Fine Arts Commons^™

Less Class, More Sass!, Amanda Lee James

LSU Master's Theses

Less Class, More Sass! is a visual soundtrack to the crass jokes, hairy faces and smelly wardrobes of my disorderly, and politically incorrect friends. These young men and women have mutated into a ragged crew of personified sasquatches to tell a collection of stories about coming of age in the American punk and metal music subcultures.

In this series of prints the characters grow from aimlessly rebellious youths into hopeless but happy young adults, ashamed of their desires for a nice neighborhood and a steady job. While thrashing through a sea of self-destructive tendencies, each character slowly finds their inner …

Echoes And Artifacts, Molly Elizabeth Miller

LSU Master's Theses

Architecture has many different contexts and meanings, but regardless of time and place, buildings act as a physical container of memory. This body of work explores the use of large facades as residue of a personal memory and uses physical deterioration to parallel the distortion of memory as a result of time and emotion. The work makes use of warping and tearing of materials and is created through the combination of large-scale relief prints, drawing, sewing, and the cutting away of materials. The exhibition includes an installation of fabric-based prints, a series of wall-based altered paper prints, and several artist …

[Implied Depth]*, Hope Thier

All Graduate Theses, Dissertations, and Other Capstone Projects

While snooping through my great grandmother's belongings, I found late 19th and early 20th century photographs and stories of untold familial histories, from that of my own family and others. I have taken to adopting these families, and I am attracted to these almost forgotten narratives and developing these incomplete truths about past relatives into fictionalized characters and false histories. I strive to develop a chaotic but structured quality in my work. While doing so, I explore relationships. The relationships evolve between myself and the material, myself and the characters, and the characters and the material. By observing and learning …

All Things In All Ways, Amanda Nicole Crary

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis highlights our obliviousness to nonhuman nature and how this ignorance severs a great connection to the earth and our senses. My work explores this important connectedness. The natural world is filled with fleeting revelations that shatter habitual ways of seeing and experiencing; my paintings act as record of such moments. The exhibition was held at the Conkling Gallery in Nelson Hall from February 24th to March 5th, 2014. It consisted of twenty-two works including paintings, drawings, and prints. All works were produced during my time within the M.A. program, 2012-2014. Postcards and a brochure advertised the exhibition. The …

Paper - A Reserve Or Backgound?, Brian Fay

Conference Papers

Paper: A Reserve or a Background?

“Using examples from contemporary practice and my own research, this presentation will discuss two models for the role of paper in drawing: as background and as reserve. It will focus on Walter Benjamin's definition for the graphic lines almost metaphysical relationship to the background, and compare it with Norman Bryson's model of the paper as a reserve, for him an 'area without qualities'.”

Joanne Aono Interview, Charlie Lacke

Asian American Art Oral History Project

Bio: Joanne Aono is a Japanese American Sansei artist, born in Chicago. She received a BFA from Drake University with post graduate classes through the SAIC.

Solo and two person exhibitions of her paintings and drawings include South Shore Arts, Images Gallery, Eyeporium Gallery, Dayton Street, and 303 Erie Artspace, with an upcoming solo show at the Lee Dulgar Gallery. Joanne has shown in numerous group exhibitions including Julius Caesar, Contemporary Art Workshop, Governor’s State University, Woman Made Gallery, Beverly Art Center, Northern Illinois University, and Art Chicago International. She has received City of Chicago Arts grants in addition to …

Contested Grounds, Carly Drew

All Theses

My drawings reference the American landscape tradition and Regionalism to comment on contemporary rural experience and highlight our interactions with nature. I do this through utilizing personal and family history to develop imagery that documents the economic changes taking place. I discuss why the American landscape tradition is important for a cultural understanding of my work, how industrial language impacts our understanding of these spaces and finally how my work visually encapsulates the contrast between objective forms of mapping and the subjectivity of personal experience. These contexts help discuss some of the larger issues of land ownership and use by …

When The World Went Quiet, Megan E. Mcleay

School of Art, Art History, and Design: Theses and Student Creative Work

The basis of my work is a consciousness of the presence of the soul and the choices that compose our reality. I use light to illuminate space and manipulate human emotion. The landscapes are mirror images of my mind, dreams both light and dark, of beauty and brutality, the expression of my invisible world. My practice uses destructive drawing actions to produce creation and suggest emotional trials. My images represent this deeper bond when all emotions are felt and experienced together. The figures are not saints, but are meant to generate the idea of divinity within the restraints of the …

Fiction Fix 14, April Gray Wilder, Sarah Scoles, Amanda Avutu, Louise Henrich, Susan Fedynak, Ira Joel Haber, Clay Steakley, Joachim Frank, Ernest Williamson Iii, Marty Carlock, Arthur Davis, David Press

Fiction Fix

No abstract provided.

