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Louisiana State University

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Articles 211 - 240 of 243

Full-Text Articles in Fine Arts

Inter-An Evolving Installation, Lyman Landreth Edwards Jan 2004

Inter-An Evolving Installation, Lyman Landreth Edwards

LSU Master's Theses

Inter- An Evolving Installation is an interactive site specific installation designed and constructed in the School of Art Gallery at Louisiana State University. This installation explores the interplay between the ideas of order and change by presenting the visitor with a very structured environment that by nature of its design and materials changes with each footstep. Sand, granulated carbon, and clay cover the floor of the gallery in a geometric pattern inspired by the Fibonacci Sequence and Buddhist sand paintings. As a person enters the installation it immediately changes from its original design simply through disturbance by the visitor's footsteps …

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Guanajuato: A Virtual Exhibit, Norma Elena Gonzalez Jan 2004

Guanajuato: A Virtual Exhibit, Norma Elena Gonzalez

LSU Master's Theses

This thesis will present a virtual exhibition of a tourist destination in Mexico, Guanajuato City. By applying my previous experiences and the knowledge and skill acquired during this MFA program, I developed a Multimedia exhibition that encompasses a new virtual experience of the Mexican culture. This exhibition demonstrates my proficiency in the area of motion graphics.

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Memories Near And Far, Merrie Marie Wright Jan 2004

Memories Near And Far, Merrie Marie Wright

LSU Master's Theses

Memories Near and Far depicts the transformation, emotionally and psychologically, that occurs when childhood meets adulthood. The loss of naiveté, accumulation of experiences and memories, and the release of memory necessary to move on to new experiences mark this transition. The events that occur during this time period are represented through seven installations: Incubation, I Am What I Fear, Consumed, An Offering: Gifts for Healing, Between Realities, The Self as a House: Self-Confinement, and Gleanings. The work portrays memories of my personal journey through this time, the struggles I encountered, and lessons I have learned. Color, accumulation, and repetition of …

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Zinnias, Carlyle Wolfe Jan 2004

Zinnias, Carlyle Wolfe

LSU Master's Theses

Impermanence. Quiet. Words. Unfolding. Specificity. Abundance. Pattern. Compilation. Faithfulness. Vulnerability. Obedience. Atmosphere. Begun with a coffee can full of flowers, this work is an exploration of art making, self, and nature.

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The Orthographic Characters (In No Particular Order), Alison Christina Frank Jan 2004

The Orthographic Characters (In No Particular Order), Alison Christina Frank

LSU Master's Theses

My work focuses on the development of playful and absurd combinations of small creatures that co-exist in a state of odd logic. The creatures share a vulnerable, somewhat fragile, quality, yet are assigned vital force in their existence. This juxtaposition is metaphorical for certain aspects of human existence. The Orthographic Characters is the title of a series of prints and paintings I have created that form a non-linear narrative. Each piece is inspired by the alliteration of one alphabet character. The writings form a bizarre, feverish context for the characters.

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True Image, Janet K. Link Jan 2004

True Image, Janet K. Link

LSU Master's Theses

A still-life is often the painted record of a complex arrangement of objects. My aim in making the visual portion of TRUE IMAGE is to turn this sort of still-life inside out. Rather than arranging a collection of objects and making a painted or drawn image of the set up, I made simple images of things and arranged them with actual objects into three larger tableaux. The subjects of the paintings and drawings are these: checkerboards, objects, portraits, and shadows. The subjects of the tableaux are work (LABOR), home (DOMUS), and church (ECCLESIA). Viewed as a whole the exhibition asks …

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Push And Pull, Tessa Ann Mouton Jan 2004

Push And Pull, Tessa Ann Mouton

LSU Master's Theses

“…motion means…passing through time and through space.” “Pushes and pulls seem to be the cause of motion.” - Richard Wolfson. “Push and Pull” is about exploring process. While trying to locate my form of expression and process, I rediscovered my mother’s form of expression and process – crochet. I decided in order to continue forward, I must explore the past.

