Fine Arts Commons^™

'Surface Tension' & 'Koi Pond', Jordan Marozik, Jenni Martinez

.RAW Journal of Art and Design

No abstract provided.

'The Dichotomy Of Chains' & 'Doll Riot And Suburban Dropout Experiment', Jennifer Leo, Rene Basso-Medel

.RAW Journal of Art and Design

No abstract provided.

'I Kept My Faith For Long Enough' & 'Far Gone', Fenn Bruns, Tyler Deal

.RAW Journal of Art and Design

No abstract provided.

'Firefighter Dalmatian Logo' & 'Zoë In Wonderland', Erin Robinson, Dijia Wang

.RAW Journal of Art and Design

No abstract provided.

'Stillness & Solitary' & 'Sf Moma', Kyra Oh, Dena Gabriel

.RAW Journal of Art and Design

No abstract provided.

'Birthday Bash' & 'Cursed Cat Things', Claire Hughes, Melanie Woo

.RAW Journal of Art and Design

No abstract provided.

'A Portrait Of Blossoming' & 'The Album To The Ballad Of My Life', Chloe Krome, Amanda Keith

.RAW Journal of Art and Design

No abstract provided.

'Midsummer's Dream' & 'And To Many More' & 'To Be Like You', Brooke De La Torre, Haley Armstrong

.RAW Journal of Art and Design

No abstract provided.

'Glow Up' & 'Geoglyph Animated', Bobby Groth, Frank Cooke

.RAW Journal of Art and Design

No abstract provided.

'Condor Refrain' & 'Cryptic Coloration', Cristhian Sanchez, Asher Dolinger

.RAW Journal of Art and Design

No abstract provided.

'Hands Through A Wall' & 'Alvin Ailey', Anushe Irani, Aviv Kesar

.RAW Journal of Art and Design

No abstract provided.

Table Of Contents, Sarai Devi Dasi

.RAW Journal of Art and Design

No abstract provided.

Openning, Sedona Elliot

.RAW Journal of Art and Design

No abstract provided.

Cover, Andrea Aruino

.RAW Journal of Art and Design

No abstract provided.

Full Issue, Sarai Devi Dasi, Vivian Jameson

.RAW Journal of Art and Design

No abstract provided.

The Missguided Project: Bringing Awareness To The Stigmas And Miseducation Surrounding Women’S Health Through Art And Creative Research, Gwyneth Cunningham, Hayley Newton, Zeen Ari, Claire Portele, Kerlous Aziz, Madelyn Kearns

[Archive] Belmont University Research Symposium (BURS)

MissGuided is a project that discusses miseducation, shame, and stigma within women's healthcare settings, and the transformative potential of storytelling and artmaking in these contexts. Women encounter systemic miseducation, leading to shame and stigma surrounding their health experiences. However, through the power of community-driven narratives and creative expression, these barriers can be dismantled. Facilitating communal dinner parties as a form of conceptual art making, we aim to explore the diverse experiences in healthcare through conversation. The accumulation of the research, dinner parties, and wellcores will be delivered through a collective cookbook which includes recipes, testimonials, and art. By sharing personal …

Woodpecker, Arina Petrova

CLAMANTIS: The MALS Journal

No abstract provided.

Good Taste No Waste: A Solution For Managing Food Waste In Newly Independent Young Adults, David Eppinger

Masters Theses

Consumers are the biggest contributors to food waste in the United States and in other developed countries, though most of them don’t realize it. American young adults living independently for the first time lack education on responsible food management in the areas of planning, preparation, and preservation. This lack of skills results in excessive waste of food, money, and energy, and leads to significant damage to the economy and the environment. Ample research exists identifying this issue and the changes that need to be made, yet effective visual solutions have not yet followed. Through a comprehensive topical survey, along with …

God's Endangered Animals: Awakening Conservation For Future Generations, Stefan R. Sanford

Masters Theses

Poaching and illegal hunting have brought several endangered species to the brink of extinction. The elephant population in Africa has been depleted from millions to less than 500,000 known to live in the wild. Ocean species are seeing grave losses with whales having been hunted for so many years, and their numbers not returning to the levels they once were. The purpose of this thesis is to create a body of work through research and creativity which will demonstrate how the protection of these animals is essential to the earth that God created. All the animals God created were of …

You Are Here: Experiencing Place Through Poetry, Janet Reeves

Masters Theses

This thesis contains a collection of poems about Whidbey Island, its plants, wildlife, landscape, character, historical and community events, legends, and landmarks. I have written these out of curiosity about my new location as I begin to claim this place as my home. Imagery will help readers understand the place. Yet some aspects of the place may also, sometimes, function as analogies to help readers understand something else. I have used my knowledge of Whidbey Island in a way that I hope will help readers grasp more than what people can see, hear, touch, smell, or taste in this place. …

Stimming As A Form Of Autistic Aesthetic Experience, Neuroqueering Landscape, Sam Metz

Ought: The Journal of Autistic Culture

Sam Metz is an artist based in Hull who creates work that engages with the concept of ‘neuroqueering’. They create sculptural installations that incorporate both film and animation while exploring body-based responses to ecology. As a neurodivergent artist and curator with sensory processing differences, Sam creates work in non-verbal ways that begin and end in movement and embodied interactions without recourse to traditionally privileged verbal and written forms of communication. Recently they created a series of work called ‘Porosity’ which looked at embodied sensory relationships to the Humber Estuary, with a focus on stimming and ecological perception.

Sam, through their …

Strange Stranger: A Visceral Skin Glaze Exploration Into The Neurodivergent Sensory Experience, Sam J. Lucas

Ought: The Journal of Autistic Culture

Sam Lucas

Sam creates ambiguous figurative objects predominantly in clay. Her creative practice draws on her experience of being a neurodivergent woman today, by exploring aspects of her own unique neurotype.

