Musical Expression: How Do We As Composers And Performers Use The Tools Of Music In Such A Way To Realize Our Creative Endeavors And Communicate Them To Others?, Max Vance

Honors Projects

Why do we create things? This project delves into the deep, intentional processes of composition and cello performance. This paper discusses how the process is vital to the final outcome, outlines the necessary steps for composition and performance, and provides examples of work that has emerged from these processes.

There Was Time And Place, Mary G. O'Connor

Graduate Artistry Projects and Performances

There was Time and Place is body of work that explores the relationship between reality and imagination as it relates to themes of creativity and transformation through time and place. Inspired by surrealism, automatism, science fiction, and poetic theory, the exhibited drawing-centered lithographs create encounters with fictional designs of rendered objects, machinery, and architecture. These encounters estrange us from monotony and banality of the current moment, reminding us that there is time and place for imagination in our routines.

Weaving Eigengrau, Olivia Claire Luke

Masters Theses, 2020-current

Weaving Eigengrau explores weaving as both a material ritual and an inquiry about how reality is constructed and can be pulled apart. In this project, weaving becomes a method for redirecting forces into woven patterns and examining the relationship of contradiction by treating the contrasts between light and shadow, stillness and motion, and the fixed and the ephemeral as sculptural aspects. I’m driven by theories of reality: science, myth, and philosophy, and the common threads among them. Across systems of knowledge, reality is depicted in contradiction, and I seek to blur the lines between them. Within this convergence, weaving becomes …

Reconciliation: An Auditory Exploration Of Redemptive Suffering, Emily Eid

MFA in Visual Art

Reconciliation examines the intersection between chronic pain, Catholic theology, and contemporary sound art through the lens of radical honesty. It documents a dramatic aesthetic and spiritual pivot in my art practice, moving from grotesque, abject portrayals of agony to a hopeful representation of redemptive suffering. I share how the project evolved from an installation of anthropomorphic furniture to a sculptural work using my bed, to an audio piece presented in a semi-private “confessional booth,” all while challenging the misconceptions surrounding chronic pain and disability. Utilizing the theories of Roland Barthes, I break down the semiological and authorial aspects of the …

(The) Invisible Threads: Portraiture, Memory, And Relational Endurance, Behnaz Ghasempour

Masters Theses, 2020-current

(The) Invisible Threads is an MFA thesis investigating how invisible interpersonal bonds, collective traces, and communal endurance can be made perceptible through drawing, material, and immersive installation. Drawing from my lived experience as an Iranian woman who has witnessed everyday constraint, collective uprising, and migration, the project asks how the presence of others continues to inhabit the body and shape identity even in conditions of separation and distance. Large-scale self-portraits, layered with other faces on transparent fabrics, copper plates, and stitched threads, position the artist’s own body as a site where personal and collective histories converge, allowing the self to …

Grounding In Place And Space, Levi Anthony Walker

MFA in Visual Art

The foundation of Levi Walker’s artistic practice relies on the use of natural materials that reference the landscape. The materials within his sculptures, in combination with sculptural processes, create a conceptual language that is in conversation with the land and the ways that we engage with it as a community. As a member of the Lumbee Tribe of North Carolina, his work addresses the relationship that Indigenous tribes have with the federal government, and the ways the tribe must navigate colonial systems in order to support their communities without erasing their identities or beliefs. Influenced by his upbringing, a strong …

On Paper, Dallas Spears

MFA in Visual Art

I create sculptural works from discarded copy paper that I combine with found objects, all sourced from my immediate environment. The associations of paper such as writing, tearing, stacking, folding, and scribbling echo through my formal gestures. Found objects mimic these gestures, while adding unexpected textures and colors to the compositions. These machine-made objects are intertwined with the handmade to form displays of exchange. I am interested in the tension between the manufactured and the hand-formed, and how these tensions inform our daily lives. Objects that surpass the human lifespan, products alienated from us via opaque networks of exchange, especially …

Care As Method: Sound, Duration, Relation In Contemporary Art Practice, Violet L. White

MFA in Visual Art

Abstract Care as Method: Sound, Duration, and Multispecies Relation in Contemporary Art Practice

This thesis proposes care as a method of artmaking, not a subject, theme, or aesthetic position, but the actual structural logic through which a body of work is built, sustained, and understood. Working at the intersection of ecological art practice and relational aesthetics, it asks what happens when the encounter at the center of the work is not between two people but between species, infrastructures, and histories of use and what obligations that encounter generates.

