cindra Lyn Ross

MFA in Visual Arts Theses

Abstract

Photographic imagery can transport a person mentally and emotionally to another place or another time, and create connections to people, memories, or experiences. A photograph can also conjure emotions or serve as a metaphor for something wholly unrelated to the image but triggered in our minds by our own history and impression of the image. Photographs can capture transitions and expanses of time by showing the movement of light, or via comparison in a series of images taken over periods of time.

My work has evolved to incorporate a series of images that focus on windows. Throughout the history …


Healing Through The Photographic Murals Of James "Chip" "Jetsonorama" Thomas, Mandolen Sanchez May 2020

Healing Through The Photographic Murals Of James "Chip" "Jetsonorama" Thomas, Mandolen Sanchez

Art & Art History ETDs

James “Chip” “Jetsonorama” Thomas is an Indian Health Services physician who moved to the Navajo Nation in 1987. Although he is not culturally Native American, Thomas depicts Navajo in large-scale black and white photographic murals. His work has been discussed in online articles and books about street art in terms of their relationship to street art, specifically the art of JR, as well as their role as activist art on the Navajo Nation. There has been a lack of substantial research, though, into the way in which his photographic murals respond to or engage with nineteenth and twentieth-century photographs of …


It's The Funerals I Missed Which Haunt Me The Most, Arno Goetz May 2020

It's The Funerals I Missed Which Haunt Me The Most, Arno Goetz

Bachelor of Fine Arts Senior Papers

What makes a photograph great? This is the central question which guides my research, and I answer this question in two parts. The first element is the structure of the photograph, which Robert Adams addresses in his collection of essays, Beauty in Photography: Essays in Defense of Traditional Values. With the guiding principle that structure can provide harmony in an image, I develop a collection of guidelines for composing images and name them the “Rules of Clarity.” The purpose of these rules is to help photographers create harmonious compositions, free from distractions. When a photograph has few distractions, it …


Alternative Processes In Photography, Maria Politarhos Apr 2020

Alternative Processes In Photography, Maria Politarhos

Open Educational Resources

Course Description:

This class introduces students to unconventional photographic processes. Students will explore historic methods and materials that allow the extension of photographic imagery beyond the standard black and white or color print. The class will experiment with handmade emulsions and papers, incorporating photographic imagery into new and varied contexts such as drawings, paintings, and made books.


Running From The Touch On My Back: Affect And Technology In A Studio Practice, Anthony Noel Hamilton Mar 2020

Running From The Touch On My Back: Affect And Technology In A Studio Practice, Anthony Noel Hamilton

Theses and Dissertations

I rediscovered a family photo box two years ago. An image of my grandfather sat on the top of the piles in the Tupperware box. The photo created an immediate intensity and infected the entire family photobox. My grandfather committed suicide twenty years before I was born. From the point of this discovery I have needed to explore why vernacular photographs can create haunting resonances. There seem to be limits to the information we can glean from photographs like this one. Photographs like this one activate our desires to fill in unknown details. They also encourage personal hauntings and lingering …


Noah Fidlin Senior Art Portfolio, Noah J. Fidlin Jan 2020

Noah Fidlin Senior Art Portfolio, Noah J. Fidlin

Senior Art Portfolios

An art, photography and design magazine that combines analog and digital media.


Visual Literacy Lesson Plan: Color Photography, Ian Mcdermott Jan 2020

Visual Literacy Lesson Plan: Color Photography, Ian Mcdermott

Open Educational Resources

This session focuses on building subject knowledge in photography and finding background information on an artist. The lesson begins with students closely examining a photograph, following the Visual Thinking Strategies model (https://vtshome.org/). Following the exercise, students are divided into groups and select a monograph on a photographer. As a group, they research the photographer using the book and other library resources (subscription databases) and open web resources (artist’s website, museum websites). The session ends with student groups giving 2-5 minute presentations on a photographer.


Kavana: Photography, Jewish Storytelling, And Memory, Hannah Altman Jan 2020

Kavana: Photography, Jewish Storytelling, And Memory, Hannah Altman

Theses and Dissertations

Jewish thought suggests that the memory of an action is as primary as the action itself. This is to say that when my hand is wounded, I remember other hands. I trace ache back to other aches - when my mother grabbed my wrist pulling me across the intersection, when my great-grandmother’s fingers went numb on the ship headed towards Cuba fleeing the Nazis, when Miriam’s palms enduringly poured water for the Hebrews throughout their desert journey - this is how the Jew is able to fathom an ache. Because no physical space is a given for the Jewish diaspora, …


Martian Mother, Elizabeth Mcgrady Jan 2020

Martian Mother, Elizabeth Mcgrady

Theses and Dissertations

This paper examines the relationship between humans and land, through the lens of the scientific and religious, bridging the physical realm with the spiritual. It acts as accompanying material to the project titled Martian Mother, supplementary information to the visual work, and an extension of the proposal, the center of the work. The proposal exists to send myself, or a like-minded individual, to Mars with artificial insemination equipment to give birth to the first Martian, becoming the first Martian Mother. This work is rooted firmly in speculative fiction, creating a nonlinear future framework for a new society and space exploration.


