Fine Arts Commons^™

Marshall University Music Department Presents The 2015 Competition, For The, Belle And Lynum Jackson Award, And The, Paul A. Balshaw Award, John Bruce, Yuhao Zhou, Michael Rose, Stephen Daming, Jordan Carinelli

All Performances

No abstract provided.

Marshall University Music Department Presents A Junior Recital, Sean Price, Tenor, With, Mark Smith, Piano, Sean Price

All Performances

No abstract provided.

Mark Garry: A New Quiet, Mark Garry, Georgina Jackson, Caroline Hancock, Declan Long, Brian Cass, Joanne Laws, Cristin Leach Hughes

Books/Book Chapters

A survey of ten years practice.

Code Of Best Practices In Fair Use For The Visual Arts, College Art Association, Patricia Aufderheide, Peter Jaszi

Copyright, Fair Use, Scholarly Communication, etc.

The mission of the College Art Association (CAA) is to promote the visual arts and their understanding through advocacy, intellectual engagement, and a commitment to the diversity of practices and practitioners. CAA contributes to the visual arts profession as a whole through scholarly publications, advocacy, exchange of research and new work, and the development of standards and guidelines that reflect the best practices of the field. The Code of Best Practices in Fair Use for the Visual Arts is based on a consensus of professionals in the visual arts who use copyrighted images, texts, and other materials in their creative …

Marshall University Music Department Presents Celebrate Mozart's Birthday!, Faculty Recital, Violauta Duo, Júlio Ribeiro Alves, Guitar, Wendell Dobbs, Flute, With Guest Artist, Richard Spece, Clarinet, Júlio Ribeiro Alves, Wendell B. Dobbs Dr., Richard Spece

All Performances

No abstract provided.

Marshall University Music Department Presents The Annual Cello Day, Ms. Lauren Dunseath, Clinician & Soloist, Lauren Dunseath

All Performances

No abstract provided.

Marshall University Music Department Presents A Music Alive Faculty & Guest Artist Collaboration Series: "Supreme Duo", Elizabeth Reed Smith, Violin, Henning Vauth, Piano, Elizabeth Reed Smith, Henning Vauth

All Performances

No abstract provided.

Cliffdwellers: A Study In Wildness, Stoney Larkin Sasser

Theses and Dissertations

How do I find wildness? This question is a central tenant of my work and manifests psychologically and physically in my installation, video and performance work. As the diversity of non-human ecosystems wanes and wildness along with it, I am overwhelmed by idea that the human generated debris might eventually cover the earth and become our new landscape, our new wilderness. I wonder "what do we do with all of this stuff'? In my installations, I play with the materials I gather and accumulate. I construct `ecosystems' often using pedestrian materials such as nylons, fabric, lint and glitter to explore …

Aggregation And Satiation: Finding Meaning In Repetition, Samantha Buchanan

Theses and Dissertations

In my work, I see repetition, but also complexity and variation. This supportive

statement examines my interest in the aggregate, in forms composed of multiples, as well as the repetitive processes required in their construction. I look at the ways in which predictability, recursion, and rhythm function in my repetitive practice, as well as how the energy expended throughout the process manifests in the matter of the work. What I intend for the viewer is the perception of a holistic and simultaneous sensory experience.

Marshall University Music Department Presents A Senior Recital, Jacob Hoskins, Percussion, Jacob Hoskins

All Performances

No abstract provided.

Laundry And Bourbon, Tanner O'Neal

SFA School of Theatre

This production was directed by Tanner O'Neal

Preserving Born Digital Art : Lessons From Artists' Practice, Conor Mcgarrigle

Articles

This paper looks at the complex nature of developing effective and appropriate strategies for the preservation of born digital art, in particular networked art. These issues are approached from the perspective of artist practitioners, focusing on a case study of the preservation of a net art project by the author. It is suggested that any preservation strategy begins with artists and the conservation practices that are inculcated into the very act of creation. The paper proposes that for institutional digital art conservation initiatives to be successful they must originate from a pre-existing culture of preservation within digital art communities

And Or Not – The System, The Body And Time, Brian Fay

Articles

This catalogue text discusses artists and artworks featured in the exhibition BOOLEAN EXPRESSIONS: Contemporary Art and Mathematical Data, presented at The Lewis Glucksman Gallery, University College Cork, Ireland, 23 July – 8 November 2015. For an overview of the exhibition see the link https://vimeo.com/137620854

Inscape 2015, Morehead State University

Inscape: Art & Literary Magazine Archive

The 2015 edition of the Inscape: Literary and Art Magazine.