The argument is developed through six interconnected works: installations, sound compositions, sculptures, …

Temporal Ubiquity, Brittni Mosby

MFA in Visual Art

My thesis examines looking as a sacred and relational practice rooted in familial memory, storytelling, and the photographic archive. Drawing from early experiences of engaging family photographs alongside my mother and great-grandmother, I conceptualize these encounters as the formation of “temporal altars”: living vessels that activate space, memory, and multiplicity. These intimate acts of looking and listening position the home as a critical site where Black subjectivity is held with care and complexity.

By casting these modes of perception into domestic spaces, my thesis not only resists reductive external gazes but interrogates the archive as a colonial apparatus structured by …

Alive In Translation, Shiyao Fu

MFA in Visual Art

Alive in Translation explores in-between cultural conditions through my process of working with materials metaphorically, focusing on how they interact and intersect. By using paradoxical pairings—organic and synthetic, fluid and rigid, liquid and solid, flux and suspension—my sculptures and installations simultaneously hold multiple conditions. My process is grounded in my own negotiations with materials. By embracing both the material limitations and my own frustrations, I allow the materials to act as active agents in my process of making. The resulting forms exist in between the materials’ own tendencies and my own intentions. My thesis project, We twist, extend, and accrete …

Landscapes Of Home And Maps Of The Heart: Using Art To Understand The Meaning Of Home For First And Second Generation Immigrants In Worcester Massachusetts, Sophie Sundaram

Fenwick Scholar Program

Landscapes of Home and Maps of the Heart: Using Art to Understand the Meaning of Home for First and Second Generation Immigrants in Worcester Massachusetts explores how individuals with histories of migration understand and experience “home,” and how those understandings can be translated into visual form through portraiture. Developed through conversations with Worcester community members, the project combines studio practice with methodological approaches drawn from sociological and anthropological fieldwork, including participant interviews, relational research practices, and community-based engagement.

Grounded in Worcester, a city shaped by multiple waves of migration and cultural diversity, the project investigates how senses of home are …

On Antonio Vivaldi And His La Primavera, Largo E Pianissimo Simpre, Mary E. Osterman

Undergraduate Research Journal

Antionio Vivaldi’s Concerto No. 1 for Violin and String Orchestra, Largo e pianissimo sempre, Op. 8, No. 1, nicknamed "Spring", influenced program music and concertos in the Baroque period and is a leading example for composers through later eras (Talbot, 2020). Vivaldi’s use of instrumentation, color, dynamics, experimental sounds, and rhythm helped him to achieve the development of program music that was advanced for his time (Vivaldi, 1725). The concerto style grew increasingly popular in Italy and France, making other composers take heed of how Vivaldi wrote for solo instruments (Talbot, 2020). Vivaldi strategically stripped away the instrumentation and …

Shimmer Methodology: May 2026 Cultural Studies Association Of Australasia, Lola Montgomery

Staff Scholarship - Australia & Dubai

This webinar presents an overview of the contemporary state of creative-practice research and autotheory before introducing Shimmer, an emerging methodological framework developed through creative practice, postgraduate supervision, and reflective inquiry. The presentation argues that while creative-practice research has successfully established creative work as a legitimate form of knowledge production, and autotheory has legitimised lived experience as theoretical material, both traditions leave relatively under-theorised the embodied moment through which insight first emerges.

The significance of the work lies in its contribution to ongoing debates around embodiment, affect, intuition, and knowledge production within creative-practice research. Shimmer proposes a language for understanding …

Panorama, Qian Shen

MFA in Visual Art

This thesis examines the uncanny, bodily, grotesque, and metamorphic states of beings that exist between human and non-human forms. In my sculptural practice, I approach the body not as a fixed or self-contained object, but as a fluid, unstable, and continuously transforming condition. Working primarily with wool, foam, silicone, wax, latex, and metal, I use material interaction, fleshy quality, gravity, and open-ended processes to generate forms that appear unresolved, bodily, and in the middle of becoming. These sculptures often suggest skin, organs, wounds, hair, membranes, or other bodily elements, yet they resist clear identification and remain suspended between attraction and …

Brief Candles: Memory, Degradation Of Time, Indices And Activation, Jared A. Dominique