The visceral glaze exploration pieces were the precursor to the final forms for her body of work called ‘Strange stranger’ where she is exploring the weight and awkwardness of being in the body, the pain this alienation can cause, and ironically the beauty and humour that results from this diversity.

The surfaces of the pieces were attempting to describe the interoceptive, exteroceptive and alexithymic confusion that can occur at …

No Longer On Fire, Vikki M. Parker

Ought: The Journal of Autistic Culture

Capturing the poetic, lyrical essence of the ethereal universe, the pencil portal births whispers of the self in these Sourcedoodle collections, beginning as intuitive drawings and revealing their deeper essence through digital wizardry, healing art comes through for remembering the soul's purpose. A journey to gently collect the fragmented parts of a broken self. Like little souls dancing, each image has a story, a capturing of energy, an anchoring of light intensity, a glorious weaving of fluidity and a playful curiosity. A permission to be whole & a celebration of source discovering embodiment underpins this spiritual quest for discovering existence …

Fine Arts Gallery: Dylan Mackenzie, Dylan Mackenzie

Ought: The Journal of Autistic Culture

Dylan has a diagnosis of ASD [Autism Spectrum Disorder]. This impacts his ability to communicate - he is (mostly) non-verbal, and as a result this affects his learning and emotional development. Dylan will likely require support throughout his life. Nonetheless, he is physically fit and active, loving and good humoured.

His love of the outdoors inspires his artistic practice, and he attends regular classes and workshops at Project Ability - a Glasgow-based visual arts organisation which creates artistic opportunities for people of all ages with disabilities and people with lived experience of mental ill-health.

He explores experiences through lyrical and …

A Walk With The Cailleach, Shelley Wallace

Ought: The Journal of Autistic Culture

I’ve been working on a larger scale with various media and tools for mark-making to get my whole body involved in the movement. It’s taken time for me to work this intuitively, allow my body to shape spaces that communicate beyond words and the small, tight, figurative works I’ve long squeezed me into. For me the silent paint, and mixed media, speak louder and connect on a deeper emotional level in abstract form, speak when words fail me. I work spontaneously and instinctively but I’m also shaping a visual language through the poetry of line and movement, and the poetry …

Exploring The Effects Of Trance States Through Ritual, Kriya Yoga, And Expressive Arts For Adults With Complex Post Traumatic Stress Disorder, Alexandra (Lexi) Faith Traub

Expressive Therapies Capstone Theses

struggling with substance abuse often have complex post-traumatic stress disorder (CPTSD) and seek altered states beyond the mundane via substances. What if expressive art therapies and ancient spiritual practices creating trance states could meet this need to alter states, while healing CPTSD symptoms by developing self-awareness, affect regulation, and reprogramming the subconscious mind through imaginal realm parts work? This capstone thesis explores this using yogic philosophy, shamanic drumming, Himalayan singing bowls, aboriginal grief rituals, and expressive art therapies rooted in transcendental theater, bilateral stimulation, and natural materials like clay therapy. A methodology combining ancient wisdom, arts, and modern psychological theory …

Glue Gun Stories: Public Art Educators’ Perceptions Of Trauma And Its Impact On Their Pedagogy And Praxis, Alicia Gray

Educational Studies Dissertations

Public School visual arts educators play a vital role in implementing trauma-sensitive practices within schools. Through a collaborative arts-based research design the researcher worked alongside four public school visual art educators to portray their knowledge, beliefs, and values surrounding trauma while also gaining a nuanced and in depth understanding of how perceptions of trauma influence their pedagogy and praxis. Data collection methods included interviews, focus groups, participant and research observations, photo documentation, and art-based data. Participants viewed trauma as chronic adverse events that lead to maladaptive responses within students. They felt these responses had widespread impacts on the entire school …

The Diorama Of Coexistence Hypnagogia: The Liminal Space Between Dream And Reality, Yunseok Song

Master's Theses

The “Diorama of Coexistence” explores the imagined spaces where humans and animals share the same environments, blurring the lines between reality and fantasy. This year-long photographic project is inspired by my Christian faith and the Genesis creation narrative, where the world was originally harmonious and unspoiled. Through my work, I aim to reimagine the natural world, not as it is, but as it could be a place where animals and humans coexist peacefully.

In researching human development and its impact on nature, I found that animals are often confined to spaces like zoo, far from their natural habitats. This led …

K(Now) W(Here), Yulin Yuan

Masters Theses, 2020-current

“How does one discover solace and belonging within these layered narratives?”

In mythology, narratives were once created to answer the incomprehensible questions of an era. These narratives unveil half-truths, customs, and convictions. K(now) W(here) is based on the experience of the artist who is Chinese and immigrated to South Africa at a young age; she elaborates the story about assimilation, authenticity, tales of her ancestral roots, and, most often, myths of identity.

The artist used narratives from Chinese mythology, collaged physically and metaphorically using tangible objects from other’s homes in combination with photography, digital media, and domestic items and assemblage …

[W]Hole: Journey To Fullness, Joni P. Gordon

MFA in Visual Art

My work raises critical questions about Black history, race, gender, beauty, and privilege. My practice also highlights the intersectionality of colorism and racism. I use materials such as cardboard rectangles with handwritten words, brown paper, doors defaced by scratches, fire, printed images, newspaper, and projected photographs to ask and answer those questions. I also use Work and Travel documents, broom and brush bristle, mop fiber, towels, and audio recordings of oral histories to exhibit invisible scars wrought by racist actions as physical and material manifestations.

My practice began after experiencing racial discrimination for the first time on a US work …