Fine Arts Commons^™

Ephemeral Permanence, Emily Reason

School of Art, Art History, and Design: Theses and Student Creative Work

Traditional pottery forms and images of flora, fauna and rural architecture in Ephemeral Permanence awaken memory through the sensations and associations they suggest. These works are memorials to beauty, craft, culture and nature. I capture what is fleeting, make it tangible and endow it with longevity. Graceful movement paired with an element of danger reveals the complicated nature of beauty, waning culture is depicted with meticulous stability to conjure nostalgia, and form and surface celebrate craft and beauty. Icons of nature and culture in this work play a metaphoric role and serve to ignite memories.

I am fascinated with the …

Whitetail, Michael Steven Villarreal

School of Art, Art History, and Design: Theses and Student Creative Work

When I was growing up, both my parents worked at a U-Haul from which they brought home discarded objects to the house my dad built with his own hands. This home, interior and exterior, was not designed to fit an explicit aesthetic, but all aspects of the house were in harmony and completed by the objects brought into each space. The house became a repository for abandoned domestic American culture— beds, window blinds, couches, appliances, and other products made it into the home in irregular but frequent intervals. For me, each item was an opportunity to have something new to …

Pathos, Spring 2017, Portland State University. Student Publications Board

Pathos

Editor: Jessica Moore

Volume 11 No. 3

Art Infested Water, April 2017, Nova Southeastern University Department Of Performing And Visual Arts

Department of Performing and Visual Arts Newsletters

No abstract provided.

Orpheus, Spring 2017, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.

Program Booklet: 28th Annual James Porter Colloquium, Department Of Art

28th Annual James Porter Colloquium

No abstract provided.

The Writing On The Walls: Street Art As A Site Of Participation In Discourse And A Platform For Voice In The Moroccan Public Sphere, Natalie Johnson

Independent Study Project (ISP) Collection

Street art is a form of mass communication and a platform for public discourse (Chaffee, 1993, p. 4). Public discourse in the Moroccan context is undergoing a process of limited liberalization, characterized by the hybrid regime’s allowance of a greater plurality of voices to legitimately participate in public discourse while still maintaining surveillance and control over who participates and how they participate (Desrues, 2013). Through qualitative research methods, this study analyzes how individual actors and the Moroccan hybrid regime use street art in the Rabat-Casablanca urban space to participate in public discourse and how street art is related to the …

We Were There, We Are Here: Queer Collections And Their Repositories And Legacies, Alexandria Deters

MA Theses

Art history and history has gaps within it that are just now starting to be filled and the absences rectified. Those gaps are caused by erasure of queer art history. The way it has been rectified is through queer institutions and queer collections. This study explores how queer institutions and collections are innately political through saving queer objects and art. It is through their efforts that queer art history is finally being recognized in major institutions, collections, and exhibitions. I interview scholars and collectors to understand why they collect, which reveals the political nature and uniqueness of queer art as …

The Capitalist-Marxist Dichotomy Within The Hudson River School: Conceptualizing American Property Through The Career Of Worthington Whittredge (1820-1910), Astrid Tvetenstrand

MA Theses

The Hudson River School artistic movement has been regarded as one of the foremost examples of American painting. These images of landscape have embodied the spirit of the United States and its perpetually changing relationship with nature. While these nineteenth-century paintings are consistently analyzed through the lenses of Romanticism and Idealism, there is a lacuna in the narrative which accentuates economic and political philosophies as important influencers of these works. The impact of capitalism and Marxism is identifiable through not only the country’s economic system, but also the nation’s artistic movements. These theories are well-defined by paintings highlighting northeastern agrarianism …

The Third Coast, Catherine Jane Davis

Theses and Dissertations

The Third Coast is a photographic exploration of the vernacular landscape of the US Gulf Coast. Stretching some 1,600 miles from the mouth of the Rio Grande in Texas to the Florida Everglades, America's southernmost shore is vast and complex. The region is a patchwork of both the natural and built environments, a tangled combination of history and geography, culture and ecology that reflects an intimate and ever-evolving relationship between man, land and sea. The Gulf Coast resists tidy hierarchies or easy classification. Rather, the rhythms of the region comprise its own syntax, a way in which seemingly dissimilar locations …

Sunday Dinner, George Dominic Barreca

Theses and Dissertations

ABSTRACT

Archeology often evaluates social class through the symbolism and refinement of ceramic pottery. Recording undecorated and decorated vessels placed within a spectrum, determines a social economy through the Ceramic Value Index. Austere, robust earthenware is usually considered peasantry or lower class whereas fine, opulent porcelain is categorized under the vessels of aristocracy or affluence. I am interested in utilizing this historical method to consider use, decoration, and value through the lens of the contemporary working class.

