Fine Arts Commons^™

Orpheus, Fall 2018: Bedside, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Demo 29, Columbia College Chicago

Alumni Newsletters

Alumni newsletter from Fall-Winter 2018 entitled "DEMO 29." This issue is 48 pages.

One Root, Many Trees: Reviving Collections Practices, Kevin Farley, Emily Davis Winthrop, Ibironke Lawal, Patricia Sobczak

Charleston Library Conference

Collections are undergoing intense change and pressure from technology, budgetary uncertainties, and emerging perspectives on future approaches. Our case study—drawn from our experiences as collections librarians—examines these complex issues facing academic collections, large or small, across the profession. Through the development of “collections of distinction” within the local collection, collaborations and scholarly partnerships with colleagues and faculty, and advocacy for the importance of dedicated oversight to ensure that collections investments fulfill the academic mission, we explore possible solutions to the complicated issues defining contemporary collections practices.

Cariboo Fires, 2017, Susan Mccaslin, Mark Haddock

The Goose

A union of poetry and photography exploring the devastating impact of the wildfires in the Cariboo region of British Columbia in the summer of 2017 in relation to climate change.

Returning The Radiant Gaze: Visual Art And Embodiment In A World Of Subjects, Beth Carruthers

The Goose

Drawing on the latter thinking of Maurice Merleau-Ponty, as well as on the ideas of other contemporary philosophers and theorists, this essay considers the denigration of vision from Plato to twentieth-century anti-ocularism, and argues for the reclamation of vision and visual perception as sensuous, embodied interplay between humans and world, self and other—an opening to wonder and more sensitive human-world relations. It does so through a phenomenological exploration of the process of art-making, and consideration of the role and value of artworks and images in the world. This essay is first and foremost an enquiry. As such it promises no …

Sea Squad, Liam Geary Baulch

The Goose

The Sea Squad is a band of cheerleaders against climate change. Taking action as a team in formation, they gather momentum, inviting all people to cheer with them, mimicking the infinitely expandable nature of the seas' molecular structure. The work was developed and performed as a bilingual project at Est-Nord-Est in Saint-Jean-Port-Joli, Quebec, Canada, and has since been performed and exhibited internationally. The following poems are some of the chants that Sea Squad use to get a crowd cheering together against climate change.

Seeing Red, Angelica Bergamini, Steven Broder, Pasquale Cuppari, Chien-Ch'in Feng, Ben Jones, Morimoto Kawaracho, Heejung Kim, Henry Koerner, Eric Jiaju Lee, Carole Loeffler, Don Miller, Rafael Rivera Rosa, V. Sachkov, E. Artsrunyan, Yuli Sung, Peter Treiber, Peter Turnley

Exhibition Catalogs

Catalog for the exhibition Seeing Red held at the Seton Hall University Walsh Gallery, September 4 - October 20, 2018. Curated by Meghan Brady and Alexandra Henderson. Includes an essay by Meghan Brady and Alexandra Henderson. Includes color illustrations.

Modern Arts And Pueblo Traditions In Santa Fe, 1909–1931, Elizabeth S. Hawley

Dissertations, Theses, and Capstone Projects

This dissertation examines art produced in and around Santa Fe, New Mexico during the early twentieth century, putting the works of Pueblo artists who lived in the area into dialogue with the works of Anglo-American modernists who traveled there. I take as case studies three artists whose practices are linked by both circumstance and agenda: Maria Martinez, a famed Pueblo potter; John Sloan, a leading member of The Eight and the Ashcan School; and Tonita Peña, a Pueblo watercolor painter. Weaving together Anglo-American and American Indian art history – which are too often bifurcated into separate accounts, omitting rich histories …

Raw, Roast Or Half-Baked? Hogarth’S Beef In Calais Gate, Piers Beirne Phd

Department of Criminology

Scholars of human–animal studies, literary criticism and art history have paid considerable attention of late to how the visual representation of nonhuman animals has often and sometimes to great effect been used in the imagining of national identity. It is from the scrutinies of these several disciplines that the broad backcloth of this article is woven. Its focus is the neglected coupling of patriotism and carnism, instantiated here by its deployment in William Hogarth’s painting Calais Gate (1749). A pro-animal reading is offered of the English artist’s exhortation that it is in the nature of ‘true-born Britons’ to consume a …

Illusions Of "Blackness" In Contemporary Visual Culture, Michaël Dorn

MFA in Visual Arts Theses

My thesis begins with a primer of the historical concept of “black(ness)” and the roots of its racialization. Intertwined throughout my discussion in Section I, I will highlight a few of my research findings and discuss some of the installation images that I created as I studied the work of contemporary artists who use lexical and literal figurative “blackness” in their work—in particular, the oeuvre of Kerry James Marshall as featured in his retrospective exhibition Mastry. My discourse unfolds with a brief etymological review of both the English word “black” and its precedent conceptual forms in Section II. Section …

Four Decades Ron Geibert: Emeritus Professor - Works From 1978 - 2017, Ronald R. Geibert, Robert And Elaine Stein Galleries

Exhibition and Program Catalogs

A retrospective showing featuring color street photography, installations, Orwellian prints, and electronic kiosks and complemented with a re-showing of a 1986 exhibition, and the 1997 CD-ROM with rare video and audio components, illustrating the role of social and recreational events during the Great Depression and photographic artworks added to the Wright State University permanent collection from the dozen shows curated by Professor Emeritus Ron Geibert from 1986 to 2007

The Everyday Universe, Ashley W. Hope

LSU New Orleans Theses and Dissertations

I take inspiration from ordinary objects and materials. Through photography, I attempt to transcend the familiar to discover complexity within the bits and pieces of my everyday life. Like other artistic representations, a photograph is a singular portrayal, not an actualization of physical reality. My artistic exploration of this involves incorporating elements of abstraction to point to the truth that all photographs are, by nature, an abstraction of our physical reality based on perspective. The resulting images often share a quality of impermanence, counterbalanced by the act of making a photographic document. By evoking this temporal quality of photography and …

The Paper Zoo: 500 Years Of Animals In Art By Charlotte Sleigh, Gina M. Granter

The Goose

Review of Charlotte Sleigh's The Paper Zoo: 500 Years of Animals in Art.

