Fine Arts Commons^™

Cover, Lucas Vergara

.RAW Journal of Art and Design

No abstract provided.

Full Issue, Erin Robinson, Michaela Velleno

.RAW Journal of Art and Design

No abstract provided.

Parody And Mis-Unda-Stendings In Comics Art World: Bridging The Gap With New Criteria, Yannis Koukoulas

SANE journal: Sequential Art Narrative in Education

The word parody and its many cognates such as appropriation, adaptation, pastiche, travesty, forgery, homage, tribute, swipe, etc., have often been at the centre of fierce debates within the traditional Artworld and various criteria have been proposed for the critical evaluation of visual and literary works. In particular, parody as a dominant practice in postmodern art is a concept that is subject to misunderstandings as to its content and meaning. In Comics Artworld, however, within which recontextualizing practices are very common, often with humorous content, the attempt to describe artists' works and intentions by the criteria applied to other arts, …

Saintly Cinema: Modelling The Icon In The Flowers Of St. Francis And Andrei Rublev, Alexander Hart

Journal of Religion & Film

Throughout the history of the cinema, filmmakers have turned to the visual arts for inspiration in creating spiritual styles on film. In this essay, it is argued that Roberto Rossellini’s The Flowers of St. Francis (1950) and Andrei Tarkovsky’s Andrei Rublev (1966) were influenced by Giotto di Bondone’s frescos and Andrei Rublev’s Eastern Orthodox icons, respectively. Committed to realism, Rossellini adopts Giotto’s proto-Renaissance, humanist art as a model for a spiritual style in which the Transcendent is manifested through the natural world. Subverting terrestrial reality, Tarkovsky adopts the aesthetic principles of the Eastern Orthodox icon, translating Pavel Florensky’s concepts of …

“Plenty Of Heart And Plenty Of Hope”: An Analysis Of Social And Historical Implications In Post-Wwii Western Musical Films, Katelyn N. Lister

Selected Honors Theses

World War II had a profound and significant impact on American life and culture. Hollywood and film production was one area that was notably different after the war with themes and settings that promoted patriotism and American values being seen more frequently. Film lends itself to analysis due to its recorded and preserved nature that allows audiences today to view the same thing that audiences in the early 1950s were seeing, albeit with a different worldview. Western movies made in the late 1940s and early 1950s perfectly encapsulate the feelings of most Americans during the postwar period. Additionally, a new …

Pathos, Spring 2025, Portland State University. Student Publications Board

Pathos

Editor: Adriana Stanzione

Trespassers Of Space: Rewriting Female Narratives In Mexican Cinema, Andrea Ruvalcaba

Undergraduate Theses in Art History

How have Mexican cultural figures such as Maria Novaro and Adela Sequeyo made space for themselves in the male-dominated film realm? How and why have these women dared to become “contrabandistas,” or trespassers, in a social fabric defined and governed by men? The same questions apply to the world of Mexican cinema — more specifically Mexican Feminist cinema. Throughout these pages, I will explore how the film Los Pasos de Ana (1991), by the Mexican filmmaker Marysa Sistach, integrates women’s perspectives into Mexican film culture to counteract the neutralization of powerful female representations played out across various facets of Mexican …

The Tragic Outlaw Hero In Modern Egyptian Fiction: A Case Study On Naguib Mahfouz’S "The Thief And The Dogs", Manar Ellethy

Regards

This article examines the outlaw figure in modern Egyptian fiction

through the lens of the conceptual framework of social banditry and classical

tragedy. It offers a unique angle of analysis of one of Mahfouz’s most prolific

works that emerges in times of growing political anxiety following the Egyptian

Revolution of 1952. Reading the 1962 film adaptation of Naguib Mahfouz’s The

Thief and the Dogs directed by Kamal El-Sheikh as a projection of the socio-

political uncertainty of the post-revolution Nasser era, this paper considers the

outlaw figure within the condition of social alienation. Using the conceptual

borders set by Eric …

A Polyphonic Adaptation: Noir Sensibilities In Naguib Mahfouz And Salah Abu Seif’S Take On Émile Zola’S "Thérèse Raquin", Fadi Awad Elsaid