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Growth, Lori Penn Jan 2004

Growth, Lori Penn

LSU Master's Theses

Every living being encounters growth. As humans, our experiences help to shape our mental and emotional development. Each of these experiences provides an opportunity for growth. In my work, apes, monkeys, and lemurs serve as visual metaphors for human growth. The body of work that I created for my thesis project reflects different emotions and experiences that facilitate growth and maturity.

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Pulse, Janet L.U. Rudawsky Jan 2004

Pulse, Janet L.U. Rudawsky

LSU Master's Theses

This video is an abstract audiovisual narrative. It relies heavily on its lush compositions to seduce the viewer. “Pulse” depicts humanity not as the strong rational rulers of the earth but instead as a tormented figure that struggles to find security in an uncertain world. The three characters, Blood, Lava, and Electricity, represent the human animal, the natural world, and civilization respectively. Blood struggles against both Lava and Electricity in their rivalry for control. The plot shows humanity developing a relationship with civilization, all the while being harassed by unpredictable nature. Civilization at first is a path to security. As …

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Elemental: Promise Of Plenty, Bill Wolff Jan 2004

Elemental: Promise Of Plenty, Bill Wolff

LSU Master's Theses

This body of work is about human nature, and centers on issues of aggression, consumption and collapse. Five materials make up the exhibition, and each carries a specific metaphor: wood is flesh, brick represents collective history, rope is a metaphor for human activity, metal is control and salt is a quintessential commodity. Craft is used as a means to explore the boundary between natural and synthetic phenomena, as well as elevating the status of the base materials. The work is arranged to provide an environment and context for the viewer to respond.

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Bathroom Issues, Craig Edward Clifford Jan 2003

Bathroom Issues, Craig Edward Clifford

LSU Master's Theses

"Obscenity is a human manifestation. The toilet has no central nervous system. No level of consciousness. It is not aware; it is a dumb toilet; it cannot be obscene; it's impossible." Lenny Bruce How to Talk Dirty and Influence People Things that make people uncomfortable intrigue me and I find that these same things are very ones that make us laugh the hardest. The fact that sex and bodily functions both make people laugh in addition to making them feel uncomfortable is no accident.

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Led Into Temptation, Pamela Elizabeth Caskanett Jan 2003

Led Into Temptation, Pamela Elizabeth Caskanett

LSU Master's Theses

I am leading the viewer to experience a room full of sinful, sensual and guilty pleasures through a visual feast of sugary excess. I create a tactile environment of anticipation, desire and delight. Using sugary sweet colors, smooth curvaceous forms dressed with spikes, nipples, bumps and knobs, and objects of scale. The objective is to make the viewers salivate, confusing desire with need, leaving them to question, "What is temptation?" A visceral visual sugary landscape is created where food and vessel co-exist, each relying on the other to be complete and fulfilling.

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Drawing Of The Mind, Buddy Harper Jan 2003

Drawing Of The Mind, Buddy Harper

LSU Master's Theses

The rules of drawing I have described are an outline to my method of working. It is to be used like the rules of a game. The thesis paper provides the viewer the basic parameters for looking at my work. The body of work is produced like two people playing a game of chess. I establish the rules and then I develop the work in an investigative manner.

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Accelerate Into The Accident, Jeffey D. Hill Jan 2003

Accelerate Into The Accident, Jeffey D. Hill

LSU Master's Theses

The installation uses purely steel to describe the organic and chaotic nature of thought processes. It looks for a way to confront grief and anxiety. The procedure's purpose is to understand abstract, emotional thinking in immediate, familiar physical terms. By examining each fine strand, either steel rod or line of thought, I attempt to revel in the overwhelming complexity and irrefutable beauty of the mind. It is not a strategy to control mental imbalance. It is rather a humble acceptance of the organic chaos of thought.

