Fine Arts Commons^™

Why Censor An Artist's Creativity?, Darrin Smith

Nebraska College Preparatory Academy: Senior Capstone Projects

Art is more than pain-ngs and figures, it’s a form of communica-on and a way to express one’s self. The censorship of ar-s-c crea-vity is the oppression of a group of people. In visual art, performance art, literature, comedy and in media are only a few examples where ar-sts have had their voice censored.

Taking In: Raw The Best Of Lesley University College Of Art And Design Undergraduate Photography 2015, Lucad Students

Taking In

Taking In: RAW is a juried annual student run publication and exhibition that showcases the best of 2015 LUCAD undergraduate photography and video. For over ten years, creative minds have come together to produce not just a display of brilliant work, but a celebration. A celebration of the most extraordinary work LUCAD has to offer.

Volume 07, Rachel C. Lombardi, Ben Osterhout, Lindsay Graybill, Rebecca E. Dey, Skyler T. Carpenter, Emma Beckett, Jason Ware, Mollie Andrews, James Bates, Landon Cooper, Tiffani Jeffries, Maria Wheaton, Dallas Price, Laura Kahler, Sarah Charlton, Anna Bultrowicz, Emily Spittle, Erin Godwin, Eamon Brokenbrough

Incite: The Journal of Undergraduate Scholarship

Introduction from Interim Dean Dr. Jennifer Apperson

Spatial Analysis of Potential Risk Factors Associated with Addition of Atlantic Coast Pipeline Through Virginia by Rachel C. Lombardi

"Delicate Matters with No Speaking," "Hope and Nothing," "Mono Duality" by Ben Osterhout

"Connect" Graphic Design Senior Project by Lindsay Graybill

Phenolic Acids in Brassicaceae Plants: Ovipositional Stimulants or Deterrents for Cabbage White Butterfly, Pieris Rapae? by Rebecca E. Dey And Skyler T. Carpenter

"Abecedarian Cards" by Emma Beckett, Jason Ware, And Mollie Andrews

Helvetica: A Type Specimen Book by James Bates, Landon Cooper, Tiffani Jeffries, And Maria Wheaton

“Things Left Behind” by Dallas …

Water: Experience, Recognition, Conversance, Kristine O'Reilly

All Student Theses and Dissertations

The exhibition of the photographic work entitled, Water: Experience, Recognition, Conversance, is the culmination of the artist’s life-long interest in the natural environment. The title also infers a chronological description of how interest in the subject evolved as well as how this document and the exhibition has been constructed and curated.

The concept of the exhibition is to remind or provide a vehicle toward remembrance to those ephemeral instances that we as a species have all experienced. It is intended to incite a response or perhaps inspire an action or a reaction or just a renewed appreciation of one component …

Conscious Delusions, Judith K. Hanacek

All Student Theses and Dissertations

Views of the world come from watching, looking, and feeling emotional relationships between people, things, and places. This fabricated series establishes the willingness to believe the images are actual photographic records by combining subjects viewing a variety of images. Metaphorical narratives show a vision of the incongruent world. The engagement begins with a shadow or back of someone or thing looking into the frame. Color, texture, and form within produce a voyeuristic psychological and emotional response. The paradox is what pushes the edges of expectation. Synchronicity of the elements within the images thrust us into a surreal moment. Belief in …

Dear, Whoever You Are, I Don't Care Who You Are, Adrienne Smart

School of Art, Art History, and Design: Theses and Student Creative Work

I am an observer. I have always been an observer. I was the child who sat quietly with the adults at dinner parties, listening intently to conversations both literally and figuratively over my head. I was the child my mother could count on to repeat the details she forgot from the phone conversation she had with a friend earlier that day. I was the child who knew all the names of the neighbors, their dogs, the cars they drove, the gossip being spread about them, etc. I’ve always been collecting. But to anyone outside of my trusted circle, I was …

Marshall University Music Department Presents A Senior Recital, Ida Ward, Clarinet, Ida Ward

All Performances

No abstract provided.

Marshall University Music Department Presents The Marshall University Day Of Percussion, Featuring, Nathan Daughtrey, Percussion, And, Brian Meixner, Euphonium, Nathan Daughtrey, Brian Meixner

All Performances

No abstract provided.

Marshall University Music Department Presents A Senior Recital, Michelle Mckenzie, Bassoon, Michelle Mckenzie

All Performances

No abstract provided.

Marshall University Music Department Presents A Graduate Recital, Allison Kessinger, Flute, Allison Kessinger

All Performances

No abstract provided.

Marshall University Music Department Presents A Senior Recital, Tyler Stewart, Percussion, Tyler Stewart

All Performances

No abstract provided.

Marshall University Music Department Presents Second Annual Reed Day, Guest Artists, Jon Agazzi, Clarinet, John Cipolla, Saxophone, And, Marshall University Faculty, Ann Marie Bingham, Clarinet, W. Edwin Bingham, Saxophone, Richard Kravchak, Oboe, Kay Lawson, Bassoon, Jon Agazzi, John Cipolla, Ann Bingham, Ed Bingham, Richard Kravchak, Kay Lawson

All Performances

No abstract provided.

Marshall University Music Department Presents Jason Miller, Trombone, Jomie Jazz Guest Artist Series, Jason Miller

All Performances

No abstract provided.

Belly, Evan Trine

CGU MFA Theses

My thesis discusses the ideas from my MFA Exhibition, involving image creation, data and information appropriation in digital media and contemporary fine arts.

