Other Film and Media Studies Commons^™

American Indians In Feature Films: Beyond The Big Screen, Daisy V. Domínguez

Publications and Research

This article examines whether library collections represent the breadth of portrayals of American Indians in feature film and provides collection development resources for developing and strengthening feature film collections by and about American Indians.

Reviews Of Thunder: A Film About Ferron, Sarabah, And The Punk Singer: A Film About Kathleen Hanna, Sarah Dougher

University Studies Faculty Publications and Presentations

Sarah Dougher reviews three films in this issue of Films for the Feminist Classroom: Thunder: A Film about Ferron. Directed by Bitch and Billie Jo Cavallaro; Sarabah. Directed by Maria Luisa Gambale & Gloria Bremer; and The Punk Singer: A Film About Kathleen Hanna. Directed by Sini Anderson.

Troika Of Fortune Tellers, Sophia D. Kalin

Scripps Senior Theses

This film is an oral history about the intergenerational relationship between three women: my grandmother, my mother, and I. Through our connection I explore the Russian traditions that my grandmother has cultivated and shared among the three of us, in particular, the tradition of fortune telling. I also explore my grandmother's struggle with dementia. Although her memory is fading, she can still remember the practice of reading fortunes and that tradition has preserved our bond and her legacy.

Edward Steichen And Hollywood Glamour, Alisa Reynolds

Theses and Dissertations--Art and Visual Studies

As a word, glamour is hard to define, but is instantly recognizable. Its association with Hollywood movie stars fully emerged in the 1930s in the close-up celebrity portraits by photographers like George Hurrell. The aesthetic properties in these images that help create glamour are characterized by the Modernist style, known for sharp focus, high contrast, seductive poses, and the close-up (tight framing). My essay will explore the origins of the visual aesthetics of glamour, arguing that their roots can be found in the still life photographs of the 1910s, produced by fine art photographers such as Edward Steichen. This essay …

Nonfiction, Documentary And Family Narrative: An Intersection Of Representational Discourses And Creative Practices, Kristine T. Weatherston

Theses and Dissertations

Nonfiction, Documentary, and Family Narrative:
 An Intersection of Representational Discourses and Creative Practices explores the role of personal memory, family history, and inter-generational storytelling as the basis for making a nonfiction film. The film, American Boy, tells the story of my mother’s immigration to the United States after the failed Hungarian Revolution of 1956, opening a discussion of four generations of my family life in the context of historical events, exile, self re-invention, and identity formation. As a media producer and nonfiction author, I narrate my understanding of these events to my infant son, as a way of communicating …

An Exploration Into The Potential Of Irish Films (1896-1962) For Empathic Approaches To The History Classroom, Thomas Mcgraw Lewis

Doctoral

This thesis applies historical empathy as a lens through which Ireland’s filmic heritage can be explored within the teaching of history. In its approach, the research asserts that critical perspective recognition and affective exploration can be achieved through a sustained model of historical narrative inquiry. Undertaking textual analysis of a series of pre-televisual films from the National Film Archive, it argues that there is value in these records for understanding the formulation and assessment of political and social representation in the nascent Republic. While remaining cognizant of the constraints placed on both the educational and archival professions in Ireland, the …

Science-Fictional North Korea: A Defective History, Seo-Young J. Chu

Publications and Research

Kafkaesque, Orwellian, eerie, surreal, bizarre, grotesque, alien, wacky, fascinating, dystopian, illusive, theatrical, antic, haunting, apocalyptic: these are just a few of the vaguely science-fictional adjectives that are now associated with North Korea. At the same time, North Korea has become an oddly convenient trope for a certain aesthetic – an uncanny opacity; an ominous mystique – that many writers and artists have exploited to generate striking science-fictional effects in texts with little or no connection to North Korean reality. (The 2002 Bond film Die another Day, for example, draws from North Korea’s science-fictional aura to animate North Korean super-villains who …

“All Data Is Credit Data,” Or, On Close Reading As A Reciprocal Process In Digital Knowledge Environments, John Hunter

Faculty Journal Articles

The new knowledge environments of the digital age are often described as places where we are all closely read, with our buying habits, location, and identities available to advertisers, online merchants, the government, and others through our use of the Internet. This is represented as a loss of privacy in which these entities learn about our activities and desires, using means that were unavailable in the pre-digital era. This article argues that the reciprocal nature of digital networks means 1) that the privacy issues that we face online are not radically different from those of the pre-Internet era, and 2) …

A Delicate Balance: Polish Portraits In U.S. Film During World War Ii, Joseph W. Zurawski

Jan Karski Conference

No abstract provided.