Theses - ALL

This thesis explores the relationship between landscape, memory, and image-making through a multidisciplinary practice spanning photography, painting, and collage. Rooted in early experiences with skateboarding as a framework, the work adopts a subcultural way of seeing that reinterprets urban space as fluid, contingent, and open to reconfiguration. This perspective informs an ongoing investigation of post-industrial and altered environments as sites marked by both physical and historical violence. The project frames these landscapes as “spectral,” holding traces of human activity, memory, and absence. Alongside this external mapping, it examines an internal landscape shaped by visual memory, personal experience, and mediated imagery, …

Silence After Freedom, Md Minhajul Abedin

Theses - ALL

The project examines how the 1947 Partition of Bengal and India and its fraught legacies continue to shape communal identities and lived experience in Noakhali, Bangladesh. I have used photography as a tool to construct historical memory and to examine how memory and violence are inscribed in place, while visual practice can revisit histories and engage with contemporary lived experience, which official narratives have ignored. I chose Noakhali as a site to understand the regional realities of the Indian subcontinent in a post-colonial era. Noakhali is a southern district of Bangladesh, where I was born and raised. This area has …

Cruising The Unseen: Queer Semioerotics And The Aesthetics Of Denial, Carl Voss

Theses - ALL

My art practice is rooted in the body—its pleasures, longings, limits, and shared vulnerabilities. I work across painting, printmaking, and drawing, utilizing a strategy coined Queer Semioerotics. My process starts with lived experience in queer communities, particularly within nightlife, the Pup Play community, and other intimate spaces of connection. My work traces how desire, memory, and care take visual form through documentation, material play, and modes of denial. These works explore how joy and intimacy continue despite anti-Queer sentiment, social isolation, and state violence. Through gestures of withholding, redaction, and illegibility, the works create openings for longing and recognition rather …

Drowned, Pleasured And Veiled, Taylor Simone Gearhart

Theses - ALL

Drowned, Pleasured and Veiled explores how societal ideas around romantic passion can mask manipulative and violent behavior. It examines historical and pop cultural representations of romance that give cover to the everyday violence that patriarchy visits on women within intimate relationships. ​This body of work explores themes of shame, control, desire, and the ways physical and emotional violence can be threaded throughout those experiences. Through photography and performance, the artist visualizes and interrogates the ways power pervades intimate relationships.

Talking To The Eyes: Paradoxes Of Ineffability And Effusivity In Mark-Making, Theodore Xavier Berg

Theses - ALL

Redefining mark-making as an active form of material signification has helped me understand my experience of the paradox of ineffability. This experience is as accurately described by the term effusivity as it is by ineffability, because it is not a matter of what cannot be expressed, but rather of what cannot not be expressed; of the experience that inescapably accompanies expression and signification. As our material means of expression and signification evolve digitally, the consequences of their contradictions become more discernible.

Everything Waits In The Dark: The Silence Had A Pulse And It Was Mine, Sophia Hashemi

Theses - ALL

Sophia Hashemi’s work examines collage and screenprinting as methods for navigating uncertainty, memory, and the shifting architecture of the self. Her practice engages making as a negotiation between control and surrender, where meaning emerges through attention to instability rather than resolution. Drawing from Dada photomontage, German Expressionism, and film noir, alongside frameworks such as Legacy Russell’s Glitch Feminism and Michel Foucault’s Power/Knowledge, she explores disruption as a psychological and structural strategy in works that move between visibility and concealment, past and present, intuition and construction. Hashemi positions art-making as a cyclical practice where fragmentation reconstructs memory and multiplies the self …

Apparatus Of Relief: On Sustained Exhaustion, Jiayue Yu

Theses - ALL

This thesis examines how contemporary capitalism manages a shared condition of exhaustion—the accumulation of stress, alienation, and mental fatigue—by offering calibrated forms of relief that leave its underlying causes intact. Approaching exhaustion as a collective and structurally produced condition, I make photographs that trace how it is softened and normalized within the spaces we inhabit and move through in our daily lives. Central to the project are what I describe as “apparatuses of relief”: infrastructural features embedded in public and semi-public spaces that are designed to regulate affect and soothe nerves. Operating beneath the surface, these elements promise momentary relief …

“The Fluid Archive” Innovating The Past, Protecting The Future (Virtual Reality And Cultural Preservation), Umar Bashir