Regards

In 1951, Salah Abu-Seif directed Lak Yūm yā ẓālim (Your Day Is Coming) – scripted by Naguib Mahfouz – adapting Émile Zola’s Thérèse Raquin (1867). In their third collaboration, Abu-Seif and Mahfouz went beyond merely adapting Zola’s novel – they also incorporated traits and techniques from film noir, creating what this article terms a “polyphonic adaptation” that draws from multiple sources. While their partnership is often credited with pioneering realism in Egyptian cinema, this article argues that the film’s crime-thriller elements invite a reassessment of that narrative. Although adapting French novels was common in pre-1952 Egyptian cinema, their …

The 1953 Codes: Rayyā And Sakīna On Screen (1953-2005), Elena Chiti

Regards

This paper examines on-screen representations of female criminals. It focuses on Rayyā and Sakīna, two sisters who were arrested in Egypt in 1920 and executed in 1921. Since 1953, the sisters have inspired movies and TV series that have entrenched their myth in popular culture. Rayyā and Sakīna are at the core of narratives that bear moral imperatives on societal issues, such as the place of women in society and the relation of the nation to its margins. I will argue that, until a recent off-screen resignification, Rayyā and Sakīna have not been deeply resignified in Egyptian movies. Instead, they …

Contributors, Amelie Sandoval

.RAW Journal of Art and Design

No abstract provided.

'Scatter' & 'Divine', Victoria Dai, Margaret Mallow

.RAW Journal of Art and Design

No abstract provided.

'Can't Feel Me'; 'Bodies In Nature'; & 'Chypre', Owen Isachsen, Joie Rahn, Jaclyn Brodersen

.RAW Journal of Art and Design

No abstract provided.

'Nazare, Portugal' & 'Fingered', Tasman Fruhauf, Olivia Pye

.RAW Journal of Art and Design

No abstract provided.

'Visual Control'; 'What Lurks'; & 'Whispers Of My Roots', Nick Degeorge, Samarra Sanders, Shrishti Dutta

.RAW Journal of Art and Design

No abstract provided.

'The Deception Of Elegance' & 'Submarine Cinema', Maya Benham, Lucas Vergara

.RAW Journal of Art and Design

No abstract provided.

'Picking Up The Pieces' & 'Show Me The Way', Liliana Monge, Lorelai Samuel

.RAW Journal of Art and Design

No abstract provided.

'Pink Party' & 'West', Kelli Ayon, Kennedy Ray

.RAW Journal of Art and Design

No abstract provided.

'Mio- Branding' & 'Pillow Book', Jenni Martinez, Itzel Camarillo-Gonzalez

.RAW Journal of Art and Design

No abstract provided.

'Veiled In Luminance'; 'Herd'; & 'Preservation', Victorine Philippe, Zoe Shaikh, Jolina Chen

.RAW Journal of Art and Design

No abstract provided.

'Sinner' & 'Feel The Music', Gillian Crow-Juarez, Josh Hakman

.RAW Journal of Art and Design

No abstract provided.

'Eva'; 'Lone Road'; & 'Mi Mama', Frankie Grosser, Amelie Sandoval, Tiffany Orellana

.RAW Journal of Art and Design

No abstract provided.

'Leprawn James'; 'Longing'; & 'The Alchemists', Kyra Oh, Emily La Puma, Lillie Turinsky

.RAW Journal of Art and Design

No abstract provided.

'Culture In Couture' & 'Decapitated Darling', Cooper Mortensen, Maneli Mianji

.RAW Journal of Art and Design

No abstract provided.

'An Irreversible Flame' & 'Tuned To The Moment', Christianna Gatti, Michaela Velleno

.RAW Journal of Art and Design

No abstract provided.

'Starfishin'' & 'Neighborhood Threads', Chloe Krome, Riley Williamson

.RAW Journal of Art and Design

No abstract provided.

'08.04.24 Skyline' & 'Port', Aviv Kesar, Tyler Deal

.RAW Journal of Art and Design

No abstract provided.

'Wish You Were Here'; 'A Collection Of Webkinz Puppies'; & 'Welcome Slome', Ava Donaldson, Erin Robinson, Celeste Ibarra

.RAW Journal of Art and Design

No abstract provided.

'All Bottled Up' & 'Young Cowboy', Amanda Keith, Claire Hughes

.RAW Journal of Art and Design

No abstract provided.

Table Of Contents, Emily La Puma

.RAW Journal of Art and Design

No abstract provided.