Fine Arts Commons^™

Chamber 10 And More!, W. Edwin Bingham

All Performances

No abstract provided.

Marshall University Music Department Presents The Huntington Museum Of Art, Music At The Museum Series, Presents, Andrew Zohn, Guitarist, Andrew Zohn

All Performances

No abstract provided.

Voces Y Visiones: Highlights From El Museo Del Barrio's Permanent Collection, Ernesto Abrajam, Genaro Rivera Avilés, Myrna Báez, Grupo Cabán, Grupo Chatino, Ramon Cabán, Héctor Mendez Caratini, Miguel Angel Carballo, Norberto Cedeño, Rafael Collazo, Luiz Hernandez Cruz, Bartolomé De Las Casas, Marcos Dimas, Rafael Ferrer, Nitza Fufiño, Antonio Frasconi, Marina Gutiérrez, Ana Ruth Henriques, Ester Hernández, Lorenzo Homar, Victor Irlanda, J.J. R.M., Linares Family, José Antonio Torres Martinó, Gregorio Marzán, Antonio Martorell, Francisco Mora, Rafael Colón Morales, Antoine Oleyant, Domingo Orta, Rafael Montañez Ortiz, Pepón Osorio, Miguel Perez, Liliana Porter, José Guadalupe Posada, Carlos Raquel Rivera, Arnaldo Roche-Rabell, Domingo Rojas, Juan Sánchez, Nitza Tufiño, Rafael Tufiño, Rubem Valentim

Exhibition Catalogs

Catalog for the exhibition Voces y Visiones: Highlights from El Museo del Barrio's Permanent Collection held at the Seton Hall University Walsh Gallery, January 24 - May 13, 2005. Curated by Fatima Bercht, Deborah Cullen, Margarita Aguilar, and Noel Valentin. Includes essay and color illustrations.

The Emmaus Road: A Cantata, Arthur O. Roberts, David J. Howard

Arthur O. Roberts Collection

Cantata based on the twenty-fourth chapter of Luke.

David Johnson: Prints, Drawings, Books, Wright State University Art Galleries

Exhibition and Program Catalogs

An exhibit featuring the works of David Johnson. His prints and works were held at the Wright State University Art Gallery from November 6th, 2005 through January 8th, 2006. His works include an arrangement of drawings and prints. Johnson is known for the specific qualities that invoke the feelings of strength, drama, intensity while featured around environments captured in his style.

Self Definition, Erin Westfall

Mahurin Honors College Capstone Experience/Thesis Projects

No abstract provided.

Art Walk, Gallery Of Contemporary Art

Sacred Heart University Art Collection

The Collection is comprised of a wide range of donatedart works—paintings, prints and sculpture. Works in The Collection are installed on campus so thatstudents, faculty, staff and visitors encounter original works of art everywhere—in public areas, such as hallways and common rooms, as well as in private offices throughout the University. As a result, art has become apart of the daily lives of everyone at Sacred Heart University.

To assist in appreciating a selection of the art displayed on campus, the essay Looking at Contemporary Art is included in this brochure.

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Ivy Leaves, 2004-2005, Ivy Leaves Editorial Staff

Ivy Leaves

The 2005 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Joshua Burdette, Darcie Davis, Leanne Gray, Maghan Lush, Jessica Sopolosky, Marissa Sullivan, Sarah Swofford, Becky Bradstreet, Brian Burrell, Kayla Evett, Anthony Gonzalez, Melissa Johnson, Kari Pettit, Donavon Schmidt, Ashely Smoak, Alice Wilkins, Wayne Cox, and Jane Dorn. Cover art by Kari Pettit.

Shoes, Kimberly Wirt

The Messenger

No abstract provided.

The Messenger, 2005

The Messenger

No abstract provided.

Untitled, Omar Lopez

Digressions: Literary & Art Journal

No abstract provided.

Grace, Jennifer Paoli

Digressions: Literary & Art Journal

No abstract provided.

Lookout, Jennifer Paoli

Digressions: Literary & Art Journal

No abstract provided.

Untitled, Nicolle Garber

Digressions: Literary & Art Journal

No abstract provided.

Hand, Paul Saneaux

Digressions: Literary & Art Journal

No abstract provided.

Asian Flowers, Nicolle Garber

Digressions: Literary & Art Journal

No abstract provided.

Gaia's Fan, Alisha Van Hoose

Digressions: Literary & Art Journal

No abstract provided.

Ducks, Paul Saneaux

Digressions: Literary & Art Journal

No abstract provided.