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As The Ravens Watch: Exploring The Oracle, Kathryn Lavender Hunter Jan 2003

As The Ravens Watch: Exploring The Oracle, Kathryn Lavender Hunter

LSU Master's Theses

I believe in the process in which the artist never works alone but always in collaboration with the elements of chance. As an artist I live and work everyday collaborating with chance, from reading my cards to creating ethereal birds. As I sew pieces together, the thread becomes another element of the image by chance, stitches to lines, lines to pattern. Chance leads the birds to portraying their own personality as they are each created, one’s head tilts to the right while another sits tall with dignity. This work is about the connection to the subconscious, my connection to it …

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Spiritual Union: An Intersection Of Artistic Expression With Scientific Methods, Taehee Kim Jan 2003

Spiritual Union: An Intersection Of Artistic Expression With Scientific Methods, Taehee Kim

LSU Master's Theses

My body of work, “Spiritual Union,” is an exploration of artistic ideas contrasted with approaches to scientific technology. I investigate diverse physical phenomena and media and examine symbolic structures to express concepts of transcendence and spirituality in Buddhism. On deep levels, I have observed the natural beauty, richness, and complexity of organic forms. This has led to exploration and experimentation in the area where the boundaries between the artistic and the scientific fields converge. Employing an interdisciplinary approach that includes art and science, I have expressed the spiritual meaning of Buddhist lotus motifs and created a record of my own …

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Blurr, Yuka Seko Jan 2003

Blurr, Yuka Seko

LSU Master's Theses

Blurr is a short narrative based on the author’s life accompanied by a series of paintings and drawings.

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Facing Nature, Facing Paint, Emily Jane Ritchey Jan 2003

Facing Nature, Facing Paint, Emily Jane Ritchey

LSU Master's Theses

The visual portion of this thesis is made up of paintings that juxtapose built and natural forms. Particular emphasis is placed upon the element of line and the plein-air painting experience. Journal entries chronicle the evolution of painting practice during thesis research, placing the work within the context of the artist’s life.

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Buddha's Shell, Matthew Keating Jones Jan 2002

Buddha's Shell, Matthew Keating Jones

LSU Master's Theses

Photography can be a way of exploring abstract ideas visually. When I make a photograph, I feel as though I am giving the world a glimpse into my thoughts. I want to share the mystery of photography with others. The Buddha’s Shell series is part of my journey in discovering who I am as a photographer. This is my first departure away from documentary photography. Instead of using photography as a tool to record specific events and images of time, these images have enabled me to free myself and use the medium to facilitate my imagination.

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The Interjections Of Immogene Sparkhound, Christy L. Richardson Jan 2002

The Interjections Of Immogene Sparkhound, Christy L. Richardson

LSU Master's Theses

"The Interjections of Immogene Sparkhound" is a collection of essays that examines the defining moments of a painting alter ego and then analyzes the rationalizations she creates for producing the works of art that follow.

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Liminal Recollection...Between Memory And Reality, Blake Jamison Williams Jan 2002

Liminal Recollection...Between Memory And Reality, Blake Jamison Williams

LSU Master's Theses

In the year I applied to graduate school, the objects in my life acquired a distinct preciousness after my grandparents passed away within three months of each other. I realized that the things we collect, and those that surround us, reveal our narratives and silently map our personalities. I discovered that material items triggered memories for me specific to their function and relationship to me. My grandmother’s set of ten figurines reminded me of the many times we would sit and drink tea together. I became acutely aware of material items that were results of human actions. A used teabag …

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These Things Add Up, Sara C. Hopp Jan 2002

These Things Add Up, Sara C. Hopp

LSU Master's Theses

These Things Add Up explores thoughts about time, accumulation and evidence. As time passes, there is a constant accumulation of tangible and non-tangible information which must be processed. Moments, conversations, thoughts, observations and sensations all contribute to this saturation of information and the creation of a layered space and time. Information which is consciously or unconsciously selected for notice becomes evidence of identity and personal history. In this same process, memory and the anticipation of the future are incorporated into the present.