Contour Line Self Portrait, Thomas A. Thayer Mr

Open Educational Resources

No abstract provided.

Western Bias In Art, Sally A. Struthers

Art and Art History Faculty Publications

Presentation given at the Dayton Art Institute on the Western Bias in Art.

I Cut Off My... Voice: An Autoethnography Of An Artist And Art Educator With A Brca Genetic Mutation, Nicki Lynn Hornbaker

Electronic Theses and Dissertations

The effects of BRCA genetic mutations on artists and art educators had not been known. Autoethnography is a qualitative method for writing about personal experiences through a cultural lens. I used my personal experiences within a BRCA positive community to understand shared experiences among artists and art educators with this genetic mutation. This study aimed to explore the commonalities that are occurring within this subgroup. Anxiety and emotional stress played a role in most of the respondents‟ lives, affecting them in numerous ways. Most of the respondents underwent salpingectomy, oophorectomy, and mastectomy surgeries which led to further emotional and physical …

Art B0051 Studio Critique, Thomas A. Thayer Mr

Open Educational Resources

No abstract provided.

Art Theft, Art Vandalism, And Guardianship In U.S. Art Institutions., Katharine L. Salomon

Electronic Theses and Dissertations

Art crime scholars and art world professionals constantly grapple with determining the most effective methods by which to reduce and prevent victimization by art thieves and art vandals. Despite the numerous accounts of this form of criminality, there is a dearth of empirical studies focused on the security and care of art collections. Using Routine Activities Theory to guide the research, the present study explores the relationship between social and physical guardianship practices and the prevalence of art theft and art vandalism using questionnaire data collected from 111 American art museums and art galleries. The results indicate an overwhelming lack …

Glenn Wilson And "Straight No Chaser – The Thelonious Monk Story.", Jon Norton

Interviews for WGLT

IWU Jazz Director Glenn Wilson says rare concert footage is a major reason the Thelonious Monk documentary, "Straight, No Chaser" is a must-see. Wilson’s non-profit Further Jazz sponsored the film for a screening at a local theater. Wilson speaks to WGLT's Jon Norton about the film, and lasting influence of the jazz great.

Untitled, Gabriela Short

Art Journal

No abstract provided.

Archives, Maalick Mbatch

Art Journal

No abstract provided.

Hidden Depths, Kristina Ho

Art Journal

No abstract provided.

Not Paid To Be Here, Sophia Forneris

Art Journal

No abstract provided.

Art Journal 2018 - Shifting Identities

Art Journal

No abstract provided.

Migiwa Orimo Interview, Jessica Ruiz

Asian American Art Oral History Project

Artist Bio:
Migiwa Orimo is an artist whose primary work takes the form of installation. Orimo was born and raised in Tokyo, Japan. After receiving her degree in literature and studying graphic design, she immigrated to the US in the early eighties.

In her process of creating installations, she begins by entering a space of language. Often her installations consist of disparate elements--text, painting, drawing, objects, video and sound. In attempting to establish relationships and tension between those elements, similar to constructing sentences, she explores the notions of gap, slippage, and “a realm of disjunction.”

She exhibits her work nationally; …

Run Me Dusk, Zane Truman Dezeeuw

Masters Theses & Specialist Projects

This is a full-length novel with a critical afterward. Run Me Dusk is a falling-out of love narrative about twenty-seven-year-old Milo who, after being broken up with by his boyfriend Red, flees from Illinois back to his hometown in southwestern Colorado to meditate on his place and purpose in life. The themes covered in this book are gay relationships, family relationships, mortality, and the natural world.

Mindfulness Of Minnows, Will Hollis

Masters Theses & Specialist Projects

Literature is a deeply personal and interpersonal act from the author to the reader. In some way the author is attempting to capture their interpretation of space and time inside the vehicle of language. Through metaphor and enjambment, syntax and imagery, this thesis attempts to render the contemporary experience of the artist as he is grounded in location and interpretation. The lens used in inspecting the world is biological and philosophical, seeking and hiding from the truth.

Nature and science are used as linking languages in the collections of poems, seeking to be united with emotion based in the bedrock …

The Earth, The Moon, The Stars: Stories, Cameron Jay Moreno

Masters Theses & Specialist Projects

This is a book-length, hybrid collection of short stories and poetry with a critical introduction. The narrative of these stories and poems are told through the perspective of Xavi Muñoz and various characters related to him. In theme, this collection explores machismo and Xavi’s attempt at overcoming it by discovering the intersectionality between masculinity, sexuality, gender, and gender roles. In addition, the introduction theorizes about masculinity by relating it to water.

Introduction To “The Movement's Voice", David Callaghan, Ann M. Shanahan

Department of Fine & Performing Arts: Faculty Publications and Other Works

No abstract provided.

Complete Issue

Landscapes: the Journal of the International Centre for Landscape and Language

The complete issue 1 of volume 8, Landscapes Journal.