Fine Arts Commons^™

Dancing With The Gods; Santeria's Historical Context In Eastern Cuba, Lauren Reed

Undergraduate Honors Thesis Collection

Santeria is a religion that originated in Cuba in the 1600's and grew out of the tensions between two ethnic groups: Spanish slave masters and West African slaves. Their religions- Catholicism and Ifa, respectively- coalesced to create a syncretism, or amalgamation of multiple concepts. This syncretism, Santeria, is an extraordinarily complex religion through which adherents communicate with God and deities called orishas using prayer, music, dance, divination, and rituals. Though many claim certain truths about Santeria, they are often contradictory and unfounded, making it difficult to accurately understand the religion. However, with effort, these truths can be pieced together to …

The Effects Of Music And Synchrony On The Development Of Empathy In Young Children., Allison Hawkins

Undergraduate Honors Theses

Empathy, defined as the capacity to observe the feelings of another person and to respond with care and concern for that other person, is a very important quality of successful people (Cotton, 2000). However, there is very little research on the development of empathy in children, with a definite gap in research on the development of empathy in children from 24 to 48 months of age. The characteristic of empathy can be very difficult for young children to portray because of their tendency to be egocentric and their difficulty in recognizing the feelings of others. This study attempts to close …

The Stella Adler Actor's Approach To The Zoo Story., Travis Welch

Undergraduate Honors Theses

A documentation of the rehearsal process of Edward Albee's The Zoo Story, written by the actor playing Jerry and attempting to use the Stella Adler technique of acting.

The Beauty Of Stage Managing: Being A Catalyst For The Theatrical Arts., William Cate

Undergraduate Honors Theses

The Beauty of Stage Managing: Being a Catalyst for the Theatrical Arts analyzes the art and craft of stage management. My experiences as a theatre student at East Tennessee State University from 2009-2012, culminated in my final senior capstone as the stage manager for the ETSU Division of Theatre and Dance production of Beautiful Bodies by Laura Shaine Cunningham (performed October 18-21 2012 at the Bud Frank Theatre). In addition, the following research of the history and development of stage management and its modern practices created a better understanding of the artistic field. Both in theory and in practice, I …

Painting Connections, Wesley Miller

Mahurin Honors College Capstone Experience/Thesis Projects

Painting Connections consists of five sections. This includes four essays, one of which introduces my work, and three that explore, at greater length, different influences on my work. The final section is composed of plates with images of my drawings, paintings, and prints. The Introduction briefly outlines the three essays that follow, as well as gives a brief overview of how the project was conceived. The Initial Shock explores how South African contemporary artist William Kentridge has influenced my thinking about art and development of imagery. Daydreams: Learning from Gaston Bachelard and Neo Rauch delves deeper into the roles that …

Fragments Of Social Life, Rachel Leah Cohn

Theses and Dissertations

This paper examines selected events from biography and how those events have influenced my philosophies about art-making as well as the work I have produced while a graduate student at Virginia Commonwealth University. This thesis is an attempt to give an expanded context for my work through various lenses, including the personal, the traumatic, the historical and the material.

No Love For Illusion, Alexander Hayden

Theses and Dissertations

I remember being young and being told that birds had special pads on their feet which prevent them from getting electrocuted when they sit on electrical lines. I was told on a different occasion not to put my finger into electrical sockets, so, one day I tried a key. I do not have special pads on my hands. In middle school science class I explained the fascinating pad theory to my class only to find out that I was wrong, and if I aim to be so serious sometimes, perhaps I could at least be funny.

We Dream Of An Age That Is Equal To Our Passions, William Winks

Theses and Dissertations

We dream of an age that is equal to our passions is a series of soliloquies and ideas that look at the false narratives I tell myself in order to get out bed in the morning, at the depression that came after failed revolutions, at the unrealistic hopes of my politics, and of my desire to become a whole human being.

Remembering To Look Down: A Thing Not A Thesis, George Ian Mcmahon

Theses and Dissertations

Thoughts on magic, spectacle, arena, material, materiality, marrow, invincibility, repetition, performance, sculpture, time, decay, temporality, tools, marks, gestures, writing, coaxing, site, stage, architecture, and movement.

Shift, Gittins George

Theses and Dissertations

Using Eduard Manet and Alex Katz as an entry point into my work, I will discuss seven of my paintings in detail. I will examine formal structures within the work such as color and space and how they relate to the content. I will discuss ideas of voyeurism and notions of the gaze while examining film as a presence. Artifice, art history, desire, personal memory, nostalgia and everyday life are starting points for formal explorations within the work.