Ecotones, Chas Schroeder

CGU MFA Theses

My work explores the intersection of pastoral, urban and idiosyncratic visions. It may reveal the aesthetic and emotional possibilities inherent in the broad-ranging subjects I employ: game animals, advertising, colonialism, love, numerals, textiles, drugs, abstraction, competitive sports, displacement, architecture, gender-bending, civil-rights movements, transgressive literature, social media, indigenous peoples, graphic design, glamour, fashion, hip-hop, rock-n-roll, graffiti, cowboy, exhibitionism and other niche cultures in America. Pieces emerge intuitively via personal narrative and lodged memories as guides. The disjunctive compositions are a breed of contemporary formalism mated with abstraction.

Marshall University Music Department Presents A Junior Recital, Michael Black And Tyler Payne, Trumpet, Accompanied By, Mark Smith, Piano, Michael Black, Tyler Payne

All Performances

No abstract provided.

Marshall University Music Department Presents A Facuity Recital, Júlio Ribeiro Alves, Guitar,, Júlio Ribeiro Alves

All Performances

No abstract provided.

Scars Of War, Corinna Martell, Camille Hanna, Brandon Bauer

Student Creative and Scholarly Works

Scars of War: The Psychological and Physical Traumas of War Depicted through Art.

War is shattering, leaving behind gaping wounds in need of healing. Some require bandages, other wounds are psychological and not visible. Both leave a scar. These scars are an inevitable part of the human experience. The psychological and physical ramifications of war exist as long as strife pervades. This collection of works, depicting war from the French Revolution to present day Iraq, illustrates the scarring impact war has on the people and places within its grasp. New technology and art styles have transformed the way we see …

Marshall University Music Department Presents Natalie Boeyink, Bass, Jomie Jazz Guest Artist Series, Natalie Boeyink

All Performances

No abstract provided.

Marshall University Music Department Presents A Guitar Studio Recital, Students Of Dr. Júlio Ribeiro Alves, Júlio Ribeiro Alves

All Performances

No abstract provided.

Marshall University Music Department Presents A Faculty Recital, Edwin Bingham, Saxophone, Ed Bingham

All Performances

No abstract provided.

Marshall University Music Department Presents A Senior Recital, Rebekah Ricks And Philip Runyon, Clarinet, Rebekah Ricks, Philip Runyon

All Performances

No abstract provided.

Ivy Leaves, Volume 90, Ivy Leaves Editorial Staff

Ivy Leaves

The 2015 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jonathan Kurtz, Charlotte Stapp, Callie Renfrow, Courtney Couch, Angel Hisnanick, Taylor Kaiser, Yvonne Didway, Noelle Hisnanick, Taylor Henry, Mitchell Dallas Herring, Rebekah Rhoden, Logan Hickey, Josie Maszk, Julia Madden, Kenneth Keller, Alex Dib, Micah Peek, Benjamin Mahaffey, Justin Parker, Teresa Jones, and Tim Speaker.

Marshall University Music Department Presents Maja Radovanlija, Assisted By, Alex Lubet, Maja Radovanlija

All Performances

No abstract provided.

Marshall University Music Department Presents The Clavierinet, Julia Heinen, Clarinet, Dmitry Rachmanov, Piano, Julia Heinen, Dmitry Rachmanov

All Performances

No abstract provided.

Marshall University Music Department Presents Stephen Lawson, Horn, John Jones, Horn, William Holderby, Horn, Henning Vauth, Piano, Stephen Lawson, Henning Vauth, John Jones, William Holderby

All Performances

No abstract provided.

Vida Americana, 1919-1921. Redes Conceptuales En Torno A Un Proyecto Trans-Continental De Vanguardia, Natalia De La Rosa

Artl@s Bulletin

Este artículo analiza los orígenes cosmopolitas de la revista Vida-Americana, organizada en 1921 por el pintor mexicano David Alfaro Siqueiros. Se reflexiona sobre el concepto de universalismo y clasicismo artístico señalando las conexiones que Siqueiros tuvo en Barcelona con Joan Salvat-Papasseit, Joaquín Torres-García, Rafael Barradas, Diego Rivera, Marius de Zayas y Élie Faure. El estudio explica la alternativa que Siqueiros señaló para el desarrollo de nuevos centros de producción artística en América. El estudio presenta la unificación continental que el artista ideó desde la reflexión del impacto tecnológico en la modernidad, tomando como base la realización del dibujo Retrato …

Crossing The Atlantic: Emilio Pettoruti's Italian Immersion, Lauren A. Kaplan

Artl@s Bulletin

The painter Emilio Pettoruti (1892-1971) was born to Italian parents in the Argentine province of La Plata. In 1913, he sailed to Florence for artistic training and remained in Europe for eleven years. This article focuses on this formative stint, during which Pettoruti studied Quattrocento masters, conferred with Italian Futurists, and met French Cubists. Ultimately, the painter became a paragon of civiltá italiana, a cosmopolitan culture born in Italy but meant for global dissemination. Upon returning to Buenos Aires in 1924, he exposing the Argentine public to this culture, strengthening the already robust bond between the two countries.

Marshall University Music Department Presents A Faculty Duo Recital, To The Memory Of Frank Glazer, Şőlen Dikener,Cello, Johan Botes, Piano, Şőlen Dikener, Johan Botes

All Performances

No abstract provided.

Marshall University Music Department Presents Dr. George Palton, Tuba, Ms. Mary Beth Norman, Piano, Dr. Júlio Alves, Guitar, George Palton, Júlio Ribeiro Alves, Mary Beth Norman

All Performances

No abstract provided.