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Know, Known, Knew, Sherry J. Lane Jan 2002

Know, Known, Knew, Sherry J. Lane

LSU Master's Theses

I have special appreciations for my education, the ability to read, comprehend, and communicate. These appreciations have led my curiosity to issues of education and how we sometimes take important necessities for granted. Advances in technologies are changing social interactions, perceptions, and the ways in which we communicate. I have become intrigued at how these changes affect the ways in which we are taught today, verses how we were taught in the past and I am especially concerned of how the future will be influenced by what we are learning. When I speak of how we are taught and what …

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Chronophobia: Doing Time, Rosemary Stoltz Hill Jan 2002

Chronophobia: Doing Time, Rosemary Stoltz Hill

LSU Master's Theses

Chronophobia is the fear of time—characterized by panic, anxiety, and claustrophobia. Also known as prison neurosis, it may be the most common anxiety disorder in prison inmates. Sooner or later, almost all prisoners suffer chronophobia to some degree and become terrified by the duration and immensity of time. This is often called going “stir crazy.” The work in this installation subjectively explores interpretations of the passage of time through various multimedia experiences. Interactivity is a key feature of several installation components. There is also limited use of traditional print media graphics. References to time in music, literature and film are …

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Idego, Christopher Michael Stanley Jan 2002

Idego, Christopher Michael Stanley

LSU Master's Theses

My thesis show is sort of a mock manifesto on the ephemeral making of art, especially my art. Automatic drawing and collage are major themes and redundencies that continue to find their way into what I do. I will show the dualities between what is past and what is present hoping to find the integral ingredient that caused the past to be present. I will make the viewer question what he or she believes in. We all know that the reason for the present is because of the events in the past, but do the events of the past hold …

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Mixed Feelings, Hillary Mcmahan Jan 2002

Mixed Feelings, Hillary Mcmahan

LSU Master's Theses

My thesis exhibition, entitled "Mixed Feelings," consisted of mostly figurative paintings and drawings. In this body of work I attempted to use fragments of the figure, separately and in combination with various objects and creatures, to create visual equivalents for a range of emotional states.

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Projected Idol: A Madman's Obsession, Aaron Paul Hussey Jan 2002

Projected Idol: A Madman's Obsession, Aaron Paul Hussey

LSU Master's Theses

My art work explores societal issues and the effects of accepted norms on the public and on myself. The baseline issue is security. People will go to extremes to feel secure! My goal is to create images that will start a dialog that addresses these issues and disseminates information that will cause social change. Projected Idol: a madman’s obsession is a sculptural installation that examines the theme of the ideal male body image in western culture and the mixed signals that are projected through mass media. These conflicting images play a direct role in the security or insecurity of people …

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Full, Leanne Rose Mcclurg Jan 2002

Full, Leanne Rose Mcclurg

LSU Master's Theses

As an artist I want to make my human experience sharable. I am interested in the connection between the act of consumption, the desire that leads to that act and the repercussions of fulfilling that desire on the body both social and intimate.I have chosen the hand made pot to express my thoughts of filling the vessel. It is in the arena of eating that I begin to understand larger philosophical issues about sentience. Using dishes I made, I have chosen to illustrate the experience of consumption by leaving remnants of a dinner on display during gallery hours. How much …

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In The Dark Woods I Lost My Way, Debbie Kupinsky Jan 2002

In The Dark Woods I Lost My Way, Debbie Kupinsky

LSU Master's Theses

When I had journeyed half our life's way, I found myself in a shadowed forest. For I had Lost the path that does not stray Ah, it is hard to speak of what it was, That savage forest, dense and difficult, Which even in recall renews my fear: So bitter-death is hardly so severe! Dante Alegheri Inferno Canto 1 Dante's passage refers to the losing of a spiritual path, but for me it refers to the destruction of the past, memory and self. My work deals with the loss of the past and the burdens of memory. It deals with …

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Wash, Karin Eberhardt Watts Jan 2002

Wash, Karin Eberhardt Watts

LSU Master's Theses

In this body of work, Wash, I translate the negative aspects of life in a positive, vibrant way. The physical and psychological sensations of life supply me with an intuitive frame of reference providing a point of departure for visual expression. Digital scanning and imaging techniques allow me to develop an immediate intimacy with the organic and inorganic objects, while I methodically examine, alter and reconfigure their forms. Graphic elements suggest symbolic interpretation from eastern studies and are sometimes enhanced with letterforms and photographic images representing the difficult articulation of thoughts. I synchronize this re-orchestration with the deciphering and close …

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