Brian Fay Interview For Peel Magazine, Brian Fay

Other resources

This interview is from a series of artist conversations around the use of and relationships to the materials they employ in their practice. Other interviewees include Alexandra Hughes, Nadia Scola, Rachel Sharp, James Watts and Zara Worth.

Your Loss, Lauren Jean Hegge

LSU Master's Theses

Your Loss is an exhibition of drawings, photographs, intaglio prints, found objects and prose. Drawn from personal and anonymous archives, the works in the exhibition acknowledge various forms of breakdown, exploring individual reactions and attempts to rebuild from the fragments of loss. Inherent in the work are discussions of remembering and forgetting, finding and losing, building and destroying, growth and decay. This work is both recognition of the desire to hold on too tightly and an effort to learn to let go.

Domestic/Terror, Charles Russell Durio

LSU Master's Theses

The focus of my studio work is an exploration of my interest in the physical and mental dynamics that take place within the confines of my home versus the world outside. The home, spatial arrangements (architecture, passageways), maritime disasters, and the ambiguity of abstract expressionism all have an identifiable impact on my images. Abstraction allows me to maintain a visual ambiguity that often reflects the ambiguity of the real-life situations on which they are based. My drawings are rooted in remembrances of events and interior architecture culled from childhood memories. It also explores the juxtaposition of domesticity and fear, both …

Dab Shunt Spoor, Jen Grabarczyk

CGU MFA Theses

My work functions as an act of bearing witness. In it, I process consciousness, memory, narrative and time through the choreographed integration of cerebral representations and bodily movement. Through forms both strange and elegant, I seek to activate a viewer’s memory and consciousness–psychologically and corporeally.

Float In Float Out, Jason Sabbides

Electronic Theses and Dissertations

The artist discusses Float In Float Out, his Master of Fine Arts exhibition held at The Slocumb Gallery, East Tennessee State University, Johnson City, Tennessee from March 19, 2012, to March 23, 2012. The work consists of paintings on canvas, panel, and paper and employs a variety of media ranging from traditional materials to spray paint. The painting sizes vary from 20x24 inches up to 48x96 inches and all hang directly on the wall, framed and unframed. Topics discussed in this thesis paper include the influences of the artist's military experience and travelling abroad as well as the influences …

Architecture As Drawing: Representational Space Architecturally Transformed, Andrew Arkell

Architecture Undergraduate Honors Theses

This thesis project was motivated by the premise that a drawing could take on architectural meaning beyond its initial performance as a re-presentation of an architectural idea. Initially, there existed the goal to create a drawing that was architecture. In the creation of a process wherein the drawing is the research, however, there comes an understanding that a drawing may never be literal architecture; although, the means by which the drawing is created might be architectural, or at the very least, speak to ideals which are fundamental to the creation, to the process, of architecture itself.

All That We See(M), Alison H. Vanvolkenburgh

School of Art, Art History, and Design: Theses and Student Creative Work

Born open-eyed, ready to take stock of our surroundings from the first breath, no other sense so largely informs our understanding of the world as sight. The ability to visually process our environment may seem extremely straightforward to those long accustomed to its instinctive use. However, there is more to seeing than the pure mechanics of visual perception. Since we live, not in a static environment, but one of constant change and motion, our knowledge of the world around us comes in fragments, shifting flashes of color, shape, and movement that coalesce through the active process of vision. In these …

Pinkfish, Doug Mcnamara

SPECS journal of art and culture

No abstract provided.

From Excess Exhibit, Zach Kleyn, Amaranth Borsuk, Kate Durbin

SPECS journal of art and culture

No abstract provided.