Hamza Salim Interview, Julian Coleman

Asian American Art Oral History Project

Bio: Hamza J. Salim is a Palestinian artist, architect, and community based activist from Chicago, Illinois. He earned his masters in Architecture from the University of Illinois at Chicago and his work has been exhibited nationally and internationally in New York, Chicago, Los Angels, London and Dubai. He is currently serving as the Project Director of the 12th Chicago Palestine Film Festival and is the Immigrant Community Coordinator at a non-for-profit social service agency, Arab American Family Services.

Bio from facebook.com/HamzaJSalimStudio/info

See also: http://www.hamzajsalim.com/

Hissār, Sohail Abdullah

Theses and Dissertations

Hissaar is a noun and a verb, it is the periphery and the extremities, and the walls and the fortress. And it is to encircle, to wrap and to contain. This paper is an inexhaustive account of thoughts, experiences and lessons learned, of varying forms that influence my aesthetic sensibilities, my art-value system, and my art- ethical concerns. They provide for my art the impetus for its perpetual (and perhaps circular) journey. It is about finding connections between the fraying ends of free floating ideas. The following fragments explores how words make ideas, ideas make images, images make memory; memory …

Naturalis Historia, Reconstructed, Sarah Briland

Theses and Dissertations

When Pliny the Elder wrote Naturalis Historia around 70 A.D., the idea of natural history contained and connected biology, geology, and mineralogy with the history of painting and sculpture. Art was an extension of the natural world as its materials were extracted from plants, animals, and, particularly, mined and quarried pigments, stone, and metals. In my developing body of work, Incidents of Naturalis Historia, Reconstructed, I combine wasps’ nests, architectural fragments, and other found objects excavated from my surrounding environment with elements of glass that resemble lichen, crystallization, and geologic specimens. These works simulate artifacts of an alternative history; one …

Locus, Claire Krueger

Theses and Dissertations

This thesis explores my practice as it has progressed into video and video installation. I detail my use of cinematic tropes and mechanisms as they function within a spatial installation. I discuss the relationship of my work to other artists such as Pierre Huyghe, Janet Cardiff and George Bures Miller, and Kevin Cooley who also deal with themes of landscape, spatial displacement, and video viewing. My work has evolved to video installation from a need to experience the traditionally flat viewing plane of photography in a more experiential way. The Locus installation is multi sensory, in that it addresses smell, …

Chapter Three, Ruby Troup

Theses and Dissertations

Where does the story begin and what are the different chapters? What forest is she traveling through and where does she store her baggage? Where are the doors that she needs to open and why must this path, follow her like a shadow? What does she shelter and what does she let sit out in the rain? What does she allow to fracture and will a wall be broken? Is she searching for something that can be found and did she leave enough breadcrumbs to find her way back?

Underlying Conditions, Mariam Eqbal

Theses and Dissertations

The following is a collection of lines, curves, and dots on a plane, representing words fashioned to communicate my ideas about relationships between the thing and the nothing. This thesis is like a map, a contour drawing, an assortment of lines, speaking my thoughts about things in relation to space and time. As something moving, developing into another thing, as a thing sentient, I am viewing, performing, and processing incremental acts. I am looking at water and I can see my reflection break into a thousand pieces. It is like watching time.

Subduer, Lauren B. Miller

Theses and Dissertations

By reclaiming and translating the use of material in my work, I speak of oneness on a basic physical level. As the body in the images slips in and out of focus in abstraction of material, the objects patiently wait to be interjected into the composition of the space as a whole.

Marshall University Music Department Presents An American Composers Recital, Hosted By Phi Mu Alph Sinfonia, Zeta Eta Chapter, Marshall University

All Performances

No abstract provided.

Color Theory: No Sterotypes, Kayla Fennell-Chin

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Seed Pod, Joseph Mijares

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Wide Bowl, Yasmin Uddin

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Mandarin Orange, Evy Sands

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

The Price Of Being Different, Emily Kopas

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Beyond The Burka, Yasmin Uddin

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Emptiness, Gordon Yin

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Tsunami #2, Maya Mccoy

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Yannick, Chiara Waingarten

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Cyclone, Joyce Esquenax

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Cantilever, Yasmin Uddin

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Lacrosse, Leith Van Schalkwyk

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.