Plausible Expositions With Possible Expeditions, Nikolaus D. James Jan 2020

Plausible Expositions With Possible Expeditions, Nikolaus D. James

College of Graduate Studies: Theses & Dissertations

Influenced by video games and cinema, in this body of work, Plausible Expositions with Possible Expeditions, I use objects to create scenarios that suggest a narrative. The scenes are then photographed and displayed through cathode-ray tube televisions and viewers use their own knowledge and ideas about the objects to create that narrative. Each of these objects has is own data set, and the most common have a universal data set—information surrounding the object that is widely recognized, much like how a crowbar is commonly associated with crime. Similar to playing a video game, an algorithm is used when viewing my …


Blaze, Meg Roussos Dec 2019

Blaze, Meg Roussos

Electronic Theses and Dissertations

The photographer discusses her work in “BLAZE,” a Master of Fine Arts thesis exhibit held at the Tipton Gallery from September 16th through October 4th, 2019. The exhibition consists of 11 archival inkjet prints, two photographic artist books, a nine-channel video installation, representing the artist’s exploration of how to experience the landscape. Using non-traditional approaches to photographic imagery, experimental exhibition layout, the artist forms questions around themes of walking and landscape. The artist investigates sculptural land art installations represented through photographic documentation. A catalog of the exhibit is included at the end of this thesis.

Roussos examines formal and conceptual …


The Missing Archive Of Loss, Zeina G. Halabi Oct 2019

The Missing Archive Of Loss, Zeina G. Halabi

Regards

The article examines the power of visual archives and the implication of their absence on the work of mourning. It explores the photographic work of the Iranian artist Azadeh Akhlaghui, who retroactively assigned visual identities to the unrecorded death of prominent Iranian figures. The scenes of death, reconstructed in highly staged photographs, operate as the guardians of collective memory insofar as they enable the work of mourning – a process of reckoning with loss that ultimately frees the collectivity from enduring melancholia.

Résumé

L'article examine le pouvoir de l’archive visuelle et les implications de son absence sur le travail de …


Anachronists, Liv D'Elia Jul 2019

Anachronists, Liv D'Elia

Art Journal

No abstract provided.


Kazua Melissa Vang, Justin Beales Jul 2019

Kazua Melissa Vang, Justin Beales

Asian American Art Oral History Project

Kazua Melissa Vang is a Hmong American filmmaker, visual artist, photographer, teaching artists, production manager, and producer based in Minnesota. Melissa is currently a lead artist as well as a teaching artist for In Progress. Her most two most recent photography works were showcased at In Progress under the exhibit, “NEXUS: Honoring the Self-Taught Photographic Artist” (2016), and “Hmong Tattoo,”(2017). Her current photography project is taking portraits of Hmong refrigerators and freezers. From her collection “F R I D G E S,” was featured in the exhibit, “Foodway”(Summer 2018) at the Minneapolis College of Art and Design and is currently …


Kai Duc Luong Interview, Stuart Hutson Jun 2019

Kai Duc Luong Interview, Stuart Hutson

Asian American Art Oral History Project

Artist Bio Born in 1975 in Phnom-Penh, KAI-DUC LUONG fled the oppressive Khmer Rouge regime from Cambodia to Vietnam to France, where his family settled in Paris, in 1978. KAI-DUC operates between Chicago and Paris. His artistic projects include video (art / doc / film), photography, and mixed media installations. His unconventional path as a self-taught outsider artist, trained in digital communication & systems engineering, gives him a unique perspective, at times questioning subject matters through the understanding of transmission and systems (e.g. the primary emotions, the five senses, the stages of grief, the art industry). His works have been …


Amalgamations, Brennan Probst May 2019

Amalgamations, Brennan Probst

LSU New Orleans Theses and Dissertations

I explore time, memory, and the artist’s ability to convey experience through autobiographical photographs and drawings. In my compositions, I provide an intimate look into my life, while making wider observations about how my mind processes the world. My work is concerned with circumventing the objective, static qualities of photography. I attempt to create images that convey how experiences feel, instead of how they look through the lens of an optical apparatus. With my work, I do not wish to take from the world around me, but rather to create from the world within me. By utilizing multiple exposures and …