Fine Arts Commons^™

Adventures Close To Home, Ryan Syrell

Theses and Dissertations

My work articulates experiences of intimacy and porosity with regard to domestic space. I think of these paintings as fields of interrelatedness which work to dismantle the perceived thresholds between things. The following text brings together the research of my studio practice and a survey of artists, writers, and filmmakers who have charted related spaces of the ordinary, domestic, and porous.

Re-Exploring My Identity As A Japanese Woman, Fumi Amano

Theses and Dissertations

This document contains reflections on my motivations and the personal decisions made in the realization of selected works leading up to and including my thesis exhibition "Voice". The following text shares the many and varied connections between my life and art-making. My issues in my personal relationships with others has spilled out from my heart and turned into these works. I'm continuously expressing the unsuccessful attempts we make at developing true bonds that bridge the gaps between people.

Sub For More, Chelsea Lee

Theses and Dissertations

This written thesis unpacks the thoughts and motivations behind the decisions I have made in my artistic practice that have ultimately culminated in my M.F.A. Thesis Exhibition: Sub for More. By merging images of my own work as well as internet sourced images of the culture that drives my work, I have created a platform to begin to understand my experience during graduate school. This text examines and explores my belief in the inherent power in pop culture, my obsession with fame, celebrity, and my self-identity as a participant in current pop-culture.

Planar Refrains, Stephen Anthony Nunes

Theses and Dissertations

My practice explores phenomenal poetic truths that exist in fissures between the sensual and physical qualities of material constructs. Magnifying this confounding interspace, my work activates specific instruments within mutable, relational systems of installation, movement, and documentation. The tools I fabricate function within variable orientations and are implemented as both physical barriers and thresholds into alternate, virtual domains. Intersecting fragments of sound and moving image build a nexus of superimposed spatialities, while material constructions are enveloped in ephemeral intensities. Within this compounded environment, both mind and body are charged as active sites through which durational, contemplative experiences can pass.

Reverberation, …

D Is For The Most Cherished Sense (Whence It Comes And Wither It Goes), Hallie S. Mcneill

Theses and Dissertations

A transcript of the audio that constitutes the work by the same title, along with an introduction and relevant bibliography.

Collecting And Selecting, Masy Hebert

LSU Master's Theses

In Collecting and Selecting, I am exploring the way others adorn their lives and how these elements add up to emblematize the keeper of the treasures. With linoleum relief prints and drawings, I compose a unique type of portraiture that reveals the parallel identity between the way we dress ourselves and our living spaces. Within my process, I capture moments with photographs, draw, carve, print, and cut out the elements that hold a presence of the owner. Utilizing a heightened sense of contrast with black and white images, the textures and details of these objects come alive. Each gallery wall …

Coasteering, Adam James Meistrell

LSU Master's Theses

Coasteering: (noun) An adventure sport tasked with defining and exploring boundaries and coastlines. Adam Meistrell’s artwork is an invitation to interpret evidence and inspiration through making, investigation, and utility. He utilizes a variety of working methods to interpret evidence and share his understanding.

Damon Hill, Elizabeth Welch

LSU Master's Theses

“Damon Hill” acts as a physical record of the family folklore of a group of people formed by landscape and kinship. As a member of this group, I have translated my family’s stories into a visual narrative as a way to process my own identity in relation to our shared identity. The focus of “Damon Hill” rests primarily on the lives of my female predecessors, as a way for me to contribute their unique voice to the overarching feminine narrative. I incorporate the visual representation of traditionally feminine handicrafts in order to relay their stories through the primary means of …

Dig, Spin, Repeat, Brittany Anne Sievers

LSU Master's Theses

Dig, Spin, Repeat, is a body of process based installation objects that uses minimalistic aesthetics placed strategically in the gallery to highlight the architecture of the room. By connecting these unique architectural elements, the work aims to achieve mindfulness similar to the research of Ellen Langer: encouraging active observation. Drawing from my background in sports and factory work, I create multiple repetitive forms out of hand-spun yarn and sourced clay. The room-sized installation objects produced from these raw materials explore the value of staying in the present moment for both the viewer and myself.

After;Life, Morgan Lynn Anderson

LSU Master's Theses

After;life is an exploration of the time and space between life and death. The installation, created from dozens of woodcut prints, creates this imaginary place, and encompasses viewers through sight, smell, sound, and touch. All elements of this installation are heavily influenced by Southern Louisiana culture and wildlife, and are meant to be familiar enough to provoke personal memory and experience. A set of rituals in the form of three poems, corresponding to three different spirit guides: The Black Dog, The Alligator, and The Opossum, lead the reader through the space from life, through liminal, into death.

Baby's Day Out, Andrea Nicole Berg

LSU Master's Theses

Baby's Day Out explores the world through a phenomenological newness that is expressed within abstract figurative painting. Fact and fiction blend in this fantastical array of emotions and real-world referents. I relied on quick mark-making, intuition, and gestural brushwork to explore representations of psychic and emotional states. The results are reminiscent of dreams, poems, secret whispers, unconscious fantasies, and delusions. The viewer is left to navigate the aporia of the space, by gingerly extending each limb forward and backward, to wander from piece to piece. Meaning is relative as the content of each painting is dependent on the interpretive lens …

Trace, Naomi Katy Louise Clement

LSU Master's Theses

The pots in the exhibition Trace speak both to my desire to belong, to connect to my beginnings, and yet to still trace my own path forward; they are about making connections and missing connections. Through these pots I ask questions of myself and the world around me in an attempt to negotiate the edges of my life. How do I feel connected and present in my own life and relationships? How do I feel connected to my family and my roots, while still finding my own path? What does it mean to belong in a family that is divided …

Urban Illusions, Haley R. Hatfield

LSU Master's Theses

Urban Illusions is an immersive and interactive documentary experience that curates moments of reality in virtual environments to educate and expose viewers to a string of social and political issues that have been exposed in Baton Rouge. These moments also reflect a transformative time across the United States. The research and exhibition experiments with 360-degree videos and virtual reality to document issues occurring from racial tension stemming from prejudicial police violence and residual segregation that is still present in Baton Rouge. The intent of this work is to establish a methodology benefiting from modern technology in order to document real …

One Two One, Brianna Morgan Ozanne

LSU Master's Theses

These things, they speak in whispers. Come close, lean in, listen up. Whisper back. Tell me everything. I know you’ve been here, too. I know you’ll understand. I know you have a shoebox full of memories just like these hidden deep inside your closet. I know.

Zen And The Art Of The Journey, Brenda Christian Brown

College of Graduate Studies: Theses & Dissertations

The works in this exhibition represent the transdisciplinary research and practices used to explore humanitarian concerns with stress and suffering. It is a Buddhist fact that all humans suffer. And it is the inner journey that allows the guidance out of suffering and towards freedom. For me, the recognition of suffering was there since infancy. I have spent a lifetime searching for answers through the philosophy of Zen, the study of Buddhism (as religion), the study of neuroscience, the arts (both liberal and fine), the practice of meditation, and the psychological process of mindfulness.

The attention to the present moment …