Blood Work, Mack Gingles

LSU Master's Theses

The visual portion of BLOOD WORK is a record of my reconciliations with its parts: description based on the photograph, memory, and my concerns for abstraction. I am interested in the nuances of gesture as they convey meaning and evoke memory response. Though non-specific, the space surrounding the figures is emptied to accentuate their psychology. By adumbrating one reality and effacing another I attempt to transform the mundane into what I perceive as the uncanny.

Cultivating Parallels, Sangduk Yu

LSU Master's Theses

I create ceramic objects that are simple, geometrical and methodical. The design of these tile-like objects initiated from the idea of serving plates. Although the functional aspect of the work in this show has evolved into a tile piece, function is a part of tile. The series of each pattern was created by repetition and enlarging a small original unit that measured one inch by one inch. This repetition with small and simple units shaped by handmade templates created complex pieces. This coexistence of simplicity and complexity led me to a deep feeling of boundlessness on the tiles. The pattern …

The Chemistry Of My Affections, David Scott Smith

LSU Master's Theses

Although I have always been interested in the origins of my thought processes and the methods and compulsions that motivate my work, in past work I have avoided self portraiture, or blatant explorations into my own sense of self. With my thesis project I wanted to conduct an express exploration into the psychology of my motivations. My initial goal was to create an environment, a sense of place, where both the viewer and myself are drawn into the work, and confronted with a unique experience of personal expression. The focal point is a bath enclosed within a grotto, which symbolizes …

Persona, Joanna Norcross Coke

LSU Master's Theses

The narrative oil paintings in this show illustrate one or two female characters set in domestic interior spaces. The scenes bring with them allusions to suggest that something unusual has just happened or is about to happen by heightening the psychological emotional moments. The subject matter is intimate and painted on small supports to reinforce these feelings. The images go beyond the observed visual aesthetic or representation by shifting the picture plane and using dramatic color palettes and lighting to create deeper interior spaces, adding to the tension.

Full Circle, Elizabeth Cowhig

LSU Master's Theses

My paintings are a result of a mainly intuitive process that evolves out of the combination of shape, color, and texture and originates from personal ideologies involving health phobias and religious beliefs. The imagery in the paintings is of biological origin, cells that fill up with matter, dense spheres that recall cancerous build up, the compositions and colors are inspired by Italian Renaissance paintings. The tangible is inserted into the realm of the ethereal.

In The Garden, Christopher B. Hutson

LSU Master's Theses

This body of artwork is centered on the idea of a garden as a space in between the two systems of human and natural order. The ambiguities of this in-between space tie together ideas pertinent to both worlds, using the ancient “doctrine of signatures” as an intermediary. These ideas are explored in fourteen artworks, including large-scale and smaller drawings, lithographs, and etchings.

Places Common: Encountering Nature In Time And Place, Stacey Jo Harms

LSU Master's Theses

There are some moments in time that imprint in a lasting but unremarkable way. These memories are not always profound but yet are sometimes the most enduring. They come forward in our thoughts again and again with no particular rhyme or reason and with the randomness of a field of wildflowers. My memories often come back to me disguised as the flowers themselves.

Too Fast, Too Tight, Too Loud, Too Bright, David Martin Storlie

LSU Master's Theses

It is difficult to imagine that others do not perceive and react to the cultural stimuli as I do when dealing with everyday sensory situations. Unlike most, I have struggled with many different responses to commonplace sensory events during my life. A recent diagnosis of certain symptoms has helped to explain not only my lifelong reactions to sensory stimuli, but also the resulting environments I have created for myself in which I live and work. The four terms I use that most fully describe the affects of this condition are; too fast, too tight, too loud and too bright. Although …

The Everywhere Chronicles, Jamie Brownell Baldridge

LSU Master's Theses

The Everywhere Chronicles is a body of work that has been perambulating through my mind since the halcyon days of childhood. It is not intended as any sort of catharsis, metaphorical or otherwise, nor is it any forum of self discovery, accidental or intentional. These Chronicles are quite simply a journey into imagination, an exercise in "what ifs?". They confront the theory that Columbus was actually on a munchies run to an Indian Takeaway in Ipswich and simply took a wrong turn at the Antilles, and that the Lost City of Atlantis is alive and well somewhere outside of Duluth …

Greek Theatre, Ryan Locke

The Messenger

No abstract provided.

Fragmented Figure, Haven Herrin

The Messenger

No abstract provided.

Face, Haven Herrin

The Messenger

No abstract provided.