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Articles 331 - 360 of 898
Full-Text Articles in Fine Arts
Prose From A Farmhand On A Red Rose, Macy Petty
When I Called Him A Coward, Annie Reigel
Sprouts, Caroline Bass
Riverside, Caroline Bass
Sunset, Carly Marlys
Morning Sunlight, Sophia Schaffer
Creature Of The Season, Lara Rudman
Aunt Janet's Wind Chimes, Brandon Barney
Lost Memories, Alexis Burson
Perito Moreno, Annie Schulz
Mundane Liturgy, Mary Shelley Reid
Along The Canal, Caroline Bass
On Again Off Again, Carly Marlys
Interrupted, Caroline Bass
Containment, Brandon Barney
Watching Through The Kaleidoscope, Ciaran Francis
Missing, Murdered, Indigenous, Matthew Bollinger
Missing, Murdered, Indigenous, Matthew Bollinger
Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest
The missing and murdered Indigenous women epidemic is an issue currently affecting Indigenous people in North America. To articulate my concept visually, old photographs that showcase American culture (predominantly white) are drawn on, cut-up, and recomposed into portraits of missing Navajo women.
Surplus City, Claudio Nolasco
Surplus City, Claudio Nolasco
Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest
No abstract provided.
Look Over Here: A Brief History And Exhibition Of Black Women In Photography, Millie Drury
Look Over Here: A Brief History And Exhibition Of Black Women In Photography, Millie Drury
English and Creative Writing Presentations
This is an informative online photography exhibition. It contains a brief history of black women in photography before presenting ten black female photographers in chronological order according to years active with a short profile and examples of their work. This exhibition is meant to give students and faculty exposure to the work of black female photographers and understand the history behind their present status in the field.
Do You Want To Be Tender?, Leah Grant
Do You Want To Be Tender?, Leah Grant
Graduate Theses and Dissertations
In this thesis, you will find a body of writings and artworks that reflect Leah Grant’s art practice and research. Throughout the paper, you will see Leah alternate back and forth between her artwork and writings. Leah Grant addresses her personal experience as a Black woman and what it means it explore vulnerability through understanding how the relationships around her affects the relationship she has with herself. Leah has created a collection of poems, prints, and video and audio collages that assist her with revealing and concealing.
Made Of Water, Covered In Mud, Nicole Norman
Made Of Water, Covered In Mud, Nicole Norman
Graduate Theses and Dissertations
My fixation on water as metaphor is a product of my cosmic design; Scorpio sun, Pisces moon, Pisces rising. I am made of water, begging to be held. Anything liquid has this same desire. I use my art practice to examine the fluidity of physical and digital spaces; how they transform almost constantly. This is only possible through the use of containers that give form to abstract ideas and make them easier to drink (read: digest). Containers can vary in size and shape, but their purpose remains the same. A drinking glass, a swimming pool, a creek bed. These are …
But Also Full Of Seeds For A Future That Could Have Turned Out Differently., Megan Marie Bickel
But Also Full Of Seeds For A Future That Could Have Turned Out Differently., Megan Marie Bickel
Electronic Theses and Dissertations
This thesis examines the relationship between "illusion," "allusion," and their relationship to contemporary images which announce, shield, or reference information. Beginning by discussing Casualist and Post-Digital Painting discourse, two styles I work within, we see connecting tissue in announcing and shielding of meaning. We look at the meaning of marks, and in the parallel exhibition, marks that utilize camouflage strategies appear as a metaphor for illuding to information which appears as conveying depth when there is none, and using paintings' symbols in objects that are not paintings. The work 'alludes' to what the viewer has seen before and relies on …
With Kindest Regards To You And Miss Sparks, Claire E. Kelly
With Kindest Regards To You And Miss Sparks, Claire E. Kelly
Honors Scholars Collaborative Projects
This work explores the life of a woman, Katherine Josephine Sparks, who lived in Nashville from 1910 to 1993. Vignettes of her life are revealed through the Katherine Sparks Collection at the Nashville Archives, in which over 18,000 items including letters, photographs, memorabilia, and legal documents house parts of her family’s story. Katherine lived an unassuming life, she never married, and she had no children. There is very little documentation of her life left other than what is held in this archival collection. Without the archive, this record would be lost—a small part of history that would go undiscovered and …
It Could Be So Much Worse, Alexandra Juhasz, Pato Hebert
It Could Be So Much Worse, Alexandra Juhasz, Pato Hebert
Publications and Research
Conversation between longtime AIDS activists about longhauling with COVID-19, disclosure, shame, and the possibilities of COVID politics with photographs of the "COVID Body."
Stranger’S Window, Nation’S Mirror, Kyoko Hamaguchi
Stranger’S Window, Nation’S Mirror, Kyoko Hamaguchi
Theses and Dissertations
In this text, I consider my identity as a Japanese immigrant in the United States during a global pandemic and its impact on my understanding of home as a liminal space. In particular, I discuss notions of home in relation to my work as an artist including two works that utilize the home-sharing platform Airbnb and three works that deal with the dichotomy of inside and outside.
In/Visible, Raymond Thompson Jr
In/Visible, Raymond Thompson Jr
Graduate Theses, Dissertations, and Problem Reports (ETD)
My MFA thesis and supporting exhibition focus on challenging the United States’ photographic archive that often left out African-American people. The work, through the use of appropriation and alternative photographic processes, disrupts America’s historical visual archive and notions that surround the white gaze. Through the unsettling of this visual space, new speculative narratives can be created to help imagine new futures. This work is the beginning of a process of mourning histories I have never known and reclaiming a place for myself and my family in the American landscape that is free of racial trauma.
Seeds, Sophie Friis