Theses - ALL

ABSTRACT This thesis repositions cultural preservation as an experiential and interpretive practice rather than a purely documentary one. Centered on selected Mughal-era monuments of the Walled City of Lahore—structures increasingly affected by environmental decay and urban transformation—it investigates how the sensory and atmospheric dimensions of heritage can persist beyond material deterioration. Rather than reconstructing these sites through strict architectural fidelity, the project proposes The Fluid Archive, an immersive Virtual Reality (VR) environment that prioritizes embodied experience, spatial perception, and memory-driven reconstruction. Acknowledging that history is a constructed narration of the past, the project engages digital technologies as active agents in …

Quiet Change, Close Attention, Tianqing Xu

MFA in Visual Art

This thesis explores how sculpture can reorganize the experience of viewing through material change and small scale. The research begins with a phenomenon I am curious about: viewers are often drawn to moments when objects undergo destruction or transformation. However, rather than focusing on these dramatic moments of collapse, this thesis turns its attention to processes of change that are slow, subtle, and not easily perceived. It argues that material transformation can make time visible, allowing processes that are otherwise difficult to grasp to leave recognizable and traceable clues within the work. At the same time, small scale is not …

Within Stillness, Yitian Chen

MFA in Visual Art

This thesis explores how photography can make ongoing processes perceptible. Here, ongoing processes refer to the continuous shaping of landscape through the interaction and temporary balance of different forces, rather than a fixed or static condition. Through photographic series my work focuses on subtle traces left by different forces, including natural growth, gravity, environmental conditions, and human intervention. By introducing the concept of “trace,” the image is no longer understood as a static record of a single moment, but as a manifestation of a temporary balance among multiple forces. Rather than relying on event-based or linear narratives, my thesis artwork, …

Glaucus Atlanticus Or Blue Dragon, Sage Mccue

Distinguished Student Work - Visual Arts

No abstract provided.

Caladrius: Creating A Playable Game Via A Multimedia Experience, Isabelle Morgan Brookshire

Whittier Scholars Program

Caladrius: Creating a Playable Game via a Multimedia Experience hones in on making an experience through different forms of media to represent a game. If this project was fully funded and done, it would be a video game on Steam with an art exhibition, small poetry book, and novel accompanied with it. It would even have a show, a soundtrack, and merch. But at this level, it was to make an experience for my audience that they could experience whether or not they enjoyed video games as a concept. I wanted them to enjoy 'playing' within a physical exhibition and …

Fluid Belonging, Soft Boundary, Jingyi Liu

MFA in Visual Art

This thesis conceptualizes cultural identity as a fluid and dynamically generated process shaped through the experience of migration. Drawing on contemporary art practices and theoretical frameworks of diaspora and hybridity, the thesis is structured around four interrelated dimensions: fluid identity, memory fragmentation, material interaction, and spatial displacement.

Within the artist’s practice, traditional techniques are reactivated as both cultural signifiers and material approaches that adapt and transform across shifting contexts. Fragmentation is understood not as the loss of information but as a mode of reassembly. Materials such as ink, textile, and dye function as active agents that carry time and cultural …

The Brain And Becoming: Integrating Play And Performance-Based Learning In The Community College Classroom, Hannah M. Green

English

Instruction in the community college classroom is in need of a shift, according to neuroscientific, pedagogical, and demographic data. Primarily, students in today’s community college classrooms are instructed in the form of lectures (Nilson 106), but research has shown that game-based learning would be the way to enhance learning experiences for these adult learners. Game-based learning specifically takes form in student learning through games, interactive reading activities such as performance pedagogy, discussions, and small group work. While research shows that play-based learning at the community college level is neurologically beneficial for students, there is a gap in implementing play-based learning …

Ameling Manor Drive, Dalia K. Al-Sagr

Art and Art History Honors Projects

This honors project has been an exploration of my relationship with time and memory. By studying old childhood photos, I translate them onto canvas, focusing on how my perception of specific memories affects my color composition and value structure. I explore the evolution of perspective by understanding how my adult self views these pictures. In turn, this captures time and impermanence. My paintings focus on specific details in the photos, while other sections appear faded. I use an oil glazing technique to represent how some moments are vivid, while others are fogged with emotion. This reflects how memory tends to …

Weathered, Haylee A. Dyess

Electronic Theses and Dissertations

Weathered focuses on themes of change, accumulation, time, and acceptance. Each artwork holds layers of information and experiences that form a unique narrative for all its viewers. The construction of each piece is a symbol of the physical ability it takes to create each painting. After my mobility was hindered due to my medical conditions, a new appreciation for physical health and the world I live in was gained. Striving to pack this sense of appreciation into my work, my method became a way for me to cope with my illness and to enjoy being creative, freely.

My art is …