In my work, I employ simple molds and hand-building techniques to define a process that relates to the “economy of means” found within …

Flora & Fauna, Elisa N. Griego

Toyon: Multilingual Literary Magazine

N/A

Pearl Necklace, Daisy N. Ramirez

Toyon: Multilingual Literary Magazine

N/A

Beauty Over Life, Erin Urbanus

Toyon: Multilingual Literary Magazine

n/a

Seeking The Invisible, Alexis Bragg

Theses and Dissertations

Seeking The Invisible is a photography portrait series which explores the internal context of those suffering from invisible illness. This body of work examines the interior worlds of those often stigmatized as “outsiders,” and those who seek to be acknowledged beyond their illness. When one is told of another’s physical malady with no visible indicators of a problem, skepticism or outright disbelief is an unfortunately likely response. By asking my subjects “What would a portrait of your life look like?” I sought to observe the interior world of this subset and empower my subjects as something more than their illness.

Hương Ngô Interview, Jessica Perez

Asian American Art Oral History Project

Bio: Hương Ngô is a multidisciplinary artist whose work incorporates performance, sound, text, and installation. She was recently awarded the prestigious Fulbright US Scholar Grant in Vietnam to continue a project (begun at the Archives Nationales d’Outre-Mer in France) that traces the colonial history of surveillance in Vietnam and the anti-colonial strategies of resistance vis-à-vis the activities of female organizers and liaisons. The project, To Name It Is To See It, fleshes out identity and visibility as territories that both colonizer and colonized manipulate to achieve personal agency or state sovereignty. She was born in Hong Kong and is currently …

Jon Yamashiro Interview, Ciera Stokes

Asian American Art Oral History Project

BIO: Jon Masuo Yamashiro was born the oldest son and raised as a third-generation Okinawan American in the “cultural pastiche” of Honolulu, HI. He traveled from the islands to study at Washington University in St. Louis and received his BFA in 1985, then went on to earn an MFA in photography from Indiana University in 1991. Since the fall of 1993, he has had the privilege of teaching photography to college students at Miami University. Jon lives in Liberty, Indiana, with his wife Jennifer and their daughter Lydia and son Luke. http://yamashirophoto.com/

Kaveri Raina Interview, Eva Swiecki

Asian American Art Oral History Project

Kaveri Raina is an artist working in Chicago, IL. She was born and raised in New Delhi, India and moved to the States at the age of eleven. In 2011 she received her BFA in Painting and Photography from the Maryland Institute College of Art, and in 2016 her MFA in Painting and Drawing from The School of the Art Institute of Chicago. Raina was a 2016 recipient of the James Nelson Raymond Fellowship, Fred and Joanna Lazarus Scholarship, amongst others. In fall 2016 she completed a five-week residency at Ox-Bow, in Saugatuck, MI. Raina has exhibited in Chicago, New …

Mayumi Lake Interview, Raegen Balton-Watkins

Asian American Art Oral History Project

“Mayumi Lake is a Chicago-based artist. Her photography and video work delve into childhood and pubescent dreams, phobia and desires. She employs herself and others as her models, as well as dolls, toys, weapons, vintage clothes, and altered landscape as her props.” - http://mayumilake.com/about.html-

BFA, 1997, MFA, 2000, School of the Art Institute of Chicago. Exhibitions/screenings: Miyako Yoshinaga Gallery, Asia Society, Art in General, Artists Space, New York; Fotograpie Forum International, Frankfurt; Cornelius Pleser Galerie, Munich; Director's Lounge, Berlin; Bangkok International Art Festival, Bangkok; Galleria PaciArte, Brescia; FOTOAMERICA, Santiago; Ellen Curlee Gallery, St. Louis; O Gallery, Tokyo. Monograph: Poo-Chi, …

Matthew Avignone Interview, Alicia Urquizo

Asian American Art Oral History Project

Bio: Matthew Avignone is a Korean-American photographer born in 1987. In 2011, he obtained his B.A. in photography from Columbia College, Chicago. He has been exhibited at the Aperture Foundation, the Pingyao Photography Festival (China), and the Camden Image Gallery (London), among others. His first artist book, An Unfinished Body (2011), is part of the collections of the George Eastman House International Museum of Photography and Film and the International Center for Photography. In October 2014, after working for five years on documenting his own family, he released his self-published book, Stranger Than Family. The story of this project, …

What Am I Doing Again?, Megan Coonelly

Theses and Dissertations

My work explores notions of habits, chaos and distractions; present within my painting practice. Each painting I make begins with a routine that symbolizes the daily experiences of my life. My paintings reflect the constant thought stream of my mind. They reveal the constant of societal and cultural past and present; buried as deep in our minds as a prayer or hymn ready to burst out at any moment. By referencing and exploring pop culture and pop art, I engage in a critique of commodity and commercialism. My paintings respond to cultural conditions of the digital age.