Untitled, Jesse Glass

SPECS journal of art and culture

No abstract provided.

Lexical Sand, Jesse Glass

SPECS journal of art and culture

No abstract provided.

Graphic Score, Jesse Glass

SPECS journal of art and culture

No abstract provided.

The Forming, Barb Bondy

SPECS journal of art and culture

No abstract provided.

Simple Post Hoc Architecture, Jorgen Nicholas Trygved

SPECS journal of art and culture

No abstract provided.

Stitching As Knowing: Mapping Nebraska With Textiles And Thread, Elizabeth Ingraham

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Mapping Nebraska is a drawn, stitched and digitally imaged cartography of the state (physical, social, cultural, sociological) where I live. The interrelated components of this on-going project are:

• A 15 foot wide hand-drawn “Locator Map” of Nebraska, with every city, town, park, railroad, river, lake and creek drawn to scale on 95 Tyvek sections which were then stitched together.
• Terrain Squares, quilted and embroidered fabric relief forms of the physical topography of selected locations, using software to be able to see the terrain at a much larger scale (1 inch = 596 feet) than the Locator Map.
• Surveys, or on-the-ground …

Eulogy., Megan Renee Levacy

Electronic Theses and Dissertations

The artist discusses the search for identity which underlies her Master of Fine Arts exhibition, Eulogy, hosted by the Carroll Reece Museum on the campus of East Tennessee Sate University, Johnson City, Tennessee, from March 8 to May 6, 2011. This exhibit contains works which explore the artist's relationship with the natural world, ornithology, philosophy, psychology, poetry, and related personal influences.

The artist's thesis work consists of paintings, drawings, and photographs. The artist references her own investigation of poetry, philosophy, psychology, and personal history which have shaped a private sense of awareness. Also reviewed are the influences of artists …

A Matter Of Taste., Charles E. Haskins

Electronic Theses and Dissertations

This thesis paper supports the Master of Fine Arts exhibition at the Slocumb Galleries, East Tennessee State University, from March 14th through March 18th, 2011. The exhibit is composed of nine oil paintings depicting an invented story about two characters who create a soup for a cooking competition. The show A Matter of Taste chronicles an allegory concerning the evaluation of creative works. Through Gaudie and Baudie's "odd" recipe this work illustrates the ways in artists and art audiences interact and determine artistic value. The work is inspired by techniques in distortion and narrative painting. The following expands on the …

Lost And Found: We Are Where We Were, Brian Fay

Exhibition Catalogues

No abstract provided.

Newfangled., John Daniel Simmons

Electronic Theses and Dissertations

This thesis paper supports the Master of Fine Arts exhibition at the B. Carroll Reece Museum, East Tennessee State University, from March 9th through April 22nd, 2010. The exhibit is comprised of 62 unique ceramic pieces, which are presented on pedestals and wall mounted shelves. The exhibition presents the artist's exploration of form and surface used to create functional pottery. Topics discussed are the influences, concepts, techniques, and methods used to create the work. Included are process images, detail images, and images of selected works from the exhibition.

Deviant, Courtney Richards

All Theses

ABSTRACT
I create portraits and self-portraits that explore the dualities of the western human condition, namely the deviant and the ideal, the refined and the unrefined, and the perfect and the flawed. Drawing on personal experiences with people considered outsiders or social deviants, I construct figures that embody the conflicting ideas inherent in these dualities. I explore these conflicts in drawings that are constructed with marks and shapes that are both basic and refined, and in photographs that use analytic documentation to describe social turmoil. I reference artists both contemporary and historical, such as Egon Schiele, Robert Longo, Kathe Kollwitz, …

Physically And Viscerally Made, Jenny Hutchinson

All Theses

Through the mediums of painting and drawing, I seek to create a figure that communicates particular states of being relative to contemporary conditions in society. Today we are individuals consumed by visual media and interconnectivity. I question -in wake of those conditions- how often we are self-aware. By living our lives through these two devices, we increasingly satisfy external needs, but may neglect internal needs. This situation, I believe, causes a dislocation of mind from body, and allows us to behave body-less. The distortion that we feel viscerally and live physically is actualized through the paint and drawing mediums. An …