Fine Arts Commons^™

Looped, Kimberly Wirt

The Messenger

No abstract provided.

Pierre Daura, Catalan-American Modernist: People, Places, And Things, University Of Richmond Museums

Exhibition Brochures

Pierre Daura, Catalan-American Modernist: People, Places, and Things

September 28 to December 11, 2005

Joel and Lila Harnett Museum of Art and Print Study Center

Introduction

Pierre Daura (American, born Spain, 1896 - 1976) was a member of a radical generation of artists who shaped the development of European modernism from the 1910s to the 1930s. The richness of his art reflects the diverse experiences of his life - growing up in Catalonia, Spain, maturing as an artist in Paris, moving to the small French village of Saint Cirq-Lapopie, participating in the Spanish Civil War, and finally relocating to Rockbridge …

Lights And Shadows - 2005, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Untitled, Nicolle Garber

Digressions: Literary & Art Journal

No abstract provided.

Future, Nicolle Garber

Digressions: Literary & Art Journal

No abstract provided.

Happy Cake Meltdown, Joshua Spahr

LSU Master's Theses

This group of work addresses the complexities that come as a result of stimulation overload. The breakdown of singular focus triggers the demand that everything in your reality be considered simultaneously. The result is a Happy Cake Meltdown, a visual and auditory coping mechanism with no beginning, no middle and no end. It’s about fragmentation and choosing flexibility over specialization. It’s about everything.

Scratched Memories, Louis Nicola Agular

Digressions: Literary & Art Journal

No abstract provided.

Untitled, Paul Saneaux

Digressions: Literary & Art Journal

No abstract provided.

Felt, Yvonne Pierce James

LSU Master's Theses

My work is largely autobiographical and the way I express myself is the product of memories and life experiences. I grew up as one of a family of ten children and learned early the values of sharing and helping others. We were also taught not to waste anything. We learned to recycle as part of our daily life. As you will see in my work almost all of the materials I use are found objects or recycled materials. In growing up as part of a large, rural, southern family, there was also a tradition of ‘women’s work’. Nearly all of …

One Is Concerned Because One Is A Human Being, Sayaka Suzuki

Theses and Dissertations

I am a nomad. I have not had a place to call home in almost two decades. I wander around the world searching for a place to belong, only to discover the forgotten lives and silenced voices. I have come to realize that to find a "home," I need to first create a world in which to belong to. My recent works are investigations of possibilities for another world, a world of compassion, through a critique of our current society. I create as I rediscover the forgotten histories and lives. My work captures my process of remembering and celebrating while …

A Tinker's Studio, Catherine L. Hudnall

Theses and Dissertations

This thesis is meant to describe and explain a space in which one can imagine things necessary for making objects that wobble, squeak, clack, creak, crank in and out, open and close, light up, roll about and generally hurl themselves into creepy existence. It is also an endeavor to describe some objects having lately taken such a journey into being. These include (but are not limited to): a chess table for one, an examining table and tray, two workbenches, chessmen and women, creaky floorboards, stairs on wheels, a stool on wheels, and Monsters of various sizes and shapes.

If Chivalry Is Dead, Women Have Killed It, Nicole Heimbach

Theses and Dissertations

I am interested in the dual meaning of pattern. Pattern is a design format used for decoration. By introducing certain images into patterns, they have the ability to give meaning or messages. The repetition of a certain image emphasizes importance to a particular idea or issue. I embroider pattern designs onto pre-manufactured clothing pattern pieces as a response to things in society that I find absurd. This body of work focuses on female iconography. The delicate nature of these materials lends themselves to feminine associations. Embroidery, which is stereotypically associated with women's work, is used to play on these clichés.Patterns …

The Still Beat, John Harlan Norris

LSU Master's Theses

The Still Beat is an exhibition that combines still-life painting with original pop music in a gallery setting. This written thesis examines the process of developing these two distinct bodies of work into a unified exhibition.

Re-Envisioning My Backyard, One Brick At A Time, Kimberly Ellen Greene

LSU Master's Theses

My work is inspired by my immediate environment. I am especially interested in places which exhibit visual evidence of history, of industrial, natural and human life and the corresponding cycles of building, abandonment, destruction and salvage. In Baton Rouge, these relationships are dramatic, the lush vegetation, birds and overwhelming presence of industry make this interplay constantly tangible. My current work began with the phenomenal concerns within the struggle of nature and industry. Newly built industry is highly ordered, the perfect symbol of not only technology, but also control. However, older industry is more chaotic, with the initial order obscured over …

This Is What I Meant When I Told You, Ryan David O'Malley

LSU Master's Theses

THIS IS WHAT I MEANT WHEN I TOLD YOU is a quest to visually decipher the complexities of "self." The goal is to form a relationship of honesty between my mind and my hand, the art and the viewer. The work investigates reoccurring ideas, threaded through each day, in order to create narratives based on the immediacy of emotion, and the struggle between self-realization and uncertainty. Or as one commented during my show, "A celebration of the dark side of life."

The Southern Predicament, Todd Hines

LSU Master's Theses

The Southern Predicament is an exhibition that explores aspects of self-awareness and identity in the modern south.