Finding Aid To The Collection Of Waldo Peirce Materials., Waldo Peirce, Colby College Special Collections

Finding Aids

The collection comprises letters, scrapbooks, and manuscript items by Waldo Peirce, an American painter, bohemian, and expatriate born in Bangor, Maine. Waldo Peirce (1884-1970) was born in Bangor, Maine, and educated at Phillips Academy in Andover and Harvard University. He later studied at the Art Students League in New York City and at the Julian Academy in Paris. As an expatriate American, he drove ambulances for the French Army in World War I and led a bohemian life with notable companions such as Ernest Hemingway and John Reed. His later life was spent in Searsport, Maine, and Newburyport, Massachusetts, where …

Minnie Adkins: Against The Grain, Minnie Adkins, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2015 Kentucky Folk Art Center exhibition catalog of artist Minnie Adkins.

Van Gogh's Ghost Paintings: Chapters 1-3, Cliff Edwards

World Studies Publications

One of the most significant and revealing paintings by the world famous artist Vincent van Gogh was never seen by anyone but the artist himself. The painting was so important to the artist that he painted it twice. He was so conflicted about the painting that he destroyed it twice. Cliff Edwards argues these two unique paintings Vincent created and destroyed are at least as important to understanding the artist and his work as are the two thousand or more paintings and drawings that do exist. In Van Gogh's Ghost Paintings, Edwards invites his readers on a journey that …

Voices

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Annual Student Exhibition 2015: Senior Capstone Gallery Guide, Rachel Bonner, Angier Cooper, Ann Crowley, Randi Hladik, Jack A. Meyer, Emily Immel, Olivia Z. Schultz, Christa Oestreich, Kyle Peterson, Kim Quintero, Monica Reuman '15, Camille Didier, Brenna Simon '15

Art and Art History Senior Capstone Projects

We are pleased to present the inaugural edition of the Senior Capstone Gallery Guide, a collaboration between the graduating Studio Art and Art History Majors. This publication and the exhibition it accompanies celebrate the achievements of the Department's Class of 2015.

02. Dance, Northeastern State University

Oklahoma Research Day Abstracts

No abstract provided.

04. Multimedia Design, Northeastern State University

Oklahoma Research Day Abstracts

No abstract provided.

06. Theatre, Northeastern State University

Oklahoma Research Day Abstracts

No abstract provided.

Catalogue Essay For Kiera O'Toole Solo Exhibtion, Brian Fay

Exhibition Catalogues

A catalogue essay discussing elements of O'Toole's practice as it responds to recent contemporary drawing practices and the specifics of the history and architecture of the Wicklw site.

Kiera O'Toole - A Fragile Intensity, Brian Fay

Catalogues

This catalogue essay discusses the Irish artist Kiera O'Toole's practice in relation to serial drawing practices of the 1960's and Alain Badiou's observations on drawing.

Getting To Infinity, Jessica Angel, Gianluca Bianchino, Julia Oldham, Travis Leroy Southworth, Chad Stayrook, Katie Treidl, Eric Valosin

Exhibition Catalogs

Catalog for the exhibition Getting to Infinity held at the Seton Hall University Walsh Gallery, January 20 - March 13, 2015. Curated by Jeanne Brasile. Includes an essay by Jeanne Brasile. Includes color illustrations.

Ethics In Exhibitions: Considering Indigenous Art, Rachel Bonner

Richard T. Schellhase Essay Prize in Ethics

No abstract provided.

Work Made For Hire – Analyzing The Multifactor Balancing Test, Ryan G. Vacca

Law Faculty Scholarship

Authorship, and hence, initial ownership of copyrighted works is oftentimes controlled by the 1976 Copyright Act’s work made for hire doctrine. This doctrine states that works created by employees within the scope of their employment result in the employer owning the copyright. One key determination in this analysis is whether the hired party is an employee or independent contractor. In 1989, the U.S. Supreme Court, in CCNV v. Reid, answered the question of how employees are distinguished from independent contractors by setting forth a list of factors courts should consider. Unfortunately, the Supreme Court did not give further guidance on …

01. Art, Northeastern State University

Oklahoma Research Day Abstracts

No abstract provided.

03. Design, Northeastern State University

Oklahoma Research Day Abstracts

No abstract provided.

05. Music, Northeastern State University

Oklahoma Research Day Abstracts

No abstract provided.