Raeleen Kao Interview, Beena Patel

Asian American Art Oral History Project

BIO: Raeleen Kao is a drawer, printmaker, and amateur competitive eater aka glutton residing in Chicago with a Charles Brand etching press, a red tabby, and forty plants.

Her prints and drawings have been exhibited in museums and galleries across the country most notably at the International Museum of Surgical Science, the Monmouth Museum of Art, Bert Green Fine Art, the Smith College Museum of Art, Tory Folliard Gallery, Firecat Projects, and Normal Editions Workshop. Her work has been represented at SELECT Fair New York, the Editions and Artist Books Fair in New York, the Cleveland Fine Print Fair, the …

Wesley Sun Interview, Chad Novotny

Asian American Art Oral History Project

Bio: BA, 2004, Stetson University, DeLand, Florida; M.Div, 2008, The University of Chicago. Both Wesley Sun and his brother (Brad Sun) were born and raised in Orlando, Florida, by their parents who are Chinese immigrants from Malaysia. Wesley serves as the Director of Field Education and Community Engagement at the University of Chicago Divinity School and is a volunteer chaplain at Cook County Jail. He also does creative writing for graphic novels that both he and his brother have collaborated on. His completed graphic novels include: Chinatown, Apocalypse Man, and Monkey Fist. Eisegesis: Kings + Queens is expected to be …

Renluka Maharaj Interview, Steven Zych

Asian American Art Oral History Project

Bio: Renluka Maharaj grew up in the country of Trinidad and Tobago and moved to New York as a child where spent most of her life. Her Eastern and Western background wrapped with modern sensibilities is evident in her bodies of work. Her interests are centered on gender roles, sexuality, colonialism, mythology, iconography and fetishism. Some of the artists that have influenced her work are Yinka Shonibare and Yasumasa Morimura.

Ms. Maharaj completed her BFA at the University of Colorado Boulder and is currently completing her MFA at the School of the Art Institute of Chicago where she received the …

Michio Iwao Interview, Grace Johnson

Asian American Art Oral History Project

Bio: Michio Iwao is one of four sons of the parents Kotama and Tomonosuke Iwao. He is known as an Asian American craftsperson that was born on July 12, 1922 in Suisun City, California. During World War II Michio and his family were relocated and held at the Gila River Internment Camp also known as Trulock. This stay lasted from 1942 to 1945 under the War Relocation Authority. This Japanese Internment camp inspired Iwao to spend his idle time learning how to make bird pins. This was the start of Iwao becoming a craftsperson.

Jun-Jun Sta.Ana Interview, Jackson Hughlett

Asian American Art Oral History Project

Bio: Jun-Jun Sta.Ana is a self-taught multi-disciplinary artist born on September 19, 1963 to Remigio Benavidez Sta.Ana and Emma Cecilio Catral in Manila, Philippines. He moved to the United States at the age of 24, shortly after finishing a degree in Dentistry. He started his art career late just before he was turning 40- having a solo show of digital works using appropriated images from free porn sites which he deconstructed and embellished with images and symbols culled from Filipino talismans. His practice has become multi-disciplinary, and while still utilizing found images and materials, he also employs the technique of …

Kristine Aono Interview, Maureen Vela

Asian American Art Oral History Project

Bio: Kristine Aono is a sculptor and installation artist. She has a BFA from Washington University in St. Louis and attended the Skowhegan School of Painting and Sculpture in Maine. In addition, she has done residencies at the MacDowell Colony and the Virginia Center for the Arts.

She has received numerous grants from organizations such as the National Endowment for the Arts (Visual Artist/Public Project Grant), the Maryland State Arts Council, the Painted Bride, the Civil Liberties Public Education Fund, and the Prince George’s Arts Council. Kristine Aono has served on the Board of the Washington Project for the Arts, …

Mie Kongo Interview, Mimonna Aljaber

Asian American Art Oral History Project

Bio: Mie Kongo grew up in the outskirts of Tokyo, Japan and now lives and works in Evanston IL, where she makes multidisciplinary work: ceramic sculptures & installations, 2D work and porcelain designed objects. Her work has been exhibited nationally and internationally, including recent exhibitions, “Unknown game series” at Dan Devening Projects + editions, Chicago, IL "Beyond Function" Arts and Literature Laboratory, Madison, WI, "Reformat: Digital Fabrication in Clay" Lillstreet Art Gallery, Chicago, IL, “Circle in a Square” Hyde Park Art Center, Chicago, IL. She has been showing her porcelain products at Paul Kotula Projects, Ferndale MI and Room 406, …

Marshall University Music Department Presents An Eighth Annual Festival Of New Music, Steve Hall

All Performances

No abstract provided.

Art Infested Water, March 2017, Nova Southeastern University Department Of Visual And Performing Arts

Department of Performing and Visual Arts Newsletters

No abstract provided.